ProRes codecs.

Is there any way to have access to the ProRes codecs on my MacBook Pro without purchasing Final Cut Pro? I am trying to use Mpeg Streamclip to transcode footage to pass on to a friend who edits with FCP.

I had to do the same thing recently to allow a client to view ProRes files. Instructions are here:
http://www.jonathangrubbs.com/journal/pro-quicktime-codecs-no-fcp/
Matt

Similar Messages

  • Are the ProRes codec and .MOV file no longer supported?

    I posted the following over at Creative Cow with no luck... hopefully I can get answers here ...
    I am on a MAC - I joined the Adobe bandwagon during the great FCP migration of 2011 ... So far it's been great but...
    Both Premiere CC AND After Effects CC are not recognizing Pro Res ...heck it doesn't seem like they are recognizing QUICKTIME in general (both progams are rejecting a .MOV I have with the animation codec) ...
    When I try and open up a CS6 sequence in CC I get a message saying "The preset used by one or more of the sequences in this project requires third party components that could not be located." When you click ok just to get the project open, the media is offline.
    When I try and IMPORT a .MOV into Premiere CC I get "The importer reported a generic error."
    When I try and IMPORT a .MOV into AE cc I get "Cannot be imported- this 'MooV' file is damaged or unsupported.
    When I try a test render out of AE cc the default Format is Quicktime, but when you go to the Video Output Format Options the Video Codec has the number "0" instead of a list of codecs .... and when you click on the "0" it changes to "-1". Seriously there are NO codecs listed in the Options - No ProRes, No Animation, just the number zero.
    Media Encoder obviously is essentially the same story.
    This seems to be a Quicktime thing ... not JUST a ProRes thing.
    CS6 has no problems working with my Mac and QT/ProRes ... so I know it's not my machine...
    I really don't feel like calling India today to process a refund, but if I can't get this working on my Mac I dont need to pay for Adobe CC.

    Did you know that there has been a major overhaul to prores and where\how it's installed?  I've had the same issue, but I ran the following test:
    I've installed the compressor, I used the cs6 prores and... ...FAILURE.  I was on CS6, and it didn't work... ...Why?  Tell ya in a moment...  Next step:
    I undid the last action by dumping the prores presets.  Then I installed the cs7\cc version.  Bingo.
    I went and researched the problem.
    Apple now includes most of the prores specification in the quicktime bundle (except their new 444).  It's all in the same bundle.  I looked into some workarounds people have used to get it working without pro-apps... ...they all focus on using the older prores which is installed as separate packages... ...and separate bundles.  What does this mean?
    If you are above 10.7 for your mac os, and you have compressor (latest), you have the prores built into the quicktime bundle.  If you are 10.7 or below, and you have the version of compressor for that period (same codec, different file arrangement), you have the prores codecs all in separate bundles.  They are inactive but still included in the quicktime bundle for 10.8 and above, so you couldn't use them without the right presets, along with compressor which changes the files to an actual bundle instead of a simple file inside the quicktime packaging.
    If you are on later mac os and you have CS5 or above, use the CC version of the presets.  If you have the older prores or an older compressor and wish to try and hack it in, you can do it, and then use the CS6 version of the presets supplied by adobe.  They point to different bundles in the system.  I use both, on different machines.  IF you have cs5, you may want to use the "hack" way, and install the prores from older compressor, even if you have the newer one... ...They work faster in cs5 if you use the CS6 presets.  Why?  I do not know for certain, but I believe it has to do with the 32bit crosstalk.  Cs6 starts with 64 and has to "dumb down" to 32 for a connection to quicktime directly, and then, if it finds 64bit architecture, smart-*** up to 64 again.  In Cs5 you're stuck in 32 most of the way on the back end.  Only a guess.
    And when importing into premiere... ...HMM... >>>I had the same problems you had...  It wanted to only import audio.  If you have the time...  Try:
    Copy the presets from adobe that are for AME into the proper sequence preset folder of your Premiere app (the previews folder).  You should also try and find a way to set up your main sequence edit.  Try to remember that an AE import must be:
    Fully Rendered into a file, and not linked from AE but from the file itself OR
    The composition must be set to the same uncompressed codec (which means you need the preset in the AE app folder as well, finding this will be difficult, best of luck).
    Remember to match your preset to your codec.  IF you have separate prores bundles, use cs6 versions of the preset, and if you have the latest bundle, use the cC\cs7\2014 versions.  This will let AE provide an uncompressed composition, but very slow in previewing, and if you render out, remember to render to a whole file (you can try to render-farm, but you still have to re-render in AME or Compressor afterward, as farm will only render out the frames and an audio file, not the proper file wrapper, even if you specify that wrapper;  You have to build the file wrapper from the images and audio after you've rendered any effects).

  • Are the Apple ProRes Codec's already installed in Final Cut Pro X or do I have to download them separately

    I am new to Final Cut Pro.  I recently bought Final Cut Pro X.  Enjoying it.  I cannot seem to find anywhere if the Apple ProRes family of codec come included in Final Cut Pro X or do I have to buy and download them separately?
    I have 10.08.5 operating system

    That it works in iMovie is irrelevant to FCP. Has nothing to do with ProRes codecs. Absolute crap web site. Zero information about the media these things shoot. Absolute incompetence.
    From their web site:
    Depending on what computer system you are operating on - Mac or PC, we can suggest a few video editing software packages:
    If you're taking your first steps in video editing, iMovie (iOS) or Sony MoviEZ (windows), will be good options. Both are fairly simple to use, don't require you to convert your files, and are either free or very affordable.
    Windows Movie Maker is another free option, but requires you to convert your files to a different format, such as .wmv.
    Quicktime pro is the next step, and although it isn't free, it's very affordable.
    Sony Vegas Pro (windows), and Adobe Final Cut Pro/Premiere (iOS/windows) are great options at the more professional end of the spectrum. These are fairly expensive, and are most suitable for users with a reasonable level of editing experience.
    Say what? Adobe Final Cut Pro?
    Maybe if you can open one of these files in the QT player you could get some real information about this media.

  • Wrong aspect ratio or size when exporting Pal anamorph with ProRes codec!

    Hi community,
    I have a problem exporting a spot in the right format. The customer/the upload service provider needs PAL anamorph 16:9 in ProRes codec.
    When I export my FULLHD spot to these setting, the aspect ratio/the spot size turns out wrong. When opened in QT Pro the size is 720x576, what is correct, but the anamorph size quotet in brackets reads different values, for example 1020x576 but never 1024x576, what would be correct.
    The service providers online software refuses to work with these wrong nunmbers...!?
    The same export settings with QT Animation codec is correct. Also when exporting the same composition with two export modules, the Animation codec is OK, the ProRes codec is wrong. No matter whether I export a PAL-format comp or stretch it while exporting the FullHD comp.
    Working with After Effects CC.
    Any ideas?

    Don't resize the output but instead drop your full HD comp in a standard PAL widescreen comp, fit the HD comp horizontally and then render the new comp without using any resize controls.
    Second option, Render your full HD comp to a frame based production master codec (prorez) and then use the Adobe Media Encoder and setup a PAL Widescreen Square Pixel preset. Here's my Pal Widescreen Prorez 422 HQ preset. It is what I use for all requests for Pal ProRez from my clients.

  • Is there a way of using the ProRes codec.

    Hi,
    in our working setup we have a copy of FC studio, and FCE (both current versions). Sadly FCE is the one on my machine, and I have been struggling with the Intermediate Codec not handling the quality that Quicktime can handle and play, with the files coming off my (hacked) GH1.
    So I tried borrowing the ProRes codec, installed it in the correct locations of FCE, but it still does not come as an option in the apparent dropdown menu of the settings in "log and transfer". Has anyone any clue as to how I can get FCE to recognise the codec and allow me to use it? I also really could use the "export for soundtrack" option again, it is just not practical to work in FCE 3.5 with its more limited sequence presets.
    thanks,
    T

    the Panasonic GH1 can record both in AVCHD and MJPEG. With the hacked firmware the MJPEG datarate is currently running around 70mbit/s, which can handle a smooth gradient over about 14 stops. MJPEG is a contained video file that QuickTime can play, directly out of the camera, however to edit it, FCE needs to convert it to AIC, and this process degrades the shadow detail, and gradients break up.
    But even with the AVCHD, currently running around 30mbit/s, and doing simple shots like of a live concert, I can see the same separation in gradients after conversion that are not present beforehand.
    is that better? I am now also a bit puzzled by one of the AVCHD archives seeming to be damaged, as FCE says it has an "invalid directory structure".
    t

  • Why don't my FCP 7.0.3 and ProRES codecs get along?

    Thanks to all who've encountered this or might have some insight (including Jon Chappel).
    After Snow Leopard update and a complete FCS reinstall, my edit workstation feels pretty stable and runs along for my day to day just fine. I did, however encounter an "ism" with all flavors of ProRes.
    FCS gets the "jitters" with the footage playing in Viewer and Timeline. Now, I first encountered this (plus UI crashes) when I did the Snow Leopard update without doing a FCS reinstall. It was a crazy ride. NOW, only experiencing this anomally after laying in PRORES into FCS.
    Latest incident was log and transfer some AVCHD from Panasonic AF100 --> ProRES 422/422LT
    Any thoughts, insight or a way to try to reinstall just the prores codecs would be helpful.
    Thanks all

    Thx all for your help. I tried all of it. A friend suggested what Brad suggested:
    When I created a new user I found that the fonts were once again appearing as they should/were originally in both FCP and Motion. It seems that that one move to assign the rights to subfolders in my user account corrupted all of the font files. Regardless of having tried all of the various ways to fix the system caches and pref files nothing worked to get my user account and the admin account back to normal.
    But here's something I didn't expect and maybe it will save someone the hours i wasted. After I created a new account and assigned admin rights, I was still having problems with launching my Adobe applications: "Error 150:30 Licensing has stopped working..." So I uninstalled my entire Creative Suites apps and reinstalled them. This fixed it for the new user account.
    But get this: when I went back to the old "corrupt" user account, it was now working again also! Including FCP and Motion and all of the word processing and Adobe apps. I've been editing on them all day and knock on woodhead it all works perfectly again.
    Cheers f

  • Does downloadable ProRes decoder work with the newer ProRes codecs

    Lengthy title says it all. I'm wondering if the ProRes decoder that Apple offers as a free download (http://support.apple.com/kb/DL1) works for the newer ProRes codecs LT, Proxy, and 4:4:4. I don't have a non-FCP equipped Mac to test this. Anyone?

    Hmmmm....lemme go check...
    Yup. I have a drive that only has Avid installed on it, and it views ProRes LT just fine.
    Shane

  • Any tutorial on ProRes codec?

    Hello guys,
    I am working with ProRes codec from time to time, based on advises from this forum. But I have never completely understood when to use it and why. ( For example, why is recommended to export HDV footage as ProRes, before converting it to m2v file, etc. ) All I know is that it provides HDV quality video compression using a space of DV quality video. But how it actually works?
    So my question is this: is there any good tutorial available so I could learn ... and completely understand how ProRes codec works?
    Thank you so much

    It's purely down to speed. HDV is heavily compressed and in order to display one frame on the screen, it has to piece together several "sub-frames" - there are 15 sub-frames or GOPs (groups of pictures) in HDV. This is what people are talking about when they refer to a "long GOP" format. So you might need to read 15 sub-frames just to show a single frame. This is obviously very slow to work with. When you have finished your HDV project, you must then perform a conform, which rebuilds the GOP sequence (one whole frame, 15 sub-frames, one whole frame) because the sequence was interrupted when you cut up the footage on the timeline.
    ProRes stores each frame individually and uses a light, fast compression algorithm. You only need to read one frame at a time and no conform is needed at the end. This saves a lot of time and is especially useful if you are doing compositing or using a lot of filters on the footage. ProRes takes up more space than HDV because it is less heavily compressed, but this is worth it for the speed increase.
    This also applies to other long-GOP formats like XDCAM.

  • Apple Prores Codec

    We need Apple Prores codec on other Macs to be able to playback the files captured on Final Cut.
    Where can we find these codecs?
    Regards,
    Kai

    We need Apple Prores codec on other Macs to be able to playback the files captured on Final Cut.
    Where can we find these codecs?
    Regards,
    Kai

  • ProRes codec options unavailable in AE render

    I have FCP X, Motion and Compressor
    Running Mountain Lion
    New Mac Pro 12 core Xeon processors
    And I'm using
    Adobe CC
    It works on my MacBook Pro laptop but not on my new desktop.
    I repaired permissions, relaunched.
    Only thing I can think of is that I migrated to a solid state drive using Carbon Copy Cloner and zeroed out the factory install of the OS.
    Any help or ideas would be a great help and appreciated.
    Thanks gang.
    Scott

    Scott,
    Please clarify the problem. It sounds like you are getting the ProRes codecs in AE. Is the problem that:
    You are not seeing all of the flavors of ProRes?
    The Codec Settings button is not enabled?
    Here's what I see:
    I have FinalCut's ProRes codecs installed on my 10.7 machine, but not on my 10.8 machine.
    On both my 10.7 and 10.8 machines, I see all of the expected ProRes flavors in After Effects CC: Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes 422 (LT), Apple ProRes 422 (Proxy), and Apple ProRes 4444.
    On my 10.7 machine, the Codec Settings button is functional for all of these codecs. On my 10.8 machine, it is not enabled.
    My machines show the expected result. More on that in a moment.
    If this matches your experience, then AE and AME are operating as expected.
    Why do you need to access the Codec Settings dialog for ProRes in AE? It sounds like you're trying to write interlaced video, which doesn't require the Codec Settings dialog.
    To create interlaced video from AE, open the Render Settings and change Field Render to the desired value.
    To create interlaced video from AME, change the Field Order in the Video tab of the Export Settings dialog.
    Here's why this is the expected result: the difference in how Adobe video apps handle ProRes betwen 10.7 and 10.8 is due to a change we made that allows us to use the ProRes encoders that are built into 10.8. On 10.7, and in CS6 and older versions, we can encode to ProRes only if the ProRes QuickTime component files are installed by FinalCut (or Motion or Compressor). But on 10.8, After Effects CC (and AME CC and Premiere Pro CC) bypasses that requirement and gets the encoders by using an API available via the OS; you don't have to install the Apple applications. The side effect here is that there's no access to the Codec Settings dialog; my understanding is that the 10.8 API doesn't give us access to that (meaning Apple removed it from the native encoder in 10.8).
    The Animation codec doesn't enable the Codec Settings dialog, either. Most QuickTime codecs don't, and when they do it is usually a remnant of obsolete workflows. (For example, many eons ago some applications couldn't set the interlacing flag inside of the QuickTime file. The user would be expected to set the value for the codec by using the Codec Settings dialog.)

  • [iMovie 10.0] ProRes Codec?

    Hi again,
    is there a way to install the ProRes codec to export videos in the new version of iMovie.?
    In the older version one could choose between many codecs to export the video, but now it isn't possible to do so?
    I'm looking forward to your answers.
    Greetings from Germany.

    As far as I know there's no way to export to ProRes out of iMovie 10.

  • Motion 5 Include ProRes Codecs?

    Does the $50 Motion 5 on the app store include the full range of the ProRes codecs?  Is this the cheapest way to get them?

    I get clients that occasionally request they get their final videos delivered in the ProRes codec.  As an Adobe suite of applications user and NOT a FCP editor, I cannot export ProRes.
    I was wondering if I install one of these $50 programs on the same Mac where Premiere and After Effects is installed, will I get ProRes as an option in my exports in those programs?
    Anyone know?

  • Miraizon Prores codecs

    Has anyone on here downloaded the Miraizon Prores codecs and have them working in AE CS6? I only have access to my Windows machine and need to be able to export Prores 422 directly from AE, but it looks like Miraizon is no longer selling their Prores codec pack anymore. Does anyone know if it's still possible to get this pack? I would really prefer to not have to re-encode after exporting in a different tool to get my video in Prores.

    Miraizon the company was purchased and took their ProRes codecs off the market back in January. They said something about them resurfacing later as part of another product, but were very non-specific about it.
    There is no way to purchase the codecs from Miraizon anymore.
    Bob Currier
    Synthetic Aperture

  • ProRes codecs missing? (FCP 5)

    I have Final Cut Pro 5.0 installed on my MacBook. I have HDV footage that I wanted to pull into FCP but I don't have the ProRes codecs which I saw were suggested to use. Are there any ways to get those or do I have to re-install FCP?
    My workaround for the time being is to import them via iMovie, but I know I will need to edit and export from FCP and again use the ProRes codecs.
    Any help would be appreciated, thanks.

    ProRes didn't show up in FCP until v6
    The upgrade path can be found on the FCP product page. iirc, $499 if you FCS1, $699 if you have earlier versions.
    Good luck.
    x

  • Windows 8 - After Effects: prores codec available

    hello everybody,
    is there a ProRes Codec available for AE running on windows?
    Thanks alot
    Claus

    There are numerous free and paid possibilities discussed in the Creative Cow thread:
    http://forums.creativecow.net/thread/335/30139

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