Swf issue in after effects

Hi all,
I've created an swf animation in after effects to have on the intro site of a webpage.
Basically part of the animation consists of some PNG files of text. I've placed it in after affects and have set it so that it moves across the screen over a short time.
It plays fine in after effects but when I export it to swf and play it in my browser the text flickers a bit.
In the animation there's also a movie file which I have animated and that plays fine?
Please can someone advise me on what to do, I need to get this sorted tonight!
Thanks!
P.s. also would it be better to try and make it in flash pro? I havent used it before ajnd if its better will i pick it up quickly? This is sooo urgent I'd really appreciate a response tonight!

would it be better to try and make it in flash pro?With no doubts will i pick it up quickly?If you need just to move your text, which is a PNG file(s), it takes for about a couple of minutes to place it on a stage and arrange to taste. Basic principles are exactly the same: stage, objects, motion path...

Similar Messages

  • Serious resolution issues with After Effects CC (2014) on Windows 8.1 Pro on Dell Precision M3800 laptop??

    My new company installed Adobe Creative Cloud (There was some annoying Proxy issues at first, because of the seriously tight I.T policies) but we are having some serious resolution issues with After Effects CC 2014 (also have this resolution problem with Adobe Premiere, Media Encoder, Muse) on Windows 8.1 Pro on a Dell Precision M3800 laptop with icons and interface looking too small and hard to see, is there a fix, an update or a work around, can anyone help?
    Any help will be appreciated!
    k.regards
    Ramon

    Hi Todd is there a time-frame for this fix, there is a lot of pressure on me, because I convinced my company to get the Creative Cloud and quite a lot of the CC software is not compatible with the latest Windows 8.1 OS.
    Is there at least a work around, until this big fix comes along?
    k.regards
    Ramon

  • SWF File in After Effects

    If one creates an animated symbol in flash, then nests that
    another layer and creates a SWF file. The inner animation plays
    correctly. If one imports that SWF file into After Effects the
    inner animation is not played.
    Does anyone know how to get around this?

    When I resize the video it looses quality and looks fuzzy.  How do I resize the .swf video within the new comp without loosing quality?
    By not resizing it?! You are seeing normal behavior - when you scale up anything, the program needs to "invent" (extrapolate) pixels to fill in missing data, resulting in softening. There is no way around that. You can of course try to use effects like Sharpen to regain some sharpness, but there is no magic recipe. Even dedicated resizing plug-ins such as Red Giant's Instant HD or BorisFX' Resizer can only do so much. You will have to find other ways of dealing with this, if the bluriness is unacceptable to you, like rebuilding the stuff from original sources.
    Mylenium

  • After I import a .swf's into After effects the content disappears!

    I have been using this work flow for sometime. I hand animate a sequence or a still of a character in Flash Pro on a single timeline, no scipts, etc just clean keayframe animation or a single frame.
    Then export the sequence as a .swf.
    Then usually import it into After Effects and use the vector output in my AE scene.
    After completeing an animatic for a client last week all the swf's in my AE project are EMPTY. I tried re-exporting from flash and reimporting into AE and again they show up 1st time but if I close and reopen the project they are GONE again!!! Help I have been doing this same process since CS4 and I have master animations in AE files that I'm now scared to death to open because AE will make my work vanish...  

    I'm having the same issue since updating to cs6. Have always used this workflow seamlessly until now. Some info:
    CS6 Production Premium
    All lastest updates installed - yes
    Windows 7 home Premium
    Processor: Intle core 2Duo CPU E*400
    6BG RAM, 2 drives (AE running off ssd)
    No external HD attached
    Sometimes, but usually not running Flash and AE at the same time
    No error messages
    .swf's play fine in their own right outside of AE
    No special filters, effects of third part plug ins operating
    On save, some (not all) swf's lose some content. Its always the same content. Every time AE is closed and reopened the the same stuff is missing. Only fix so far (which becomes extremely annoying) is to rename the .fla and export a new .swf. It lasts until the next close/open.
    As far as I can tell, it targets non-symbol assets moreso that symbol assets, but converting the problematic parts to symbols in Flash does not rectify the problem once it has presented itself.
    Suggestions?
    Amy

  • Modifiying an swf layer with After Effect

    Greetings,
    I'm very new to after effects and have a question regarding an exsisting  project that has a swf layer.
    We want to increase the time play from 6 second to 48 seconds. No problem with that.. However within the
    animation there is a swf that plays for six seconds. I want to keep the last frame up for the next 42 seconds.
    (It's a logo). How would I do that without messing up the 6 second animation i.e. change it's duration .
    In flash I would simply adda timer or extend the klast key frame  way out.
    I don't have the original FLA file, just the After Effects project.
    Hope I'm clear.
    thanks
    joe

    My density has bought me to it.

  • Swf stopping in After Effects

    Hello, I have a problem with a swf in After Effects.
    The Swf was built on the main Timeline in Flash CS6 as a frame by frame animation and it is ten frames long. I know symbols cause problems so I didnt use them.
    In After Effects, it only plays up until frame 5 and then holds on that frame. I the sequence bar last a full ten frames however, the animation stops on frame five. So frames 1-4 are different but frame 5-10 are the same.
    What could be the problem?
    I even went into Preferences > Media & Disk Cache and under XMP Metadata I unchecked "XMP IDs to Files on Import", and that didin't change anything.

    would it be better to try and make it in flash pro?With no doubts will i pick it up quickly?If you need just to move your text, which is a PNG file(s), it takes for about a couple of minutes to place it on a stage and arrange to taste. Basic principles are exactly the same: stage, objects, motion path...

  • Having Issues with after effects, advice needed

      Hi I am having some unusual issues and a general question about after effects.The first question is how to remove all the thumb marks that i keep making ever time move the time line indicator down the time line, it auto creates thumb marks that I don't want.
    The second issue and this is a odd one is that i have two files 1) about 3 gb and 2) about 5 gb and the 5 gb I cut in half for the final rendering but i come out with a 168gb avi file???
    How did I use about 6gb of footage and render it out to 168gb I'm confused.
    I am using the general settings, I used avi because my trail version is not showing any other animation type like QuickTime movie (which is what I really would prefer) I don't understand where is all the extra data is coming from.
    This file is so big it pauses for a fraction of a second every 2 seconds of footage when played via a player like window media player.
    I would love any help.
    Thanks

    First, I very strongly recommend that you start at the beginning and take the time to work through these basic materials to learn After Effects:
    http://adobe.ly/bjBT3P
    Your questions show a lack of basic terminology, so it's going to be very hard for us to help you until you learn at least enough so that we're using the same language.
    Regarding QuickTime: You need to install QuickTime. You can get it from the Apple website.
    Regarding large output files, heed Rick's advice and use the FAQ list for this forum, specifically this item:
    http://forums.adobe.com/thread/684381
    Finally, it sounds like you've turned on auto-keyframing. If so, turn it off.

  • Premiere Pro playback Footage issue - W/ After Effects Composition

    Hi, I've had a very irritating issue as of late.
    I've been working on a project for the past couple weeks and it has been going well.
    I use AVCHD 1080p 29.97fps 24p footage. It plays perfectly fine in my Premiere Pro CS4 and After Effects CS4. I have used After Effects to replace many parts of the footage and has gone very well... Except one piece of footage.
    For what ever reason, it plays terribly only when I apply an After Effects composition to it. If it is the raw footage, it's fine. If I alter it in after effects it's fine. But if it's altered from AE and I attempt to play it in Premiere Pro it repeats old frames. A mixture of stuttering and several frames back through out the whole clip.
    I have NO idea what caused it or why it's happening.
    Does anyone know?
    Thank You.

    AVCHD footage is highly compressed using a GOP compression scheme. This makes it unsuitable for heavy processing and subject to all kinds of errors and artifacts when re-compressed. The best workflow is to convert (transcode) your AVCHD footage to a lossless or nearly lossless codec that preferably uses YUV color space. I work mostly on a Mac so my preference is Apple ProRez 444. I transcode everything that I work on that is going to require more than just straight cuts.
    Try transcoding (Adobe Media Encoder or Compressor or even Quick Time Pro are a few of the options) your problematic clip, replace the AVCHD footage in your AE comp with the transcoded footage, then re-render to a lossless or nearly lossless codec. Bring your new render into PPro and render a preview. Let us know if this fixes your problem.

  • Illustrator issues with After Effects CS5

    It seems i have discovered a bug with CS5 illsutrator files and CS5 After Effects. When importing illustrator files or layers into AE working on the project, saving, closing and then reopening the same project, the illustrator files apepar to be present in the project window but actually need to be reloaded in order for them to register properly and therefore be visible in the composition window.
    Subsequentally, when rendring these comps without "reloading" the illsutrator files the renders, as expected are missing the illustrator elements.
    This issue has been recently been acknowledged by Adobe and I am told is going to require an engineering fix. As of right now there has not been a projected date for the patch or update. As a work around in the meantime, Adobe recommends when working with Illustrator CS5 in comjunction with AE to save illustrator files as Illustrator CS4 files and then import for use in CS5 AE.

    Todd_Kopriva wrote:
    > As a work around in the meantime, Adobe recommends when working with
    Illustrator CS5 in comjunction with AE to save illustrator files as
    Illustrator CS4 files and then import for use in CS5 AE.
    Let us know whether that is working for you.
    Is this Windows-specific? I've never had this problem on my Macs. I'm on CS5, not 5.5.
    bogiesan

  • Avid codec pink/green issue in After Effects CC

    Hi there.
    We're in the process of upgrading to CC at work and are running an Avid based edit to graphics pipeline. Currently our editors export to Avid mpeg 50 which works without any issues in AE CS5 - when we bring the same footage into AE CC it comes in garbled, split into pink/green colours, squashed to half screen and in the wrong aspect ratio. It's like the metadata in the file is not being interpreted correctly and telling AE to do weird things.
    I am still in the process of testing at my end to find out if other avid based codecs are affected.
    I've attached a screenshot to demonstrate what is happening:
    We're running OSX 10.8.3 on Mac Pros.
    Any help would be greatly appreciated as its preventing us from rolling out CC at the moment.
    Thanks,
    Ben

    Thanks for the info Rick, Do you have any details of what version of the Avid codec is required? I'm also wondering if the codec would need to be upgraded on the Avid export end as well as the After Effects machine end.

  • Font Issue with After Effects CC

    I am running After Effects CC (on Mavericks).
    After creating an animation using fonts from Typekit, I now am having trouble where the fonts flicker back and forth between two different ones during the animation. At first, I thought I accidentally did something with animating it, but after deleting that type layer, creating a new layer, saving, exiting and returning, I now have the same issue.
    The last time after rendering a video, these error messages popped up:
    after effects problem invalid glyph ID (83::2)
    After Effects warning: Unknown Exception
    So I force quit the program. When restarting it, the error message below shows:
    These are the fonts that have trouble. It looks like it is flickering between ProximaNova bold and regular. What is causing this and how can I fix it?
    Lately I've had trouble syncing to the cloud.

    I first downloaded the fonts with typekit, then created the project in After Effects. I just tried to purge the Image Cache Memory but it made no difference. It's strange that in one text layer, I use two fonts, in two weights. Proxima Nova thin and Magneta bold. The issue is that one of the words in Magneta bold (but not all of them) will flicker between bold and regular. I paused it when it looks like the regular weight and it still says it is bold even though it isn't.
    I just selected it changed it to another weight and then to the one I wanted and now it looks fine. Any suggestions on how to avoid this in the future? It's happened twice already.

  • Issue with After Effects dynamic link CC2014

    Hi guys,
    I'm french user and i got an issue using dynamic link between after Effects CC2014 and Première Pro CC2014.
    I´m importing via dynamic link my PP sequence in AE. Import is OK but i'm unable to put the sequence into a comp !
    If i´m using PP to send a sequence into a AE comp, AE breaks and displays " After Effects error : strange situation. "
    Anybody knows what happens ?
    Desinstall / reinstall but nothing changes.
    Please help me. Thank you guys !

    It would help us to know what kind of system you are using and what type of footage. PPro will work on some types of footage that AE has a problem with. Have you followed this exact workflow before? Did this workflow work in previous versions of After Effects and Premiere Pro?

  • CC Smear issues with After Effects CC

    I have tried to use the CC Smear tool for a project. I have tried doing it on After effects CS5, CS6 and CC. Everytime I use the tool it causes tearing or distortion. I am assuming this is the bug that was suppose to be fixed with After Effects CC? I have downloaded the latest update for after effects CC but it still does it. I still have After Effects CS6 installed if that might be related to the issue? I have included a pic which shows on this frame the image has tried to regenerate and has added grey matter also.
    Any suggestions? Thank You

    I'm honestly not clear on what you are trying to say here. There is no bug, the tool works just fine. Deducting from your image I can only see that you are using a layer style and that may actualyl be the problem - they are applied after any effects and may look odd if the layer content produces semi-transparent areas. Well, whatever, the same old AE trope is true: In case of doubt, pre-compose.
    Mylenium

  • Alexa color issues in After Effects

    Hello,  I am working with DPX files in After Effects CS6 (Mountain Lion) that are in the Alexa Log C color space with no intermediate color grading or treatment straight from Technicolor.  My problem is this:  I am trying to color correct the DPX files to match Avid DNxHD color graded reference quicktimes that were genereted from the same DPX files using a LUT and a CDL.  In the past I have never NOT been able to match color perfectly using LEVELS by adjusting the color in each color channel individually while comparing it to the clip I am matching it to.  Not only do I find it impossible to match the DPXs made from Alexa raw footage to a color corrected version of this same clip that is in quicktime DNxHD format but I am finding the red channel in the DPX files behave in ways that are unlike anything I have ever worked with before.  I have done extensive research in regards to this issue to no avail.  Technicolor has supplied a LUT for NUKE and SHAKE that along with a CDL, is supposed to recreate the color grade of the quicktimes.  I have used Colorista free to input the CDL values as well as LUT buddy to incorporate the LUT that I was given with no luck.  Even compensation with levels does not work because the red channel will NOT cooperate.  I also used the LUT utility in After Effects with the same results.  I even contacted the person in charge of such things at Technicolor and they admitted that they gave up on After Effects in regards to providing a solution to color matching Alexa footage that has been converted to Avid DNxHD and baked with a LUT and CDL.  I can't be the first person to have run into this issue and there MUST be a solution out there that doesn't involve switching to Nuke.  Anybody?

    Hi Jonas,
    Please forgive my latency in this response, things have been crazy.  Thank you again for your help in this, here is the drop box link to the DPX file:
    https://dl.dropbox.com/u/44859261/test-dpx.dpx
    I will also tell you what I do know,  Technicolor has been taking the ArriRaw files from the Alexa and using the Color Front OSD to convert them to DPX files.  I was told that the DPX files have a LogC conversion LUT baked into them that was supplied by ARRI.  Along with these DPX files we receive quicktimes of the shots in Avid DNxHD format that have been converted to linar color space.  I am uncertain as to the process (if they are produced by processing the DPX frames or if another process is used to generate them from the same ArriRaw files).  I would love to know the answer to this myself.  I also think that a CDL has been baked into the quicktime that is supplied by the director of photography.  I am still collecting information while trying to get shots done as well.
    With all that said, my issue is still a mystery to me.  Upon any attempt to use (Levels) in After effects to get the DPX files to match the quicktimes that we were supplied by Technicolor, (like I have done thousands of times in the past with no problem until now and only with files generated from the Alexa) I cannot get the DPX to match, the color information in the DPX files acts as if it has been clipped, making it impossible to reach the range of colors in each of the color channels that are being displayed in the quicktime.  Particularly in the red channel.
    I have the LUT that Technicolor is supposedly using to generate these quicktimes that along with the CDL which I also have and am using Colorista free to introduce to the clip, is supposed to match the DPX to the quicktime but these do not work either nor does any supplemental adjustments. 
    Somehow, someone at Technicolor is able to go from an ArriRaw file to a quicktime with a specific colr grade that is unattainable by me using the DPX files that I assume these quicktimes were created from.  Sice color is color, I should be able to do the exact same thing anyone else does to a clip no matter what UNLESS the DPX files I have have been compromised which I am told over and over again are not.  This is where I hope you can shed some light on my delima.  If you can take this DPX file and match it to the PNG I pasted into this thread than you are doing somethng I am not and I hope that is the case. 
    Thak you again Jonas!
    Clyde

  • Rendering issue in after effects in CS6 AE

    I have got a file and it is from DSLR. I am done some animation on it in AE and want to render it. WHen i render it choosing "Lossless" . The output file is not smooth enough. When i play it. it start stop and start stop. WHen i choose a format option for Eg. PAL, NTSC or others. I get a error mSG at the bottomg screen. it says your final output size will be this x this. WHich is smaller than my original footage. WHat should i do to get my same size clip as origional 1920 x1080 with smoothness in the vedio when i play??
    ANyone please advise. We don't need to anything like this in premier pro So why this is in AE.?
    Could anyone please advise?
    Thanks
    Sushil

    One of the first questions that might be useful to ask yourself is what kind of output do you actually need?  Most people use the Aniamtion codec if they plan on moving in between different applications, re-rendering several times or doing heavy VFX work.  Since the Animation codec is lossless it works to maintain the best possible quality even when it's re-compressed.  However, there are many other lossless codecs such as Black Magic, Apple ProRes 422 (HQ) / 4444, Uncompressed 10-bit, Uncompressed 8-bit and Quicktime PNG.  Some have smaller file sizes, some might play back better in real time and some won't.  Some production houses even export in high quality image sequences to maintain quality.  That way if a render is interrupted you can simply pick up where you left off.  Then when you're finally finished with your image sequence render you can render everything into a single movie file.
    However, if all you want to do is preview your animation on the desktop or upload it to the web, then I would suggest exporting to a delivery codec like H.264.  The quality is definitely lossy, but it's still quite good for final export and it should play fine off your desktop.  However, Adobe doesn't recommend using After Effects for H.264 output, so your best bet for quality is to drag your After Effects composition into Adobe Media Encoder, choose one of the H.264 presets and render it from there. 
    Remember that Adobe Media Encoder isn't automatically set up to export your After Effects comp based on the work area you set up in After Effects, so after you select your preset, click it to make custom changes and make sure the Source Range is set to Work Area.  Otherwise, you'll  end up exporting a bunch of black frames if your work area doesn't exactly match the length of your comp.  You could also do this prior to do dragging your comp over by right clicking your work area in After Effects and selecting Trim Comp to Work Area.
    But, if you plan on working with your clip in other applications, for example moving in between Premiere Pro and After Effects, I would render it to a lossless production codec like Animation or one of the others I mentioned.  Although Premiere Pro works natively with the H.264 footage aquired from most DSLR cameras, it's usually a good idea to transcode all that footage to a production codec when doing a lot of work in After Effects.  This is especially true if you plan on doing any keying or compositing work.

Maybe you are looking for