When importing rendered clips from davinci into premiere they look darker and more contrasty.

After importing the graded and rendered clips from davinci into premiere pro cc they look darker and more contrasty. I've checked the exported files from DaVinci and they look totally fine if you play them with any media player, but when I import them in Premiere Pro CC, they appear darker and way more contrasty than I've graded them in Resolve. Anyone have a solution for that?
Thanks!
Andrew

This is a long-standing and complicated issue. To start with, different media players interpret footage differently. You can hope for the best, but there can be no expectation that footage in one player will look the same in another. Ridiculous, but true. The situation is further aggravated by different display cards and different monitors, and no prevailing standards of how color and levels are interpreted.
In your specific case, you need to look at the waveforms, in Resolve and in PPro. It sounds as if the blacks are being crushed in PPro, which could mean you're monitoring them at 64 in Resolve, but they're being output at 0 or remapped to 0 in PP. This may also relate to whether you've monitoring with data or video levels in Resolve.
Is there a setting in PPro which covers how values are mapped, as data or video? I think so, but just can't recall.... Anybody? Staff?

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This is a long-standing and complicated issue. To start with, different media players interpret footage differently. You can hope for the best, but there can be no expectation that footage in one player will look the same in another. Ridiculous, but true. The situation is further aggravated by different display cards and different monitors, and no prevailing standards of how color and levels are interpreted.
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I'm editing a 4 minute sequence. I sent my edit to color, graded them accordingly, sent it back to FCP. I'm trying to add some cross dissolves between clips, but for some reason it is not allowing me to do so. Anyone come across this ?
Trying not to get in depth into the problem, the reason I didn't add the dissolves pre-color grading, is that some clips have their speed reduced. The clips that had their speed reduced weren't being properly recognized in color. So, I had to remove the dissolves, bring back the clips speed to 100% and then send it to color for grading, send it back to FCP, reduce the speed of the rendered clip. Except, now I can't add the dissolves. As a matter of fact, I can't add any dissolves on any rendered clip, except for Fades.

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The reason that you cannot stretch the trims on the exported rendered footage is that it is new independent media with no relationship to your original source clip. I should add that handles can affect the computed time offsets of certain types of COLOR operations, which will throw those effects out of sync.
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Message was edited by: JP Owens

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Hello Neil,
Thanks for the response. I understand about the Speedgrade / Premiere thing. What we are trying to do is essentially the reverse. I use DaVinci Resolve, my client is using Premiere to edit. They want me to do essentially a best light pass on the footage without rendering it out. I then would export a CDL / EDL from Resolve and they would load that into Premiere or Speedgrade whichever would then display the simple color grade using the Adobe color tools. The CDL generated from Resolve is a cross platform basic color information inside an EDL. Anyway I can't find a way for Premiere / Speedgrade to read this info yet. Supposedly It will in Final Cut X, although I haven't tried it since I don't have Final Cut X on my computer.
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Mac book Pro OSX Yosemite 10.10.1 with 2.8 GHz Intel Core i7 processor
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I need help in getting a multitrack mixdown with markers from Audition into Premiere.
This is what I have:
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There is a thread on this in Soundtbooth (sorry for posting there, too) where it is stated that it should work in Premiere, too:
http://forums.adobe.com/message/3908899#3908899
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Hi Tim,
first of all, thank you for your help.
I also just filed a bug report, as you suggested.
Now let me share the results of checking out the workaround that you suggested:
1. Export to Premiere Pro via "Mulitrack menu > Export to Adobe Premiere Pro"
I had tried that before and found it not working. This was a partial mistake. What I mean by that is, when you do that, the exported .wav files get automatically added to the sequence timeline. And do not show markers. BUT, what I overlooked was, that there is a sequence created alongside which resides in the project panel. This sequence does in fact include the markers, as sequence markers.
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2. Export to Premiere Pro via " File menu > Export > FCP XML Interchange Format"
Same as above. Except, that I had not tried that before. What I had tried before was ...
3. Export via " File menu > Export > OMF"
Interestingly, this cannot be imported in Premiere Pro at all. Could this be another bug?
Comment:
I really hope that the markers export/import gets fixed soon.
I also wished, that clip markers in Premiere Pro would be as intelligent as in After Effects (naming, updating, showing their text clearly in the timeline)
I also wished that sequence markers would be as intelligent as comp markers in After Effects in showing their text clearly in the timeline.
... but thats a lot of wishing going on
Kind regards,
Andreas

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tgynther wrote:
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When importing rendered clips from davinci into premiere they look darker and more contrasty.

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