Workflow into and out of After Effects

I’m just starting to learn how to use After Effects CC, with the help of the associated Adobe “Classroom In A Book” to get me started.  Naturally, I’m keen to start using AE myself with my own projects, but this raised a question I can’t find the answer to.
First, apologies if I’ve posted to the wrong forum, I’ve target the AE forum because this is where I’ve become stuck, and hence the question.  Basically it’s about overall workflow.  Before I ever used After Effects, I’d organise my video clips, and do whatever was needed completely within Premiere Pro. Ultimately, my finished Premiere Pro project would be exported off to Media Encoder and job done!
If I’m working on a clip in Premiere Pro that I feel needs work done to it in After Effects, do I stop working in Premiere Pro and work on that clip in After Effects, bringing the finished clip back to Premiere Pro?  Do I complete my project in Premiere Pro, and import the finished video into After Effects, resuming work on the sections of the finished video that require it?
Workflow wise, I’m just not sure how the process should be followed.  I always work out in advance what I want my (finished) video to be, and when I was working just with Premiere Pro, it was pretty straightforward. I’m just now sure how to proceed efficiently when After Effects becomes involved.
Any advice most welcome.
Steve

As Mylenium said, you basically work on your effects shots the way effects shots have always been worked on. Since the days of Georges Méliès and other pioneers in the film industry, you edit the material you have to create your first cut or rough cut of your movie, then you decide what shots or sequences need effects, then you send those shots to the effects department for them to work on it. Only the tools have changed. What was originally a couple of rewinds, a viewer and a splicing block has become the NLE. Animators, matte painters, and special effects departments have been changed to compositing and motion graphics products like AE and Nuke. The workflow, has not changed. Beginners usually foul up the workflow and don't work as efficiently as they could, but an efficient production process is still the same. Script, plan, schedule, rehearse, block, shoot, rough cut, add special effects, refine the cut, do the final sound mix, do the final color grading, and render the movie.
For simple effects you can use dynamic link to simplify moving your effects work to AE and back to Premiere Pro, but I would recommend that any effects shot that requires more than a half hour to complete be rendered and the footage in AE be replaced with your render. Make sure you include enough handles on your effects shots so you can fine tune the editing for the final cut.

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    <font br="" /></font> color="#600000" size="2"&gt;~~ John McWilliams
    <br />
    <br />
    <br />
    <br />MacBookPro 2 Ghz Intel Core Duo, G-5 Dual 1.8; Canon DSLRs

  • Getting into -- and out of -- Gnome

    I've never been a Gnome user and don't really plan to become one, but I would like to install Gnome -- or enough of Gnome as is necessary -- to try out how Metacity handles current-generation 3d effects. I need a little advice, though:
    (1) Can I try Metacity without going whole-hog with Gnome? Or is it part-and-parcel of Gnome?
    (2) If I do install Gnome, how complex is it to uninstall everything later? Is pacman -R enough to do the job? I know, of course, that I can simply leave Gnome installed and chose not to use it, but I'll be wanting to get rid of Gnome and everything Gnomish after my trial -- unless I'm just blown away, which is always possible.
    I currently have KDE4.1 and Xfce4 installed, and I don't plan to remove them.
    Thanks.

    Well, I'll say this much for Arch. You can get Gnome up and running in under five minutes, if you have a reasonably fast internet connection (I needed 40+ packages).
    As far as the Gnome/Metacity compositing effects go: they're, shall we say, understated by by comparison with KDE4/Kwin and Compiz-Fusion. Nice shadows along window edges, a generally more lush appearance than vanilla Gnome and perhaps than KDE4.1, plus some very basic Alt-Tab window switching with a little transparency. That's all I've discovered thus far.
    Either they're aiming at a different target -- i.e., trying to be light on resources while intentionally downplaying the razzamatazz that you can get with Compiz and Kwin -- or they're just behind in their development. Since I have the choice of Compiz and Kwin, I really don't mind if Gnome moves along a different path. But then I don't know a thing about the Gnome roadmap for special desktop effects and haven't yet attempted to find out.

  • How do I mask out an After Effects Graphic from color grading

    Hello, from what I've read, most people recommend sending complete Premiere timeline to grade in Speedgrade and render from there. I am doing that on a project now, but I'm running into the issue with my after effects graphics (a logo on top of the video)... when I change the video color, it makes the logo look terrible. I am experimenting with the mask, but it's not like a pen tool so the best I've come up with is a shape, it looks terrible. Any feedback on how people handle the After Effects graphics separately? Thank you!

    troubleshooting QuickTime errors with After Effects

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