Set duration for imported still images

This question was posted in response to the following article: http://help.adobe.com/en_US/premiereelements/using/WS09e4b3c48f3a79fc19b622510385d4355c-7f a1.html

Thank you so much for posting "Set a unique duration for a still image". This explanation has made it easy for me to work with this part of my video.

Similar Messages

  • Set duration of imported still images down to 1 frame

    Is there a way to import images into FCPX (10.1.1) and set it so the images will be only 1 frame when put on the timeline?  Or to change their duration in the Event viewer after they are imported?  I found the "duration" setting in the editing preferences, but that's in seconds and doesn't do what I want.  For what I'm doing now I want them at 1 frame, but really I'm looking for total control of the length of bulk still images without having to cut each individual one down on the timeline.

    Put them in the timeline. Select them all. Press Control-D. Enter 1 and press return.

  • Default duration time for importing still images

    Hello all,
    Is there an easy way to change the default duration time for imported still images?
    I have thousands of images that I want to import to make a time elapsed movie. I would like for these images to have a duration of less than a second. I could do this individually, but it would take forever.
    Can the default duration time for imported images be changed?
    Thanks,
    Adam

    Hi
    Too long time I made anything serious in iMovie HD6 (altough a a very competent editor)
    (Took the FinalCut leap)
    As I remember (just tested) it - if photos are imported then it's a tedious labor
    to set duration - one at a time. No global function I can induce.
    BUT - I would put my photos into a separate folder in iPhoto so that they are easy
    to get in iMovie from audio/photo browser.
    Then I select (in iMovie) the first photo and double click on it to view it on canvas.
    Now I also get a small gray window where I can set size and duration.
    I select 01:00 (1 sec) in duration and Apply/Use.
    Then I selec the rest of the photos and drag them down to TimeLine after first
    photo. And they also get same duration of 01:00.
    Yours Bengt W

  • How to set duration on multiple still images?

    Is there a way to select a range of stills within a project and set the duration of them all to the same value. One can copy the image adjustments from a still and then paste that to multiple stills, but there isn't a Paste Adjustments menu item for duration.
    The only way I've found to accomplish this is rather clumbsy. Copy the selected images to a new project and then with the project properties set all the durations to the same value there, and copy them back into the original project. This also limits the choices for the duration to whole seconds between 1 and 10, so if you want 1:15 we're out of luck apparently.
    Is there a better way?
    Also the min. duration seems to be 0:08. Setting the duration to anything less results in the duration being set to 0:08.

    AFAIK there is no easy way to set a range of clips to the same duration. The only method within iMovie I know of was the one outlined above, copy to a new project, set all in that project and copy back to original project. That works but is slow and a clumsy way to do it.
    What's missing is a paste duration command and/or a setting in the dialog to set duration for the selected photos (plural since the range has yellow outlines around the thumbnails, says to me they are the selected photos).
    Also the values as x:ff are not seconds. It's seconds and frames. So ff can only range between 0 and 29, thus 8.97 isn't a valid value and when I used it to set a duration the duration ended up being 11:07. I understand the 11 (90 additional frames, thus 3 seconds more) with 7 additional frames.
    Apparently you can not set a duration of just a single frame in iMovie - no subliminal messages allowed I guess. (There were no transitions between the images.)

  • Sequence A/V settings for imported still images

    I want to create a HD DVD containing a slideshow of still images with some transitions, title and ending pages and sound.
    Question: What A/V Sequence settings do I need to choose for a PAL 1920x1080 25fps output?
    Background:
    Till now I've done the editing in iMovie HD 5.0.2. My journey ends with a QT export to a HD-mov file (1920x1080@30fps) which I am not able to author in the same quality with iDVD 5.0.1.
    Since I can not purchase DVD Studio Pro as a separate package, I have lavished myself with the full FCP box
    Now having the most advance tools I feel somewhat swamped in the number of formats & options.
    I want to use FCP as editor and DVDSP as authoring program.
    My workflow goal is to do all the editing in HD and in the authoring fase create a HD master and as SD copy for non HD-DVD-player-owners.
    Experiences so far:
    1) iMovie HD can output a 1920x1080@30fps mov file. iDVD in PAL mode! converts this file to a NTSC image of 720x480 with an aspect ratio of 4:30. So much for all the creativity in iMovie HD.
    2) Files created in FCP 5.1 using various 1080i50 Sequences all having the HDV 1080i50 Compressor, all give 4:3 results in iDVD
    2a) Frame: 1920x1080
    Aspect ratio: HDTV 1080i (16:9)
    Pixel Aspect Ratio: Square
    Compressor HDV 1080i50
    QT display: correct width display
    2b) Frame: 1440x1080
    Aspect ratio: HD (1440x1080) (16:9)
    Pixel Aspect Ratio: HD (1440x1080)
    Compressor HDV 1080i50
    QT display: picture strechted in width
    2c) Frame: 1440x1080
    Aspect ratio: HD (1440x1080) (16:9)
    Pixel Aspect Ratio: Square
    Compressor HDV 1080i50
    QT display: picture narrowed in width
    So what is the magic A/V sequence?
    All hints and tips welcome
    Regards
    Coen
    PowerMac G5 DP 2.0GHz   Mac OS X (10.4.7)   1.5Gb memory, 23" WXGA screen, 460Gb storage

    Patrick & Shane,
    thanks for both your inputs.
    Both, I believe, need to be told that your clip is 16:9 -
    not sure how to do this in iDVD HD, but it's an
    inspector checkbox in DVDSP...
    Guess the common demeanor is that I can set my A/V settings to 1920x1080, but that I need to tell DVDSP that the source material is 16:9.
    In iDDVD there is no such option ... but the funny thing is that my 16:9 output from iMovie HD did display in the correct aspect ratio in iDVD and my 16:9 output from FCP did produce a 4:3 aspect ratio in iDVD (ahum).
    You might try the DVCPRO HD 1080i50 codec. Compressed
    HD, but not too bad. And the drive requirements aren't
    too high. Firewire 800 or internal SATA drive will do
    you. As will a SATA Raid.
    Not sure what difference it makes when using either HDV 1080i50 or DVCPRO HD 1080i50 codec ... when I do not intend to output back to tape.
    In my case I believe (but correct me if I am wrong) the output codec is of lesser importance, since I want to author to HD DVD and HD DVD has its own specific coding specs.
    Not many HD DVD players out there....and those are
    EXPENSIVE...plus there are competing formats. How do you
    intend to exhibit this DVD?
    Initially I will exhibit my HD DVD on my G5. For "common folks" I will re-author in SD (unfortunately Hybrid red laser discs with both a HD and SD project are no longer supported).
    I do believe HD DVD players will standardise and become more common ... so my original HD editing will not be in vain. Part of the fun is to use the FCP tools in a challenging (and rewarding) way.
    What drives me: Last year my wife and I went on a holiday to Spitsbergen. That is half way between the North Pole and Norway. With a sailing boat we circumvented the archipello. I shot 15Gb of RAW images. The environment has left such an impression that I want to create a superb quality slideshow attesting to the uniqueness of the location. This asks for HD and nothing less.
    And Yes, an HD DVD player will cost a lot, but so does a trip to Spitsbergen
    Regards,
    Coen
    PowerMac G5 DP 2.0GHz   Mac OS X (10.4.7)   1.5Gb memory, 23" WXGA screen, 460Gb storage

  • Animation. How do I import still images in final cut pro x (from dragon frame) duration 3 frames pr. image?

    Animation. How do I import still images in final cut pro x (from dragon frame) duration 3 frames pr. image? We have allready tried to set stillimages duration in preferences to 0,08 sek, but it does not have any effect!

    You can drag your images to the timeline, select all, ctrl-d and set the duration to 3 frames by typing 3 and enter.
    Or you can use Quicktime 7 to "open image sequence", select the desired duration, export your animation to quicktime and import that into FCP X for further editing.

  • I want to import still images to make a stop motion animation, but when I try to change the duration of still images, it isn't reflected in the timeline.  How can I do this?

    I want to import still images to make a stop motion animation, but when I try to change the duration of still images, it isn't reflected in the timeline.  How can I do this?

    Tonaw,
    If you import your still images using iPhoto, then the time you set for each still, using FCPX Perferences works.
    You can set the durantion from 1 frame to as long as you want them view.
    If you do not use iPhoto to import your stills, the default is 10 sec's.
    FYI: This issue was brought up within a month after FCPX was released. They found out by using iPhoto, you had better control of the amount of time your still was viewed.

  • How do you set the duration for multiple stills in iMovie 2013?

    How do you set the duration for multiple stills in iMovie 2013?
    Before upgrading to the latest version of iMovie last month, I was able to set the duation of all of the stills included in an iMovie project at one time by clicking the apply to all still box in the adjustment pop up. That option is no longer apparent. If it is available I cannot find it, and I have tried several different ways to accomplish it. I have tried the iMovie help section and can find nothing to help.
    Apple, do I really have to adjust close to 500 pictures to a 5 second duration individually???
    REALLY??!!

    ...why wouldnt people want that level of accuracy when animating, especially when working to music at a specific duration?
    Because often people are animating to words or beats in the music.  Music is rarely performed with a computer-precise beat and tempo.  Musicians aren't robots: they swing the beat sometimes.  They use rubato.  They change tempo.  They change time signatures.  As a result, you have to FIND those words and beats.  It's not a situation where you can say, "There!  I've found the duration of one beat!  Now it's easy to find the rest of them!" 
    If you try it, you will be very disappointed.
    Try finding the precise end of a piece of music that fades or ends on a big chord with a ring-out.  You'll see that it's trial-and-error: what's the point where it becomes inaudible?  It depends on how high your speakers are turned up.  You might have them way up, you set an end point for the layer, and then you do a RAM Preview at a more reasonable volume.  You might say, "Hey!  The music ends before the layer ends!"...  but you KNOW you set the layer's out point when the audio file goes silent.
    AE has layer markers that can be used on an audio layer to mark beats, words, etc. They come in very handy.
    I guess it comes down to this: because AE can do so much different stuff, there are very few automated procedures.  Oh, Adobe tries with effects that convert audio levels to keyframes, but they're not 100% reliable... especially on something like a capella choral works.  For true accuracy, you need  find the timings yourself. 
    If you want something simpler, try a different application. But be prepared for lower level of accuracy.

  • Can't import still images into a project or create a podcast track

    I'd be grateful if anyone can explain why I can't import still images onto a track like you can easily do in garage band - in garage band you simply create a podcast track, then drag your photos onto it. However in logic, when I open the media browser i can get a photo folder up but it will not allow me to even look at the contents.
    Also, why is it that the manual for logic express has nothing about how to import a movie to produce a movie score - and yet garage band can even do this.
    Thanks for any advice.

    Have you tried "Working with Video" section of the manual? It's somewhere close to the end...
    Logic works with audio, not images. That's why you can't import a photo, because media browser is used to locate audio files, mostly. And sometimes video.
    I guess it works this way, you create a podcast with Logic, bounce it to mp3 or another compressed format. Then import it into GB and insert a photo.

  • Premiere Pro CS5 won't import still images correctly

    I've about had it with this pile of ****.
    Brand new install of Premiere Pro CS5. When attempting to import still images, random images will show up as other images. i.e. in Windows, I'll have the following:
    one.jpg (shows up at one.jpg)
    two.jpg (shows up at two.jpg)
    three.jpg (shows up at three.jpg)
    Once I import them into PPro, I get this:
    one.jpg (shows up at one.jpg)
    two.jpg (shows up at two.jpg)
    three.jpg (shows up at one.jpg) <-----
    In other words, three.jpg is named three.jpg in PPro, but when I bring it into a sequence, or view it, it displays the image from one.jpg
    I've tried clearing the media cache, renaming the images, moving them to different directories/drives. Any suggestions? Or should I just get my money back ffs. Thanks for any help.
    -Eric

    You've stumbled onto a bug.
    Here's the interim fix.
    Imported Image Links Problem
    And here

  • Adobe Premiere Pro Help | Importing still images

    This question was posted in response to the following article: http://helpx.adobe.com/premiere-pro/using/importing-still-images.html

    I might be incorrect in this, but think that there is a Ps Script, that will do what you want.
    I would ask in the Photoshop Forum: http://forums.adobe.com/community/photoshop
    and also in the Photoshop Scripting Forum: http://forums.adobe.com/community/photoshop/photoshop_scripting?view=discussions
    If my memory is not totally hosed, one of those should yield the Script (if it exists, as I claim to remember) for that task.
    Good luck,
    Hunt

  • Problems setting duration for still photos and transitions in iMovie '11

    I downloaded iMovie 11 from the Apps Store last night and am trying to make my first movie with it today. I use still photos exclusively.
    For most - but not all - I like 5 seconds for photos and for transitions 2 seconds. I do vary this on occasion and so do not check "for all photos' or "for all transitions".
    I can't get these settings to work with this version of iMovie. For example, I added a photo (5 sec) then a transition (2 sec) which changed the duration time of the photo - as it should. But when I double clicked the photo, to bring up the inspector window to change the duration of the photo, nothing happened. Then I added another photo. The duration of the first photo increased to 7 seconds and nothing I do seemed to change that.
    The time increases seem random: for example, sometimes the time on the still photo increases to 6:29 sec, sometimes to 7 sec.
    The duration for the transitions always remains the same - 2 sec; it's the time for the photos that jumps around. And I haven't been able to find a way to get back to 5 sec.
    Before posting this, I researched and found an number of earlier posts detailing the same issues.
    However, none of these posts had stars to indicate the problem was solved.
    Has anyone found a solution or is this a bug that should be reported to Apple?

    Interesting!!
    I've spent a lot of hours on this too, but I have come up with a different solution perhaps because I like to vary both the image duration and the transition duration in my movies.
    Here's my process:
    -> Knowing that (a) I want most of the photos to be visible for 5 seconds and most transitions for 2 seconds and (b) that a transition takes half from the photo before and half from the photo after, under File>Project Properties>Photo Duration I chose 7 seconds - each photo will 'lose' a total of 2 seconds from the transitions in front and behind. I did not check either "Applies to all transitions." or "Applies to all photos." - See below for why.
    -> I discovered, as you have, that all the photos have to go in before I add any transitions. This was new to me. With all previous versions of iMovie I simply added a photo then a transition then another photo one at a time. I had to fiddle with the timing adjustments, but at least I could fiddle. With this new version of iMovie I can't. Once the transition is in place, I cannot change the duration of the photo.
    -> Sometimes, I want a longer or shorter duration for a photo. For example, on photos to which I apply the Ken Burns effect, I often want the image on the screen for a slightly longer time. In this case, I have to use the inspector to change the duration before I add the transitions. So I might set the time for 8 seconds; when both transitions are added, the time for this photo becomes 6 seconds, which is what I want.
    -> The same applies if I want a transition to be shorter or longer than 2 seconds. If, for example, I want the duration for a transition to be 1 second, then I have to change the duration on the two linked photos to 5 1/2 seconds.
    All of this requires much more prior planning than I am used to with iMovie. Right now, I working with batches of 5 or 6 photos at a time. I don't put a transition on the last photo in the batch until I have added the next group of photos. And things get really tricky if I don't like my original design. If I want to change anything, I have to take out all of the transitions linking the photos I want to work on, do the math, make the changes in the photo durations, then put the transitions back.
    Perhaps I am trying to make iMovie do more than it was intended to do, I don't know. Perhaps this problem stems from the fact that I bought just iMovie 11 from the Mac Apps Store and not the entire iLife 11. Don't know that either. But at least I have found a way to make the movie look the way I want it to look.
    Thanks for sharing your process. I will use it when the circumstances are right.

  • Quality issues when importing still images as frames for animation

    hello,
    i've imported roughly 600 hand-drawn and scanned (600 dpi) images as frames for video. the images themselves are really crisp and perfectly how i want them to appear. i've imported each to play for 2 frames then move to the next. once done, i save this video file as an .avi. i then repeat the process in order to layer the video (using Calculations filter) over and over again, to fill up the screen with overlapped, layered animations. in theory, these layers should all remain crisp, just like the scanned images. i was under the impression that the standard Export... > Movie... .avi file is essentially lossless and is best for editing, however when my process is completed, the final product is muddy, grainy, and pixelated. i'm not sure where i am going wrong, as i've actually done this process before with success.
    is there a way to specific the working file as "high definition" or something similar so that the quality is just as crisp as the scanned images i am using as source
    any help is appreciated - i am completely self taught in video editing and it is really bugging me that the file output is not how i envisioned.
    thanks,
    DB

    I note you specified that the images were 600 dpi.  The dot per inch are an issue only for printing a hardcopy.  For video work, the issue is the pixel dimensions and the pixel aspect ratio. If your image is 600 pixels by 400 pixels with a PAR =1.0. If your sequence is 1440 x 1080 with a pixel ratio ratio of 1.33, then the images must be the same and PrPro must scale up the image.  You can get good images from imported stills in PrPro. I prefer to rescale my images using Photoshop.  I am told that the scaling algorithm in PrPro has been improved.  But regardless, if you are scaling up, you will see degradation becauae Prpro has to interpolate between pixels to fill the video frame.

  • Best setting for using still images for 16:9 format

    When using still images in FCP, what is the best setting to keep the images from stretching or warping when exported to be shown on a 16:9 format?

    Put them in a 16:9 sequence (is there any other way?) If they are distorted upon import, you can change their distort settings under "Distort" in the Motion tab of the Viewer. 33.33 is a good number to start with.

  • IMovie 11 - set duration for still pictures in project

    Hi,
    I work with iMovie 11 since recently and I never had any problem with previous versions. Now I'm doing my first project in iM 11 and it just ignores my request for setting durations to still pictures.
    When I set the duration in 'Project Properties' 'Apply to all photos' to 4 sec for example it will set the duration anything from 5 to 7 sec and no matter how often I change it will not react. This is very annoying. Is there anything I have overlooked?
    What can I do? Thanks for help.
    thl

    A transition borrows frames from the photos or video clips on either side of a transition. There is a general rule that a transition cannot be longer then half the length of the shortest adjacent clip or photo.
    Also, check the setting for EDIT/TRANSITION OVERLAP.
    I copied the following from iMovie Help...
    Whether transitions are added to your project automatically or manually, you can set how much they overlap with the clips they’re adjacent to. This setting, which applies to all transitions in your project, affects the duration of your project.
    Double-click any transition icon in your project. In the inspector that opens, choose an option from the Overlap pop-up menu:
    All - Maintain Clip Range: The two clips are made to overlap by the length of the transition, and the transition is placed over the overlapping region. In this case, no additional content from clip ends is added. The total duration of your project decreases by the length of the transition.
    Half - Maintain Project Duration: The transition is placed so that it spans the clips; one half of the transition overlaps each clip. In this case, additional content from the end of each clip is added to fill out the transition. The total duration of your project remains the same.

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