Sony Vegas vs Premiere Pro CC

I used Sony Vegas before, the main feature I used was the keyframes to make the video move with the music, and now I switched to Pr, but the keyframes here are sooo diferent and 10 times more difficult to use for no reason, when I select the keyframe it doesn't even go to it, I have to drag my self to it, I need to adjust the Position and Scale separately, etc.
Also, when I pause the video (spacebar), I want it to go where it started playing, so I don't have to drag it back everytime!
So I wanted to ask if there is any plugin that changes it to be more easy to use, maybe so that it turns into the Sony Vegas way to edit, idk.
Thanks.

Are you trying to do this on the timeline or in the Effects Control dialog.
The effects control dialog has a set of controls that allow you jump to the next or previous keyframe for each parameter, including scale and position. In that dialog, I believe that if you select the keyframe, the parameter displays show the value for that keyframe.
The scrubber wont jump back automatically, but, there are keystrokes that allow you to jump to the begiing or end of a clip, or jump to the begining of the sequence.
Many people on this site use keystrokes rather than mouse operations as they find shifting between the mouse and keyboard inefficient.

Similar Messages

When i try to upload a .mts file from my Sony camera to Premiere Pro CC it refuses to play the audio! Ofcourse i could convert every single clip but it takes tons of time. How can i make Pr play audio track properly?

When i try to upload a .mts file from my Sony camera to Premiere Pro CC it refuses to play the audio! Ofcourse i could convert every single clip but it takes tons of time. How can i make Pr play audio track properly?

Does it not play at all or cannot you get the audio in the timeline?
Did you copy the entire card to the hdd and then imported the file via the Media Browser?
Did you source patch the audio tracks?

Vegas to premiere pro, it worked but not anymore!

3 weeks ago i bought sony vegas 13 and i tried to export a project from this app to premiere pro. it worked. Now after several adobe cc updates (when it worked i didn't see the imageart while loading premierepro or AE) premierepro crash every time i try to load a project created by Vegas (even if it is of course .prproj extension).
Any advice? i'm really sad about this! thanks.

Assuming that you havn't turned the volume right down, have you got notifications muted ? Only notifications (including games) get muted, so the iPod and Videos apps, and headphones, still get sound. Depending on what you've got Settings > General > Use Side Switch To set to (mute or rotation lock), then you can mute notifications by the switch on the right hand side of the iPad, or via the taskbar : double-click the home button; slide from the left; and it's the icon far left; press home again to exit the taskbar. The function that isn't on the side switch is set via the taskbar instead : http://support.apple.com/kb/HT4085

Inquiring about mpg4 rapping from sony xdcam to premiere pro cs6.

I am currently using a sony ex1r and am trying to import the footage into premiere pro cs6, I copied the file to the desktop (BPAV) file, but the
software premier Pro cs6 keep saying that there is no audio/video files or stream not supported, i.e. corrupted files after I tried to use the media Browser. etc. Is there a better way or can I get some help I tried to see if there are any upgrades in the system I am curently using verson 6.05 I am not aware if there are any other uptates available. I cannot find anything on line to
correct this situation, are you able to point me in the right direction, you can email me with some way of resolving this situation at [email protected]

You can download a fully functional demo of Sony Vegas 12 Pro. That's what I did. So far I like it and will be making the switch to Sony Vegas 12 Pro.
They also have Suite version which include HitFilm 2 Ulimate. This program is like After Effects. I haven't started playing with that yet.
Also, there is Movie Studio 12 Platinum Visual Effects Suite 2. That's a mouth full. Anyhow, it is based on Sony Vegas 12 and it comes with HitFilm 2 Express. The Express version is a stripped down version of HitFilm 2 Ulimate. The Express version is still a great program for adding effects. For some people Movie Studio 12 is all they will need,
Both version, Vegas and Movie Studio, have GPU acceleration which is really nice.
I also just picked up Corel PaintShop Pro X5 Ultimate. It sells for $69.95 and it can open and save .PSD files. So I don't have to worry about all of the .PSD files I saved in Photoshop
Right now I have CS5 and CS6. Premiere CS6 has a lot of bug, the AVCHD spanning clips, slow motion that jitters, caching problem, slower exports, etc.
Dave

Sony NXCAM and Premiere Pro CS 5.5.2 crash (Win7)

Hello,
We recently got a Sony NXCAM. We are shooting in SD only (until next year!), so it's not a problem with any particular HD format. Until we got this camera, we've been using Panasonic P2s exclusively. Our Chief has had good luck with these Sonys (admittedly editing in AVCHD mode and exporting to DVD mostly), so he decided to give one a try for news.
When we first started using the Panasonic P2s, we had a bugger of a time with the video clips coming into premeiere in one stereo clip and us needing it split to mono (because of how we often capture in the field where the on cam mic is for nat sound, while the attached mic is for the actual interview audio - it's recorded to the same clip simply as one side or another). This was also during the days of Premeiere crashing every time you tried to adjust stereo audio gain (has that actually been solved?). Anyway, that's all been solved and the systems have been stable and working fine for the last two-three years aside from the occasional issue with full disk drives (reporters NEVER DELETE ANYTHING, ARG, smash! ).
Up to this month: We have one reporter who has been using this Sony and every time she edits she is experiencing crashes when she adjusts audio (gain, I believe), which of course reminds me of the problem we had with the Panasonics and their MXF wrapped MPEG2 clips. That said, we have the same project settings bringing in the Sony's MPEG2 video with all tracks in mono, and I have a feeling that is what needs to change, I'm just not sure how. It has to be something in how the clips are configured, but I can't figure out what the difference is and more importantly what I need to do to fix it. I am including a screen shot of the GSPOT info on the file. We're using up to date drivers, and Adobe is updated to the lastest version and the system has been working fine for the last two years, except for this one issue of late. We are not using the Sony software to convert the clips simply because we don't have a need to shoot extra long clips, and they join just fine on the timeline if we do, or have so far at least. That and its native format for SD is MPEG2, precisely what we need. Anyway, I'd love some help on this if anyone has any ideas.

As a counterpoint to Harm's perspective, I'll say that I've used Quicktime Pro since early version 6, and I haven't ever had to uninstall or remove it to get Premiere Pro to work, or to work with the QT codecs. Quicktime has never been a problem for me, and it's been a lifesaver on more than one occasion.
Adobe has some custom QT importers for Premiere Pro that are 64-bit, and you don't need QT installed to take advantage of them. But if you have clients that can only provide you with MOV files, or that demand MOV files for delivery, then you will need to have Quicktime installed. Further, some applications like After Effects, (maybe)SonicFire Pro, and Cinema 4D require Quicktime to be installed to take advantage of all their features and plugins, so you can get boxed into the Quicktime corner that way as well.
No need to fear Quicktime. Just be aware that it can potentially be a source of problems and conflicts with Premiere Pro. So far, that hasn't been the case for me.
Jeff

Audio doesn't transfer from my Sony FX7 to Premiere Pro 4

I have been working on capturing video and audio from my Sony FX7 and haven't had any success with the audio part. I'm transferring DV mode. Please help me figure out what settings need to be on my camera, as well as, in Premiere Pro 4. I'm not a computer wiz.

I have audio when I am capturing from my camera to Premiere pro, but when it is captured, I can't hear it. I hear it from my camera, but I can't hear it when I try using Premiere Pro.
OK, you can hear the Audio in the camera, and can also hear the Audio during Capture. It is once the Capture is complete and the file is in PrPro that the Audio disappears. Is this correct?
Dbl-click on the file in the Project Panel to open it in the Source Monitor and check if the Audio is there.
Also, please list your Input and Output setting in PrPro. Wonder if something is wrong there.
Good luck,
Hunt

Sony CX115E into Premiere Pro CS3

Hi all,
I have ordered a Sony CX115E, asking will Premiere Pro CS3 recognise this camera? If not, when I have downloaded my footage onto the hard drive, will I be able to import the footage into Premiere?
Thank you.

Alas, you will not be able to import or edit the footage as it is AVCHD.
You will either need to upgrade to CS5.5 or get NeoScene from Cineform.
http://www.cineform.com/neoscene/

No audio when importing AVCHD files form Sony A7 into premiere pro

for over a year i have tried to import AVCHD files into premiere pro.. I get no audio, I have tried everything, changing the file extension, re installing, importing through prelude, using the media browser. I have used every setting in the camera but to no avail...
Please Adobe I am at my wits end i don't know what to do... i tried it in my friends computer and it worked so why not mine ?

Does your friend have EXACTLY the same computer software and hardware?
More information needed for someone to help... please click below and provide the requested information
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840

How to import AVCHD from Sony A7S to Premiere Pro CC 2014 on Windows 7

Hi, I'm a comparative newbie who just needs to edit some training videos shot on Sony A7S.
The adobe help documents suggest that PP CC 2014 can import .MTS files in AVCHD 25p format, but however I approach this it seems to come back with 'unsupported file' error.
I've tried importing direct from camera over wifi, downloading files to hard drive and then importing from there, downloading entire folders to hard drive and then importing from there... But nothing seems to work.
When I search online I get lots of seeming 'spam' about a variety of converters, is this what I am compelled to do?
I guess I'm getting something really simple wrong, I'd appreciate it if someone kind can tell me the error of my ways!

Thanks Neil, that's a great help.
Just to clarify...
I'm currently accessing the camera through wifi, so it shows up in my windows explorer 'window' on the left hand side as an icon under 'Computer'.
When I double click that icon, I get a 'storage device' icon in the main window.
The recommended approach would be to drag and drop the entire contents of the storage device onto a folder on my hard drive - is that correctly understood?
Then I should access content through media browser window, NOT 'import' under file?

Widescreen (2:35:1 style) in Premiere Pro CS5.5

What's the best way to achieve this?
Cropping, rendering it out in 2:25:1 or using overlay images that are exactly the ratio that you need?
I'm still new to Premiere Pro (switched from Sony vegas, lord premiere is so much better and easier!)
Cheers for your answers
Maciej Kaliski

If you're going out to disk (DVD or Blu-ray), you need to fill the frame. That means using the Crop effect inside of Premiere Pro so that the black bars are part of the image.
If you're going out to a file for computer playback, then you can do the above, or you can Crop it during the export phase, which cuts out the black bars and leaves only the viewable image.
Here's the formula:
1. Take the aspect ratio of the footage you have, say 4:3 or 16:9, and do the math. [4 / 3 = 1.333; 16 / 9 = 1.777; etc.]
2. Divide that by the aspect ratio you want (many people still call it 2.35, but since the early 70's the standard has actually been 2.39). [1.777 / 2.39 = .7438]
3. Multiply that result by 100. [.7438 x 100 = 74.38]
4. You need to see 74.38% of the image to get the desired ratio. The corollary is that you need to crop 25.6% of the image, or 12.8% from top and bottom.

Premiere Pro 2014 long form ready?

I'm editing a documentary with lots of material and bins. In order to minimize the software from crashing, which it routinely does, I'm cutting scenes using separate sequences and then assembling into a larger sequence. However, this often requires me to recreate effects and insert new audio sources because PP randomly mutes audio tracks and does not faithfully copy effects so this makes for a somewhat cumbersome workflow. A friend of recommended Premiere Pro that he uses for short form work, commercials, music video's, etc. Apparently PP doesn't seem to be ready for feature film and long form work. Is anyone out there using PP for long form work? Or should I consider a more mature platform like Avid?

I'm editing a feature with Premiere CC and I'd have to say that Premiere is getting less and less stable with each Creative Cloud release. The latest update on October 8th now makes simple dragging of a few elements on the timeline chug like I just downgraded my machine to a Pentium 4. Yes, I'm pushing Premiere with 8tb of Red media, but instead of improving performance, the latest version has reduced it.
I have a i7 3770k CPU with 16gb RAM and 3 4tb WD Black drives in RAID 0 formation. My OS and program drive is a 240GB SSD drive. My computer should be able to handle this project.
My current issues with Premiere CC:
1) My project takes between 1 and 5 minutes to load. I'm not talking about the project file load, I'm talking about the 'loading' of 8000 media elements for the feature film... which makes Premiere unusable until it is complete. This variance seems to occur because of problem 2 below.
2) Premiere suddenly decides to re-generate peak files sometimes (and Prelude, the media ingesting program, just generates peak files over and over again and is completely unusable for me!). When Premiere is generating these peak files, 'loading' of media after you've loaded a project takes much longer. I've recently turned off 'auto generation of peak files' and this problem seems to have gone away for now.
3) Occasional crashes... Premiere becoming completely unresponsive after doing simple tasks. When combined with this 1 to 5 minute project reload time, it makes crashes much more frustrating! I last lost 20 minutes of work while moving one wav file from one track to another, which crashed Premiere... and then I had to wait for the whole project to load again.
4) File sharing issues between Premiere and Audition. When I send certain audio clips to Audition, Premiere doesn't release the new rendered files properly and I can't save them in Audition. I'm forced to switch back to Premiere and save the project, which seems to clear up the audio file so that I can then save it in Audition.
5) I used to use the Y mode to slip start and end points of a clip in my edit. This is now unusable in Premiere CC 2014.1. The preview of the start and end thumbnails get updated about once every 2 seconds of mouse movement, making this mode unusable.
6) Probably most frustrating is Premiere's ingestion of Red media (and seemingly any media). If your media is in sub-directories (like most professionally recorded projects), Premiere will make a complete mess of it's organization within your bins. Some of the ingested media will be in the folder structure as it is on your hard drive and some will not. Premiere will also sometimes create multiple copies of media that spans multiple files....as is the case for all camera's output... One take might have four 4gb files. Premiere will sometimes understand that these files are all part of the same clip and create only one instance in the imported bin. Unfortunately, other times, it creates clip instances for every single sub file within that clip. I've spent hours reorganizing my project data after importing it with Premiere (and as I said earlier, Prelude is completely unusable with Red media... if constantly regenerates peak files and creates duplicates every time you 'send' the media from Prelude into your Premiere project).
I moved from Sony Vegas to Premiere last year because Vegas had become an unstable mess. Sony Creative Software management determined that new features (and a consistent release schedule) were more important that stability. That is why they continue to remain an afterthought in most people's choices for an editing suite. Adobe has huge market share now, but continues to shoot themselves in the foot with professional editors because Premiere is getting more and more unstable.
I've heard rumblings of a management change at Adobe so I'm hoping that they will renew their focus on stability rather than features, because I certainly can't recommend Premiere use for long-form projects right now. Perhaps Premiere was stable enough with Red footage when Fincher's team was editing Gone Girl last winter, but I'd like to see them edit it now with the latest version of Premiere released on October 8th... Heads would be rolling at Adobe.

AVCHD in Premiere Pro CS 5 - exporting file type questions

Firstly, this is my first post on here, so apologies if I'm breaking any kind of etiquette. Also, I'm not a very technical person and would appreciate any comments or advice to be in layman's terms!
So, I film and edit weddings as part of a small company. I've recently had my camera and editing system upgraded to a Sony NXcam and Premiere Pro CS5 and I'm having a little trouble getting used to the new file types and settings (previously used miniDV tapes in SD with a Canon XL2 in an older version of Premiere).
My pc handles the AVCHD footage fine but the way that I edit means that I'll want to export a sequence of edited clips as one long clip, and then re-import it. For example, I'm editing the wedding ceremony from footage from two cameras - I'm going to edit the full version of the ceremony and then I'm also going to edit it down into a version that is a highlights montage in slo-motion to music. The way I do this is once I'm happy with the full version of the ceremony I'll export it and then re-import it so it's one long clip I can play with rather than two sets of footage chopped up on a sequence. So I can alter the speed of this new long clip, and then chop it up and stick in some dissolves to put together the montage. Then I use this montage in the middle of my final film, between the preparations and the reception. The full, edited version of the ceremony is used as an extra on the DVD.
Previously this was fairly straight forward. I was always working with footage in 16:9 and could export it as an avi file, then re-import that avi file with no problems - presto; the exact same-looking footage as I was previously working with.
Now I'm editing with avchd mts footage (1920x1080 - 25p - square pixels?). Naturally, if I export it as a 16:9 avi and re-import it, the aspect ratio and frame size is all wrong for the project sequence.
I just want to know what the best file format and settings are to use to export footage that will match up. There is no option that I can see to export edited footage as mts files. There is a long list of file types, most of which I don't recognise or know anything about and have never needed to use in the past.
Sorry if this is a silly question, I've tried searching for "working with AVCHD in premiere pro cs5" in google and not been able to find anything that can help me on there, so I thought I'd try a forum like this.
Cheers
Adam

I think we may have a slight miscommunication. This is the way that I interpreted your original post.
Lets say you shot the Smith/Jones wedding this past weekend. You start a new project and have a Service Sequence and a Reception Sequence. You finish editing both the service and reception and just a standard full length video. Now you want to create a montage with clips from both the service and reception. In this montage you will have different effects like Black and white, Slo Mo, blurs, etc. So what you do is export the service and reception and then import those two files (or one long one) and then cut that apart and add your music and effects to make your montage. Is that correct?
The way that I do it works the exact same way except that you skip the export part.
When I edit a wedding I generally have 4 sequences when I am finished. I have a Pre Wedding montage, service, reception, and ending highlights. The Pre Wedding montage is just made up of shots from before the service (bride and bridesmaids getting ready, shots of the venu, groom and groomsmen and so on). Then I have a full edit of the service and a full edit of the reception. After I am finished with those 3 sequences I start working on the ending highlight collage. I make a new sequence for the collage then I go to my bin and drag the "Service Sequence" up into the preview monitor (I know in my previous post I said double click. That does not work, because that just opens it up as a sequence. Sorry about that). In the preview monitor I scrub through the footage until I find a section that I want in the montage. Then I set in and out points around that clip and drop it into my Montage timline, and what ever effects to it that I want, then move on to the next clip and do the same thing. To me it seems that we have the same process except that you have to wait for the export (which is always going to give you a quality loss, how much of a loss depends on format and settings).
Please let me know if I have misread your process.
Phil

How does Sony Vegas Pro 12 compare to Premiere Pro CS6?

About 2 months ago, I purchased Premiere Pro CS6 retail box version from Best Buy. With everything going to the CC, I can't get upgrades unless I join the CC. This is NOT something I want to do! I would like to know if the chroma keying and image stabilization in Sony Vegas pro 12 are just as good or similar to Premiere Pro? I already read about how to transfer the product license on the Adobe website. If I decide to make the switch, I will list my Premiere Pro on Ebay. Another reason why I may want to get Vegas Pro is because I found out about the AVCHD bug in Premiere AFTER I purchased it. It has been over a year and Adobe has still not fixed the bug. I have a feeling they will never fix the bug because of the new CC vesion. I am currently about half way through the classroom in a book from Adobe and have not yet edited any of my own videos. My video camera is a Canon Vixia HF S20 and my computer is a new Dell XPS 8500 with Core i7 and 12 GB of ram. Just a bit frustrated on what to do. If I can't sell my Premiere Pro for a good enough price, I will keep it and switch to Vegas or some other program after it becomes obsolete.

You can download a fully functional demo of Sony Vegas 12 Pro. That's what I did. So far I like it and will be making the switch to Sony Vegas 12 Pro.
They also have Suite version which include HitFilm 2 Ulimate. This program is like After Effects. I haven't started playing with that yet.
Also, there is Movie Studio 12 Platinum Visual Effects Suite 2. That's a mouth full. Anyhow, it is based on Sony Vegas 12 and it comes with HitFilm 2 Express. The Express version is a stripped down version of HitFilm 2 Ulimate. The Express version is still a great program for adding effects. For some people Movie Studio 12 is all they will need,
Both version, Vegas and Movie Studio, have GPU acceleration which is really nice.
I also just picked up Corel PaintShop Pro X5 Ultimate. It sells for $69.95 and it can open and save .PSD files. So I don't have to worry about all of the .PSD files I saved in Photoshop
Right now I have CS5 and CS6. Premiere CS6 has a lot of bug, the AVCHD spanning clips, slow motion that jitters, caching problem, slower exports, etc.
Dave

Graphics cards and After Effects, Premiere Pro, and Sony Vegas...which is best?

Debating between two EVGA cards for a new build.
I don't game at all, but I want the most kickass system I can for After Effects CS6, Premiere Pro CS6, and Sony Vegas.
Kepler option: http://www.newegg.com/Product/Prod [...] 6814130768
Fermi option: http://www.newegg.com/Product/Prod [...] 6814130687
Will spending more and waiting for Kepler net that much of a performance gain? Is there anywhere with good benchmarks on GPUs just for Adobe products and video editing? Which matters more and for what: OpenGL, Cuda, Memory Size, Clock speed?

It's not pointless. I know which cards are supported and which aren't. I'm not confused about which is supported. I know the 680 is not explicitly supported (yet?), but OpenGL and CUDA will still provide some benefit or no?
The GTX 580 and GTX 570 seem to "compute" far better than the GTX 680. I was kind of wondering real world what that mean for PP and AE and what it didn't mean.
I guess some of my interest is in understanding practically what a few more CUDA cores will do or what makes the OpenGL performance of a card better: Cuda, Memory Size, Clock Speed...what.
Ie, is the GTX 680 justified when it seems like it might not be a big enough bang for the buck.

Sony NEX-5N AVCHD 2.0 1080p50 and Premiere Pro/After Effects CS5.5

Hi all,
I have a new Sony NEX-5N and have shot some test 1080p50 video using it.
On my quest for some new editing/production software to close the loop I have just downloaded and installed a Trial Version of CS5.5 Production Premium.
I am able to load my video files into Premiere Pro.
However, when I attempt to open the Video File in After Effects, I recieve the following Error message:
   After Effects error: '00023.MTS' cannot be imported - this '.mts' file is damaged or unsupported.
I have tried renaming the extension to .MPG, .M4V, .M2TS all with exactly the same result.
Perhaps this is a limitation of the Trial Version or perhaps a limitation of After Effects CS5.5. Is anyone able to advise?
As extra information I include below the TEXT output from MediaInfo for the file I am able to load into Premiere Pro CS5.5 but not After Effects.
Thanks.
General
ID                               : 0 (0x0)
Complete name                    : F:\AVI\Video\SourceMedia\00023.MTS
Format                           : BDAV
Format/Info                      : Blu-ray Video
File size                        : 61.8 MiB
Duration                         : 19s 616ms
Overall bit rate mode            : Variable
Overall bit rate                 : 26.4 Mbps
Maximum Overall bit rate         : 28.0 Mbps
Video
ID                               : 4113 (0x1011)
Menu ID                          : 1 (0x1)
Format                           : AVC
Format/Info                      : Advanced Video Codec
Format profile                   : [email protected]
Format settings, CABAC           : Yes
Format settings, ReFrames        : 2 frames
Format settings, GOP             : M=1, N=12
Codec ID                         : 27
Duration                         : 19s 680ms
Bit rate mode                    : Variable
Bit rate                         : 25.1 Mbps
Maximum bit rate                 : 26.0 Mbps
Width                            : 1 920 pixels
Height                           : 1 080 pixels
Display aspect ratio             : 16:9
Frame rate                       : 50.000 fps
Color space                      : YUV
Chroma subsampling               : 4:2:0
Bit depth                        : 8 bits
Scan type                        : Progressive
Bits/(Pixel*Frame)               : 0.242
Stream size                      : 58.8 MiB (95%)
Audio
ID                               : 4352 (0x1100)
Menu ID                          : 1 (0x1)
Format                           : AC-3
Format/Info                      : Audio Coding 3
Mode extension                   : CM (complete main)
Codec ID                         : 129
Duration                         : 19s 680ms
Bit rate mode                    : Constant
Bit rate                         : 256 Kbps
Channel(s)                       : 2 channels
Channel positions                : Front: L R
Sampling rate                    : 48.0 KHz
Bit depth                        : 16 bits
Compression mode                 : Lossy
Stream size                      : 615 KiB (1%)
Text
ID                               : 4608 (0x1200)
Menu ID                          : 1 (0x1)
Format                           : PGS
Codec ID                         : 144
Duration                         : 19s 135ms

Hi and thanks, this is exactly what I am looking for :-)
Tim Kurkoski wrote:
Other question: Is it just this one file that fails to import or is it all files from that camera?
All of the clips I have recorded fail to import to AE but work in PPro
Tim Kurkoski wrote:
Can you post a sample file that exhibits the problem so that I could try the clip on my machine?
I just recorded 4 seconds of a clock pendulum swinging, surprisingly the file was 20Mb!?!? Anyway, I have made the file available for download at the following location:
http://andrew.net.au/~rowan/avchd/00032.MTS
You can browse the directory at http://andrew.net.au/~rowan/avchd/ if you need to "right-click" and save as.
I am hoping it is a limitation of the trial as I have noticed a few other "gotchas" with the trial version.
Thanks for the advice about video format, I have noticed that my computer (Core 2 Duo) is very slow to process the H.264 stream, PremierePro cannot play the 30sec stream in realtime (starts to stutter around 23sec) and After Effects starts its stutter almost immediately (both just playing the stream with no effects) - that said WindowsMediaPlayer has no problem playing the same stream at full speed. I am however reluctant to do any transcoding except to a lossless format as it seems counter intuitive - but this will be the subject of another post, as I don't want to clutter this one.
Thanks again.

Sony Vegas vs Premiere Pro CC

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