Switching from Final Cut to Premier

Hey. Just switched from Final Cut Pro to Premiere. I've followed the instructions regarding converting project with XML file.
now i can open the project but all files are not connected. for some reason Premier can't locate the files.
Maybe it's because of the files type? (Apple ProRes 422 HQ, and MOV)
Generally, What it a good format to convert from MOV files i created with nikon DSLR before starting a Premier project?
Please save my projects. Thank you!

Yael,
PrPro will go through MOV files without any difficulty. My standard footage is MOV from Panny GH3 & Nikon D600. Don't worry about transcoding, or worry about the ProRes & MOV files on the same timeline. At the same frame res/rate they'll coexist just fine.
There is a definite difference between hardware needs and what so many seem to think should work. For all the hype about USB3 being just as good as any other external connection ... some USB3 drives on some system's CAN sustain ... a burst ... at the speed claimed. That's ok for much work, but not at all for video. It's SUSTAINED throughput "live" on any particular system with its internal bus & other settings/capabilities and the drive's actual sustained read/write speeds & cache capabilities. The Hardware Forum has a site recommended off it, the Tweaker's Page. Here: Tweakers Page
They have several long articles on drive and asset layout/assignments. Including the results of testing various layouts, as EVERYTHING there is from testing on real machines with their own project files which are heavy effects loaded things that rag the crap out of all systems while another part of their Benchmark files monitors computer hardware usage. There's not the surmise or "I just know how this works" ... what they report is hard data. USB3 just can't sustain the read/write speeds for anything but straight reading of some codecs off disc so there's some usability, as I've learned ... one can say have footage on a very fast usb3 flash drive connected directly into a USB3 port and get adequate read-speeds off it. Or do exports to a USB3 drive, which is again a one-way "communication". Other than that, it's internal fast drives (no "green" drives need apply) such as at least 7500rpm if not 10,000rpm or SSD drives ... or RAID's of say 4 or 5 3TB (or four) drives, which in RAID 0 can actually handle all but system/program files for most things.
Basically, you want to avoid road-blocks & choke-points, places where your data & program/system needs bang into each other and have to wait a while. If you make at least a decent start on that, the type of codec isn't much of a problem. Especially a 1080 MOV ... that ain't nothin'. Think about what a 6k LOG file does to a system ...
Neil

Similar Messages

Why should I switch from Final Cut X?

Who am I:
Hobbits that has been playing with this stuff since the 80's
Has Premiere and After effects in late 90's early 00 before switching to a Mac
Make no money from my work. It is mostly home video's or fun stuff laughs at the office
I have CC for photography, switched before Apple killed Aperture. For $10/month it is not bad for LightRoom's power and PhotoShop is over kill for me, though I like the power
I have had Final Cut for years, and love the CHEAP price of Final Cut Pro X
Use Motion a fair amount, though no expert
Now to switch up from the Photo package of CC to have one with Premiere and After Effects is 3x the cost, or $240 MORE as year. FCPX is $50, plus Motion $50 add Compressor and you still are 6 month pay off (and I already own them).
I agree with many reviews that FCPX is like iMovie pro, but Why would I switch to Premiere Pro?

kcossabo wrote:
Why would I switch to Premiere Pro?
Because:
Transparency. Adobe tells you what it can and can't do with various pieces of hardware (think: GPUs) on your machine. In fact, they list it exactly. Apple just says stuff like, "Oh, it'll be faster with your GPUs. Trust us." They never specifically enumerate the advantages GPU acceleration can provide.
Traditional NLE Format, FCPX's interface isn't exactly what you'd call traditional as it pertains to an NLE. Maybe you can dig it, maybe you can't. Pr's is traditional and if you've used any other NLE, you can easily figure it out.
Superb Integration. Adobe's cross-application integration is ridiculously simple and easy to use. Want to edit a sound track from Pr in Audition? Back-click on the track and tell Pr that; Audition gets launched and the track is loaded. Need some help from AE? No problem, you can easily move tracks back and forth between AE and Pr. Apple's apps aren't integrated really, at all. It's sad, too.
Better Native Editing Support. If Adobe says that Pr can edit something natively, it can. Without transcoding, without copying, without re-wrapping, without anything. FCPX, on the other hand, attempts to do the same thing. Some formats (think: AVCHD) that exist in parts will be wrapped into a single MOV container before you can edit them. This can take a while if the segments are 4GB in size...
I'm sure there are a few more reasons I can think of. FCPX isn't a bad NLE per se. I just happen to like the way Pr (and the other Adobe apps) does things.

Switching from Final Cut Pro to Adobe Premiere

Hi everyone,
Hopefully there are others here who have made this switch and can offer me thoughts and advice. I have for the past few years used the Final Cut Pro suite as my video authoring media. It's done a great job editing and compressing my videos, so I could burn them to DVD, but the time has come for me to start burning to blu-ray. The problem is, DVD Studio Pro does not support blu-ray (something I discovered after buying the burner, etc).
After some research, it seems that Adobe Encore is the only software I've found that people recommend for blu-ray authoring on the iMac. Is this true? If I buy Adobe Premiere, will it edit, compress, does it have a color program - basically, will it do everything I've been using Final Cut for, or will I need to move files between the two programs (if they even support this?)
Anyone with experience in using both programs or just making the switch, please comment with any advice. I'd appreciate it before I take the plunge on another expensive suite of software.

You can download a trial version. I tried it some time ago and I can only use one word "boring" sorry I can not explain this feeling in a more concrete way.

Importing FCP Hi Rez from Final Cut with Encore Destination

I wonder if i could get some advise and comment on trying to get the best Blu Ray encode from Final Cut.
What I have done is this:
I have imported a 60 minute Quicktime FCP file into Premier CS4. (The file was imported as HDV video from a Canon XHA1 and converted in FCP to 422Hi Rez). I set Premier to HDV and not Quicktime before the import. When the import finished, I notice that playback was very jerky, so I rendered the whole time line. This took about 5 hours. Following this, play back was perfect.
So, what should my settings have been initially....might I have not set everything correctly. What settings should I have set initially?
(I have not figured out how to export a sequence directly from FCP which 4.01 is supposed to do.)
Now that it is play fine in Premier CS4 4.01, I am planning to use the dynamic link system to export into Encore CS4 .01 . But before I do so, do I have to fill out copyright info in Premier...I noticed an area for this?
I chose this work flow because I did not want to use the FCP's Compressor for make a Blu Ray. I want to use Encore's H264 compression which produces a smaller file and thus less disc space. I do understand that I could have left out Premier altogether and gone directly from Compressor to Encore, but then I would not have had the H264 choice..;is this right...I am not entirely au fait with all the terms:)
So far, no crashes or weird behaviour. I am on a MacPro Quad Core 2 Porcessor 2.8 GHZ processor.
Tim

Thanks for the advice. I now have the project in Encore. While it played perfectly in Premiere, it cannot do so in Encore. Maybe this is because I have the settings set to the highest resolution- 1920 x 1080 and Blu Ray NTSC. I am trying to set up chapters and it is very jerky trying to get to the right place. Shou/ld I be doing this at a lower resolution and then changing things at the end?
Also I currently have DVD Transcode set to automatic and Blu-ray Transcode set to Automatic.
Are these settings going to look at the best on a 54" Samsung HDTV 1080i ? I notice a whole slew of choices in the drop down!!
I am ploughing through the Lynda.com tutorials, but some of these questions don't seem to be answered there.
I am planning on saving things to hard drive so I can test before burning...is this feasible on a mac?
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Exporting HDV from Final Cut Express

I'm trying to export a video as an mpeg-2 from Final Cut Express and burn it onto a CD-ROM for use on a PC with Adobe Premier. Could anyone help on the best way to do so?

There is no MPEG-2 export from FCE unless you have a third party encoder. You might try googling it. There are some expensive ones. Why does it have to be MPEG-2 BTW? Wouldn't QuickTime be better? It's fully support by Premiere on both platforms.

Mini-Dvi to Video out from Final Cut Pro working

Thanx Everybody for posting reply for my post regarding running video out to external TV from Final Cut Pro in MacBook.
It's working fine.

@ Studio X : The files were originally created with Final Cut Pro, rendered out to QuickTime, then are being played back with Final Cut Pro. The file that has the most noticable studdering is a 60-minute timeline sequence in Final Cut. All files are being stored and played back from the Mac Mini's internal hard drive. Everything was originally shot on DV and formatted for a 4:3 aspect ratio.
@ Shane Ross : Are there any settings in the MacOS or FCP where I can improve the HDMI video signal? Or do you know of / have any experience with Firewire to HDMI converters? Unfortunately, my new signal path relies on HDMI from the video playback.
My current setup uses the Firewire output, which is then converted to composite video & analog audio using a pair of ageing DV tape decks. That setup is becoming troublesome due to age.

New to Premiere, from Final Cut. Help editing native RED r3d

I am one of the many new converts to Premiere Pro CS5.5 from Final Cut after many years using the Apple software. I want to dive right in and start editing with Premiere, but I've run into an immediate snag.
First, I have heard endless discussion about Premiere Pro's abillity to edit raw RED footage natively. Just drag in the r3d files and go. Yet, I haven't even been able to get Premiere to get me this far in my editing workflow. I have worked extensively with RED footage, and in the past I was transcoding in Final Cut to a Pro Res (Proxy) and conforming/onlining at the end using log and transfer or RED alert. Naturally, I was excited to be able to drop in native RED files and never have to online at the end. Here's where my problem comes in: I drag in the r3d files from a recent shoot. 4k 23.967 shot on RED. I double click the clip in my project to open it in the source monitor and all I get is black. I can't scrub, I can't playback video or audio to make my cuts; all I get is timecode. HOWEVER, if I drag the r3d file straight to the timeline, I get picture/sound and everything. Of course, this is no way to edit and I can't just be dropping full clips into the sequence and trying to trim from there. Like any editor, I want to be able to double click my clip, scrub through it in the source monitor, and find the particular take I want to use. THEN, I add it to my timeline.
WHY am I not able to see/edit the raw r3d files in my source monitor? Has anyone experienced this problem? Frustrated and unable to start using this highly touted Premiere (which I wholeheartedly want to believe in). Please instruct me so I can get up and running with my RED footage. In the meantime, it's back to Final Cut 7...
I should mention that I am using a Quad-Core Intel Xeon 2.4 GHz Mac Pro with 15GM Ram and an ATI Radeon HD 5770 graphics card. I have heard NVIDIA is the way to go, but we aren't upgrading/changing graphics cards in the immediate future. So for now, this is what I will be using. Hopefully this is not the sole reason I can't playback/see anything in my source monitor with my r3d files.
Thanks
Daniel

Excellent! Changing to the Adobe player solved that problem (although, of course, it presented new problems, all related to Blackmagic card). Also, to answer your question-- yes, the pro res proxy files were working fine in Premiere.
Now I can see and edit my r3d files, which was paramount. However, now I can't get either the source monitor or program monitor to output playback through the blackmagic card to my external monitors (42" LCD and a smaller 17" Sony color correction monitor). I should note that both of these monitors are routed through my blackmagic card so they don't show up as options under the "playback settings" tab in the source/program monitors. Do I need to rerout these monitors differently so that Premiere Pro recognizes them and will utilize them as external monitors? I need them to playback for clients, bosses, etc.
Another note-- If I make my sequence a blackmagic preset, it will output the program monitor but only playback a few frames and then freeze. If I make it a RED cinema preset, it will playback fluidly but won't output to my external monitors.
The freezing, in my assumption, is due to the fact that the only blackmagic editing mode available is uncompressed 10bit, which doesn't playback well (it uses an editing mode of uncompressed 10bit even when I pick JPEG for the sequence preset).
I guess, in summary, my question is-- does blackmagic not integrate well with Premiere Pro CS5.5? Should I re-rout the monitors not using a BNC cable into the blackmagic card, but instead DVI them into the back of the Mac Pro? Thanks again Colin,
Daniel

Burning a video from Final Cut Pro using iDVD

When I export and save my video from Final Cut Pro to a folder (export->Using Quick Time Conversion). When I do that there are several different videos that are saved in my folder (ie-Kelly Michelle; Kelly Michelle-av1; Kelly Michelle-av2; Kelly Michelle-av3; Kelly Michelle-av4; Kelly Michelle-av5).
iDVD is the program I need to use, I do not have any other programs. Therefore, I import the file to iDVD and once everything is ready in iDVD I try to burn the dvd. However, in the last stages of burning a window pops up and says that "an error was found during the burning process". It does not tell me what kind of an error it is. Does anyone have any advice or a step by step process that I need to do in order to burn my dvd successfully.

The simplest way to prepare a video for iDVD is to *Export/Quicktime Movie* (NOT Using Quicktime Conversion), select Current Settings, Audio and Video and, depending on your needs, other 2 options:
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o- +Chapter Markers+ (NOT All Chapters) must be selected if you created Chapter Markers in FCP (markers in the timeline, not the clip, and clicked the Add Chapter Marker button in the marker dialog).
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When sending job from Final Cut Pro to Compressor using local QCluster

When sending job from Final Cut Pro to Compressor by way of Share and using the local QCluster, the audio renders, but the video errors out saying something along the lines of Can not locate file.
If I use 'This Computer' it works fine.
What gives?
Fresh install of OS and FCS.
Thanks!

I'm just learning the intricacies of Compressor and Qmaster myself, but I have learned that when you use Qmaster you can not share directly from FCP. You must export a Quicktime movie (reference movie seems to be fine) and input that to Compressor. This is only an issue when using Qmaster, as you've seen.

What compression to use when Exporting HD video from final cut pro PAL setting

Hi there
I'm trying to export my HD video from Final cut Pro so that I can edit it in DVD studio Pro. I initially exported it on H.264 setting however it then gives me the message 'NTSC assets cannot be imported into PAL projects' It was edited with PAL setting so I think it must be the conversion but i'm not sure which option to use.....been really struggling to get the 1 hour footage under 4.5gb without losing too much quality...
Any advice greatly appreciated!
thanks

Just to add two suggestions.
1) Consider putting your four movies on two disks.
2) Bring your movies into Compressor and duplicate the stock DVD setting. In the Encoding pane of the Inspector, select a CBR and dial it back to around 6.2 to 6.5 Mbs. In Preview mark a small section and submit; you'll get 2 elementary streams, with m2v and AC3 extensions. Bring that into DVDSP and evaluate results. Adjust as necessary. (This is to avoid waiting out very long encodes and then having to start again from scratch if you get disappointing results.)
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Sure, export it as an uncompressed AVI or QT file.

Video quality bad when compresed from final cut pro to dvd studio pro. HELP

Hello,
I have a dvd project im working on and first i tried the video that i captured from final cut to just use in dvd studio pro but that didnt work. then i used the compressor and used the 60min high quality video and that looks even worse. what do u suggest i do?

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Min 4 and peak at 7, a difference of 3 between min and peak is a good start at CBR, but you must test.
Just like using a video camera, if you use the same exposure setting all the time, most of your pictures will be unuseable, either too dark or too light.

Best Way to import items from final cut pro

I have recently edited a video in final cut pro studio 1 and them compressed the file for dvd studio. However when i came to look for my file it was as a quicktime movie that dvd studio could not see. ie when i came to locate the file i dvd studio it did not show up when other files had. I tried rebooting the program but alas it still could not find it.
Can someone tell me a better way or what i have done wrong?
Thanks in advance,
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Best way is to export from Final Cut (either self contained or to Compressor) and then encode the video to m2v (using Compressor or other encoder) and audio to AC3 then bring those files into DVD SP
http://dvdstepbystep.com/faqs_3.php
http://dvdstepbystep.com/faqs_4.php
http://dvdstepbystep.com/faqs_7.php
http://dvdstepbystep.com/fasttrackover.php
http://dvdstepbystep.com/qc.php
And these threads
http://discussions.apple.com/thread.jspa?messageID=4625696
http://discussions.apple.com/thread.jspa?messageID=4598467
As to why the file is not being seen, are you sure you exported to the path you are looking at? Just try exporting to the desktop to make sure you know where it is.
If you have more details on the workflow it will help (such as how you exported, where to, what types of files, etc.)

Exporting HD video clips from Final Cut Pro in a format readable from IPad

There are many ways to convert mp4 formatted videos into a file that can be sent to IPad via Itune and be read by IPad. However, my problem is that my videos are in a format 16 x 9 and the IPad screen is near 4 x 3 format and the pictures of my videos are squeezed horizontally.
Which application could help me creating a letter box stype with black bands on top and bottom of the IPad screen so that I can have my 16 x 9 dimension of the picture kept correctly?

Whatever your output from Final Cut, if you open in Quicktime and export or share and select Apple TV (iPad), your video shouldl be exported in a format playable on iPad.

Why does Compressor take so long to export a 10 minute video clip from Final Cut Pro?

I've been trying export a 10 minute clip from Final Cut Pro. so it can be used with DVD Studio Pro and burned. However, the rendering process has taken 12 hours! The clip I'm exporting has minimal effects, no music, and is in 1080i 30fps. Does anyone know what's going on or what I can do to speed up the process?

First: How are you exporting? Are you using the Share feature or Send to Compressor?
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Switching from Final Cut to Premier

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