WLC management and monitoring.

Hello
we are looking forward to monitoring the cpu, environment variables and the memory of a wireless lan controller via snmp. but we are not able to find in the mibs the right oid to manage this.
can the exact oid be given in order to monitor these three elements on a cisco WLC 5500 series.
thank you in advance
Mario

You'll probably find the objects in the CISCO-SYSTEM-EXT-MIB useful...
cseSysCPUUtilization OBJECT-TYPE
    SYNTAX          Gauge32 (0..100 )
    UNITS           "%"
    MAX-ACCESS      read-only
    STATUS          current
    DESCRIPTION
        "The average utilization of CPU on the active
        supervisor."
    ::= { ciscoSysInfoGroup 1 }
= 1.3.6.1.4.1.9.9.305.1.1.1
cseSysMemoryUtilization OBJECT-TYPE
    SYNTAX          Gauge32 (0..100 )
    UNITS           "%"
    MAX-ACCESS      read-only
    STATUS          current
    DESCRIPTION
        "The average utilization of memory on the active
        supervisor."
    ::= { ciscoSysInfoGroup 2 }
= 1.3.6.1.4.1.9.9.305.1.1.2
You can browse other objects on the MIB here:
http://tools.cisco.com/Support/SNMP/do/BrowseOID.do?objectInput=1.3.6.1.4.1.9.9.305.1.1&translate=Translate&submitValue=SUBMIT&submitClicked=true

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OWSM Vs OSB: Security, Management and Monitoring

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In short OSB you configure process by process. OWSM is a layer you can put across your whole enterprise.
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VISTA color management and monitor calibration

Elements 7.0
VISTA Home Premium SP1
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Since getting new system with Vista, I haven't been able to get a print that looks like my screen. I tried Costco today and everything was much darker than I expected, but the reds were much richer. I read a lot about calibrating my monitor, but it is possible that there is more do it than that? Learning to adjust skin tone etc. in Photoshop, only to have the prints look bad is pretty frustrating.
Is the other option to invest in a quality printer, or go to a real lab instead of Costco?
Please use small words, since I'm not a professional.
Regards,
Michael

Michael, color management is certainly a difficult issue to perfect. My monitor is color calibrated but it doesn't guarantee that the prints will match. With the same image, I get different results from different printers and labs. I get the best results from labs in the local camera/photo shops, and the pricing for enlargements is still on par with like Snapfish or Kodak.
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Oracle Database management and monitoring tools

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Could anyone offer any advice on Oracle database management tools ?
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Thanks , have enterprise manager already.
Really looking for tool that will email , sms alerts
out as they happen.
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What are you're thoughts?

How comfortable are you with the idea of managing your network switches/routers/Wireless AP/DNS/DHCP from outside your network?
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Solution manager and mopz

Hi,
Can anybody expain me what is Solution Manager and Maintenence Optimizer(MOPZ)?
How Solution Manager and MOPZ are interlinked?
Regards.
Asim Khan.

Hi,
Solution Manager
SAP Solution Manager as the name suggests is for managing the whole gamut of SAP and Non-SAP solutions in the IT Landscape of an organisation. It provides you the tool, content and gateway to create, operate, manage and monitor your solutions over time.
It provides a range of scenarios to support this. Extending from project management to Solution Monitoring to Service Desk to E-learning Management, it provides an efficient way to carry out a plethora of business tasks.
SAP Solution Manager is the successor to ASAP ValueSAP. SAP Solution Manager helps in implementing and managing complex system landscapes. Globally systems are getting distributed across geographies and business processes cover more than one system. In such complex scenarios, integrating technical and business requirements is important for the success of IT. SAP Solution Manager provides SAP customers with an efficient means of handling both the technical and business process side of solution implementation .
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A General overall discussion on Solution Manager http://www.sap.com/platform/netweaver/components/solutionmanager/index.epx
SAP Solution Manager Overview http://big4guy.com/index.php/2007/06/14/sap_solman_solution_manager_toolset
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Colour management in PS and monitor calibration

I've calibrated my monitors colours with an Eye One Display 2 colorimeter, and for photoshop i've assigned the monitors colour profile it has created to the work area (Edit > Assign Profile).
But for photography i take photos with AdobeRGB colour profile setting on my camera... should i be using this colour profile instead when working on the photos in PS? They look a little washed out. I'm guessing i should keep using my calibrated monitors profile instead?
And when saving photos a jpgs for the web, should i tick the "ICC Profile" box that lists my monitors colour profile when saving? Because i've noticed that now some browsers have started supporting ICC profiles. So in Firefox 4 BETA for instance, if i dont use the ICC Profile setting the colours look washed out on other monitors.
(Note that the ICC Profile setting for jpg is only available in File > Save As... if i go to File > Save for Web & Devices it has Embed Color Profile which is basically the same thing).

Beany3001 wrote:
... after doing this and testing the images on other monitors this does not happen, dont know why it does it on my monitors but as long as the colours are ok on other peoples monitors, and the closest to my displays i can get them, this seems to be the best option.... When opening any sRGB or AdobeRGB images in PS CS5 they always look washed out (like the saturation has been turned down), i can directly open a RAW image taken with my camera that uses AdobeRGB and it will still look washed out.
This only now happens after calibrating my monitor. Before this i could view any sRGB or AdobeRGB and they would look fine, not washed out in any way. I dont know why this happens, but i've seen other people mention this about PS as well after calibrating there monitors with a colorimeter (not sure if it's just with wide gamut displays). Do you have any explanation for this?...
This is not normal and indicates a bad monitor profile. I have a wide gamut monitor too and I had some problems before properly profiling my monitor, after that images look perfect - in fact way better than any sRGB monitors that I've seen. This is especially obvious with sRGB photos from digital cameras because the manufacturers create algorithms that save the captured images with colors using the ideal sRGB color space which can be more accurately displayed on a wider gamut monitor when it is working properly.
Beany3001 wrote.
...I've calibrated my monitors colours with an Eye One Display 2 colorimeter
I'm not an expert with using these devices and I can't tell what could be the reason for generating a wrong color profile - it could be the device itself or wrong settings or probing. When choosing a colorimeter, I searched a lot for feedback and found various links like this one saying that Eye One colorimeters are not very accurate yet with probing wide gamut monitors. But I also read a lot of comments saying that they are fine and some people claim they are better. However only the manufacturer of Spyder 3 claim officially on their web site that it is wide gamut capable, so I got that one and so far it's working fine.
Beany3001 wrote:
... It's why i would have liked to use my monitors profile as it's the only way i can get colours looking properly saturated and not dull...
As I said earlier, by working on an image with a monitor profile, you are in fact turning off the color management and if you don't like the results when the color management is on that indicates that the color management is not set properly and is so wrong that you are better off without it. I think you should start the troubleshooting with properly generating an accurate monitor profile. Unfortunately I'm not a big expert with that as I got my colorimeter only several months ago and also ColorEyes Display Pro which is a profiling software from a different company. I set the calibration and probing settings following the instructions from the tech support of the profiling software and since I liked the results, I never spent time to understand in depth all settings and options.
Beany3001 wrote:....
I've read multiple times that the AdobeRGB colour space can do more colours than sRGB? I thought that only when you save in a limited format like JPG that the amount of colours are the same....
Wider gamut does not necessarily is more colors. When you see those charts plotting gamuts as different 3D volumes or 2D cross sections, this is not the number of colors but saturation. You can have millions of colors on a narrower gamut than, let's say 10 colors with a much wider gamut. Think of the numbers as steps between colors and the gamut as how intensive the saturation can go. The number of colors depends on the bit depth 8 bit, 16 bit integer, 16 bit float, 32 bit float. JPGs are limited to 8 bit but the limit is to the number of colors (shades) not gamut. Check this link - it has jpgs saved with different profiles of various color spaces (gamuts)

Color Management Confusion-Photoshop and monitors

Ok, so I am asking this question because I am literally at my wits end with this color management stuff. I have become so confused in the past few days that I can’t even think straight. Anyway, I am hoping you all can help me “understand” how it all work. Let me start with some background information (since I know it will probably be asked)
am a photographer, I utilize Lightroom 4 and CS3 (I know its old but I am planning on getting CS6 soon).
put my pictures on the web that I will assume will be viewed on multiple different browsers.
also will be sending my pictures to print at mpix or whcc. I may decide to print my own but haven’t really made that determination at this point.
have a mac book pro that I work from.
Ok, so I need to get a monitor to work with but I am unsure if I should just buy the thunderbolt mac monitor or get a wide gamut monitor. I have heard so many people say that the wide gamut monitors just messed them up. Also, I am bit confused on the nature of monitor profiles and how they work with photoshop and lightroom. I would assume the monitor applies a profile at all times? I also don’t understand the existence of the prophoto and wide gamut profiles for the mac monitors… they clearly are not wide-gamut monitors, so how do these profiles exist for them, and why would they be useful (if you set the profile to prophoto for example, it is all washed out as expected). Are these profiles “assigning” a profile to the color? I am assuming so because if they were converting them to just a standard rgb then you wouldn’t have the faded colors (correct?).
I just am so nervous that I am going to create something that looks great in Lightroom or Photoshop but that looks awful on the browser, or worse, on a different monitor (standard monitor) and I would have no idea that it looked bad. Or, if I send something to a printer only to get a mess back.
Also, please let me know if I correct in this. If I am in photoshop and I have an untagged image (send via a friend), and lets just say it is really a prophoto image (although my friend didn’t tell me) and I say to assign the prophoto profile (upon import to photoshop). If that truly is the correct profile, the image should look correct. Now consider two scenarios from there: 1) I embed that profile in the image, if I upload that to the web (I know to be cautious, you should always use srgb for web), if the person has a color managed browser, the image would properly appear, because the browser would recognize the profile (in this case “prophoto”) and convert it to whatever it needed to be. But, if it was not a color managed browser, I run the risk that the web browser will just assign a profile, which will wash the photo out most likely, correct? Ok… and scenario 2) after I get the image from my friend and assign the prophoto profile (since that is the correct profile the image was actually created in, although it was untagged when it was sent to me), the image will look correct… BUT, is photoshop displaying the prophoto profile, or is it converting to RGB for my viewing, or is my monitor converting it to rgb for my viewing? I guess I just don’t understand how the monitor fits into all of this. You HAVE to use your monitor to see your images, and since most monitors (including my current one are standard gamut) it would make sense that you actually can’t see anything in the prophoto profile, and you are truly looking at an srgb profile since that is all your monitor can display.
Oh ya, and what benefit is the color match rgb? It seems everyone speaks of the srgb, prophoto, and argb.. but never some of the others.. so maybe I am just lost. I would even appreciate a link to some tutorials if you think those would be helpful.
I am seriously confused.. I would really appreciate the help.

I am not surprised you are confused about colour management because its a confusing subject. Luckily you own a Mac so you can get to grips with what the problems that colour management solves using the "colorSync Utility" and you will find this in Applications >> Utilities >> colorSync Utility. If you own a windows computer then I am sorry but you will be out of luck here and you should know better when you buy your next computer!! I am not sure why Apple gave us this application but it is really useful and all will help you understand Color Management.
1. Launch Applications >> Utilities >> ColorSync Utility.
2. You will see a list of "Installed ColorSync Profiles". Choose Adobe RGB 1998 which I hope you have chosen in you camera preferences.
3.You will see a 3D representation of the Adobe 1998 Colour space. This represents all the colors this colour space will hold.
4. Top left hand corner you will see a little arrow pointing down next to "Lab Plot". Click on this and a drop down menu will appear.
Choose "Hold For Comparison"
5. Now somewhere in the "Installed ColorSync Profiles" list you will find the profile for you monitor. Choose this.
6. You will now see a new colour space inside the Adobe 1998 Colour space. If you have a cheap monitor the colour space will be small
inside the Adobe 1998 profile. This means that you monitor cannot show you all the colors that are missing.
7. Now choose a printer profile say, if you use them a profile for an Epson paper or any printer profile you have and you will see another profile in the Adobe 1998 box which shows you the only colors that your printer can print. If you like choose your monitor profile then hold for comparison then the printer profile and it will clearly show the mis match between you monitor and printer.
8. Now choose SRGB and this will show you what colors a person using an average Windows monitor can see, poor people.
So this is the problem, all devises can reproduce only a certain range of colors. The adobe 1998 profile does not show all the colors our eyes can see " choose Generic Lab" profile, then "hold for comparison" then Adobe 1998 and you will see Adobe 1998 is a small profile but is a good average of our collective colour vision.
So how to solve all these missing colour problems. Well if you think of each devise, including you camera as speaking a different language from you monitor and printer then it is easy to understand that you need some sort of translator so that they all know exactly what colour is being talked bout pixel by pixel in an image. This is held in the ICC profile, but an ICC profile has o do more than this.
Say you camera can produce a specific red we will call for demo purposes "001" and your monitor cannot produce it, how do you solve this? Well it is very easy to fool our eyes. Our eyes work by comparison so if the profile maps red "001 to the nearest red that the monitor can show and then proportionally remaps all other reds to fit within the reds the monitor can show us then we actually think we are seeing a full range of reds. The problem comes if we use the wrong profile for this. The red 001 could be re mapped anywhere and could be outside what the monitor can show. Say that happens but the printer can reproduce that red 001. We would see an image on the monitor with not many reds and when we printed it we would be shocked to find reds on the print. Worst, we would see an image on the monitor without reds and would correct for this and end up with a print with heavy reds and would not be able to work out why.
So to solve this we should:
1. use the correct camera profile when we are opening "Raw" files.
2. Make sure you have the correct monitor ICC profile selected in "System Preferences" >> Displays.
3. In photoshop we should make sure that the " Edit >> colour settings " are set to Adobe 1998 for RGB.
4. If you are going to print you own photo in Photoshop go to "View >> Proof Setup >> Custom" and a box will
open. Choose the profile of your printer and paper and choose "Perceptual" for rendering intent and then " OK". If you cannot find
a profile for you printer and paper go to the printer of paper manufactures web site and download the profiles and instal
them.
5. You can now adjust the colors and contrast and photoshop will simulate how the output devise will deal with this. If you
are using an outside printing house, they will supply you with their ICC profile to download so just follow the same procedure and
choose their ICC profile and and do you colour correction.
If you have a cheap monitor you will still not get a 100% result but you will get closer. You really need a monitor that you can calibrate
regularly because generic ICC profiles are just that. They are made from the results of many monitors and so are 90% or worse accurate.
If you want to see a flag ship monitor at work go to http://www.eizo.com/global/support/db/products/software/CG223W#tab02 and go
to the bottom of the page and download the Eizo Coloredge CG223W monitor profile, instal it on your mac then open then ope
Launch Applications >> Utilities >> ColorSync Utility choose Adobe 1998 the hold and compare it with the Eizo Coloredge CG223W
profile. This is not the top of the range Eizo monitors that we use but you will see that this monitor will show most of the missing colour you monitor does not. This is actually a good tip if you are buying a monitor. Download the monitors profile and see how good it really is.
The weak link still is printing. The colors you see in RGB on a back lit RGB screen are very hard to reproduce by CYMK inks on paper. Here you really should have a profile made for your printer and chosen paper. If you don't want the expense of buying a calibrator and doing it yourself, there are on line services that will do this for you.
One final point you must remember. If you are using soft proofing in Photoshop ( "View >> Proof Setup >> Custom" as explained above), when you print you MUST choose in "Colour Handling" "Photoshop Manages Colour" and in the next step when the printing box appears
you will see a drop down box with "Layout" in it. Click on this and choose "Colour Management and choose "Off No Colour Management". If you do not do this Photoshop will manage the colour then the printer will do it again and the print will be a disaster.
This is a starting point really. Colour management is difficult but just try to remember that you need a translator between each step in the process to make it work so you have to make sure the correct profiles are being used by you camera, the program you use for opening the Raw photo files (Please don't use jpegs straight from the camera, but thats another subject), the correct monitor profile and output profile. If you don't check these it is like chinese whispers and your picture will be printed in Double Dutch!!.
Hope that helps. I am on location In Italy for a couple of months so will be unlikely to be able to reply to any questions for a while. Will try to check back and see how you are getting on. Drop me a line at [email protected] if you have any questions. Good luck.
Paul Williams

LR Color Management - Calibration and Monitor (not your typical post)

Hi everybody,
I see that there are still many issues around color management and printing in LR. I have had similar problems in past and Im still trying to work though them. The most touted problem is not calibrating or having a bad monitor profile. Well, I have tried calibrating my display with worse results. I get better results with an un-calibrated display, not exact results, but closer than with a calibrated display. My only computer is a Dell Latitude D830 with an LCD display and Nvidia Quadro 140M graphics card with a Spyder2 Suite calibration tool.
After doing a fair bit of research online and speaking to other photographers (pro and amateur) Ive learned that laptop displays are notoriously difficult to calibrate due to their inability to display a wide range of color and contrast. There is also no way to adjust white point, RGB or any other setting on my display, only brightness and contrast. (perhaps a big part of the problem?)
I was told that only high end displays (NEC, LaCie, Eizo etc @ $1000,00 this being the low end, and up) were the only way to get accurate colors. Others had said that LG and Samsung make a decent display at the $300.00 price point that would deliver good results but not pro level color management. Other than that go, back to an old CRT display. What is a semi-pro level display that renders excellent color that I wont have to re-mortgage my house to pay for?
So heres my question to all of those who have said you need to calibrate and you have a bad profile can you please tell us your system set up (i.e. display, calibration tool, room lighting and set up etc..)?
Im really interested in what you are doing more, better or differently than everyone else.
Thanks,
DC

>Im really interested in what you are doing more, better or differently than everyone else.
Nothing much. Same calibrator in addition to another Huey Pro which gives almost indistinguishable results. I use both a Apple Mac Book Pro and a Mac Pro with a 30" DELL wide gamut adobeRGB display. Colors on the two are identical (if they're not outside of the laptop's gamut) and identical to prints from labs and direct prints. Of course these displays are between far better and quite a bit better than the display on a typical Dell laptop that are notoriously bad. One of the things I have to do on the laptop is to get the display at the right angle. The trick I use is to have a window open with this image: http://www.normankoren.com/monitor_test_txt22.png
from this website: http://www.normankoren.com/makingfineprints1A.html
If you're looking at your monitor at the right angle and you have calibrated the display correctly, the color should look homogeneous (i.e. completely neutral and the same grey everywhere). If you cannot find an angle at which this is correct, than it is likely your monitor can simply not be calibrated or that your calibrator is defective (there was a batch of defective Spyders a while ago). In general, it is certainly not true that laptop displays cannot be calibrated.
>I was told that only high end displays (NEC, LaCie, Eizo etc @ $1000,00 this being the low end, and up) were the only way to get accurate colors. Others had said that LG and Samsung make a decent display at the $300.00 price point that would deliver good results but not pro level color management.
They are quite wrong and a rather snooty thing to say. The point of these high priced displays is that they will give better color in [B]non[/B]-colormanaged applications, but with a good calibrator, a reasonably good screen and [B]correct color management [/B](such as that in Lightroom, Photoshop, preview.app, Safari, etc.) you will get about as good color as the more expensive displays. Some of these, such as the EIZO give you wider gamuts higher bit color, or hardware adjustable white point, which are also a major selling points if you're doing very critical work but only if paired with good calibration and managed apps. Pro level color management is a function of the calibrator and the software - and only in part of the display. Most displays, with a few exceptions, can be made to give good color, as long as you use a hardware calibrator and managed apps.

'The monitor profile "LCD color management and conversion" PSE6

Does anyone know how to correct this? I can find older posts but they date back too far. Where they say to go and what do has changed since.
The monitor profile LCD color management and conversion appears to be defective. Please rerun your monitor calibration software.
Everything dispalys in a cream color background and nothing prints correct color. I have PSE6.

todls1:
I'm guessing this message appears when you start the PSE6 Editor?
If so, what you should select is Ignore, and check the box to not show the message again. (Alternatively, you can remove the profile. If you wish to do this, tell me what edition of Windows you have and I can provide instructions.)
Essentially, you have a profile installed for your computer's monitor, either installed automatically by Windows Updates, it came with your computer, or it was installed with a driver (or piece of software) for your monitor.
This type of profile is "generic" and does not contain color calibration information.
Elements looks for profiles assigned to your monitor, because if the profile was created as part of a color calibration process, then that profile contains information that will help Elements to ensure that the colors you see on the screen are accurate.
Color is a complicated topic, especially when you introduce computer monitors, but suffice it to say that each monitor has various things that can make it display the same image in a way that's different from every other monitor. These things can include age of the monitor, the specific settings (e.g. contrast, brightness, etc.) of the monitor, and the lighting conditions in the room. When you calibrate a monitor using specialized calibration hardware/software, the calibration software creates a profile that tells programs on your computer (like Elements) about all these factors and how to compensate for them to ensure everything is displayed correctly.
Sorry for what may seem a long-winded explanation, but just understand that using the "generic" profile instead of one created by specialized calibration equipment has caused colors to appear incorrectly in Elements and are likely contributing to the problem when printing. This is why you should select Ignore.

Script to change the priorty of all rules and monitors in a Management Pack

Script to change the priority and severity of all rules and monitors in a Management Pack in an override MP .We are deploying an MP in production and don't want the helpdesk to take any action on any alerts, so want to set all of them as informational.Once
they are reviewed then we will delete that override mp
Can some one help me with a script

Is this MP sealed? Doesn't really matter.. Unseal the MP if it is sealed. Now you have access to the RAW XML. Alert severity and priority have xml tags. You should be able to do a search and replace and change all the various
levels (0-3 or whatever they are) to the levels and priority you want.
Then you can seal the mp with your own key, or just roll it into prod as an unsealed MP.
This seems, to me, like the quickest and easiest way to make all of these changes at once. To bulk override everything, not even sure it's still around or even works, there was a tool called Override Explorer, and you could select multiple monitors/events
and create overrides. I can't remember very much about the tool because we didn't use it much, but I think it did this with live data, meaning it connected to your management server, and you made the changes in real time.
Of course you wouldn't want to do this in production, so do it in a lab, then export the override mp and put it in prod.
There is probably some snazzy way to do this with PoSh, but I am not aware of any atm.
Regards, Blake Email: mengotto<at>hotmail.com Blog: http://discussitnow.wordpress.com/ If my response was helpful, please mark it as so, if it answered your question, then please also mark it accordingly. Thank you.

Can Operations Manager discover and monitor IPSEC VPN state

Hello everyone
Can Operations Manager discover and monitor IPSEC VPN state?
We use Vyatta routers in different locations, these are connected over GRE IPSEC VPN tunnels, SCOM has discovered the tunnels successfully which is great, but the technical team informed me that the tunnels state always UP even when the IPSEC VPN
goes down "I believe they configured keep alive option on the tunnels, I don't know why" hence i have to monitor the IPSEC VPN health state instead of the tunnels themselves, any idea, if you inform me the steps required to create new management
pack i will try this..
Thank you
Mohammad
Mohammad, IT NOC Team

The IPsec status info is provided by SNMP trap. You need to make sure the SNMP trap is enabled on the router.
Also, you can verify it by SNMP Trap Viewer.
Juke Chou
TechNet Community Support

Advantages and Disadvantages of having the APs and the WLC Management on same subnet

Good day Experts;
I have a 5760 WLC running as a centralized mode with 3702 AP terminating the CAPWAP tunnels on the 5760, I've also have another 5760 WLC with HA license, running on standby mode.
I have two questions:
1.- Can you please confirm that I don't need to configure "AP Manager" on the 5760 WLC (i.e. I don't need the following statement: "wireless ap-manager interface vlanx" ). I don't need this configuration statement even the APs are on a different subnet than the Management of the WLC.
2.- Are there any advantages and/or disadvantages of having the APs and the management of the 5760 WLC Management on a different subnet/vlan?
Thanks;
Juan

Hi Juan,
1. Can you please confirm that I don't need to configure "AP Manager" on the 5760 WLC
Yes, you do not want to create ap manager interface on 5760. Just management interface & that will do everything. Below should cover basics of the 5760 config
http://mrncciew.com/2013/12/12/getting-started-with-5760/
2.- Are there any advantages and/or disadvantages of having the APs and the management of the 5760 WLC Management on a different subnet/vlan?
If you put AP management on the same vlan as WLC management, then AP broadcast discovery messages will reach WLC management. So you do not want to configure any WLC discovery mechanism (DNS or DHCP option 43) for AP to find WLC to register. This is ok for small scale deployment, but if you have 500-1000 AP these AP broadcast reaching WLC will be problematic (burden WLC). So it is recommended to seperate AP management to WLC management in large scale deployment. In that case you have to define a way to AP to get WLC IP information (DNS or DHCP option 43 is most common)
HTH
Rasika
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SABRIX/JBOSS monitoring with Solution Manager and Wily Introscope

Reading SCN discussions it is not quite clear to me if an extra (Wily) license is needed for monitoring SABRIX/JBOSS with Solution Manager and Wily Introscope. Does someone have experience in this area what exact to do?

Hi GSAP,
Please check this pdf file:
Wily Introscope a CA Product- Utility that Comes with Solution Manager Specifically for Java Monitoring
http://www.sdn.sap.com/irj/scn/go/portal/prtroot/docs/library/uuid/50973df5-e1d1-2c10-cf89-c177fbfd7e65?QuickLink=index&…
Thanks
Vikram

We have been having some issues with Email notifications not going out and getting hung up in SOST. Can anyone please tell me whether we can use Solution Manager to monitor outbound emails?

We have been having some issues with Email Notifications not going out and getting hung up in SOST. Can anyone please tell me whether we can use SAP Solution Manager to monitor outbound email?

What version of Solman are you using ? Check in t-code Rz20 >ccms monitor template of satelliate system , there would be option to monitor your outbound mails .You can sutomise your monitorig metrics in solman 7.1 else in 7.01 you use auto reaction methods to monitor .
Regards
Jay

WLC management and monitoring.

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