Stop Motion Technique

I'm looking for any advice on how to create a stop motion look using your footage.
Would you divide a sequence up frame by frame and manipulate the speed/duration to your liking, selecting various frames to put into your new sequence?
any help is welcomed, thanks.

just try speeding it up by some farcical amount (2000% or so) and see if that gets you where you're going ... or by a lesser amount and then add the Strobe filter

Similar Messages

  • What programs/functions do I need to master in order to create stop motion animation?

    Hi,
    Im just starting a new job, and will be creating a handful of films for my new employer.
    I want to create something interesting, and have been leaning towards stop motion animation.
    What initially inspired me was this music video:
    http://www.youtube.com/watch?v=zfcHq0hhFWg
    To me, it looks like a bunch of stop motion ( ex; the paper balls and hand colored individual frames of the guy playing guitar), paired with some digital animation (walruses). Please correct me if I am wrong about this.
    So - to focus my question:
    1) What program does one use to play all the individual pictures taken to create the stop motion animation? In other words, once I have shot all the individual pictures of the objects I want to animate, and am ready to organize them and set a playback speed, what program would I use? Do most people just throw all the pictures into final cut and do it that way?? Or is there a better program?
    and
    2) How do you cut portions of pictures / drawings / frames out to allow for a deep layering effect? I figure most people take each frame and manipulate it individually using photoshop (cutting portions of an image out so something else can be seen through the void). But is there a better way??
    For example, lets say I have two crecent shaped pieces of black paper, and I want them to move towards each other from the left and right sides of the screen, and eventually completely obscure whatever is going on in the background behind the paper images. First I would take a series of pictures, moving the pieces of paper in small increments, until they closed the gap and overlapped each other. From that point, I would lay down whatever video I wanted playing in the background into the timeline. Next, I would import the series of photos with the pieces of paper moving towards each other - then comes the problem. The portion of the pictures used for the animation that is NOT PAPER would be obscuring my background video. So at this point, is it easier to shoot the animation against a white background and just chroma key the white out? Or do most people cut the non paper part out using photoshop? or is there a better way? 

    frisbee681 wrote:
    Hi,
    Im just starting a new job, and will be creating a handful of films for my new employer.
    I want to create something interesting, and have been leaning towards stop motion animation.
    Congratulations on the job. Not many of them out there.
    frisbee681 wrote:
    1) What program does one use to play all the individual pictures taken to create the stop motion animation? In other words, once I have shot all the individual pictures of the objects I want to animate, and am ready to organize them and set a playback speed, what program would I use? Do most people just throw all the pictures into final cut and do it that way?? Or is there a better program?
    Easy to search the app store, as mentioned, or just google stop motion for macintosh. Mastering the application is easy. Learning how to animate is where you need to start.
    frisbee681 wrote:
    2) How do you cut portions of pictures / drawings / frames out to allow for a deep layering effect? I figure most people take each frame and manipulate it individually using photoshop (cutting portions of an image out so something else can be seen through the void). But is there a better way??
    In the odlen days, we used multiplane stages. Each set of drawings was placed on a glass stage, one under the other. INcredibly fun, absurdly difficult to keep clean and properly lit. Now all of that stuff is done with alpha channels and compositing software like Motion or Afer Effects. 
    frisbee681 wrote:
    For example, lets say I have two crecent shaped pieces of black paper, and I want them to move towards each other from the left and right sides of the screen, and eventually completely obscure whatever is going on in the background behind the paper images. First I would take a series of pictures, moving the pieces of paper in small increments, until they closed the gap and overlapped each other. From that point, I would lay down whatever video I wanted playing in the background into the timeline. Next, I would import the series of photos with the pieces of paper moving towards each other - then comes the problem. The portion of the pictures used for the animation that is NOT PAPER would be obscuring my background video. So at this point, is it easier to shoot the animation against a white background and just chroma key the white out? Or do most people cut the non paper part out using photoshop? or is there a better way? 
    Umm, yes. You're only guessing. And, honestly (Did you want honesty?), your heart may be in this but you don't have much a clue. Techniques and effects (and the experience to guide the decisions to do them in camera, on the shooting stage, or in software) are not where you start animation. You start by learning how cameras work, how shutter speed and f-stop relate to ISO speed, how to shoot on-2s (or if you should), how to do eases and stretches and squishes, how to develop characterization in inanimate objects so you can invoke emotive responses from the audience, how to shoot to hooks in the soundtrack, how to plan, how to storyboard, how to budget time, how to establish and maintain quality shooting conditions, how to do animatic or rough tests, how to learn from the tests, how to have fun, how to make money, how to get it done.
    This is kind of like saying you've just inherited a hundred acres and are thinking about getting into farming. You plant some seeds and do some stuff and then pick it and sell it. How hard can it be?
    bogiesan

  • Stop motion animation using iMovie by a child

    Hi.  My six year old granddaughter has just become interested in stop motion animation.  How good is iMovie for this and what are the best learning tools / tutorials?

    First, for Stop Motion Animation, there are better tools. These include iStopMotion and QuickTIme Pro Version 7.
    If you want to do it in iMovie, it is possible, but slow.
    First, go into iMovie Preferences, and make sure you check "Display Time as hh:mm:ss:frames". This will let you edit to the frame lever rather than to the nearest 10th of a second.
    Second, see this Tutorial by Jon Walker on how to edit down to a single frame in a still image sequence.
    You can modify his technique to get 2 or three frames.

  • HOW TO GET THIS STOP MOTION LOOK

    TRYING TO FIND OUT HOW TO GET THIS STOP MOTION LOOK. IS IT DONE WITH EDITS OR PLUGIN
    EXAPLE AT THIS SITE
    http://www.brothersstrause.com/vide...h.php?work_id=1

    I think a lot of that was achieved in camera by manipulating frame rates and so forth.
    Also it looked like some of the awkward jerkiness was achieved by filming the talent actually moving backwads and then reversing it in post. I saw a behind the scenes for a movie that used that technique to get that look. I think it was the grudge or the ring.

  • Stop Motion Animation Capture

    Is there a option to capture one frame at a time thru Final Cut Pro 5.0 to do stop motion animation? My camera is attached via firewire. Adobe Premiere has a stop motion button that captures one frame at a time.
    G5   Mac OS X (10.4.5)  

    the issue with using the digital still camera is that you will create large image files (not really a big deal) but framethief is a simple shoot & capture & import
    <
    Nonsense.
    All DSLRs give you wide choice of image sizes and compressions.
    The advantages of shooting with an SLR far outweigh the perceived limitations but they require thoroughly understanding your animation project's needs. The documentation on Tim Burton's "Corpse Bride" and many other stop-action films shot with still cameras is extensive. It's great fun to research. You'll spend hours on google looking for various stop-action proejcts. Lots of these animators are artists or students, gladly sharing their techniques on their sites or blogs. if you find one you like, post it.
    There are cults of animators who shoot with still cameras and bring the frames into After Effects for processing with time remapping, frame blending and many other effects. Incredible stuff. Try google for Patrick Siemer, a visual effects artist at Pixar. He is featured in the new AE7 CIB from Adobe.
    bogiesan

  • Art student wanting to do stop motion video or a moving image film

    Hi
    I'm very new at this but am interested in Stop Motion or at least moving illustrative work. I'm a masters art student and have been put down as a 'video art' discipline. I have always been interested in the work by William Kentridge who illustrates and films it using a video camera, illustrating frame by frame, stop motion style. Has anyone ever done anything like that or have heard or can direct me to illustrative work that would be classified as 'video art'. I'm not sure where to start and what programs would be best to use. I am proficient with Photoshop. Any help and advice would be awesome.

    Les
    Your one sentence is art in itself! My sentence is puny compared to that!
    Jim Cookman wrote:
    One could argue that all video is art. Myself, I lean more to defining it as craft, but there you go. Please define art in a short sentence.
    Hi Jim,
    There is a lot of confusion regarding the difference between art and craft.
    Craft tends to focus on technique, like good pacing in a video edit,
    color-correcting with an understanding of color theory, composing a shot well, etc.
    Sometimes the more creative examples of craft are called art.
    People talk about the artwork of a advertisement, or a Smoke artist.
    A trained artist can offer a lot of originality and skill to a video/film
    production, but generally the work must support a story,
    so it stays in the domain of craft. For example, in David Lynch's
    Mulholland Drive, one could argue that the lighting and camerawork are craft,
    and the storyline and editing are art.
    In ancient times, art and craft were the same.
    For example, the Greek word for art is τεχνι, i.e. technique.
    Another approach to art is think of it as a way to create beauty.
    Classical art of every culture includes examples of this. Even today
    many people have a difficult time with contemporary art because
    it often does not strive for beauty.
    A more up-to-date definition of art involves language. There are
    many kinds of language--natural languages like English,
    the language of film conventions, the language of choreography, etc.
    English, for example, can be used to express all kinds of things,
    from software manuals to impassioned love letters; but poetry
    is a very special form of English usage. The essence of poetry
    is playing with the language. Sure, sometimes it rhymes, sometimes
    it is beautiful, sometimes it is very expressive, but deep down
    the artistic aspect of poetry is using language in a different way.
    An important aspect of contemporary art is the idea that
    it doesn't express a clear message. A TV commercial might be
    very clever and "artsy", but the message must be clear: You
    Want Our Product. A work of art tries to be much more elusive,
    so that the viewer in engaged in a kind of cat-and-mouse game
    with meaning.
    A one-sentence definition of art? Uh, let me give it a try:
    "Art is the manipulation of linguistic conventions so that
    the multiplicity of possible meanings form a structure that is
    interesting."
    Les

  • Can I use canon eos40d for stop motion capture in premiere elements 9?

    I Want too do stop motion capture but when I click get media, the pop up dialog box proceeda as if to import still photos. How do I get the "capture panel" that is talked about where I can select stop motion?  Is premiere elements 9 supposed to work with a still camera like mine for stop motion at all?   Thanks!!'  Kimberley

    Kimberley
    Thanks for the reply. This is my take on the situation that you describe.
    You wrote
    The camera was linked to PC with USB cable and then the software showed on the PC what would normally be in the camera viewfinder.  The enter key on the PC worked as a shutter release and onion skinning worked.  Can premiere elements do this?
    That more or less describes the Premiere Elements Webcam experience if Premiere Elements recognized the Webcam.
    If you have made a USB connection between the Canon 40D and the computer and you are not getting a Capture Window when you use Premiere Elements' Add Media Webcam or WDM compatible device, then Premiere Elements does not support that simple route. It is my understanding that WDM compatible device represents Windows Driver Model (a framework for device drivers).
    I have done some Google searching, and I have found instance where claims have been made for the Canon 40D as a webcam. I post one of these links for informational and non promotional purposes.
    http://extrawebcam.com/
    Have you explore any utilities that came with the Canon that might supply drivers for the Canon as a webcam?
    Have you tried to use the Canon 40D as a webcam with Windows Movie Maker?
    Please review and consider. (Also, 9.0.1 Update can be downloaded and installed from the project's Help Menu/Update or obtained online from
    http://www.adobe.com/support/downloads/detail.jsp?ftpID=4929
    We will be watching for further developments.
    Thank you.
    ATR

  • Making a stop motion movie with stills. Please help!

    I have a question for someone really smart:)... I am making a stop motion movie on imac with still photos.  when i select a photo from iPhoto, and add it to the imovie project, it is adding multiples of each picture and i have NO idea why.  I dont know if i changed a setting somewhere or what.  This simple project went from fun to frustrating pretty quick.  Any help is GREATLY appreciated.  Thanks in advance.

    Hi
    I would - to test and get project going
    • Start a New User account (Apple  Menu - down to System preferences / Accounts)
    • Log out and into this
    • Now test iMovie and see if all is OK
    If not - the problem might lay in iPhoto photo-library - To try to mend this - YOU NEED TIMES - lot's of times - did it Yesterday > 8 hours !
    When nothing but Mac OS is up and running
    • Keep alt+cmd-keys down - During Full Up-Start of iPhoto
    • Now You get a Menu
    • Select all options
    • KEEP Mac connected to Power-Mains as if lap-top battery might not last the full process
    • Have a nice day / book or whatever - as this will take long long time !
    Yours Bengt W

  • Problem with stop motion film

    I want to make a stop motion movie. But when I upload the pictures imovie automatically makes them "zoom in". instead of each picture just shwoing it zzoms in and out of each one which looks stupid when you're trying ot make a stop motion.
    HELP?!

    Go to FILE/PROJECT PROPERTIES and change the default action for your project. It is currently set to Ken Burns. Change it to FIT (letterbox) or CROP (will fill the screen by cropping your photo.)
    This will work for new photos you bring into the project. For photos already their, use the Rotate, Crop, Ken Burns Tool and select FIT or CROP.

  • Low quality export for stop motion animation stills from Canon 5D Mark ii

    Thank you very much beforehand to anyone who is willing to look through this issue, it's been a long and frustrating process so far...
    I am attempting to put together a stop motion animation in Final Cut Express but my exports are always either low quality, or medium quality and stretched. I am shooting on a Canon 5D Mark ii set to take pictures at 21M 5616x3744 [999] (though I'm not entirely sure what the 21M or 999 mean).
    When I first assembled my stills (unedited or altered in any way) and exported, it looked like this:
    A relatively drastic loss in colour and quality. This was achieved exporting through quicktime conversion using the following settings:
    Compression Type: H.264
    Compressor Quality: Best
    Size: 1920x1080 HD
    Preserve aspect ratio using: Crop
    Deinterlace source video: unchecked
    Unhappy with the result, I went through hours of testing and researching which only yielded a result after I discovered the control-Q Easy Setup menu. I tried setting up as an apple intermediate codec using HDV-Apple Intermediate Codec 1080i60 at 29.97 fps. I kept the export settings the same as above, but knowing that I was now working with a canvas that keeps to the 16:9 proportions, I tried cropping one of my stills in photoshop to fit that 16:9 ratio.
    I then imported my 16:9 cropped still and an unedited JPEG version from my camera and exported the resulting 10 second video. The result was better quality, but still noticeably degraded from the original stills. More importantly, both the cropped 16:9 and the unedited JPEG were stretched out of proportion as seen below (16:9 version):
    Of course I forgot to note the original settings on Easy Setup so I can't figure out how to get back to the original lower quality, yet undistorted image (not that I want to do that). I tried numerous different sizes for the export including changing the Crop (when necessary) setting to letterbox. Nothing worked.
    The canvas, however, immediately looked 100% better after switching the Easy Setup to HDV-Apple Intermediate Codec 1080i60 at 29.97 fps. It held the improved quality without distorting the image:
    I'm not sure if there's any hope of having a great image quality, but at very least I would like to be able to export at the decent quality of the second screenshot without the stretching and cropping.
    I need to have this resolved ASAP for work, I've already wasted too much time here. Any help is so appreciated, I'll be active in providing whatever additional information that I can to responders, though please keep in mind that I'm relatively new to all this, I don't know where to find everything

    I've decided just to try to get back to the export that I showed in the first screenshot. That result came before I started tampering with the Easy Setup. Like I said, when I changed the setup the canvas quality improved drastically and the dimensions seemed to fit much better, but the export was vertically stretched and cropped. I just reset my FCE settings and it turns out the default setup is DV-NTSC, but it's giving me a terrible quality still...
    I just want to get back to that second screenshot's quality.. Could someone suggest what I should switch the easy setup to for importing stills from my Canon 5D Mark ii to yield the right results?

  • How can I make a stop motion animation using Premiere Elements 13?

    I am trying to make a stop motion animation with a series of still shots. So far I have managed to speed up the shots so that I have one frame per second but this is still not fast enough and I can't work out how to make them go any faster!
    I am working on a class project with my 8/9 year olds and the project has stalled at this point because I can't get past this hurdle. Any help would be greatly appreciated!

    yogawithlexi,
    Welcome to the forum.
    Im also needing to just edit the photos but adding text. Nothing fancy. I just want to make some flyers.
    For editing photos, to be output to the printed page (whether by a commercial printing service, or a desktop printer), I strongly recommend Photoshop Elements (PsE).
    If you need to output to a video file, then Premiere Elements (PrE) can possibly do what you want, but not for the printed page - at least not easily, and with the ultimate results. First, Video is not dependent on DPI/LPI (Dots Per Inch, or Lines Per Inch), where printed material will be. Also, while PrE can output a Still Image, the quality, when printed, will be far less, than what one can obtain with PsE.
    Do you currently have Photoshop Elements on your computer, or only Premiere Elements?
    Good luck,
    Hunt

  • Can I use DSLR to capture stop motion in PE8?

    No luck in having "Get Media" find my Canon T2i which I want to use for stop motion, or my Canon FS200 for that matter.  Other stop motion capturing software I have sees both, but I need to use PE8.

    I want to connect a Canon T2i DSLR to the computer via USB to view, control and capture using PrE from the computer monitor - i.e. I want setup the camera equipment and stage and not touch anything but the puppets. I don't want to take a bunch of pictures on the camera and import them.
    What I want to do is possible with, say Stop Motion Pro - and it works great, but I like the additional features of PrE.  Looks like I'll be using Stop Motion Pro.

  • Using Still images to create a stop motion film in imovie

    Hi all, I'm trying to create a stop motion film in imovie using photo's I've taken with my camera, I've managed to put it all into the sequence I want, and even put background music on, but for some reason I can't stop imovie, panning in and out on individual photo's/clips of my film, so whereas when i flick through the photo's on my camera, it creates a pretty good stop motion film, but on movie it looks as though I've held everything by hand not using a tripod, making it jaunty and not playing well.
    Does anyone know how to make it stop doing this? My friend hasn't been able to stop it from doing it either!
    Thanks

    but for some reason I can't stop imovie, panning in and out on individual photo's/clips of my film, so whereas when i flick through the photo's on my camera, it creates a pretty good stop motion film, but on movie it looks as though I've held everything by hand not using a tripod, making it jaunty and not playing well.
    iMovie '08 installs with the Ken Burns Effects preference selected. When you add a photo, it is automatically added by turning it into a "still frame" sequence of frames at the default length with the KBE applied. To get rid of it make sure your "Project" aspect ratio matches the aspect of your photos. Then select the photo sequence in the "Project" window, select the "Crop" tool, and choose the "Fit" option in the preview window. This will get rid of the KBE. Now all you have to do is select any single frame in your "Project" sequence (or multiple frames if you want to "slow" down the final motion sequence in your project), split the sequence, and then discard the unwanted frames. (You could also use Command-C to temporally "store" your selected frame(s) to memory, discard the entire sequence and then use Command-V to paste the frame(s) in memory back into the project window at the proper location in your "timeline.")

  • Stop motion on premiere pro

    Hello, i am trying to make a stop motion film using adobe premiere pro cc, and possibly premiere elements 12 if necessary. I would like to know how i can createa live feed of images from camera to software. I would also like to be able to use the onion skin tool whether that is available in either of the sed softwares. thank you

    Premiere Pro captures via FireWire natively, or via HDMI and SDI if you have compatible third-party hardware installed.  This is typically used to capture moving video, though.  I don't know if it will do a single frame.
    Honestly, your best bet may be to use a stills camera to shoot the frames.

  • Stop Motion

    I am trying to create a movie with both video clips AND stop motion. I have searched and searched but i havent found a clear answer. I have already inserted all the video clips that I want for the intro. Now I just need to insert the stop motion part. HELP!

    We have about 3000 sequenced photos we want to put together into a Stop Motion video. We would also like to add an actual video clip to the beginning and to the end of the Stop Motiuon segment. Can this all be done in Premiere Pro? If so how? If not - what other Creative Cloud programs should we use and how?
    Do a search on how to manage Sequential Image files.
    Basically ...Select All> Import>  multiple files and check  as sequence.
    I would do it in AEFX and create a digital intermediate files.   Others wil have a different opion on that workflow.
    Jim - if you lock a Post / THread..how about putting "Locked" in the Title.
    That post also had the additional info asked for.

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