Sequences operators in Dimensions

Hi there,
I'm wondering how to reset the current value of a sequence created along with a dimension. When I click on the sequence in the design tree I can change the initial value and the increment value but I don't know how to change the current value. I ran a mapping for the first time the other day and the surrogate key value of the dimension was ranging from 55500. (the surrogate key is supplied by the sequence)I had never ran the mapping before so I don't know what happened there. can anyone help?

Hi,
you cannot configure all parameters (cache,...) of a sequence in owb. Do it direct on the database or redeploy the sequence to set it to the initial value.
Regards,
Detlef

Similar Messages

  • Sort Sequence for mutli dimension table in SAP Lumira

    Hi Experts,
    I notice one interesting point in SAP Lumira for multi dimension
    For example, we have a table like below
    Country  City   GSV
    A1           B        100
                   C        150
                   D        130
    A2           E        200
    A3           F        100
                   G        150
    if you turn on the subtotal for GSV in Lumira table, result will be like below
    Country  City   GSV
    A1           B        100
                   C        150
                   D        130
                   Total   380
    A2           E        200
                   Total   200
    A3           F        100
                   G        150
                   Total   250
    Sort by GSV descending, result will like this
    Country  City   GSV
    A1           C        150
                   D        130
                   B        100
                   Total   380
    A2           E        200
                   Total   200
    A3           G        150
                   F        100
                   Total   250
    Here the sort sequence for City under each country is correct
    But the sequence for country is incorrect and I think the correct sequence for country will be
    Country  City   GSV
    A1           C        150
                   D        130
                   B        100
                   Total   380
    A3           G        150
                    F        100
                   Total   250
    A3           E        200
                   Total   200
    It looks like this issue is not only for Lumira and other company tools behaviors same as well
    Would you kindly let me know whether whether for sorting, the sort sequence should consider from 1st level to lowest level
    Best regards
    Alex yang

    Hi,
    I think you've got a typo in the last block.
    with regards to next steps - if you feel you have identified a defect, please log a support ticket via the normal routes.
    if this is considered an enhancement, please submit a request at the Ideas Place for Lumira.
    Many thanks,
    H

  • Consolidation operators during Dimension creation

    Hi everyone,
    During dimension hierarchy creation, by default all Generations get default (+) addition as the consolidation operator.
    How can I ignore(~) few members from consolidations at same or different generations ?
    Thank you in advance

    a detailed list of member property codes can be found in the online docs:
    http://download.oracle.com/docs/cd/E12825_01/epm.111/esb_dbag/frameset.htm?dotrules.htm#dotrules1047244
    you can not only influence the unary operator, but other attributes as well.
    Hope this helps.
    best regards
    .T

  • Finding missed sequence numbers and rows from a fact table

    Finding missed sequence numbers and rows from a fact table
    Hi
    I am working on an OLAP date cube with the following schema:
    As you can see there is a fact transaction with two dimensions called cardNumber and Sequence. Card dimension contains about three million card numbers. 
    Sequence dimension contains a sequence number from 0 to 255. Fact transaction contains about 400 million transactions of those cards.
    Each transaction has a sequence number in 0 to 255 ranges. If sequence number of transactions of a card reaches to 255 the next transaction would get 0 as a sequence number.
    For example if a card has 1000 transactions then sequence numbers are as follows;
    Transaction 1 to transaction 256 with sequences from 0 to 255
    Transaction 257 to transaction 512 with sequences from 0 to 255
    Transaction 513 to transaction 768 with sequences from 0 to 255
    Transaction 769 to transaction 1000 with sequences from 0 to 231
    The problem is that:
    Sometimes there are several missed transactions. For example instead of sequence from 0 to 255, sequences are from 0 to 150 and then from 160 to 255. Here 10 transactions have been missed.
    How can I find all missed transactions of all cards with a MDX QUERY?
    I really appreciate for helps

    Thank you Liao
    I need to find missed numbers, In this scenario I want the query to tell the missed numbers are: 151,152,153,154,155,156,157,158,159
    Relative transactions are also missed, so I think it is impossible to get them by your MDX query
    Suppose this:
    date
    time
    sequence
    20140701
    23:22:00
    149
    20140701
    23:44:00
    150
    20140702
    8:30:00
    160
    20140702
    9:30:00
    161
    20140702
    11:30:00
    162
    20140702
    11:45:00
    163
    As you can see the sequence number of the last transaction at the 20140701 is 150
    We expecting that the first transaction of the next day should be 151 but it is 160. Those 10 transactions are totally missed and we just need to
    find missed sequence numbers

  • Owb beta 3 / master detail mapping with sequence ora-00936 error

    I'm not able to use sequence operator in mapping to create relationships between different record type from the same flat file. I have got an sql error ORA-00936: expression absente
    The problem seem to be the sequence is not referenced in the sql loader parameter. The sequence exists, was deployed sucessfully, the mapping is validated and successfully deployed. The problem occurs during execution

    Good afternoon "micwic",
    In general, mappings with flat files make use of data generators, not sequence operators. This is what the User Guide (10gR1 but I guess R2 works similar) says for the Data Generator Operator :
    Use a Data Generator operator to provide information such as record number, system date, and sequence values.
    For mappings with flat file sources, the Data Generator operator also provides a place to enter constant information. For mappings with Flat File sources and targets, the Data Generator operator connects the mapping to SQL*Loader to generate the data stored in the database record.
    The following functions are available:
    RECNUM
    SYSDATE
    SEQUENCE
    It is possible for Warehouse Builder to generate data by specifying only sequences, record numbers, system dates, and constants as field specifications. SQL*Loader inserts as many records as are specified by the LOAD keyword.
    Setting a Column to the Data File Record Number
    Use the RECNUM keyword to set an attribute to the number of the records that tthe record was loaded from. Records are counted sequentially from the beginning of the first data file, starting with record 1. RECNUM increments as each logical record is assembled. It increments for records that are discarded, skipped, rejected, or loaded.
    For example, if you use the option SKIP=10, the first record loaded has a RECNUM of 11.
    Setting a Column to the Current Date
    A column specified with SYSDATE gets the current system date, as defined by the SQL language SYSDATE function.
    The target column must be of type CHAR or DATE. If the column is of type CHAR, then the date is loaded in the format dd-mon-yy. After the load, you only access it in that format. If the system date is loaded into a DATE column, then you can only access it in a variety of formats including the time and the date. A new system date/time is used for each array of records inserted in a conventional path load and for each block of records loaded during a direct path load.
    Setting a Column to a Unique Sequence Number
    The SEQUENCE keyword ensures a unique value for a column. SEQUENCE increments for each record that is loaded or rejected. It does not increment for records that are discarded or skipped.
    Recommendation: For PL/SQL mappings use a Constant Operator or Mapping Sequence Operator instead of a Data Generator.
    etc.
    Good luck, Patrick

  • CBO: OWB Dimension Performance Isssue (DIMENSION_KEY=DIM_LEVEL_ID)

    Hi
    In my opinion the OWB Dimensions are very useful, but sometimes there are some Performance Issues.
    I am working with the OWB Dimensions quite a lot and with the big Dimensions ( > 100.000 rows) , i often get some Performance problems when OWB generates the code to Load (Merge Step) or Lookup these Dimensions.
    OWB Dimensions have a PK on DIMENSION_KEY and Level Surrogate IDs which are equal to the DIMENSION_KEY if the The Row is an Element of that Level (and not a Parent Hierarchic Element)
    I am hunting the Problem down to the Condition DIMENSION_KEY= (DETAIL_)LEVEL_SURROGATE_ID. The OWB does that to get only the Rows with (Detail-) Level Attributes.
    But it seems, that the CBO isn´t able to predicted the Cardinality right. The CBO always assume, that the Result Cardinality of that Condition is 1 row. So I assume that Conditon is the reason for the "bad" Execution Plans, the Execution Plan
    "NESTED LOOPS OUTER" With the Inline View with Cardinality = 1;
    Example:
    SELECT COUNT(*) FROM DIM_KONTO_TAB  WHERE DIMENSION_KEY= KONTO_ID;
    --2506194
    Explain Plan for:
    SELECT DIMENSION_KEY, KONTO_ID
    FROM DIM_KONTO_TAB where DIMENSION_KEY= KONTO_ID;
    +| Id | Operation | Name | Rows | Bytes | Cost (%CPU)| Time | Pstart| Pstop |+
    +| 0 | SELECT STATEMENT | | 1 | 12 | 12568 (3)| 00:00:01 | | |+
    +| 1 | PARTITION HASH ALL | | 1 | 12 | 12568 (3)| 00:00:01 | 1 | 8 |+
    +|* 2 | TABLE ACCESS STORAGE FULL| DIM_KONTO_TAB | 1 | 12 | 12568 (3)| 00:00:01 | 1 | 8 |+
    Predicate Information (identified by operation id):
    +2 - STORAGE("DIMENSION_KEY"="KONTO_ID")+
    filter("DIMENSION_KEY"="KONTO_ID")
    Or: For Loading an SCD2 Dimension:
    +|* 12 | FILTER | | | | | | Q1,01 | PCWC | |+
    +| 13 | NESTED LOOPS OUTER | | 328K| 3792M| 3968 (2)| 00:00:01 | Q1,01 | PCWP | |+
    +| 14 | PX BLOCK ITERATOR | | | | | | Q1,01 | PCWC | |+
    +| 15 | TABLE ACCESS STORAGE FULL | OWB$KONTO_STG_D35414 | 328K| 2136M| 27 (4)| 00:00:01 | Q1,01 | PCWP | |+
    +| 16 | VIEW | | 1 | 5294 | | | Q1,01 | PCWP | |+
    +|* 17 | TABLE ACCESS STORAGE FULL | DIM_KONTO_TAB | 1 | 247 | 489 (2)| 00:00:01 | Q1,01 | PCWP | |+
    I tried a lot:
    - statistiks are gathered often, with monitoring Informations and (Frequencey-)Histograms and the Conditions Colums
    - created extend Statistiks DBMS_STATS.CREATE_EXTENDED_STATS(USER, 'DIM_KONTO_TAB', '(DIMENSION_KEY, KONTO_ID)')
    - created combined idx one DIMENSION_KEY, LEVEL_SURROGATE_ID
    - red a lot
    - hinted the Querys in OWB ( but it seems the inline View is to complex to use a Hash Join)
    Next Step:
    -Tracing the Optimizer CBO Events.
    Does some one has an Idea how-to help the CBO to get the cardinality right?
    If you need more Information, please tell me.
    Thanks a lot.
    Moritz

    Hi Patrick,
    For a relational dimension, these values must be unique within the LEVEL. It is not required to be a numeric ID (although that follows the best practices of surrogate keys best).
    If you use the same sequence for the dimension you have insured that each entry in the entire dimension is unique. Which means that you can move your data as is into OLAP solutions. We will do this as well in the next major release.
    Hope that helps,
    Jean-Pierre

  • When I export a edited video, maximum dimensions are reduced. :(

    Hi, I'm new to use Adobe Premiere Pro CC. Its version is 7.2.2. I use it on my Mac. I'm in free trail.
    I imported a video with domentsions of 2560 x 1600. Then I edited this video. When I tried to export edited video, the maxmum dimentisons of video is 2048 x 1280.
    I wanna export my edited video on dimensions of 2560 x 1600. How do I get this done?
    Thank you.
    Wei

    Hi, Neil.
    In sequence settings, the dimensions are 2560 x 1600. I made a screenshot: https://www.dropbox.com/s/lo8im1m7lfa710a/Sequence%20Settings.png
    When I export the edited video, I choose "Match Source - high bitrate". I also made a screenshot: https://www.dropbox.com/s/oqo4ngrk0jdmupk/Export.png
    I wait for you help. Thank you.
    Wei

  • Changing the default printing order

    How do I change the printing default order from "back to front" to "front to back"? Until now, I change it every time I print more than 1 page, but I'd like to change my default. I've looked at all of the Edit Preferences and can't find the option I'd like to change.

    Take a look in the Export Action script of whatever adapter you are using. This is where the output format is defined.
    Forgot to mention if you are using the Essbase adapter you can do this via setting the calc sequence for each dimension which will determine the order it is displayed in the output file. This can be set in the workbench or web client
    Edited by: SH on Oct 18, 2011 9:43 AM

  • Heads up: I have started to use CR 7 for RAW video

    Just a heads up. Interesting times over at Magic Lantern, where they've cracked the Canon DSLR's to deliver RAW video. The resulting .RAW file is converted to a DNG sequence of custom dimensions. The way I develop these is just like I do my photos: I use Bridge to browse, open up a representative frame in CR, do my settings, and sync up the rest in Bridge. Then I use Image Processor to output a JPG sequence for final rendering in Premiere (I use premiere 5, but Photoshop CS6, that is why I dont import the DNG sequence directly in, say after effects or Premiere).
    Anyway, lots of people have suddenly started using Camera RAW for grading RAW video over the past week or so.
    Just wanted to let you know. Its pretty big news. Here's my first tests: https://vimeo.com/66414746

    It's much better to use After Effects to grade Canon RAW/DNG footage, as you can maintain a 100% nondestructive workflow.
    You can import a DNG frame sequence into After Effects (and it will display the ACR interface automatically, as if you were opening a single image in Photoshop). Whatever you 'develop' in ACR is applied identically to every frame, so yes there are problems if you do something like add grain as it'll produce a static pattern. That doesn't matter for stills, so nobody in the ACR team bothered to add a random seed to the grain function. Maybe if this workflow catches on we'll see it added to future versions, but right now you should add grain later with AE's effects.
    The DNG 'footage' always imports in 32-bit space even though the data from Canon's sensor isn't that deep. If you put it onto a 16-bit comp in AE you can adjust tone/exposure with the same effectiveness as the sliders in ACR, and the non-32 effects such as Add Grain will be happier. There's no real point working in 32-bit comps for these files unless you're doing something extreme. Replicating the shadow/highlight/clarity sliders with curves requires some skill, but you can get some amazing one-click effects on these DNG sequences from plugins such as MB Looks.
    Personally I would make the overall pre-grade in ACR (white balance, approximate exposure, lens correction) but I'd do everything else (denoise/curves/grade/grain) in AE once the footage is on the timeline (I'd apply a little bit of MB Denoiser II, then Colorista or Looks, then AE's Add Grain or MB MisFire). Note that you need to set the lens correction manually, as the DNGs from Raw2dng don't include the EXIF tags.
    One thing I've been asked is how to get the ACR dialog open again once the footage is imported to AE. You do that by right-clicking the footage in the project bin and choosing Interpret Footage > Main (Ctrl+Alt+G). On the dialog that appears, press the More Options button on the bottom left.
    btw - Premiere Pro CS6 does not import DNGs. A previous version did, but Adobe reduced their activities on the emerging CinemaDNG standard and removed the plugin.

  • Importing Microstation SE DGN files into Adobe Illustrator CS4

    Hello,
    New to the forum and was hoping someone could help answer what is likely a very basic question: Can Adobe Illustrator CS4 import DGN files (containing point, line, text, shape, fills, cells and other complex elements) created in Microstation SE? If so, is it an easy process, and what if any data is lost during the conversion? Is the original projection and master units/sub units maintained? I am not familiar with any version of Illustrator, so please be kind (lol). Tks for any help!
    Stephen M

    If you intend to zoom in or pan on your graphic, you might make it say, twice the size of your FCP sequence's pixel dimensions.
    If it is static, paste it into the appropriate video template at the size you require.
    Illustrator and Photoshop are far better at scaling when compared to Final Cut Pro.
    The pixelization is probably because that section of the Timeline needs to be rendered.
    This indicated by a colored bar at the top of the Timeline. A green bar indicates that you can view that area but it will not be at full quality until rendered.
    Make sure all render options are checked on:
    Consider also: your image is rendered to the pixel dimensions of the FCP sequence and the Canvas always shows a lower res proxy image to better enable real time playback. To view the output of Final Cut Pro as it really is, you need an external calibrated monitor or at the very least, an excellent TV.

  • InfoCube Performance.

    Hi Experts,
    What are the parameters to measure the performance of an InfoCube and how InfoCube performance is measured?

    Hi ,
    we prepared a dcoument in our company for perfromance so from that i m psoting some points which may be helpful to you pertainng to infocube performance.
    Have a look over Info Cube design, changed the cube design if any dimension was having more than 10% of fact table data.
    1)-     Our main goal should be maintaining the DIM table records as less as possible compared to Fact table data. SAP recommended the ratio should be below 10%.
    -     Or suppose if your fact table data is having 1000 records then your DIM table records should be less than 100.
    -     The Info Cube performs best when this data ratio is 0.01%.
    -     From SAP_INFOCUBE_DESIGNS you can check this ratio.
    -     Create small dimension as much as possible.
    -     Use Navigational attribute very carefully, unnecessary navigational attribute slows down query. If possible use Info object as a characteristic.
    -     Try to put related characteristics into one dimension.
    -     Ideally one should check the relationship between two characteristics when design the dimension.Dont put M: N Relationship characteristics into single dimension.
    -     When creating dimension check the relationship between the participating characteristics and add the most atomic characteristics as the first Characteristic in Dimension.
    -     The sequence of added dimension should be Most distinctive -> Less distinctive -> Least distinctive.
    -     If an Info Object has almost as many distinct values as there are entries in the fact tables, then the dimension this Info Object belongs to should be defined as a line item dimension with High cardinality Checkbox.
    Compulsorily add Index and DB Statistics generation to each and every Info-Cube in process chain.
    2)  Delete Entries not used in the dimension of an Info Cube.
    3)  Replaced Info Sets with Multiprovider.
    4)  Calculated %DB Time and Aggregate Ratio to check for the possible Aggregates to be created.
    -     From ST03N you can check %DB Time and Aggregate Ratio = Data selected / Data Transferred.
    -     From RSRT -> Execute + Debug -> Display Statistics data you can check these parameters.
    -     SAP recommends if your %DB time is more than 30% and aggregate ratio is more than 10 then you should go for aggregate.
    -     From RSRT -> Execute + Debug -> Display Aggregates you can find out possible Aggregates to be built with all the conditions (filter, all Value etc).
    5) Partitioning:
        DB Partitioning / Physical Partitioning.
    -     Check whether your query is running on 0CALMONTH or 0FISCPER restrictions.
    -     If yes and if your Cube is having huge amount of data and
    -     Distinct values of 0CALMONTH/0FISCPER are more or huge historical data present in your cube then go for Physical partitioning.
    -     Always compress Cube before partitioning.
       Logical Partitioning.
    -     Or you can go with Logical partitioning.
    -     Create different cubes based on Cal year or Fiscal Year.
    -     Combine them in a multiprovider.
       Choosing one from these two depends upon lot of parameters.
       My personal suggestion---
    If you report is based on historical data or let say you are comparing last 4 years data with current year data then go for Logical partitioning.
    Create 5 cubes based on different year and use multiprovider on them. Your main query will be distributed in 5 different queries and all those 5 Queries will run parallel.
    And if your query is running on 2 years or less data and basically month or period based restrictions are used then go for Physical partition.
    As Oracle / DB2 (latest) / from SQL Server 2005 support range partition in SAP BW we can't make object level partition in SAP BW. But in Database level with the support of DBA you can partition the cube based on other Info Object.
    Hope it helps.
    Regards,
    AL

  • Changing the export format order

    Hi all,
    I want to change the order of columns in the exported file in FDM as per my requirements. How can I change the order of colums in the exported file ? Please help me in this.
    Thank you !

    Take a look in the Export Action script of whatever adapter you are using. This is where the output format is defined.
    Forgot to mention if you are using the Essbase adapter you can do this via setting the calc sequence for each dimension which will determine the order it is displayed in the output file. This can be set in the workbench or web client
    Edited by: SH on Oct 18, 2011 9:43 AM

  • Problem exporting Go Pro video, footage zoomed in

    Hey ya'll.
       I've done a lot of searching over the net to look at how to fix this problem and I've had no luck. I've made a montage video using a Go Pro Hero and when I go to export it the image is cropped/zoomed in. It looks perfect in the preview window though. I'm pretty inexperienced with Premiere; all I really know is that the sequence is in widescreen. I would really appreciate some help, if you need to know more project details just ask me/tell me how to find them out and I can do that.
    Thanks!
    -Matt

    Once you've created a sequence you can't change the settings.
    The simplest way to make a sequence that matches a source clip is to drag the clip to the New Item icon at the bottom of the project window - it'll make a new sequence that matches the clip, and automatically add it, though you can of course remove the clip again to leave you with an empty sequence.
    matthewclarkrogers wrote:
    The preview window is fit to size, so it sounds like shooternz is right. I've been searching the net though and I'm struggling to figure out how to match my sequence dimension settings with the source footage dimension settings. If these don't match and I've already created the sequence, is it to late to fix things or do I have to start over? If it is too late, would somebody please explain how to set up a sequence with with matching sequence/source footage dimension settings? How do I figure out my source settings?
    I really appreciate your guys help, thank you!
    -Matt

  • Simple solutions for cinematic look with 60i video?

    I'm sure this questions pops up over and over but I'm getting a huge headache trying to sort everything out through my searches, especially as a beginner to the film making world.  I'll get right to my questions, but first here is the equipment I am working with:
    Camcorder = Sony HDR-XR500, shooting in 1920 x 1080 60i AVCHD format
    Software = CS4 Creative Suite
    I recently threw together a 10 min movie of a trip I just arrived back from using Premiere Pro, and while it was a lot of fun putting together I really have no idea if I went about it the right way.  I want to practice taking a clip of mine and converting it to that cinematic look, and hope someone can help guide me through some steps.
    Here is what I want to achieve:
    - 2.35:1 pixel ratio
    - 24p or similar effect (trying to figure this out makes my head spin)
    I know color correction has a lot to do with the cinematic look, but I realize there are many ways of going about this so I'll refrain from asking any questions in regards to this for now.  (I did find using the Fast Color Corrector and setting Saturation to 75%, and Input levels to 20, 1, 220 gave a nice film look)
    Step 1: What settings should I use to create my new project?
    Capture Format = HDV?
    For the sequence presets should I use AVCHD 1080i30 (60i) non-anamorophic?
    Step 2: If I want to create a 2.35:1 aspect ratio, should I simply crop my clip?  I think I read somewhere for 1920 x 1080 video, crop 14% from top and bottom?  Or should I crop when I export out the movie?
    Step 3: What would be the simplest/quickest way of getting that 24fps look using Premiere Pro or After Effects?  I know shooting in 24p is obviously the easiest way, but should I simply deinterlace my 60i video by right clicking clip>Field Options> Always deinterlace to achieve similar effect?
    Step 4: Exporting video....again so many options I'm not sure what to do here.  Basically, could someone provide me with the best exporting options for the format I'm trying to achieve for:
    - Posting on Internet
    - Viewing on computer
    - And viewing on blu-ray
    I really appreciate any help to the above questions.  Big thanks!

    Step 1: Capture settings are irrelevant for AVCHD on that camera.  Just copy the entire folder structure intact to your hard drive.  Pr will find the copied footage through the Media Browser panel.  You may even be able to edit directly from the camera's HDD.  You should try it and see.
    Step 2: 1920x816 produces a 2.35:1 aspect ratio.  Assuming all of your action occurs in the exact vertical center of the shot, then you should crop 132 pixels from top and bottom.  Placing your 1080 footage into a custom progressive sequence of those dimensions should get you what you want, as long as you don't have Default scale to frame size selected in Preferences.
    Step 3: This is the tough one.  To get 24 fps out of 30 fps, one frame out of every 5 needs to be dropped.  This will produce perceptually jerky playback, especially if any motion at all is present.  So the remaining frames must be blended together in some way to smooth out the bump where the missing frame is.  Using AE to accomplish this is, IMHO, the best solution for an all-CS4 workflow.  In AE, you have 2 choices: Frame Mix and Pixel Motion.  PM produces better results, but FM renders faster.  If you haven't done any editing of the clips in Pr yet, then the best idea would be to convert all of the footage in AE before importing it into Pr.  If you've already got edits in place in Pr, then you can select all of the clips in the sequence and choose File | Adobe Dynamic Link | Replace with After Effects Composition.  Either way, each clip in AE must be individually interpreted to Separate Fields/Preserve Edges.  The comp settings must be set to 24p.  Then Frame Blending must be enabled for the comp, and finally, each Frame Blending Layer Switch must be set to either Frame Mix or Pixel Motion.  If you do use Dynamic Link, be sure to turn *off* Frame Blending in Pr, because AE has already taken care of that.
    Step 4: Because rendering will be so intensive and take so long, I recommend exporting an intermediate file from Pr, then re-importing that file to be used as the source for the various export formats.  Otherwise, you'll have to render all over again for each individual export format.  For web, I recommend Flash.  For computer viewing, it depends on your delivery method (CD, DVD, Download, External Hard Drive, Flash Drive, etc.).  For Blu-ray, either H.264 Blu-ray or MPEG2 Blu-ray.
    -Jeff

  • I get motion drag when i compress my video into appleprores 422 and 422HQ any help on how to reduce this?

    ok so when i compress my video into apple prores 422 and 422 HQ i always get drag on the image when it moves? and i know it not the image as it works fine on tape and in FCPX itsself? is there a special setting i have to use to reduce this? or is my video file bad?

    You posting in the FCP7 forum.
    I would consider sharing one or more of the following when asking for help:
    Souce footage codec, pixel dimensions
    Sequence codec & pixel dimensions
    How are you exporting it?
    What kind of file are you ending up with? codec, size, etc.

Maybe you are looking for