Timecode via sdi from timeline

I am a bit frudtrated seeing that i can not get timecode from timeline out via sdi to my pdw-hd1500. In fcp7 you can crash record straight to xdcam disc and the timecode comes right through the sdi. anyone have any thoughts? Thanks!

I already have contacted them beforte you and they said from what they understand, premiere does not send timecode via sdi and they even had 3 technicians check into it and could not get it to work. So i'm at a standstill- with now both sides pointing fingers, and no resolution.- Are there any settings i may have missed? I had a bad feeling about getting answers on this issue. Is there anyway you may also make the "should be" a confirmed yes. I appreciate your attentio,time, and help in this matter. I am a recent adobe user, switching from fcp7 and avid previous to that. I was hoping to continue using premiere at my post house, but if this issue can not be resolved it will unfortunately be a deal beaker to our company.
Thanks again

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When I try to 'print to video' or just play the timeline for a NTSC DV sequence, I get video and audio on my Panasonic HVX200A camera, but no timecode. The timecode display on the camera doesn't move and when I 'Log and Capture' the video that I just recorded, the 'Log and Capture' just sits there displaying 'Waiting for timecode' while the tape is actually playing in the camera.
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How can I get FCP 7 to send the timecode via firewire to my HVX200A using a DV recording setup options on the camera?

But I can send the time code from both a 720P/24P sequence and a NTSC DV sequence using the 720P/60P FCP video playback setup to the Panasonic HVX200A using the camera recording setup 720P/60P.
If I change the starting timecode for my active sequence from 01:00:00:00 to 03:00:00:00 and press play, the timecode sent to the camera displays the correct hh:mm:ss:ff starting with 03.
So you can output timecode using HD settings. And you can send a DV sequence to the same HD settings and see that DV timecode. Although, the DV frame is surrounded by black on all sides.
But why can't you output a DV timecode to a DV setup HVX200A?
Also, if you wanted to create a DV tape using the filters that burn a visual timecode to the tape, don't you need to be sure that you can send the timecode with video so that they are in sync when recorded? You wouldn't want the camcorder to provide timecode that doesn't exactly match the burned to image timecode?

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I'm working in a 2048x854 timeline and I'd like to be able to monitor the timeline in Premiere on my external monitor with a Decklink Studio via SDI. No flavor of 2K sequence preset seems to work. If I take my 2048x854 timeline and nest it in a 1920x1080 timeline, boom, the image shows up and plays back on my external monitor.
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Yep, that's what I figured. Kinda lame, considering the other two thirds of my post workflow, After Effects and Resolve, seem to handle this without a hitch.
Should have spent the extra $300 for the Decklink 4K, although I have a feeling I would still be in a similar situation, given that my monitor supports 2048x1080 and I'm working at 2048x854, not to mention that it leaves me high and dry if I need to work with 4k in Premiere.
The workaround would be to work in a 2048x1080 timeline, but since we're working with different flavors of resolution, 1080 Phantom and 2K, 4K and 5K Epic footage with all different kinds of resizing, reframing and cropping, I would need a 2.40 matte over the edit/finish timeline to have some sense of the actual framing and then either nesting the sequence in a 2048x854 sequence or copy and pasting the final piece from the 2048x1080 timeline to the 2048x854 timeline. Neither of these options is very appealing to me when I could just be working natively in 2048x854 and skip all of this, like I am with AE and Resolve.
I'm liking most of what Premiere is offering, but there are some details that make me think the people engineering this software don't actually use it. Like needing to have the Program monitor in focus for the "create still" key command to work or some key commands that should always work, regardless of what window is in focus, like toggling targeting. For some inexplicable reason, the "Show in Finder" command does not work in the timeline. It works in the project tab and "Show in Project" works in the timeline.
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Thanks a lot robodog2
I have a few questions bellow in red:
I would get 1 Terabyte drives instead...they are not expensive. You might need the extra room if you have to do some exports to files. Get the fastest ones you can for editing...esata better than fw800...make sure you turn off indexing and format NTFS and assign specific drive letters to the externals...put tape on driive with the drive letter you gave it clearly marked. If you dont you will have a hard time swapping them and maintaining links with your project(s).
Agree.
dont partition any drives
Agree.
when you say dvd you mean of course Blue Ray...for HD.... dvd is for SD....just dont forget when you look for disc burners.
Yes...Blue Ray, I keep saying DVD....
There's a program called neoscene by cineform that a lot of people use for avchd footage....you might want to look into having that just in case.
I'll check into it.
Test the tv -- output real footage from timeline to the same HD Tv you plan to use at show ....output to make sure it likes interlaced footage.
Here is the catch, I'm in Brazil, and this work will happen in Grand Rapids, Michigan, and we arrive 1 day before....this is why i'm trying to prepare as much as possible, in theory, before hand....
You'll probably put OS and program on C drive
Agree.
put pagefile on 2nd drive 1.5 x your ram with min and max size the SAME MAX SIZE so it never gets fragmented...do that first thing so the pagefile is near the center of disc. I guess you said 2 internal and 3 external ? so you can put your scratchdisk on disc 2 also...and assets and any exports you need to do on the externals...
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So, here you lost me...
1 - How do I - 1.5 x your ram with min and max size the SAME MAX SIZE so it never gets fragmented
2 - How do I do this pagefile to start at center of dics?
I will only have one internal disc, dedicated for OS.
Scratchdisk, assets and exports - I will have 3 external discs in total, one to edit, one for playing to, and the third one for copying....
plan on having an "emergency" helper that REALLY knows whats up with the computer and editing stuff in case you get stuck and have to focus on shooting and need help ...line that up beforehand.
Agree.
go to the gallery and see if you can do anything to enhance the lighting or color correct lights, windows etc beforehand...
test everything .....so you dont have surprises that make you crazy on the day.
That will be impossible as we arrive 1 day before...I'm taking my lights, tripods, color gels...
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one more reference just in case you want to check it out...
mainconcept mpeg pro hd 4 plug in for adobe premiere url
Excelent tip....
http://www.mainconcept.com/products/apps-plug-ins/mpeg-pro-hd.html

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Timecode via sdi from timeline

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