Standard Video Compression Settings

When exporting from a project that was shot with a Canon XL2 at 24fps (using the 2:3:3:2 pulldown):
Motion: Shall I leave the Frame Rate under CURRENT or choose 24fps?
Key Frames: Should I choose Automatic, Every, or All in regards to the key frames?
Thanks so much, I appreciate it a lot.

Don't worry about file size at this point; the determining factor is program length. A single layer 4.7GB DVD will hold about two hours of video. The compression is handled in the DVD authoring application.
From FCE, just export to QuickTime Movie (do not use QT Conversion). If you'll burn the DVD on the same computer, make sure the "self-contained" box is unchecked for a much quicker export.

Similar Messages

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    Hi:
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    Don't worry about file size at this point; the determining factor is program length. A single layer 4.7GB DVD will hold about two hours of video. The compression is handled in the DVD authoring application.
    From FCE, just export to QuickTime Movie (do not use QT Conversion). If you'll burn the DVD on the same computer, make sure the "self-contained" box is unchecked for a much quicker export.

  • Standard Video Compression Settings: Data Rate

    I have imported a VHS tape using a DV converter, but the file is huge, and I want it to be able to fit onto a DVD. The file size is around 25 GB, way to big of a file, especially for the video's quality. I am trying to compress it so I went to File: Export: QuickTime Conversion. From there I selected QuickTime Movie and clicked on options. A window came up called "Movie Settings" and under "video" I clicked on "settings". Under Compression Type I clicked H.264. Under "data rate" I clicked on "restrict to" and then there was a blank space to put in the kbits/sec. Under "Optimized for" I clicked on CD/DCD-ROM. I do not know how many kbits/sec I should have. I want to maintain the best possible quality while having it fit onto a DVD.

    Don't worry about file size at this point; the determining factor is program length. A single layer 4.7GB DVD will hold about two hours of video. The compression is handled in the DVD authoring application.
    From FCE, just export to QuickTime Movie (do not use QT Conversion). If you'll burn the DVD on the same computer, make sure the "self-contained" box is unchecked for a much quicker export.

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  • Video Export Settings

    Hi guys,
    I know there are other posts with similar questions. And I already checked and read http://lightroom-news.com/2009/10/28/direct-timelapse-video-export-from-lightroom/ but since this discussion there came to an end in summer 2010 I'll start a try here once again.
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    What you want to do ius experiment with settings to get your video to be as close to 100MB as possible every time.
    If your content is talking heads telling jokes with little movement try this as a starting point.
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    This is a wild guess and you'll probably have to change some of the variables to achieve your target 100MB.
    In Video -Settings - Compress Settings - you could try Sorensen 3 or MPEG-4 and here's a couple of links that you might find helpful.
    http://discussions.apple.com/thread.jspa?messageID=2411365&#2411365
    http://www.kenstone.net/fcphomepage/qt_movies_fromfcp.html

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    If you're publishing for Flash 9 or higher (which CS5 can do) then you can publish to H.246. I would think that FCE could do that.
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  • Youtube & Vimeo Compression Settings.

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    Vimeo makes it really easy by posting it here:
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  • Video compression in After Effects

    Hi,
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    You are looking for an easy answer where there is none. Yes, there are better tools than AE for final compression like Adobe Media Encoder, but your format will still be H.264. The rest is very much a matter of experience and a combination of settings for data rates, encoding passes and so on plus tricks on how to deal with Gamma shifts and color skewing due to the chroma undersampling. Without seeing the actual footage, nobody will be able to give you any exact pointers, but generally the presets you find in AE and AME will provide a good basis. The rest is just tippy-toeing through the settings and learning by doing. Also do some general research on the matter. Because it is so complex and difficult, this topic is discussed to death on pretty much every forum that deals with video editing, DVD/ BluRay authoring and ripping movies for fun...
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  • PremierePro4 Help with Capture Video Compression Options

    Last week I started converting my old VHS tapes using a Canopus ADVC 110 box, a Mac with OSX 10.4.11, and PremierePro 4.0.0.
    Everything went fine until last night when I lost my compression choices in Premiere - Capture Settings - Video - Compression.
    Previously I had numerous compression type options and was using either DVCPro or DVCPro50. There were also many others available.
    Now, I only see DVCPro50 when my Canopus is attached as the source. If I remove the Canopus my iSight becomes the source and its only compression type is Y'CbCr 4:2:2 - uyvy.
    Thus far, I restarted and replugged everything, verified permissions, and unloaded and reloaded Premiere. None of that works.
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    I am also not sure how Mac OS updates affect other things, but on the PC, they can kill a video driver, or an audio driver instantly, and often do. However, those PC-specific behaviors should have zero impact on your options drop-downs going missing. I was just thinking aloud there.
    I'm trying to think of what else might have changed, as when something works one day, but not the next, then something has changed, and the task is to find out what it was.
    I know that iTunes usually also updates QT, and that is why I do not allow it to update, until I am positive that the PC version of QT is a good one with Adobe products - not all have been, so I am skitterish.
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  • Audio and video compression preferences for export to DVDSP

    Hi,
    I have a few questions here. The first is regarding the internal use of compressor by DVD Studio Pro. It is my understanding from (limited experience with) past projects that quicktime movie files are automatically compressed to an mpeg2 format when imported into DVDSP. To what extent do I have control over the level of compression, and are the default mpegs that were made optimal quality? Where can I check this?
    My second question is regarding compression of audio files. Whereas my video files were automatically compressed, I am not so sure about the audio. I was forced to compress the audio down to Dolby2 separately using the external compressor program, in order not to exceed the bitrate on my last project. Was this just a question of one or the other (video/audio) needing further compression than the default amount, or is there more to this issue?
    I live and work with video in Europe, where I have recently been told that optimal audio is mp3? 4? rather than Dolby 5.1? Is this correct, and how much more space does dolby 5.1 take than dolby2? How significant an issue is this when making dvd's for musicians?
    Lastly, can someone recommend the best quality audio-video compression solution for a dvd containing approx 40 minutes of audio and video footage for use in europe?? or explain how I might go about finding this out for myself?
    Thanks a lot, and I look forward to reading your comments.
    4 x 2.5 GHz PowerPC G5   Mac OS X (10.4.6)   8 GB DDR2 SDRam
    4 x 2.5 GHz PowerPC G5   Mac OS X (10.4.6)   8 GB DDR2 SDRam

    It is my understanding from (limited experience with) past projects that quicktime movie files are automatically compressed to an mpeg2 format when imported into DVDSP. To what extent do I have control over the level of compression, and are the default mpegs that were made optimal quality? Where can I check this?
    Settings for DVDSP's internal encoder can be adjusted in DVDSP preferences. Press Command-, - that's the Apply and the comma keys - to bring those up, then select the Encoder tab. In your case, make sure you adjust the settings for SD DVD (and not HD-DVD). You will also be able to specify whether to encode in the background (basically, as soon as you import your file) or encode on build, at the bottom of that tab.
    I was forced to compress the audio down to Dolby2 separately using the external compressor program, in order not to exceed the bitrate on my last project. Was this just a question of one or the other (video/audio) needing further compression than the default amount, or is there more to this issue?
    I can't confess to have read any of your previous threads, but if you exceeded bit rate, that is a common reason to need to use Dolby compression for your audio. (unless you can afford to recompress your video files)
    That is, if you video files use a high bit rate (say over 6 Mbps average), then it's usually necessity to use Dolby compression to make sure that all your footage fits on a single disc. (this is a simplification, of course, but I think you get the idea)
    Or was there more to this question that I'm missing?
    I live and work with video in Europe, where I have recently been told that optimal audio is mp3? 4? rather than Dolby 5.1? Is this correct, and how much more space does dolby 5.1 take than dolby2? How significant an issue is this when making dvd's for musicians?
    Someone was mistaken when they told you that DVDs accept - let alone are optimized for - mp3 or mp4 files. That's flat out wrong.
    As for the difference between Dolby 5.1 vs 2.0, that depends on your encoding rates. Typically, most folks encoder Dolby 2.0 at 192 kbps, with some choosing to up the bit rate to 224 kbps. Beyond 224 kbps, you're not actually improving audio quality for a 2.0 mix, you're just bloating your file size. When it comes to 5.1 audio, it's typical to encode your audio at 384 or 448 kbps.
    When it comes to compressed audio vs uncompressed audio, it does matter when you're making DVDs for musicians. But that means that you'll probably need to lower the bit rate on your video files.
    Lastly, can someone recommend the best quality audio-video compression solution for a dvd containing approx 40 minutes of audio and video footage for use in europe??
    If you want to keep you audio as AIFF files, set your encode to 2 Pass VBR Best, with an Average bit rate of 5.0 Mbps and a Max bit rate of 7.0 Mbps. If you need things to happen a bit faster, use One Pass (not One Pass VBR) and use 5.5 Mbps as your bit rate.
    If you want to have a firm grasp over how all these numbers work, there is a section at the back of DVDSP manual, that explains how to calculate bit rates (what we call bit budgeting in the business). Give that a quick once-over if you can.

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