Timecode on Audio channel

Hi,
Sorry if I sound dumb but can I print timecode on one side of the audio channel? like SMPTE?
For exampel one mono channel music and time code on the other channel. Any idea?
Thanks

Well I don't know about the midi solution. YOu can try. Only way I know you need a capture card.
Shane

Similar Messages

  • Convert a video with one audio channel (left) to both?

    I have a home made DVD that for some reason only has sound in the left speaker. My audio system is fine. It's the DVD. Can iMovie (or other app) be used to route the left audio track into the right track as well so I have both audio channels working (obviously mono).
    Thanks,
    Steven

    The problem is how to rip the DVD.
    "Ripping" should not be required for a "homemade" DVD. The normal work flow here is to either copy the "main title" muxed audio and video files (VTS011.VOB thru VTS014.VOB) to your hard drive and then convert them to desired QT compatible audio and vide compression formats or use an application like HandBrake to convert the DVD directly to a more limited set of possible QT compatible compression options. (I prefer copying the files and using dedicated conversion software as it reduces the total combined disc access/conversion time requirements in most cases.
    When I use QT Pro to look at these files, #3 is not viewable and, #1 only lasts about 30 secs of the intro, so I can't figure out where the content is hiding.
    QT Pro is not required here. However, the QT MPEG-2 Playback component ($20) is required. Since you say you can see something, I must assume you already have this component installed. As to the ability to only see some "segments," the QT Player is very "fussy" about timecode breaks and will usually refuse to play succeeding content when they are encountered. Your best approach in such cases is to use a third-party, MPEG-based player engine that either ignores the timecode breaks (e.g., VLC) or has the ability to fix them (e.g., MPEG Streamclip).
    Even the rip program HandBrake asks for individual files, so I'm held up even before being able to do what you suggest.
    HandBrake does not "ask for individual files." It wants you to navigate to the VIDEO_TS folder since it needs to "see" all of the files to analyze the overall structure and generate specific menu options like title selections, chapter selections, alternate audio selections, etc. On the other hand, applications like iSquint, MPEG Streamclip, FFmpegX, Visual Hub, etc. use individual files or "sets" of files usually constituting a single title program.

  • CS5 (or 4)  Timecode in audio!

    Is CS5/4  able to show timecode in audio .wavs (anywhere/anyhow) ?
    Yesterdays shoot- Free run timecode specifically set to record in double system set up and now I can not find anyway to see the audio time code!
    Metadata starts at 00:00:00:00 as does source window.
    Tell me this not fact and there is some way to extract the info...please.
    Maybe a third party application?

    Good points, Tim--and I can definitely confirm that the Premiere team cares about the product. I've been contacted several times recently by team members, either in response to a post here on the forums or a feature request or a bug report. One of my feature requests got a personal reply, with a mention that a lot of PPro users had been requesting the same feature, but it was proving more difficult to implement than was originally expected. Nevertheless, there was a level of commitment intimated that assured me they were going to make it work, come hell or high water. I appreciate that--that lets me know they're listening to the most pressing usability and functionality (and stability) concerns and addressing them. Of course, not everything can happen the way we'd like, and that's just what we need to keep in mind.
    It's features like the dual-system support that present one of those "chicken or egg" conundrums. Premiere is going to start popping up on more pros radars, whether they like it or not, and Adobe has to take that seriously. Do you attract potential new customers with all the sweet new features you've got, and risk losing them forever when they find out you don't have what they need, or do you alienate a gigantic sector of your user base that wants more effects and transitions, and focus your efforts on functionality that most of the user base would find yawn-inducing and decry as "not for me?" It's a critical time for Adobe, and certainly not an enviable one! I'm glad I'm not one of the product managers right now
    Nevertheless, I'd imagine that for most of the current user base, Premiere does 98% of what they need--that's based on what I know I need, and what Premiere provides. But there's that nagging 2% area where any experienced editor--and typically anyone trying to use Premiere to earn a living--grumbles and says, "C'mon, already... get with the program." I guess if it worked 100%, we'd get bored easy because we wouldn't be able to spend all our time finding workarounds What would be the fun of that?

  • Get 4 audio channels out through SDI whit BlackMagic UltraStudio Express

    Hi,
    We have some issues with the Blackmagic UltraStudio Express and Premiere Pro.
    We need to get out 4 audio channels through SDI for different broadcast and news feeds. We can't do that with the UltraStudio Express on different Mac Book Pro (one on OS 10.9 and one on 10.8.5) with Premiere pro CC and Premiere pro CS6. (We have try with the driver 9.9.3 and 9.6.8). The only thing we manage to monitor out of the UltraStudio is 2 audio channels.
    We know it "could" work as :
    - We are able with the same setup to get 4 audio channels via FCP 7.0
    - We are able with a Mac Pro OS10.8.5 + Blackmagic Decklink HD Extreme 2 (driver 9.6.8) to get 4 audio channels with Adobe Premiere CC
    Do you have maybe a solution for this ?
    Have a nice day !
    Best regards
    Yann-David Urbanowicz

    You might ask in the Premiere Pro forum http://forums.adobe.com/community/premiere?view=discussions

  • My ipod's music quality is inferior. It doesnt have the surround sound/ left and right audio channel unlike my brothers ipod? is there a problem with the chip?

    I have an ipod touch 4g (8GB), I got this about 2.5 months ago, the same time my brother get his. My problem is that I noticed that audio quality is better on his device than mine. I have been listening to music and had different music devices before (non-Apple product and mobile phone) and the quality of music is better when I used to listen to those devices as well as my brother's ipod touch. Im referring to the left and right audio channels. Im not so good about the technical stuff but the best explanation I can give you is in a music or a movie, there's an effect wherein you can here a sound only at the left ear phone/speaker that you cant hear at the right earphone/speaker. I mean for example in a song, a guitar intro can be heared only at the left
    ear while the background music plays on the other ear. Or when theres and echo effect on the song that alternates sound on the left and right ear. I hope youre getting what Im trying to say. Im bothered that my ipod is fake or has an internal problem on the chips or something because I didnt bought this at an Apple Center/Mac Center. I bought it on a retailer. I am not able to visit any store or Genius Bar  or contact an apple specialist through phone because of my work schedule and work load.  I have contacted the retailer before when I tried to return it for replacement or repair but he told me that it is under Apple's warranty, not theirs. I do hope that I can get a help from you because I want to really enjoy my device. Thank you and Im looking forward for the responce/assistance form you.

    I suggest you don't apply pressure to the screen - it's a Touch - you touch the screen not push it.
    Phil

  • How do I export from FCP to a QuickTime file with multiple audio channels?

    I'm delivering a project where the first step is to generate an HD Cam SR master, which I will be doing at a post-production lab. They will then do a QC check for me. To generate this HD Cam SR master, they need to me to bring in my 98-minute long movie on a firewire hard drive, in five equal parts -- QuickTime files. From these five QT files, the lab will then be creating an HD Cam SR master that will have...
    dialogue on tracks 1 and 2
    effects on tracks 3 and 4
    music on tracks 5 and 6
    MY QUESTION
    a) I don't see any way to separate these audio tracks accordingly in the FCP menu for QuickTime export. Does anyone have any experience doing this?
    b) And does anyone know the most efficient way to combine timeline audio tracks for this purpose? I have my dialogue sitting on the first FOUR audio tracks, actually. To deliver this film, I'll need to crush these four audio tracks to two, as listed above. I could generate an AIFF file, I suppose, import it back onto the timeline, sync it up, and then re-export along with the visuals to make the final QT file, but this seems like a generation loss.
    thanks,
    Shanked
    PS the movie is made up of footage from a Sony PMW EX1. I used the codec "XDCAM 1080 24p 35mbs VBR" for editing in FCP. I'll either export to QT using this same codec or switch to "Apple ProRes" if my machine can somehow maintain the sync.

    The following will answer both your questions a) and b).
    Click on your master timeline and press cmd+0 (zero) to bring up Sequence Settings, then click on the Audio Outputs tab on the right. Click on the Outputs option and change it to 6. You can leave them as Stereo pairs.
    Now, back on your timeline, you need to make sure all your audio is organised so each track. A1, A2, A3, A4 etc has all the relevant media on it.
    Then, on the left of the timeline you see the Destination toggle buttons, then you see the Padlocks to lock tracks, then you have the Toggle Auto Select squares. If you right-click on the Toggle Auto Select squares you bring up a little sub-menu, at the top of this list you'll see Audio Outputs, which will show the stereo channels for that particular track. As you've changed the number of Audio Outputs in the Sequence Settings, the list will show: 1&2, 3&4, 5&6. You just tick whichever channels you want.
    In your case, you have dialogue on the first 4 tracks, no problem, just go down through tracks 1,2,3 and 4 as described above and assign these to Audio Outputs 1&2.
    Then just go down through your music and effects audio tracks and assign them accordingly.
    Now, when you export your timeline as a self-contained media file, it will have different audio channels.
    I hope that makes sense. When you change the number of audio outputs as described in the first step, I believe the rest of it is fairly self explanatory, once you know where the settings are.

  • Help using multiple audio channels for one video

    Hi,
    I have a video file with 3 audio files (stereo (.wav), 5.1 surround (.AC3), and commentary (.wav).
    I have placed these on the time line of the video track, but now I need to have buttons to target each of them from a menu. However, when is choose a buttons target, is doesn't give me the option of which audio channel to play (A1/A2/A3 etc).
    Is this possible with just one track, or do I need 3 (each with a different audio file as A1)?
    Hope you can help! cheers.
    Tim

    There is a tutorial on setting this up here;
    http://www.kenstone.net/fcphomepage/dvd_languagenattress.html
    BTW I would very strongly suggest to compress your WAV files to stereo AC3 files. It will reduce your overall bandwidth, and you will have a disc that will less problems in playing.
    http://www.kenstone.net/fcphomepage/a_packwarmouth.html

  • Feature Request:  Modify Audio Channels from the Timeline in Premiere CC.1

    Why have we never been able to modify audio channels once a clip is added to a sequence?  I'm guessing there's a good reason Adobe has never had this feature.  The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it.  But the benefit is entirely lost on me. 
    In my workflow, I synchronize my double-system video and audio before anything else.  I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
    Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere.  Note:  Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two.  Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence). 
    Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep.  But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc).  Furthermore, I don't really want to think about that at this point.  After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit.  If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
    I'd like to start whacking out an assembly edit.  And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance.  This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline!  It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
    Does anyone else feel the same?  If not, what is your workflow?
    Feature Summary:  Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
    I've submitted a feature request, with a link back to this discussion, so please pipe in—especially if you want this feature. 

    Maybe its your specific workflow, asset mangement  and use of a 3rd party application that  runs you into an issue.
    Take Pluraleyes out of the equation, I would imagine my workflow is the same as most everyone else.  Find footage in the Media Browser.  Import it.  Create a Sequence and start editing.  Use the Source Monitor to set Ins and Outs and then Insert the clip on the timeline. 
    At this point, if the audio needs to be modified, it cannot be done on the Timeline.  The workaround, of course, is to Find Clip in Project; Modify Audio in the Project panel; then do a Matchframe to replace the audio clip.  This works, but requires many steps per clip.  Also, Matchframe in Premiere Pro CC is not reliable. 
    Introducing a new Modify Audio (from Timeline) feature as seen in the fantasy screenshot above would solve it.
    I dont use Pluraleyse ...which I understand to be a synching aid...so I dont know the workflow it imposes on one .
    Returning to Pluraleyes workflow, this issue is compounded by the need to Modify almost ALL audio.  Every stereo track is separated and placed on two MONO tracks taking up precious real estate.  This is not something Pluraleyes imposes.  It is due to the way Premiere imports XML timelines.  This would apply to sequences imported from Final Cut as well.
    In this case it would be ideal to select both the LEFT and RIGHT mono tracks and choose "Modify > Audio Channels > Merge L/R Mono to a Single Stereo track."  Ideal?  No.  I guess Ideal would be if Premiere would interpret XML files properly in the first place.
    What actually is the issue with Premieres synch and merge workflow in your case?
    Audio Sync in Premiere Pro doesn't work.  Period.

  • How do I reduce the number of audio channels in the source or export settings?

    I'. trying to export my finished edit through the "movie" setting but keep getting the message that the number of audio channels to create in the exported file must be equal to, or less than the number of channels in the source. Reduce the number of audio channels in the source. Reduce the number of audio channels in the export settings. I am at a loss as to what this means and how I proceed with it prior to putting it to DVD. Please advise.
    JWooley

    What is your source, sequence settings and export setting. Which version of PP?
    Prefebly a screendump of the export settings box.
    (e.g. trying to export a mono track to 5.1)

  • While importing clip getting error "The file contains too many audio channels" in premiere pro cs5

    Hey,
    I  am using video clips from sony digital hi8 camera and trying to import  video clips (.mov) 720*480  fps 29.97 .But unable to get into premiere  pro cs5.System configuration:
    MAC 10.6.4
    2.66ghz intel core i7
    4gb ram
    nvidia geforce gt 330 mn.
    Error :
    Actually ,i have checked the inspector panel and i found same infomation in
    in this panel for both clips .please check these clips screen shoots seprately .
    Actually i have a long video clip and i have scatterred this clip into 6 diffrent portions
    where i am not able to import the last video clip.It is giving me same error "file contain too many audio channels"".
    Regards
    Manoj

    I too am getting this error in Premiere CS5.  I was digitizing a Broadcast VHS and since I did not have a breakout box, I hooked it up to a Sony DV deck so I could connect via firewire and capture inside Premiere.  I was able to capture and import 1 of the 3 clips and it did have 4 audio channels attached to it.  However, upon closer inspection only 2 channels had a waveform.  I captured the other 2 clips the same way, but this time, Premiere give the error "The file contains too many audio channels." 
    Any ideas?

  • How do I separate audio channels to edit them seperatly ... they are both in the same clip when I record from two diffrent mics on two diffrent channels

    I have premier
    elements 12
    How do I separate audio channels to edit them seperatly ... they are both in the same clip when I record from two diffrent mics on two diffrent channels

    timc
    I do not see a way to separate audio channels to edit them separately in Premiere Elements (any version).
    Premiere Elements does have audio effects including Balance, Fill Right/Fill Left, and Swap channels, but that is not what you are seeking.
    I would refer you to an audio editor such as the free Audacity for what you want to do.
    Splitting and Joining Stereo Tracks - Audacity Manual
    I am not sure if this is close to what you seek
    https://forums.creativecow.net/thread/3/883383
    But, the opportunity seems to be in Premiere Pro, not Premiere Elements
    Please review and consider and then let me your thinking on the matter relating to your Premiere Elements 12 (what operating system).
    Thanks.
    ATR

  • How can I get 2 Mono Audio Channels in, 2 Identical Mono Channels Out?

    I use Premiere CS6. Most of my work requires simply editing with one audio track used for the on-camera talent's microphone, adding another track for music, and then outputting BOTH of those tracks to the right channel as a mixed mono output AND the same for the left channel (an identical mixed mono output).
    Otherwise, I have had problems in the past based on a user's particular playback settings/hardware/etc., and they may only be able to hear one channel or the other (only hearing voice or music). If I can put a mono mix on the right and a mono mix on the left, then I am covered.
    SO HERE'S THE QUESTION: What settings do I need to adjust to accomplish this, and how do I set this up as a default for future projects? (I realize that Premiere CS6 has a lot of flexibility when it comes to controlling audio, however, I have read several help articles, and cannot find the answer to this simple question.)

    You're overthinking this.  A normal stereo mix with the tracks centered will do the trick.  There are several ways to center the audio.  Option 3 is probably the most efficient.
    http://www.larryjordan.biz/premiere-pro-cs6-isolate-audio-channels/

  • How do I select just one audio channel in Final Cut Pro X?

    I know this has been asked and answered somewehre... and I'm pretty sure the answer is simple. But I don't have hour's to search the net.
    And the FCPX "Help" feature just ****** me off....
    I recorded voice on channel 2 and shotgun nat.sound on channel 1.
    I only want the voice track (channel 2) to playback in stereo.
    I have already edited the video so I don't want to re-import the raw video to seperate out just the channel 2 voice track.
    How do I select just one audio channel in the timeline, then pan it so it plays back in both the L and R channel?
    Also, some of the audio was recorded with a air conditioner running in the background.  Any suggestions on best audio filers to remove or lessen it?
    Thanks, Barry

    I think you want to select the clip in the Timeline, choose the Inspector and then Audio, dual mono.
    You can even do this by selecting multiple clips.
    In the Event Browser as well.

  • Stereo Audio channel turns to mono when I close and re-open the project

    Hi there,
    when I import a random video file with stereo audio channels and put it to the timeline (after peaking), everything works allright - the recording level window shows me the left and the right audio channel.
    But when I save and close the project in order to re-open it directly, I only got a mono audio channel (left) and the stereo is away in my timeline and recording level window. The preview of the imported video ist still ok with stereo sound.
    Is this a bug ? What can do? Please help me.
    Thanks a lot

    Are you clearing your recent history either manually or when you close Firefox?
    Firefox stores App Tabs and tab group details in the same file that stores details of browsing sessions. Make sure that you have not set Firefox to delete browsing history. For details of the setting to check see https://support.mozilla.com/kb/Clear+Recent+History

  • Premiere CS6 - MXF export with 8 channel audio does not export my audio channels correctly

    Hey Volks,
    when i try to export an mxf file with 8 channel audio, premiere does a kind of main mix in channel 1 and 2 and channel 3 to 8 remain silent. It does not include my assignment of audio channels in the mxf file.
    im very thankful for any idea...

    Hi Dast Media,
    Have you resolve the multi channel export?
    I have the same problem...(the export it's ok but i hear only the first two tracks)
    i need to export  a MXF file with 8 tracks, 6 stereo and 2 mono.
    Thank you for help!

Maybe you are looking for