Suggestions please for Narrator vs Background Music levels

HI Guys 
I have recenty  recorded some narratIons over some background music 
Reflecting 4 weeks later on the recording and how I might have done things diffferently in order to improve things I came to the conclusion that there is not enough distinctiveness to the narrator whilst clashing with the dynamic range of the backgrOund music 
Apart from hard limiting no other effects were really used.
How would everyone deal with this problem?
Simply Lower music levels?
Use compression on either or both Narrator and final mix?
Some other approach?
Thanks
Pete

Perennial problem, this. Partly the correct answer depends, believe it or not, on the age of your target audience. The younger you are, the easier it is for you to discriminate between dialogue and anything else (not just music) going on in the background. So if you want to play safe, you arrange that the peak levels of your dialogue track are somewhere between 12-15dB higher than whatever is behind it, because that should do for just about everybody. That said, it's clearly easier to hear through some types of music than others, so if you have made the mistake of having something, say, percussive or even worse, with lyrics then this really does need to be quite a long way down.
But...
My personal take on this is, according to some people, rather harsh, although I think that it's perfectly reasonable; and that is that unless the music is adding something very specific and intentional, it shouldn't be there anyway. So I find the concept of 'background' music to be something of an anathma, I'm afraid. Have relevant music by all means - but then I want to hear it, and don't really want it talked over! FWIW, I happen to know that I'm not exactly alone in having this view either...

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