Premiere Pro CC Multicam - adding audio after the fact

First time using multicam. I think I'll be using it a lot on this documentary film project.
I made 10 or so two camera multicam clips and edited a 14 minute sequence. The in-camera audio that is on the current clips is nowhere near as good as the production audio .wav files. Can I open the multicam sequence and add in the three track .wav audio file? I realize I will probably have to manually sync it, but it would be better than adding the sound into each edited clip in the main sequence.
If I can, how will these three tracks manifest themselves in the main timeline, as one track?

This is great to hear! This will really make it easier to add the production audio. I am thrilled. The wav that I have has three tracks, one for each microphone, is there a way to marry a particular track or tracks to a particular camera so when you use that camera, it uses the sound from that person's lavalier?
It seems that adding the audio later to the multicam clip might be the best way, rather than trying to add in the .wav file when I originally make the clip. Is that true?

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Premiere Pro CC won't launch after the splash screen on my new laptop

Got a new laptop from ASUS recently. It has the Geforce GTX 860M, which I know is not offically supported yet, but I've never had problems running Premiere with unsupported cards before and I've read about other people who've made it work. I've tried uninstalling and reinstalling using the CC-app several times, to no success.
The problem manifests in two ways. Either the splash screen comes up and when it disappears, nothing happens. It's as if I never opened Premiere and I can try again with the same results. Either that or Premiere opens, I get a windows error message which says there has been an unexpected problem and Premiere had to close. No other explaination.
I tried updating the CUDA-drivers as suggested in another thread, and that worked ONCE, but Premiere wouldn't open again after that.
I have to make a decision on whether to keep this laptop, which in every other way is perfect and runs other Adobe-products fine (except raytracer in AE, but I can live without that until the card is supported), or keep another laptop with the 770M and which is not as powerful and "future proof".
Any good ideas out there would be much appreciated!

Does your laptop have two graphics adapters?
Go to the Windows Control Panel and select Hardware and Sound and then select Device Manager... In Device manager you click the + sign to the left of Display Adapters... and see if 2 are listed
IF YES, read below
-http://helpx.adobe.com/premiere-pro/kb/error---preludevideo-play-modules.html
-http://forums.adobe.com/thread/1001579
-Use BIOS http://forums.adobe.com/thread/1019004?tstart=0
-link to why http://forums.adobe.com/message/4685328
-http://www.anandtech.com/show/4839/mobile-gpu-faceoff-amd-dynamic-switchable-graphics-vs-n vidia-optimus-technology/2

Adobe Premiere Pro Help | Overview of audio and the Audio Mixer

This question was posted in response to the following article: http://helpx.adobe.com/premiere-pro/using/overview-audio-audio-mixer.html

The last section "Customize a VST effect in an options window" for a beginner working their way through the manual makes no sense. VST and how to apply it is not explained, and no explanation appears prior in the manual. To be blunt, it's just a nonsense.

Adding transitions after-the-fact

Well, Apparently I know just enough about FCE to be dangerous! I got cute and completed my project involving mostly .jpg and .tif photos, figuring out that once I'd laid it out, I'd be in a better position to "pace it" by going back and inserting dissolves and/or wipes later. I didn't know then that I should have apparently overlapped the stills for "handles." I didn't. They are cut together end-to-end. As suggested by one question here, I went back and placed an "OUT" mark a 0.05 sec on the left shot...even tried an 0.15 sec mark. It'll lay in a cross dissolve but it's so quick it may as well not be there. This is a medium to slow paced project and I'd like at least a 15-20 frames on either side of the dissolve. WHen I try to adjust duration, I get the Apple sound "thud" or similar clunk letting me know that's not going to happen. Haven't been able to use the Selection tool for highlighting and extending the dissolve at either end. I knew I should have known more about what I was doing before I started
Any help's appreciated.

VJK, I couldn't agree with you more about "Im making this way too complicated," however I've been doing exactly as you instructed: The cursor does become the two parallel bars where the transition/still meet indicating that I should be able to drag that end of the transition to the right to lengthen it (or at the other end to the left)---however, the iMac won't allow it. That's what is so perplexing. I can't find any difference between these two stills to which I've added a slow "zoom in" and another other two stills with the same "zoom in" or "pan" added where the transition worked as it should have. The stills are five to eight seconds in length so there shouldn't be a problem there. Yet, the last three transitions I've tried to lay in vary from one frame to eight frames. I've repeatedly tried several techniques and none allows me to expand them to one second.

Adding recordings after the fact

Recording works just fine. But even with a high end mic and
pre-amp prior to going to a Dell desktop PC, the noise (due to the
Dell we are sure) is terrible! We have a way to do 'studio quality
recordings' but then how can you get these in/matching things up. I
was thinking that maybe one could run the demo in the studio on a
quiet laptop, speak into the studio system to get the timing right,
and then somehow bring those in. Is this a reasonable way to go?
Better suggestions? Many thanks.

Hi GCSHEPH and welcome to our community
Indeed this would be one approach to take. Basically, you can
record with whatever you like. All you need is a resulting .MP3 or
.WAV file. (The .WAV must be PCM encoded) You would then insert the
audio clips into Captivate. This could occur in a variety of ways.
One way would be to select the slide where you want the audio, then
press F6 (or click Audio > Import...) and bring the clips in.
Hopefully this helps... Rick

Adding Java after the fact

I have an ECC 5.0 server that is abap only. Is there any docs on how I might add the Java components to this server as well?
TIA
M.

Hi Michael,
You can install Java as a stand-alone or as a Add-on to the existing Abap stack.
You can find more information on the topic at
http://service.sap.com/installNW2004s
or
http://help.sap.com/saphelp_erp2005/helpdata/en/1a/819d42449b0731e10000000a1550b0/frameset.htm
Regards,
Mike

ERP 2005 Rampup - Adding Java After the fact?

I have an ECC 6.0 server that is ABAP only. Is there any docs on how I might add the Java components to this server as well?
TIA
M.

Hey Michael,
We ran into the exact same issue also as we were trying to determine the best approach this as part of multiple ramp-ups concurrently. There were two scenarios we considered when putting the JAVA-AS on NW2004S BI:
1. Install the JAVA-AS on BW 3.5 prior to the upgrade to NW2004s BI, which would mean a dual stack upgrade; or
2. Wait until NW2004s SR1 available week 15 which will include the add-on for the Java-as.
https://websmp102.sap-ag.de/nw2004s then select "Support Package Stacks Information"
We went for option two as we did not want to take this risk during the upgrade. This give us time to determine the architecture that best suits TransAlta in implementing the JAVA-AS.
Just recently (a week or so ago) Matt Kangas and Michael Eacrett gave a presentation giving an introduction to the JAVA architecture and some of the options available. The presentation was part of an ASUG/SAP Customer Call Series and the presentation can be found at http://service.sap.com/~sapdownload/002007974700000052842006E/2006-03-16.zip
Hope this helps,
Darin Paton
TransAlta
BI ASUG Coordinator

Why do the MP4 files that I import to Premiere Pro CC have unsynced audio? (Resolved)

I have identified and resolved.the issue. There is a bug with how Premeire Pro handles importing videos with variable frame rate.
Community Memeber Walter.Johnson found a work-around at the bottum of this post, which also has the identification and submission of the bug itself:
http://forums.adobe.com/thread/1110005?start=40&tstart=0
I had to convert the video with "constant framerate" selected in handbrake. I'm believe the ffmpeg CLI equivilant switch is "-cfr" but I have not tested to be sure.
I can now import videos with synced audio!
I have recorded several hours of footage using a program called XSplit (a screen recording tool).
The files are recorded in a FLV format and I then convert them to MP4 as premiere pro cant read then in FLV.
In a MP4 format I can import the files into Premiere Pro CC and the video looks perfect, but the audio is unsynced. It is also unsynced in non-linear way so it is not something that I can simply unlink and adjust to compensate as it would have to be done manually every minute.
If I import these same MP4s into other video editing programs they import perfectly fine and have no audio sync issues what-so-ever. I only experience this issue in Premeire Pro CC. I can even tested these videos in 6 different media players and they play perfecly fine.
If I convert the files to AVI using ffmpeg or ffmpeg assisted tools it will not import into Premiere Pro CC and gives a "unsupported format or damaged file" error. Once again, this avi can be played and edited in several other programs no problem.
Here are the details about one of these files:
VIdeo Codec: H.264/MPEG-4 AVC
Video: 1280x720
Audio Codec: mp4a: MPEG-4 ACC LC
Audio: 44100hz 63 kb/s tot , stereo (2/0)
Anyone have any ideas on why the audio is becomming de-synced in Premiere Pro CC only?

I'm happy to announce to you all that my "mp4 importing" issues has been sorted out. Now I import mp4 shot with the same Windows Phone 8 Device into Adobe Premiere Pro CS4. Only that for the moment, it doesn't play as fast as with ordinary player.
But how did I get it to work, you may wonder;
I simply installed Itunes on the system, I also installed an app called media monkey. I can't say which of the apps did the magic but the next time I tried to import mp4 files into Premiere Pro after these installations, it imported seamlessly.
Obviously there's a link between the required codecs and the itunes itself.
You may want to try it and hope it works for you.
Kindly inform us if it works.
Thank you all.
Cheers.

When i try to upload a .mts file from my Sony camera to Premiere Pro CC it refuses to play the audio! Ofcourse i could convert every single clip but it takes tons of time. How can i make Pr play audio track properly?

When i try to upload a .mts file from my Sony camera to Premiere Pro CC it refuses to play the audio! Ofcourse i could convert every single clip but it takes tons of time. How can i make Pr play audio track properly?

Does it not play at all or cannot you get the audio in the timeline?
Did you copy the entire card to the hdd and then imported the file via the Media Browser?
Did you source patch the audio tracks?

Premiere Pro CC Multicam - 2 camera angles being split into multiple tracks

I love CC's multicam feature, but keep having this problem:
In Pluraleyes, I would lay all my Cam 1 material on video track 1 (multiple clips), then Cam 2 on video track 2 (multiple clips), add my audio, and create a multicam track that kept all Cam 1 clips on track 1 and all Cam 2 clips on track 2.
in Premiere Pro CC, multicam creation can only be exectued via the browser, not the timeline. So Premiere syncs everything up and throws each clip onto the next video track up, leaving you with a mountain of timeline media that reads out tiny and jumps all over the place when viewed in the multicam monitor (see picture).
What I'm after:
- the ability to create multicam sequences based on the timeline (lay out all clips from each cam on whichever video track I want, select all, then choose "create multicam sequence") so that the end result isn't 20 video tracks I have to manually collapse into 2 (time waster).
Help Adobe?
thanks
jesse

I know this is a rather old post, but have been having a play with multi cam for a while and watching a few videos so help this helps.
What I do to get rid of extra cameras that are generated with each new multicam process.
The process im mentioning is very briefly mentioned in this clip : Adobe Premiere Pro CC Tutorial | Performing Multi-Camera Editing - YouTube
Once I have made my multicam source file.
Drag to new sequence icon (similar to what is done with a clip and want to make a quick sequence from clips properties.)
You will have the green nested footage (this will have multicam enabled by default.
Ctrl + Double Left click the green bar. This reveals all the clips and audio.
Arrange the clips onto which ever video layer you want (each representing a Camera)
Double click the the sequence created to reset the sequence to have the green bar for editing but with only 2-3 cameras as desired and not the 12 you dread.
First time poster, sorry if not overly clear.

Premiere pro cs4 is adding an extra frame to my sequences

Premiere Pro CS4 is adding an extra frame to my sequences so that when I import them into Encore an extra, black frame plays at the end. In the program monitor my sequences stop at the frame I have set the sequence to end at but the counter on the bottom right of the program monitor shows that an extra frame has been added. This duration, not the duration I have set for my sequence, is what Premiere Pro is importing into Encore. I have spoken to Adobe technical help and the representative was having the same issue but she could not resove it. Help! Thank you!

Hello Wil.
For various reasons, I always add Black Video to the end of my Sequences, to allow for any extra Audio Units. As I also Export DD 5.1 SS, I allow 02 sec. of Black Video at the beginning, to allow set-top players time to "lock onto" the DD 5.1 SS Audio Track. Many high-end units require this extra time at the beginning, too.
Good luck to the OP,
Hunt

Color on exported video on Adobe Premiere Pro Is a bit off from the original source video

I have both Cyberlink powerdirector 10.0 and Adobe Premiere Pro C6
I noticed that adobe premere cs6. when exporting the video.. colors are a little off.. never matching the same tones as the original
source
i took a screenshot so you can see what i mean.. Notice Adobe is a a little mor orange. is there a way to fix this? Cyberlink powedirector always matches the source color when you export it. except Adobe Premiere Pro CS 6
i have windows 7 64 bit (Nvidia GeForce GTX 670M

Thanks for answering. I ddi notice different media players show colors different. But on the screenshot i just showed you.. all 3 are from the same media player.
For some reason everytime i export a video from Adobe premiere pro the color is never the same as the source on media player. I tried it on 4 different videos. Other software programs like cyberlink power director export the video with no color change.
1)The original source from the picture is a mpeg-4 (avc)
2)i always use wmv codec to encode all videos. So the shot from Premiere Pro was using WMV codec. and the other shot (cyberlink powerdirector) was also wmv to encde.
3) I even tried to see if maybe i used a different video format to encode it would fix the slight color change. like h264 and mov.. but nope still same issue
4) I did what you told me to show the source and exported video on Adobe Premiere and really weird. the exporterd video from Adobe Premiere now shows the exact color as the source.. but the exported video from Cyberlinkpowerdirector shows the color a bit different.
Heres the media codec information
Original Souce Video
General
Complete name                            : C:\Users\User\Downloads\meh_1280x720.mp4
Format                                   : MPEG-4
Format profile                           : Base Media / Version 2
Codec ID                                 : mp42
File size                                : 358 MiB
Duration                                 : 9mn 39s
Overall bit rate                         : 5 178 Kbps
Encoded date                             : UTC 2012-08-15 09:47:22
Tagged date                              : UTC 2012-09-19 02:29:56
Video
ID                                       : 1
Format                                   : AVC
Format/Info                              : Advanced Video Codec
Format profile                           : [email protected]
Format settings, CABAC                   : No
Format settings, ReFrames                : 2 frames
Codec ID                                 : avc1
Codec ID/Info                            : Advanced Video Coding
Duration                                 : 9mn 39s
Bit rate                                 : 4 918 Kbps
Width                                    : 1 280 pixels
Height                                   : 720 pixels
Display aspect ratio                     : 16:9
Frame rate mode                          : Constant
Frame rate                               : 23.976 fps
Color space                              : YUV
Chroma subsampling                       : 4:2:0
Bit depth                                : 8 bits
Scan type                                : Progressive
Bits/(Pixel*Frame)                       : 0.223
Stream size                              : 340 MiB (95%)
Language                                 : English
Encoded date                             : UTC 2012-08-15 09:47:21
Tagged date                              : UTC 2012-08-15 09:47:45
Color primaries                          : BT.709-5, BT.1361, IEC 61966-2-4, SMPTE RP177
Transfer characteristics                 : BT.709-5, BT.1361
Matrix coefficients                      : BT.709-5, BT.1361, IEC 61966-2-4 709, SMPTE RP177
Audio
ID                                       : 2
Format                                   : AAC
Format/Info                              : Advanced Audio Codec
Format profile                           : LC
Codec ID                                 : 40
Duration                                 : 9mn 39s
Bit rate mode                            : Constant
Bit rate                                 : 256 Kbps
Channel(s)                               : 2 channels
Channel positions                        : Front: L R
Sampling rate                            : 48.0 KHz
Compression mode                         : Lossy
Stream size                              : 17.7 MiB (5%)
Language                                 : English
Encoded date                             : UTC 2012-08-15 09:47:21
Tagged date                              : UTC 2012-08-15 09:47:45
Codec Infomation after encoding video on Adobe premiere pro (WMV)
General
Complete name                            : C:\Users\User\Documents\Adobe\Premiere Pro\6.0\testmeg_1280x720.mp4.wmv
Format                                   : Windows Media
File size                                : 498 MiB
Duration                                 : 9mn 39s
Overall bit rate mode                    : Constant
Overall bit rate                         : 7 205 Kbps
Maximum Overall bit rate                 : 10.1 Mbps
Encoded date                             : UTC 2012-09-18 23:11:30.285
Video
ID                                       : 1
Format                                   : VC-1
Format profile                           : MP@HL
Codec ID                                 : WMV3
Codec ID/Info                            : Windows Media Video 9
Codec ID/Hint                            : WMV3
Description of the codec                 : Windows Media Video 9 - Professional
Duration                                 : 9mn 39s
Bit rate mode                            : Constant
Bit rate                                 : 10 000 Kbps
Width                                    : 1 280 pixels
Height                                   : 720 pixels
Display aspect ratio                     : 16:9
Frame rate                               : 24.000 fps
Bit depth                                : 8 bits
Scan type                                : Progressive
Compression mode                         : Lossy
Bits/(Pixel*Frame)                       : 0.452
Stream size                              : 691 MiB
Language                                 : English (US)
NumberOfFrames                           : 13907
Codec information for exported video on Cyberlink Power Director
General
Complete name                            : C:\Users\User\Documents\Produce_251.wmv
Format                                   : Windows Media
File size                                : 419 MiB
Duration                                 : 9mn 39s
Overall bit rate mode                    : Constant
Overall bit rate                         : 6 055 Kbps
Maximum Overall bit rate                 : 6 371 Kbps
Encoded date                             : UTC 2012-09-18 22:45:31.348
Video
ID                                       : 2
Format                                   : VC-1
Format profile                           : MP@HL
Codec ID                                 : WMV3
Codec ID/Info                            : Windows Media Video 9
Codec ID/Hint                            : WMV3
Description of the codec                 : Windows Media Video 9 - Professional
Duration                                 : 9mn 39s
Bit rate mode                            : Constant
Bit rate                                 : 6 000 Kbps
Width                                    : 1 280 pixels
Height                                   : 720 pixels
Display aspect ratio                     : 16:9
Frame rate                               : 29.970 fps
Bit depth                                : 8 bits
Scan type                                : Progressive
Compression mode                         : Lossy
Bits/(Pixel*Frame)                       : 0.217
Stream size                              : 415 MiB (99%)
Language                                 : English
NumberOfFrames                           : 17366
Audio
ID                                       : 1
Format                                   : WMA
Format version                           : Version 2
Codec ID                                 : 161
Codec ID/Info                            : Windows Media Audio
Description of the codec                 : Windows Media Audio 9.2 - 320 kbps, 44 kHz, stereo (A/V) 1-pass CBR
Duration                                 : 9mn 39s
Bit rate mode                            : Constant
Bit rate                                 : 320 Kbps
Channel(s)                               : 2 channels
Sampling rate                            : 44.1 KHz
Bit depth                                : 16 bits
Stream size                              : 22.1 MiB (5%)
Language                                 : English

Premiere pro cs6 multicam editing

hI all!
How can I do a Premiere Pro cs6 multicam editing when there is a "audio only" clip too? for exemple when there is an external service audio recording?
Selecting the clips and right clic the create source multi-camera menù command is deactivated, and this option is not available; why doesn't it work?
thank you all.
Luigi

You can always do things the original (and often better) way.
Manually.

If I am buying single app adobe premier pro by annual prepaid plan,after the after the end of the year subscription would it be possible to use the program further without updating or I should pay each year?

If I am buying single app adobe premier pro by annual prepaid plan,after the after the end of the year subscription would it be possible to use the program further without updating or I should pay each year?

Thanks
2 бер. 2015 15:50, користувач "Peru Bob" <[email protected]> написав:
If I am buying single app adobe premier pro by annual prepaid
plan,after the after the end of the year subscription would it be possible
to use the program further without updating or I should pay each year?
created by Peru Bob <https://forums.adobe.com/people/Peru+Bob> in *Premiere
Pro* - View the full discussion
<https://forums.adobe.com/message/7243337#7243337>

Premiere Pro is not reading all of the video content in my AVCHD clip. I know this because my computer plays all of the content through Preview, so the information is on the card. How do I get Premiere to read all of the content?

Premiere Pro is not reading all of the video content in my AVCHD clip. I know this because my computer plays all of the content through Preview, so the information is on the card. How do I get Premiere to read all of the content?

First, AVCHD isn't just "one" clip, it splits the video & audio into several files each per clip, typically with randomly generated names. The only way they "play" correctly is if the software doing so is able to read from the data file ...in a different folder ... the information that X clip is actually A, B, D, #@, and 456 video clips and TR, #r54, and ert$%4 audio clips. The next "clip" is ... and on and on. So both rapid access to the video files AND that database file are necessary to play the files back, or do anything else with them.
VLC is a fairly decent but simple playback tool. It's nowhere near as complicated nor demanding in its "relationship" with those clips as an NLE like PrPro, which will be trying to do more reading & writing.
Further, many of the preferences in PrPro are natively set so that it writes project, cache, preview, & database files next to the footage. So ... if it doesn't have both a fast enough connection with the data AND space for putting all of it's own stuff there, it tells you it can't work the file.
Therefore ... the need to have the complete data from the card in the exact same folder structure it was in ON the card copied to a "local" hard drive.
Neil

Premiere Pro CC Multicam - adding audio after the fact

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