Soft proofing CMYK in LR 5.2?

ACR 8.1 allows CC users to soft proof in CMYK and LAB color spaces.  LR 5.2 will have ACR 8.2 capabilities, so will we be able to soft proof in these spaces as well?

What a shame.  The only book vendor option we have from within LR is Blurb, which uses CMYK printers and provides a CMYK profile for soft proofing.  The only way to soft proof with this profile, however, is to use Photoshop, but you then convert back to RGB when you return to LR, so thre is no point of going through that routine. 
Clearly Adobe recognizes the importance of soft proofing, and put that capability into LR.  Clearly Adobe recognizes that many LR users would like to produce books, and put that capability into LR.  Somehow Adobe failed to connect the dots and did not provide the capability to softproof book projects being sent to the only print vendor available in the book module. 
What exactly is Jeff's reply saying?  Jeff says it "won't" happen, which might mean that it could  happen, but for some reason Adobe has decided that having this capability in LR would not be beneficial to Adobe in some way.  I can't imagine how CMYK capability in LR would affect sales of other Adobe products, so that explanation seems unlikely.
Perhaps Adobe thinks that LR users would be confused by having the CMYK space available to use.  However, we have the option of chosing from among three RGB color spaces now, so how would a fourth space be a problem for us?  Besides, I don't think that LR users are less capable than Photoshop users (in fact, there is a lot of overlap), so if it can be understood in PS it can be understood in LR.  Hence, that explanation also seems unlikely.
Perhaps Adobe is trying to maintain a clear distinction between its "professional" products, which have greater techincal capabilites, and its, for lack of a better term, "consumer" products, which do not need to be so capable.  LR doesn't get CMYK because it is intended for customers who don't need it (although they send us to a book printer that only uses CMYK printers).  Of course, Adobe realizes that many LR users are professional photographers who have prints made in high-end print shops that use CMYK printers, just like Blurb does, so that explanation is just as unlikely as the first two.
Perhaps Jeff misspoke, and meant to say that it can't happen, not that it won't happen.  That is, that there is some technical reason why LR can't use the CMYK color space.  This seems very, very unlikely, although if somebody is aware of such limitations to LR, perhaps they could explain them to us.
The bottom line at this point, unless there is more information on why LR can't have CMYK capabilities, is that Adobe has made the decision, and that is that, and we have to live with it.  Sort of like the Creative Cloud.

Similar Messages

  • LR CMYK Soft Proofing: CMYK ICC to RGB ICC Conversion workaround?

    Okay, here's a long shot:
    So, CMYK isn't supported in LR. Got it. Annoying, but whatever.
    Here's my longshot question: Is there a method to mimic the CMYK colourspace available in my CMYK ICC profile by creating a limited RGB space similar to it? For example, a method of converting a CMYK ICC profile to an RGB one? It doesn't have to be exact down to the letter but I need a general idea.
    As background: I'm looking to quickly softproof the images in the limited space - I work for a daily newspaper and don't want to run through photoshop to proof them as it's not essential, though it's definately worthwhile to get a general idea for frontpages and the like to avoid major mishaps on important shots, and to ensure the images are as punchy as they can be.
    Any ideas would be greatly appriciated!
    Cheers,
    L

    Luka_k wrote:
    Here's my longshot question: Is there a method to mimic the CMYK colourspace available in my CMYK ICC profile by creating a limited RGB space similar to it?
    Actually yes, you'll need to fork over money for ColorThink Pro. The optional ColorCast module can "embed" the proofing effect of any ICC profile (RGB, CMYK, or more channels) INTO an existing RGB profile like sRGB which is what gets sent to Blurb. The big issue is, you don't really have an actual CMYK profile that defines Blurb's output conditions. Oh sure, they provide some generic CMYK profile they would like you to think is used for output but it's not (how can it? They have multiple papers and maybe even differing press technologies, one profile can't define all those output conditions). IF you could actually get a true output profile that is used for the printing, in theory one could build an RGB profile with ColorThink Pro that could produce the simulation. Maybe Blurb needs to contact CHROMIX and license this.
    Now IF you have actual output profiles for your presses, you could do this.

  • Is It Possible to Save a Soft-Proofed File?

    Let's assume that I have an image, foo.psd, open in PSCS4. I softproof the image for a particular paper and printer. When I hit Ctrl-Y, the image is shown in softproof mode, and the softproofing info is appended to the image name in the PSCS4 window. Is there any way to save a copy of foo.psd with the soft proofing applied, i.e. foo-softproof.psd?
    Reed

    Reed,
    a print looks often different to the monitor. Quite normal
    - many monitor colors cannot be printed.
    They are out-of gamut for the printing CMYK space.
    The RGB image data are converted via the RGB profile
    to Lab, which is large enough to represent real world
    photos without loss.
    From Lab the data are converted to CMYK via the CMYK
    profile. Here is loss because of the smaller gamut.
    The colors have to be mapped from the larger RGB gamut
    into the smaller CMYK gamut. This can be done
    a) automatically by Rendering Intent Relative Colorimetric:
    in-gamut colors are not changed. Out-of-gamut colors
    are mapped to the gamut boundary; this process isn't
    accurately defined by standards.
    b) automatically by Rendering Intent Perceptual:
    all colors - even those which were in-gamut - are
    shifted towards the gray axis. This process depends
    very much on the scientist or programmer and is nowhere
    defined by standards.
    So far one doesn't need human interaction, but the results
    are not always pleasing. The third and optimal method is
    c) image based gamut compression. Reduce the saturation
    and eventually rotate the hue in regions which are out-
    of-gamut until Photoshop's Proof Color Gamut Warning
    doesn't show larger out-of-gamut areas.
    Gamut compression algorithms and the color science behind
    are explained in this excellent book:
    Jan Morovic (accents omitted)
    Color Gamut Mapping
    John Wiley & Sons, 2008
    Manual image based gamut compression is demonstrated here
    by many examples (but it's called 'Editing in Lab'):
    http://www.fho-emden.de/~hoffmann/labproof15092008.pdf
    Attention: 3.4 MBytes.
    Chapter 9 shows visualized gamut boundaries for several
    color spaces.
    IMO you're seeking the impossible (if I'm understanding
    you correctly).
    Best regards --Gernot Hoffmann

  • Can you Soft-Proof in PSE 6 before printing?

    Is there a way to soft-proof in PSE? I have createded custom ICC profiles for my monitor and printer/ink/paper combinations (using SpyderPrint) and would like to soft-proof the image on my monitor before printing. I know you can do this in Photoshop CS3, and it can save lots of of ink and paper, as compared to proofing from prints. Thanks.

    Thanks, Richard. I should mention that there's at least one add-on program that claims to add soft proofing to PSE, but in my opinion it's not useful, since to really see what something looks like on paper you need to have access to CMYK and nothing can make PSE able to do that. I've tried the add-on and it brings up the softproof dialog box, but the changes you make there mostly have no effect on what you see onscreen, unfortunately, due to the limitations in the PSE code base.
    Don't forget that as PSE owner you can usually upgrade to full PS for $299. Adobe sends email about this periodically, but in my experience, if you call adobe sales you can usually talk someone into letting you have it even when it's not officially offered, although you might have to call a couple of times till you get lucky.

  • When Soft Proofing in LR4 most of my loaded printer profiles are not visible

    I am running LR4 and CS6 on an HP desktop with 4Gig Ram, Win 7 Home, Profiled Monitor using DataColor
    In CS6, all my loaded ICC printer profiles appear when setting up the soft proofing...
    In LR4, most of the profiles do not appear...
    The problem is that I print to an Epson 7600 CMYK printer with UltraChrome Ink and mostly on Canvas so I need to proof for that environment.
    The problem is that I print to an Epson 7600 CMYK printer with UltraChrome Ink and mostly on Canvas so I need to proof for that environment.
    Photos of the two different pull downs are attached.

    dmcrescent wrote:
    Not sure what makes you think the Epson 7600 is a CMYK printer, but it isn't. You may be running a CMYK RIP attached to it, but the printer accepts RGB data, not CMYK. The only reason I can think of needing to profile in CMYK would be if you were using profiles generated for a press. I'm sure there may be others, but can't think of one off the top of my head.
    Well you can send either RGB or CMYK to the printer but you have to first setup the proper driver for either. Unless you are proofing (make my Epson simulate a press sheet), I can’t think of any reason to send it CMYK data. The limitation is the driver in terms of what you send it. With a 3rd party driver (might be a RIP, might not) it can be possible to send CMYK data to the Epson. Epson bundles the ColorBurst product for this purpose (press simulation, use of CMYK profiles).
    Since the Lightroom path is solely RGB, it can’t do anything with CMYK data. So the profiles are filtered out of the list. And don’t expect this to change anytime soon or ever. If CMYK is your game, well you need Photoshop or some other application to handle this data. And you’ll need another driver. So in context of this post, CMYK is simply not a possibility and that is why the profiles are not accessible.

  • Soft proofing and Out of Gamut warning

    I like to use Blurb for a perfect photo book. I am an amateur photographer but like the most of my pictures on paper.
    What's the perfect workflow for soft proofing ?
    A friend of me has calibrated my screen (Thunderbolt Apple screen).
    My current methode :
    I take a picture in RAW with AdobeRGB profile setting, i adjust a few parameters in Lightroom and then go to Photoshop and start de soft proofing with the Blurb-ICC profile.
    The result with soft proofing is like there's a white mist over the picture. Then i try to optimize this with various parameters.
    When i try the soft proofing with the Blurb ICC profile + out of Gamut warning option .... there are many colors out of gamut .
    My second methode :
    When i import the raw picture in photoshop cc and i convert the picture to the Blurb profile, then there are no out of gamut colors but everything is in CMYK.
    Is this a good way for perfect photo books in Blurb ?
    Or must i ignore the out of gamut colors ?
    Is it better to make my pictures in sRGB ?
    When i want to save the end result in Photoshop cc ( jpeg for Blurb )  must i enclose the Blurb ICC (when in CMYK) , Adobe RGB or sRGB profile (when in RGB)  ?
    Please help me make a perfect photobook 
    Mario

    Since I don't know what "Blurb" is, I'm going to assume that's your printing service somewhere, and that they have provided you with their target printer profile.
    What you describe under current method is absolutely normal, expected behavior.  Adobe RGB simply is a much larger color space than whatever this Blurb profile is.
    If you care to let me know how or where I can get a hold of this Blurb profile, I can in a matter of seconds prepare an illustration of how the two profiles compare to each other.  From where I sit, it would appear you're throwing away a lot of image quality by using Blurb.
    There are two wacky ways of getting around your seeing the out of gamut warnings.  The first is not to soft-proof at all. (Duh!  )  The other one is an unorthodox workflow which works just fine PROVIDED you are aware that the image files as an end product are only good for Blurb and for no other purpose, and that is to set your WORKING COLOR SPACE from the get go to the Blurb profile.  Of course that is not the recommended or even kosher workflow.  It is only a workaround to the deficiencies of this Blurb profile.
    I cannot comment on your "second method" until I know more about this Blurb phenomenon.  If they print on a CMYK press, then they are throwing away a lot of colors, even if you send them images in sRGB.  Nothing you can do about that.
    The one thing I can say is that if the outfit doing the printing is the one that sent you the profile, then they will know how to deal with an sRGB file.  The profile they sent you is just what their printing process uses.  No need to attach a copy of their own profile. 

  • Change Default Soft Proof Color – Illustrator CS5.1

    Short Question:
    How to change the default soft color proof setting in Illustrator CS5.1?
    Backstory:
    Every time a document is opened in Illustrator CS5.1, it defaults to Working CMYK soft color proof. For those that work in web, the default soft proof color space of CMYK results in dull colors. This means that every time a new document is opened, the soft color proof settings need to be changed manually. There's got to be a way to change the default soft color proof settings in Illustrator? I know it's possible in Photoshop already.
    Many Thanks!

    You could try if either a custom Workspace or Document profile does the trick:
    http://blogs.adobe.com/infiniteresolution/2009/05/startup_profiles_a_great_tool.html

  • Soft Proof for Third Party Printing?

    Julieanne's great training video covers Soft Proofing for monitors and local printers.  How about using it for exports to third party Printers?  All my work is exported to my Zenfolio sponsored website.  From there is purchased for print by further exporting it to MPIX who in turn ship it directly to the buyer.  How can I use Soft Proofing to optimize those photos.  With LR3 my highly random and guesstimate solution was to add +5 with the brightness slider.  I don't know why but its seemed to work even though the images were overly bright on my iMac monitor.

    In terms of Blurb, unless you know for a fact that they use only one profile, then the soft proof debate is moot. And I seriously doubt they have one profile for all their papers (that is basically impossible).
    This is correct. Blurb uses different printers/presses for different run sizes. You really cannot predict which one they will use and soft proofing to their one profile is really not useful. In fact I have tested this before and had two identical books printed with them, one using their (indeed cmyk) profile and one leaving all the images in sRGB. The sRGB one came out much closer to the original and the cmyk one came out too dark. In fact the cmyk one looked like what happens when I apply generic US web coated to images in their profile, so if you want to print with blurb, you're better off completely ignoring their profile and sending everything in sRGB as Lightroom appears to do. Of course you could have guessed this as they only offer a single profile, while they offer quite a few different papers as well as use multiple printers/presses.

  • Regarding soft proofing on Lr4

    I am trying to send a photobook created on Lightroom 4 to Blurb for printing. 
    I was told from Blurb that soft proofing function on Lightroom 4 does not work for them because the color profile is different.  What does Adobe recommend to do to match the color space?

    I think there is a bit of a misconception here.
    Blurb wants the images to be in sRGB color space. In Lr you can softproof to sRGB.
    Blurb also provides an icc-profile that can be used to softproof the images. Alas, this icc-profile is a CMYK profile and is not usable in Lr. Lr is RGB-only and doesn't work with any CMYK-profiles. But you can use Blurbs icc-profile for softproofing in Photoshop CSxx.
    If you don't have Photoshop CSxx, you can't use Blurbs icc-profile and your only optin is to softproof to sRGB. Since you have to embed sRGB in the photos used in your Blurb book, softproofing to sRGB will give you a good match.
    On their website Blurb recommends these steps for Color Management: http://www.blurb.com/guides/color_management/workflow
    What they don't mention and possibly the most important thing is that the intensity (brightness) of your monitor is not to high. Some people have complained that their images in the Blurb book are too dark. The reason for this is that their monitors display the images too bright, i.e. brighter than a true representation of the color numbers. But since printers go by the color numbers, you get a darker print.
    Make sure that the intensity (brightness) of you rmonitor is set to a value of about 110 cd/m2.
    Finally, read this thread: http://forums.adobe.com/message/4360009#4360009
    and particularly Andrew Rodneys post (# 11).

  • SOFT PROOFING en Acrobat 7

    Hola a todos. Es la primera vez que posteo en el foro. A ver si alguien puede echarme un cable.
    Estoy intentando hacer soft proofing en acrobat 7.
    Para ello selecciono el perfil ICC de simulación de mi maquina offset en el menú: previsualización de salida.
    Mi prueba de color está impresa con un Epson Stylus Pro 7600 y con el sistema de pruebas Serendipity Balckmagic.
    Una vez impresa la prueba la coloco en mi mesa de luces a 5000 K y la comparo con la simulación en pantalla que hace acrobat. El monitor es un CRT LaCie Electronblue IV de 22 pulgadas calibrado y perfilado.
    El resultado que obtengo no es para nada satisfactorio. Sin embargo si lo he conseguido con Photoshop CS. En el menú Vista/Ajuste de prueba/personalizado selecciono el perfil ICC de simulación de mi máquina offset y utilizo el propósito "Relativo Colorimétrico" pero para que se parezca la simulación en pantalla a la prueba impresa tengo que activar la casilla de "mantener valores de color".
    El caso es que no encuentro nada similar a esta opción en Acrobat 7. Se supone que ambos flujos deberían ser iguales ya que las dos aplicaciones son de ADOBE.
    Alguien puede ayudarme con este tema? Alguien conoce alguna opción similar en Acrobat?
    Muchas gracias

    ".....con Photoshop CS. En el menú Vista/Ajuste de prueba/ personalizado selecciono el perfil ICC de simulación de mi máquina offset y utilizo el propósito "Relativo Colorimétrico" pero para que se parezca la simulación en pantalla a la prueba impresa tengo que activar la casilla de "mantener valores de color".
    Si el perfil de salida es CMYK y puedes activar lo de mantener valores, es que ya está convertida la imagen a CMYK. Estás negando las opciones de ver en pantalla el resultado previsible (palabra con doble sentido) de la conversión (desde RGB) al espacio de salida CMYK.
    La previsualización es de Rel. Colorimetro. Por otra parte no estás cambiando nada, la única opción interesante o deseable es que marques la opción Blanco de papel, para así simular la gama dinámica del soporte o medio de impresión. Esto en Photoshop.
    Prueba a guardar la imagen como pdf manteniendo el perfil CMYK incrustado.
    Abre la imagen en Acro Pro 7.0 en Avanzadas>Previsualización Salida, marca la opción de Simular Blanco Papel, con el mismo perfil CMYK que la imagen trae.
    La vista previa en Acrobat y Photoshop debería en este caso coincidir.

  • Soft proofing for online printing - CS5

    After using PSE since V1 and LR since it was beta I've added CS5 and I'm a bit overwhelmed.  Right now I'm trying to set up CS5 to soft proof for online printing.  I read a bunch of online tutorials including Dry Creek Photo's, then downloaded and installed the ICC files for my local Costco.  When I select one of the Costco printers under View - Proof Setup - Custom - Device to Simulate, I get an error message:  "Could not complete your request because the ICC profile is invalid."  I've repeated this with profiles from other Costcos - including one across the country from me - and from Adorama.  No joy.  I'm running CS5 V12.1 x64; it's the same story in 32 bit.  OS is Vista 64 Home Premium (fully updated).  Interestingly, I had no problem when I downloaded ICC profiles for a couple of paper-printer combinations; it's the online services that are giving me grief.  Any idea what I can try next?

    Keep in mind that your monitor puts limits on how useful soft-proofing is. If you have a standard-gamut monitor, what you see on-screen is already soft-proofed to sRGB (more or less). If your target profile has a larger gamut, you won't see any difference on-screen.
    If you want to do this in Lightroom, just soft-proof to sRGB and you'll probably be fine. The histogram will show you if there is substantial channel clipping, and you can adjust to that. However, since you have Photoshop, my choice would be to do it there, using the Blurb profile.
    Printing conditions vary widely around the world and CMYK-profiles likewise. To give you an example, US Web Coated (SWOP) v2, which is the Photoshop default, has a gamut much smaller than sRGB. In Europe the corresponding standard is ISO Coated v2 300% (ECI), which has a gamut that practically corresponds to Adobe RGB. To soft-proof effectively for this you need a wide gamut monitor.
    Where the Blurb profile places in this I don't know.

  • Soft Proofing for Blurb

    How do I creat a color profile in Lightroom for Blurb? I know they use HP Indigo printers (which are CMKY) but I would like at least a compatible color profile as well as options for when I creat books with different paper types. Do you have any suggestions so that I can be sure that my images are soft proofed for printing through Blurb?

    Keep in mind that your monitor puts limits on how useful soft-proofing is. If you have a standard-gamut monitor, what you see on-screen is already soft-proofed to sRGB (more or less). If your target profile has a larger gamut, you won't see any difference on-screen.
    If you want to do this in Lightroom, just soft-proof to sRGB and you'll probably be fine. The histogram will show you if there is substantial channel clipping, and you can adjust to that. However, since you have Photoshop, my choice would be to do it there, using the Blurb profile.
    Printing conditions vary widely around the world and CMYK-profiles likewise. To give you an example, US Web Coated (SWOP) v2, which is the Photoshop default, has a gamut much smaller than sRGB. In Europe the corresponding standard is ISO Coated v2 300% (ECI), which has a gamut that practically corresponds to Adobe RGB. To soft-proof effectively for this you need a wide gamut monitor.
    Where the Blurb profile places in this I don't know.

  • Soft proofing/photoshop elements 8

    I bought what was suppose to be the plus to Photo Elements 8 through share it/com/Digital River. The publisher was simplephotoshop.com. Somehow I thought I was buying through Adobe. It is lined out in my printer and doesn't work. Is their really a plus addition to photo elements 8 that allows you to soft proof.
    thanks

    You will need to talk to the folks at simple photoshop about this, since it's nothing to do with adobe, which has nothing to do with elements+. As far as Adobe is concerned the only addition to PSE is the extra storage space at photoshop.com that you can buy.
    In my experience all that elements+ can do is to force the soft proof window to appear, but since PSE has no CMYK mode, it's of limited usefulness.

  • Soft proof blurb profile

    I want to soft proof with the Blurb ICC profile. In LR4.0 beta I can only select from attached printers or display profiles.
    OS10.6.8, I have stored the Blurb profile in root/Library?ColorSync/Profiles.
    In Photoshop the Blurb profile is an option, so that location works for Photoshop (version 12.1)

    Austerberry wrote:
    That does answr the question, but what I wanted to do was to soft proof the output of the Blurb printers.
    You can’t for several reasons. One, LR only handles an RGB path and the output device here (an Indigo) is a CMYK device. You could soft proof in Photoshop which of course supports RGB and CMYK.
    But the other issue is, the ICC profile Blurb provides is a generic one that does not describe all the print conditions (all possible paper and print behaviors) so even if LR could use the profile, the soft proof would be inaccurate and of little use.
    Third, if any print provider demands output in say sRGB (which is what LR feeds to Blurb), then a user has no control over the actual conversion process (control of Rendering intent, pretty darn important, Black Point Compensation etc). So in such workflows, having a profile you can’t use, being forced to send sRGB is kind of pointless.
    What can you do? Well until Blurb in this specific case provides CMYK profiles you can actually use for conversions for all their possible print processes, nothing. If they did, you could soft proof and convert in Photoshop. But until LR provides a CMYK path (don’t hold your breath), you can’t use the CMYK specific profiles even if they were available (which thay aren’t).

  • SRGB or Blurb icc profile better for soft proofing prior to Book module?

    As I understand it images destined for Blurb are converted by the Lr engine into sRGB behind the scenes. To achieve best chance of colour accuracy in the finished Blurb book, is it better to softproof using a sRGB profile or the icc profile* offered on the Blurb Support website. On the surface this icc profile is recommended (by them) for their Booksmart process. Anyone know if that is similar to the Lr Book module process? There is no mention of Lr anywhere on the Blurb color management pages.
    It would be great to pin down the answer to this. I cannot find any recommendation for best work practice aimed at getting good colour reproduction in these books; and trial and error, whilst acceptable in making inkjet prints, is a very expensive route when applied to printing a Blurb book.
    * And even then, as far as I can see, there is no method for differentiating between the Blurb papers. It is just one profile to fit all.

    I tried using 'Export Book to PDF' in the LR Book module with 'Book' set to 'Blurb' and the PDF images are all tagged as sRGB profile and 8-bit color.
    SUGGESTION
    If you set 'Book' to 'PDF' under 'Book Setting' you can use Adobe RGB profile, 300 ppi, and your own Sharpening selection, which as Andrew Rodney mentioned is a better choice. You can submit the LR Exported PDF at Blurb's 'PDF To Book' upload page and they will do the proper CMYK conversion on their end. The only issue is that the images are still exported in the LR Book module as 8-bit color JPEGs. This may cause banding with a wider gamut profile, but that should be apparent when reviewing the exported book PDF.
    Here are some comments from Blurb concerning using Blurbs 'PDF to Book' workflow, which is similar to what I just described:
    From Me:
    My Workflow Details:
    My objective is to process all images in LR4 and then export them as 300 dpi, ProPhoto RGB profile, 16 bit TIFF images for layout in InDesign using Blurb's InDesign plugin (Blurb Book Creator CS6 v2.0.2.34d8). I will soft proof the placed images inside InDesign using its 'Proof Colors' tool and the Blurb_ICC_Profile.icc profile. Once the InDesign layout is complete I will do the RGB to CMYK Blurb_ICC_Profile conversion during the export to PDF process using the Blurb PDF X-3 Export Preset v1-1.
    Blurb's Resonse:
    Response Via Email(David) - 07/18/2012
    Using InDesign and our Blurb InDesign Plug-in does mean you're using the PDF to Book Workflow. This is because your InDesign files will ultimately be exported/uploaded as PDF files.
    Regarding, "Once the InDesign layout is complete I would like to do the RGB to CMYK Blurb_ICC_Profile conversion during the export to PDF process":
      Unfortunately, there is no option for this and it's actually unnecessary during the export process. Our printers convert and process all images as CMYK using the Blurb ICC Color Profile, so even if you upload/export them with an RGB color profile, they'll be converted to CMYK for the production process.
    My Response:
    Customer By Email - 07/19/2012 05:10 AM Thanks for the explanation David. It sounds like I can just upload the PDF file using my ProPhoto RGB profiled PDF, but I would prefer to do the conversion from ProPhoto RGB to Blurb ICC CMYK profile. This way I can see the results before uploading the file to Blurb. Can I use the Blurb PDF X-3 Export Preset v1-1 with Output > Color Conversion to Destination > Blurb CC profile, and then upload the PDF file myself? If so please advise where I should upload the file on the Blurb website.
    Blurb's Response:
    Response Via Email(David) - 07/20/2012 03:49 PM Hi Todd,
    If you do end up exporting your PDFs with the workflow you're referring to, you can upload your files here:
    http://www.blurb.com/make/pdf_to_book
    IMHO there's no reason why Adobe and Blurb couldn't work together so ProPhoto RGB 16-bit images can be used in the book PDF that gets uploaded (or exported!) to Blurb's website. Blurb then handles the CMYK conversion using full-gamut 16-bit images and not clipped sRGB 8-bit images.

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