There are no export settings for DVCPRO HD

Hello,
I've tried to export video from Final Cut Pro and After Effects in DVCPro HD 720. I've noticed that for any DVCPROHD format there are no quality settings in the "Compressor" box of the export window. What's strange is that on my old computer I did have those options.
Because I cannot specify 16X9 or 4X3, I have to render anything exported from After Effects into FCP.
I am trying to figure out if I am missing something on the install?
Any help would be greatly appreciated.

I just read this week...and DVCPROHD may be in this category... When a quality side shows up in some codec...the slider has no effect on the quality of the video. It just shows up... I've seen a quality slider show up when using the AIC codec. The slider has no effect on the video
DVCPro HD 720 doesn't have a quality slider. And why would it...HD right. And if in some program it does show up, I bet it does nothing.
What problems are you having with aspect ratio 4x3, 16x9. If you trying to set aspect ratios in Compressor and not getting what you want, it can be done. If your changing from one to another there is some math to do. And sometimes you have to crop off some of the video.

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What are best exports settings for project that will be shown on large screen?

I'm working in AE CS6 and am preparing a two-minute video using type animations and some still cartoons and some still photography. The client will eventually show it through his computer on a large screen to a group of people. What's the best settings in the render queue to output this so it shows pristinely? I'm thinking a Quicktime movie output as Animation but I really don't know. Can anyone help? Thanks.

Animation Quicktime is NOT the way to go. This codec will only playback in real time reliably on a super computer. You need to pick a good distribution format that will stick around. PICK H.264. Read on...
If by large screen you mean a really big TV then make a standard HD 1920 X 1080 comp at 29.97 fps and render using the Adobe Meida Encoder. You can put your Animation Codec Quicktime in the AME if you like but I think there are better DI formats (Digital Intermediate). Pick h.264 as the format and pick the Vimeo or YouTube HD preset and jack the data rate up to 40 or even 50 and enable Multi Pass rendering. You will have a file that will playback smoothly on any modern system, even from a newer iPad or other tablet.
If you mean a 4K display then use the same technique but create your 4K composition using the standard 4K display size of 3640 X 2160 and use the YouTube 4K preset.
You can jack up the data rate for that preset also but don't go above 50.
This will give you a file that is technically as good or better than you would get with a fiber connection to a 4K broadcast. How the project looks when played back will depend on how good you are at choosing the right techniques for your animation and color grading taking into account the color space you're working in, the gamut of the display, and the motion of animated elements as it relates to frame rate. (Hint: that's why I said to choose 29.97 as the frame rate because animating illustrations and text to look good on a big screen is a lot more difficult at 24 fps than it is at 29.97 and you don't need 60fps because what you gain in the elimination of judder you loose in the addition of compression artifacts when the data rate is the same.)
One last piece of advice. Obsessing about the quality of your playback format to achieve the MAXIMUM result is for the most part a huge waste of time and energy. Get the color right and tell the story well and avoid juddering animations and you'll blow the audience away even at 10 or 12 Mbps HD. 90% of all quality issues in rendered animations that I've seen are issues of design and animation technique, not issues of rendering with the wrong settings.

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
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FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
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But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
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Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

Which are the best settings for exporting comps before edditing in Premiere Pro

Hello everyone!
As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
Let me explain: I have two comps in AE (intro and outro) and want to export them in Pr.Pro for edditing along with a fottage i shot.
When i render them the size of the files are huge (30 sec= 7GB).
Which is the best method (and settings) i can export the intro and outro to a 'normal' file size and then put them in Pr.Pro without loosing any quality??
[Comp settings: HDTV 1080 29.97 (1920x1080)]
AE and Premiere Pro both CS4

If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
"FAQ: Why is my output file huge...?"
"FAQ: What is the best format for rendering and exporting from After Effects?"
By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

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bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

Best export settings for video for web

Can anyone give me some advice on the best export settings for a short video that is to be viewed on the web? I have some short, say 2 minute videos that need to be placed on a website and need a reasonable file size. What would the best Format and Preset options be in Premiere? Would it be helpful to utilize After Effects to reduce file size? Thank you in advance to anyone who has some advice!!

For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
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guess I would love some recommended export settings for a straightforward
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Best PE7.0 export settings for Youtube HD, Vimeo or Smugmug?

Hi all,
I'm really new to video editing and I can't find any recommendations on the best Premiere Elements 7 export settings for Youtube HD, Vimeo or Smugmug. It seems like most of them want you to upload in 1280x720.
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Thanks very much E Mann, that was a very helpful thread. I think it actually would apply for youtube as well. For other users, here's a direct link to the settings for Premiere Elements:
http://eugenia.gnomefiles.org/2007/12/08/exporting-with-adobe-premiere-in-720p/
Roughly, the answer is:
Quicktime container
Video codec: H.264
Quality: 80 (I used 100 and it just takes longer to encode)
Frame Rate: 29.97 (I guess if you are shooting in 24p, this might be different)
Bitrate: 5000 (I might try 8000)
Audio codec: AAC
Output channels: Stereo
Frequency: 48kHz
Now, my own personal changes to this recipe are:
Quality: 100 - takes longer to encode, no file size difference
Bitrate: 8000
Frequency: 44kHz (recommended by youtube)
One final note is that for Vimeo it appears you may have to try encoding in 29.97 or 23.97 and test to see which you like better. Apparently Vimeo caps fps at 24.
The nice thing about this is that you can get a quality video directly out of Premiere Elements and you don't have to pipe it through another program.

Best export settings for DNxHD?

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Also - is it necessary to downconvert the 4KHD in some way to 1080p before the export process? The files I'm ending up with are a noticeably poorer quality than the original; I'm not sure if this is due to an error I've made during the conversion or if its a natural part of using the codec?
Thanks if you can help!

For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
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help!!

Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

Best export settings for Kiosk type presentation.

I have 24 slides that I would like to begin playing automatically and loop.
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For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
that play on their site, and there is an option to "Watch on YouTube". So I
guess I would love some recommended export settings for a straightforward
video clip on my website, and if I need to explore the YouTube preset in
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help!!

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Hello John,
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What are the required settings for Quality Certificate

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Settings for Quality Certificate for Raw material from vendor,
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case1
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Edited by: YOGINI B THORAT on Aug 4, 2009

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What are the best settings for ripping cd's in the AAC format?

I have researched and found out that the AAC format rules over the MP3 format as fas as sound quality goes with lossy formats. Example: AAC at 128 is better than MP3 at 160 as so forth. My questions are: What are the best settings for ripping cd's in the AAC format? Will I be able to burn cd mixes with the tracks I import into itunes after importing using the AAC format? Does the AAC format have VBR like the MP3 format? Is there other ripping software such as dbPoweramp and Exact Audio Copy that does a better job ripping cd's in the AAC format? Please help!

mysteryroach wrote:
My questions are: What are the best settings for ripping cd's in the AAC format?
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There are no export settings for DVCPRO HD

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