Premiere Pro 1.5 -Gropping/Resize-

Hallo zusammen,
ich arbeite seit einiger Zeit mit APP 1.5 und suche bzw. hätte gerne gewußt ob es die Funktion "gropping" und "resize" - so wie bei VDUB - in dem Programm gibt bzw wo ich diese finde. Beim Support erhielt ich die Auskunft, dass es beides gibt, nur konnte mir niemand sagen wo.
Danke für alle Tipps
KK

Hi
danke für die Antwort - in der deutschen Version nennt sich das vermutlich "beschneiden und scalieren" aber wie ist es mit dem hochrechnen auf "full PAL" ich nehme an, das macht der Renderer selbst. Ich werde das mal austesten.
mfG
KK

Similar Messages

Premiere Pro CS6 resizes my video. Help!

Hey guys!
I recorded a video with my Canon HD HG20 in 1920x1080 px and wanted to cut it in Adobe Premiere Pro but the whole video lost the margin so that sometimes my head is not on the screen. It's hard to explain thats why Ive taken a screenshot to show it:
(If the screenshots aren't available, just take the links:
http://s14.directupload.net/images/130501/8bcw9gtr.jpg
http://s14.directupload.net/images/130501/amnu6ub8.jpg
I thought that if I would render it it will be fullscreen then so that the preview function is a little bit buggy but the renderoption offered a resolution of 720x576 and I can't change this.
I hope that you can understand my problem and will help me. Thanks in advance.

Did you do as it says below, to be sure your video is correctly seen?
See 2nd post for picture of NEW ITEM process http://forums.adobe.com/message/3776153
-and a FAQ on sequence setting http://forums.adobe.com/message/3804341

Premiere Pro CS4 "Export Settings" window does not show up.

Hello,
I've run into a new problem with Premiere Pro CS4. Basically, when I select "File > Export > Media" my Export Settings window doesn't show up. If I click on the Premiere window I hear the beeping sound and nothing happens, if I hit Enter the Export Data window pops up and then Media Encoder opens. So, it seems that my Export Settings window is still open but I can't see it and make the necessary setting changes. It does not appear to be minimized and I can not locate it on my desktop anywhere. This is really frustrating because I was able to see the Export Settings window just a few weeks ago when I was exporting my last project. I've tried changing my screen resolutions but that didnt reveal the Export Settings window.
Does anyone know what is going on here and, more importantly, how I can fix it? I am really stuck here and am working against a deadline. Any and all help is greatly appreciated!
-Ben

Ben,
THANK YOU!!!! For two days I have been struggling with the exact same issue. And of course it was simple to fix, if I had just thought about it. Thank you for taking the time to post your experience. I had tried all sorts of stuff trying to get everything onto my #1 monitor, with desktop & workspace resets, resizing my display, etc. After reading and printing your post,
Hitting ALT+Space,
Down Arrow,
Enter,
and then pressing the left arrow and watching my Export window slide into view, I was laughing so hard, that I was tearing up. It would have been a month waiting for my second monitor to get repaired to get to see what was still being displayed on this ghost monitor. Each week, I video and edit our church's service and then post three versions (Windows Media Player, Ipod-MP4, MP3 Audio) of it to our web site. I would have been four weeks behind were it not for your post.
Again, a BIG Thank You!!!
Tony Salso
[email protected]
Cedar City, UT 84720
Tony—Professional Digital Pictures
--Videographer and Webmaster
Red Hills Southern Baptist Church
Serving Jesus in Southern Utah
[email protected]
www.redhillssbc.org

Problem exporting Premiere Pro CS5.5 projects with still photos and h264 video

I'm a longtime Final Cut Pro user and evaluating Premiere Pro for my workplace before making the switch. I have been running into several problems when I try to export raw h264 video from a Canon 5D combined with still images on a Macbook Pro. Either I receive an error in Premiere Pro saying, "Error compiling movie. Unknown error." or Adobe Media Encoder appears to continue exporting (the time elapsed bar continues to move) even though the time remaining stays frozen once it hits a photo it doesn't like. It's not always the same photo.
I've spent several days trying to troubleshoot the issue, including batch resizing all photos to 1920 wide (to match the video settings), and it hasn't work. The sequence is currently set to render in ProRes 422. I've also tried HDV 1080p30 and MPEG-4. I cannot find any consistency with the errors. Occasionally an export will work, but every couple still photos will look like green static. I've also tried batch converting the photos in Photoshop to PNG and GIF without any luck. I'd include my default export settings but I've pretty much tried it all. I'm just trying to figure out what's causing the error since the message is very vague.
Couple other notes:
There's plenty hard drive space available for export
I can export the DSLR video (h264, 1080p30) without still photos no problem
I can edit the same still photos and video in Final Cut with no problem
I have the same problem with auto-save on and off
I tried re-installing production premium, deleting the preference files and cleaning the media cache - no luck. I also tried exporting under a different user account and it wouldn't work.
This is driving absolutely crazy. I'm affraid to use PP on deadline because I don't see any issues until it's time to export. Any ideas would be greatly appreciated. Thanks!
- McKenna

Thanks Todd. Your questions were actually very helpful. I'm using a Macbook Pro with an Intel Core i7 processor and NVIDIA GeForce GT 330M graphics card. I'm running OS 10.6.8 and have the latest updates installed.
When I disabled the GPU acceleration, I was able to render and export without a problem. The problem only occured when using the GPU acceleration and mixing h264 with still photos. It also affected both rendered previews and the final export. I'm assuming its a support issue with the graphics cards, but it would be great if you had any other ideas. I appreciate your help.

Premiere Pro CC 2014 crashing constantly

Premiere Pro CC was great. Premiere Pro CC 2014 is not so great!
Constantly crashing every time I go to render after a while.
It happens so inconsistently I cannot explain.
I wish Adobe would see this post and contact me to resolve.
We pay for 5 seats every month and should not have to deal with software crashing constantly.
Thanks,
J

Hi, I have the same problem too.
Premiere pro cc 2014 crash constantly. I found problem in the overflow of RAM when I quickly scan (review) my clips on the timeline or resize the clips.
My configuration:
Premiere pro cc 8.1; 16Gb RAM; SSD 120(where i store and work with my video); CPU Intel i72700K; Windows 7 Pro x64

Suggestion BOX for Premiere Pro!!! Add your suggestions. what would you like to see in CS 6.5 or CS7

1. I would appreciate if you could import and link files like in avid media composer.
Sometimes we work on bigger projects and from different computers, but if I open the project on another computer I have to relink the files, what sometimes is really annoying, and sometimes I take my work home, but can't, since the files are placed on different servers/locations I just can access at work. So, the "real" import would be very helpful.
2. You also should be able to have the opportunity to structure your project like in avid media composer.
If you create a new project, there should be just one place/location where your files are stored like the Avid MediaFiles folder.
3. On the list view - it should be possible to sort assets, and in the project window the icons are still to large (even though you are already chose the smallest)
4. Speed/Duration - It should be possible not only to adjust the % it would be nice, also to adjust the frame rate.
e.g. you have a project/clip with 25/24fps. and you want play it in 24/25fps without skipping/interpolating frames. Also when you render it, it should be possible to choose this option (with the information that the clip will be played slower or faster, depends what you want) It's just like you would speed or slow down the indicator in the timeline.
5. Is it already possible to choose a window via keyboard???
If the source monitor is activated and I want to activate the timeline, can I do this without using the mouse, like (alt+F4)? Jumping between the source-project monitor, project window, timeline .... This would increase my work SPEED also if you in the source monitor and want to jump into the effects panel should be possible without mouse (tab).
6. If you already work on a project and you recognize that you have the wrong audio track settings that would it be possible to change it from mono to stereo and stereo to mono.
7. Multicam
If you have set up a Multicam session with many (and/or) big files, than would it be nice if you could do a right click on it and choose something like - convert to workable quality (proxies) - (also the size of the video e.g. from 720p to 360p should shrink)(option box where you can adjust the quality/size and also what premere pro suggest) because in many cases you have to convert it manually and this are some extra steps you have to do, what I think isn't necessary. After you are done with the editing you should right click again and able to choose - replace with original files - or something like that.
Editing in MULTICAM MODUS is sometimes still a pain. We want edit sometimes in Multicam - Monitor, but every time I stop recording and press play and just want to change the camera, I get an new edit I don't want (and rec turns automatically on) Then when th rec is on and I go frame by frame and click in the multicam monitor on the camera I want, it doesn't add an edit. This all is so weird and makes multicam uncomfortable to work.
I'm really interested what your ideas are and maybe adobe picks some of it (hopefully) to improve premiere pro.

Thx for this input and information!
I'll try it.
1&2. Most of the time, the files get moved from one server to another where I have no influence on it. That's why import is so important to me, and still have to work on avid media composer.
4. I knew that it'll work like this this , but I still hope it's going to be easier in future, so I can avoid an extra sequenz
5. Thx a lot, because I couldn't find out, and this will speed up my work speed
6. Never mind, I just had once the problem I made a stereo track (because it was recorded in stereo). Then came the time to mix and master it and figured out (this should be mono) I tried to change it to mono but I couldn't.
7. I'm using multicam most of the time on a mobile computer and I have footage of 4 cameras in 1080p or 720p50/60. Then I can't edit it in multicam because it's too much for my computer and I have to resize it what takes ages. I know you could say I should purchase a better computer, but I have no problems to edit 2 video tracks in 1080p
Thank you again, and sry that I posted my wishes in this forum. was looking for suggestion box but couldn'd find it. Now I know it's called wishform.
Again THX alot.!!!

Help! Trouble Rendering 16:9 footage in AE, and playing it in Premiere Pro!

I have two issues:
#1. I've spent hours searching for a solution to this dilemma, and I've only managed to come across "similar" problems other people have been having... However, I still cannot fix my problem.
Basically, I've been editing some footage in After Effects. The source material was filmed in HDV 1080, 30 fps; the source's aspect ratio was 1440 x 1080. I attempted to render the completely-edited footage in an AVI format with the compression codec: Xvid MPEG-4 Codec (as was suggested by a tutorial video on YouTube) and with an aspect ratio of 1024 x 768. But, no matter what I do, my rendered video always comes out horizontally "squeezed" when viewed in Windows Media Player, and when uploaded to YouTube/Facebook. Fortunately, when imported to Premiere Pro, I can interpret the footage properly so it's not squeezed.
Is there anyway I can render footage in After Effects so the widescreen product isn't "squeezed" in WMP/Facebook/YouTube?
#2. Even though the footage can be interpreted properly in Premiere Pro, the playback is jumpy - like, it'll only play 2 seconds smoothly, and then get stuck, jumping to points that are 5-7 seconds apart. Surprisingly, the original source material does not have this issue in Premiere Pro, despite having a larger aspect ratio and a file size that's more than twice as large. I thought maybe a small RAM was the problem, but my computer has 3.8 GB of usable space on the RAM when I checked. Rendering the work area after every little edit I do is getting too tedious, 'cause it takes about a minute to render the 12 second footage - but at least it plays back smoothly... I don't have to do this with the original source, though. Is there a way around this? What's causing the jumpy playback in Premiere Pro CS 5.5?
Thanks...

If you want to render for any media player (QT or Windows) you must use a square pixel format that's appropriate to the codec you're using. AE's presets that use square pixels are all legal frame sizes. If you want to have Premiere or any other NLE playback footage you render in After Effects without having to re-render the previews you must use the same codec you're using for the sequence.
Your frame size from Premiere is NOT square pixels, it's DVC Pro HD with a 1.33 PAR so unless you bring that footage into a square pixel comp (1920 X 1080 for example) or resize it on export using the Adobe Media Encoder (recommended) or by Resizing in the Output Module (not recommended for a bunch of reasons) the output is going to look squeezed in any media player.
Rendering to the Xvid MPEG 4 codec from AE isn't recommended at all because MPEG codecs only give good results when you use multi pass ending (AME will do that), but more importantly MPEG codecs are GOP codecs which make up the data for several virtual frames from a few real (i frames), and they take a tremendous amount of CPU power to decode.
Your best rendering choices are a lossless 10 bit codec (black magic for example) or a lossless like Animation Quicktime if you need alpha channels, or nearly lossless codec like Photo JPEG QT at 95% quality when you're doing further production on the footage including color correction, or to render to the same codec the camera uses. Only the same codec used for your PPro sequence will give you smooth playback in Premiere Pro without rendering previews.
If you told us what codec the camera uses we'd be able to help you figure out the best option for rendering.

Premiere Pro CS4 - Problem with the monitor program.

Hi. I'm not able solving problems with the monitor using PremiereProCS4. When I drag a photo (also only one photo) in the timeline and play it in the monitor program, vision in the monitor program doesn't run:black monitor or a little part of the photo appear... sometimes distort colours. Asus P5QPRO, Intel 9550 and Sparkle Nvidia GeForce 9800 GTX+ 1024 DDR3; last gpu driver and directX are installed. Different configuration of stratch disks were tested. Where am I wrong?

Dear Bill,
thanks for your answer and your article. I tried with your NTSC 4:3 720x480 PAR 0.9 and, "magically", no more problem!!! I used the script pocedure in Photoshop CS4 to resize my images. Now, before starting my workflow and hoping not to overuse your patience, I would like to indicate you my equipment and my target: I use a Canon Eos 7D (generally for still images, 90% are vertical, and just some videos) and I use Premiere Pro CS4 to burn a dvd (normal, 4.7 Gb or double side, more than 8 Gb) with a 16.9 lcd tv (I'm Italian); my camera save as .jpg and .raw (but why use heavy .raw files if I've to redute to 720x480?!??).
So, according to your "everyone wants the highest quality that they can obtain when doing theri videos..." and "your video project may vary, so you will need to plug in the dimensions for YOUR video project in that case", I've a question: which is the best for me?
And then:
1 - Premiere Pro CS4 havn't a batch or a script procedure for still image like PS (only for videos)!?!
2 - Premiere does'nt allow you to import images like 4.181 Kb (a too large dimension file error appears)!
3 - In the timeline of Premiere, after you dragged images, you can select them and right click to perform "resize to frame size": it seems to run good without problem, but what appen to the photo? Which is it's pixel?
4 - In the general preferences of Premiere you can to optimize rendering for "memory" or not: which is the best for you?
5 - I attached file with a screen of something strange in Premiere: dragging an image (the first of the project) in the timeline, the timeline appears distort (you can see the part in the yellow square): then, when I render the project and play in the monitor program, it becames normal.
Thanks!

Premiere Pro Final Product is Grainy

I have been using Premiere Pro (currently Premiere 3.0) for a few years now. My video export has always looked good on my computer and on a burnt DVD. That said...my photos which ae High quality do not look as impressive. They look slightly pixilated and at times grainy. I have tried resizing the photos to match my project's sizes and still no improvement. Here is my info:
Files Size 49.1 MB
Image size 720x480
Pixel Depth 720
Frame Rate 29.97
Source Audio 48000 - 16 bit stereo
Project Audio 48000 - 32 bit floating point stereo
Pixel Apsect 1.2
my photos are 4.65 in size
Dimensions 4288 x 2848
Horizontal and Vertical Res 240
Bit Depth 24
Again I have tried to resize them...and its seems to make no difference.
Three-year headache now! Please help!!
~Nikon

Nikon,
The best quality that you can obtain with PrPro and Video of Still Images, is by Scaling your Stills to the Frame Size of the Video Project, say 720 x 480 for NTSC, in Photoshop. The Scaling algorithms are much better, than those in PrPro. This ARTICLE goes into more detail. As you are on a version of PrPro, prior to CS 5, you can ignore the discussions on how things improved, as of CS 5, with the Mercury Playback Engine.
Depending on the version of PS that you have, there will probably be two very useful Interpolation algorithms for Scaling (with Resample checked), and you might want to experiment with them, and your Images, to choose whether it's better to use Bicubic Smoother, or Bicubic Sharper. Much depends on the individual Image, and on what you find the best. I use both, but it will depend on the original Image.
As others have stated, SD Video is much, much smaller, than your originals, so will never look so good, but with the help of PS, you can still get them, as good as it gets.
Good luck,
Hunt

Working with video and photos in Premiere Pro CS6

Hi Folks.
I am a LONG TIME Adobe Premiere 5 user. NOT CS5, Adobe Premeire 5!! Yes, from the 1990's!! Recently I went back to college and taking advantage of the educational store, I treated myself to Adobe Master Collection CS6. I LOVE IT!!!
I'm just back from holidays where I snapped loads of photos at 14Mpx and video at 720p HiDef on my camera. I now want to compile a holiday video of my photos and videos telling the story of my holiday. I always do this and in Adobe Premeire 5 I had it nailed down. This is my first big outing with Adobe Premiere Pro CS6 and while I'm making some good headway with it, there are so many differences that I have a few questions...
1.
My movie is being made at the resolution of my video footage, 1280 x 720. My photos are MUCH bigger then this. When I place a photo on the timeline, because it's much bigger then the video resolution I have to right click on it on the timeline and select Scale To Fit Screen or whatever the option is. This works great as the whole photo then shrinks down to fit within the video resolution. But it's a pain as I have LOADS of photos!! Is there a way to make photos default to fitting on the video resolution when I place them on the timeline? I don't want to resize them in Photoshop to fit the resolution as I plan to move and zoom into the photos as part of the video so I want to keep them at their 14Mpx size.
2.
When I place a photo and a video side by side in the timeline, why can't I place a Cross Disolve transition overlapping the two of them? The transition just overlaps the video start/end depending on where it is. If I put two photos side by side, the transition will overlap the top of them on the timeline. Haven't tried it with two videos yet.
That's it for now. Making slow but good headway. Any feedback would be appreciated.
Paul.

Start by downrezzing your photos in PS to a more manageable size. If you don't need pan and scan, just use 1280x720. You can batch resize them in PS and it will make the editing experience a lot better, putting less overhead on the system and resulting in a much snappier response.
Read about handles in the Help file for transitions. You need extra material at the end on a clip and the beginning of the next clip.

How to create Chinese Close Captioning in Premiere Pro CC?

I am using an English version Premier Pro CC, the Chinese character will not display on screen when created in the caption window. Do I need a Chinese version of Premiere Pro for creating Chinese close captioning?

Hello,
Have you read through this article yet? Adobe Premiere Pro Help | Importing still images
Seems like the section at the end of the article could be helpful
Resizing imported images
Imported images usually have a higher resolution than imported videos, so they appear cropped when viewed on the Timeline in Premiere Pro.
You can individually adjust the scale of the clips to match the sequence frame size. Or you can use the Set to Frame Size command to quickly resize the image.
When you use the Set To Frame Size command, the native pixel resolution of the image is preserved, letting you see the sharpest resolution when you zoom in on an image.
Right-click (Windows) or Control-click (Mac OS) an image in a Timeline.
You can select multiple images in the Timeline at once by pressing Shift and clicking the images.
Select Set To Frame Size.
When you select the Set To Frame Size command, the Scale To Frame Size setting is toggled off for improved playback performance.
Please let us know if this does the trick or if you need further help.
Best,
Peter Garaway
Adobe
Premiere Pro

Premiere Pro CS3 - Preset & Media File Questions

Volunteered to create a high school football highlight video using Premiere Pro CS3 on a Mac. The video will be shown in a banquet hall using a NEC projector attached to the ceiling. The hall owner doesn't have any info on the projector, so I don't know its native resolution or any other specs. The screen is standard size.
I'm being given a potpourri of media:
1) The team's game DVDs shot from the press box. MPEG Streamclip shows the VOBs have these properties: 720 × 480, 4:3, 29.97 fps, 9.30 Mbps, upper field first - 128 AC3 2/0, 48 kHz, 256 kbps. Right or wrong, I converted the VOBs to dv files for import into PP with these properties: DV/DVCPRO - NTSC, 720 × 480, 4:3, 29.97 fps, 28.77 Mbps - DV stereo, 48 kHz, 28.77 Mbps.
2) Field level video taken with a Canon HV30 (HD, wide screen). The files I've been given are: Apple Intermediate Codec, 960 × 540, 29.97 fps, 30.09 Mbps - 16-bit Big Endian stereo, 48 kHz, 1.54 Mbps. I could ask to have these files recaptured as SD files.
3) Many side line photos (TIFFs) taken with a Canon 30D.
After editing the project, I was planning on exporting the final video/audio as a mov file to be played from my lap top hard drive rather than from a DVD. Not sure about the export settings to do this for best quality.
But first, which PP preset should I use for this project, or should I use custom settings? If so, what should they be?
Have I converted the VOBs to the proper format?
Should I recapture the HV30 footage or convert it to another format?
I have the photos in Lightroom and can export them as TIFFs, JPEGs, PSDs or DNGs and can resize them down if necessary. Any suggestions?
Finally, I was thinking of converting the background music from mp3s to aif files at 48 kHz, 16-bit to be consistent across the different audio files. Any suggestions with the audio?
Any thoughts or suggestions on these issues would be most appreciated. If the answers to these questions hinge on the projector type, I may have to wing it....or buy my own projector. Ouch.
Sorry for the length of this post.

I recommend setting up a 720x480 4:3 project. At the very least, have
them recapture the #2 video files as widescreen SD. (I'll refrain from
making any comments about the usefulness of AIC at half-HD) The
recaptured widescreen SD files will end up letterboxed in your 4:3
timeline. Your other choice would be to set up a 720x480 16:9 project,
but that would end up pillarboxing the 4:3 footage. Your choice.
I think you did a fine job converting the VOBs.
Resize the images in Photoshop. Get them as close to 720x480 as you
can, adjusting that upward to account for any panning and zooming that
you might want to do. But don't increase the size any more than you
have to. You definitely want to avoid working with huge frame-size
images in Pr.
48k 16-bit stereo audio should work just fine.
You should find out the native resolution of the projector, and whether
or not it has an internal scaler.
-Jeff

Sizing of still images for use in Premiere Pro editing.

I use Premiere Pro 5.5. I use format: AVCHD 1080i25(50i) Anamorphic for my editing (I have a Canon Legria Camera). My current stills are resized to 800x 600. When I insert in to the sequence and play it, they fall outside the safety margins. I read the Adobe help notes on this topic and resized (if memory serves 32000x32000 was mentioned) This didn't work. I also tried 2200x 1200 but this still fell out of the safety margin. Even toggling the still in the timeline didn't work. Any advice on sizing? Many thanks

I agree with Ann. This ARTICLE goes into more detail on Scaling Still Images, and shows how to Automate to Batch w/ Actions in Photoshop, and also in Photoshop Elements. One can do an entire folder full of images in but moments.
Note: the article was done, when SD was the common Project, i.e. before HD gained popularity. Disregard the Frame Sizes in the early parts, as those pixel x pixel dimensions are for SD. Discussions on HD Projects follows pretty closely, as will some discussion by Todd Kopriva, on how things changed in PrPro, as of CS 5.
Good luck,
Hunt

When you're zooming/panning on stills in Premiere Pro, does it matter what image format the stills were scanned and saved as???

I have several hundred stills that that were scanned at 600dpi in jpeg format. I know that 72dpi would be the norm for images in video, but I intend to zoom in at least 200% on many of the stills. So just to be on the safe side, I scanned them all at 600dpi.
In terms of panning and zooming on stills in Premiere Pro, does it matter that the images were scanned as jpegs rather than tiffs or png files? Will that cause problems in Premiere Pro CC for playback or does the image format not matter? If so, would it be wiser to convert all the jpegs to png or tiff files prior to importing into Premiere Pro CC? I understand that they would have to be tiffs or png files to have transparency for compositing purposes. But I only plan to do Ken Burns style moves on the stills, no compositing.
Thanks very much in advance.

Hi Ninose11,
ninose11 wrote:
I have several hundred stills that that were scanned at 600dpi in jpeg format. I know that 72dpi would be the norm for images in video, but I intend to zoom in at least 200% on many of the stills. So just to be on the safe side, I scanned them all at 600dpi.
DPI doesn't matter in video, look at the frame size of these images instead.
ninose11 wrote:
In terms of panning and zooming on stills in Premiere Pro, does it matter that the images were scanned as jpegs rather than tiffs or png files?
Yes, JPEG is a lossy compression format. TIFF, PSD, PNG are lossless compression and are a better choice for using for your purposes. However, do a test and see if the JPEGs might look OK so you don't waste time rescanning the images.
ninose11 wrote:
Will that cause problems in Premiere Pro CC for playback or does the image format not matter?
It should not matter much. The thing to be concerned about is the frame size. Using over 4000 pixels in either dimension is going to severely affect your performance. 3840 x 2160 (2x the HD frame size), I found, works well for most all landscaped oriented images. Try it and see if that works for you.
ninose11 wrote:
If so, would it be wiser to convert all the jpegs to png or tiff files prior to importing into Premiere Pro CC? I understand that they would have to be tiffs or png files to have transparency for compositing purposes. But I only plan to do Ken Burns style moves on the stills, no compositing.
Convert? No, that would not help your images performance or quality. Try a test with a JPEGs and see if they work for you. Otherwise, rescan as TIFF, PSD, or PNG and resize the images to 2x the HD frame size.
Hope this post helps guide your decisions.
Thanks,
Kevin

Premiere Pro CS6 - (ver.7) CC upgrade protocol auto update?

Just revamped one of my stations with a new GPU and SSD. I also purchased an upgrade to Windows 8 Pro. Loggin in to my usual subscription I realized that Premiere Pro CS6 is no longer available and ver.7 is now ''CC.'' This is great and the revamped machine is working wonderfully. I couldn't be happier. My wife will mainly use this machine to edit some hobby stuff.
However, the point for this thread is that my main workstation in the den still has CS6 and I did not receive an e-mail to update it or ''upgrade'' (however it's to be called) to the new CC. So am I to log in to the new CC interface login and download everything again on my main system and delete the old CS6 install?
Thanks a bunch!

CVid, you are both right and wrong.
CC actually is a very worthwhile upgrade from CS6 (or it will be when it's finished). Here is my top list of time-saving new features (and there are many more):
- NEW: Automatically Sync separate audio and video clips based on their audio waveforms. AWESOME! (but doesn't work, yet).
- NEW: Merge Clips right from the project panel, including auto sync on audio. WAY COOL! (audio sync doesn't work, yet).
- NEW: Subclips can be created with "soft" handles you can adjust later (works great! Except Subclips cannot be created from a Merged Clip)
- NEW: Use the scroll wheel—or better, yet, the keyboard—to quickly resize all video (CTRL+/-) and Audio (ALT+/-) tracks on the timeline. (LOVE IT!)
- NEW: Both "Clip Gain" and "Clip Volume" now have keyboard shortcuts (not sure why they didn't before. Small, but important time saver for me!)
- CHANGED: "Solo" button replaces "Toggle Track Output" on the timeline. (but to truly isolate a clip takes 2 ALT CLICKS and 1 MORE CLICK!)
- IMPROVED: Link Media dialogs. Very cool! (haven't tried it, yet. Wouldn't surprise me if it crashed Premiere)
- BUG: One-take Multi-Cam Editing. Make your first pass count, cause there's no second chances in the Multi-Cam editor.
- BUG: Selecting more than 3 clips on the timeline will crash Priemiere. See video: http://youtu.be/DPOUinOSzDE
And these are just the few features / bugs that I've encountered in the first week!
You are correct, though. You now RENT the software from Adobe. No purchases. But, this doesn't bother me, much. I've been renting CS6 for over a year, now. MrDigitalBoy, since you have a subscription, you should see BOTH CS6 and CC products in your Creative Cloud updater.
And, I would definitely agree with [r]Evolution, DO NOT INSTALL CC, yet. It is not even CLOSE to being ready for prime time. It has cost several editors on these forums, myself included, days of wasted time and lost income grappling with this broken software. I believe it will be great! I'm looking forward to it. But wait 'til the first product updates, at least. And then procede with caution.

Premiere Pro 1.5 -Gropping/Resize-

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