Question about a Bridge Icon

Hi, I'm new to Adobe Bridge and I saw some photos of mine having an icon on the top right, its circular with two triangles or arrows on it, i can't seem to find it in the Help section of Bridge.
what does this icon mean? and how do i remove it? thanks!

curt y wrote:
This means that the file has been edited in ACR. The original still exists along with the file info to add the edits. You can reset the image to original status if you need to.
so there is nothing wrong with the photos? i mean i don't have to worry about anything? sorry for the noob questions!

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Three Questions about CS6 Bridge and Photoshop and CR2

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http://support.apple.com/kb/ht5624
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Regards,
Braden

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I do understand that the uncoated is more washed out than the coated patone colors. I heard that this is because the way paper absorbs the inkt. This is why the same inkt results in different colors on different paper (right?). My question is why is the patone uncoated black so much different than normal black (c=0 m=0 y=0 k=100) or rich black:
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Pantone colors are all mixed pigmented inks, many of which fluoresce beyond the gamut limits of RGB and especially CMYK. The original Pantone Matching System (PMS) was created for the printing industry. It outlined pigmented ink formulations for each of its colors.
Most digital printers (laser or inkjet) use CMYK. The CMYK color gamut is MUCH SMALLER than what many mixed inks, printed on either coated or uncoated papers can deliver. When you specify non-coated Pantone ink in AI, according to Pantone's conversion tables, AI tries to "approximate" what that color will look like on an uncoated sheet, using CMYK. -- In my opinion, this has little relevance to real-world conditions, and is to be avoided in most situations.
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With the printing industry rapidly dwindling in favor of the web and inkjet printers, Pantone has attempted to extend its relevance beyond the pull-date by publishing (in books and in software alliances, with such as Adobe) its old PMS inks, and their supposed LAB and CMYK equivalents. I say "supposed" because again, RGB monitors and CMYK inks can never be literally equivalent to many Pantone inks. But if you're going to print your project on a printing press, Pantone inks are still very relevant as "spot colors."
I also set my AI Preferences > Appearance of Black to both Display All Blacks Accurately, and Output All Blacks Accurately. The only exception to this might be when printing on a digital printer, where there should be no registration issues.
Rich black in AI is a screen phenomenon, unless in Prefs > Appearance of Black, you also specify "Output All Inks As Rich Black," -- something I would NEVER do if outputting for an actual printing press. I always set my blacks in AI to "Output All Blacks Acurately" when outputting for a press. If you fail to do this, then on the press you will see any minor registration problems, with C, M, and Y peeking out, especially around black type. UGH!
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