Workflow -  sequences or video?

Hello,
I have done 15 videos for sale, and now I want to make a promotion video for those videos, showing parts of the 15 videos.
I simply took the sequences from some of the videos, and put them on a new sequence "promotion". This made my editing really slow, but I hade the possibility to change in the original sequence, and making this change also appear in the "promotion"
I guess I could have rendered the sequences to video files, and then made the "promotion" by adding parts of these videos on the new "promotion" timeline.
Which would be the preferred wrok flow? - And; to what format would it be best to render the videos, if second option above is choosen as method?
I work with 1920x1080 Canon MXF- files (XDCAM-HD 422 Movie) and the final result should be encoded with H.264 MP4.
Thanks in advance for advice and thougths!
/Håkan
Premiere Pro CC and W7
IntelCore i7 2,67 GHz
16 GB RAM

Thanks for your reply Jim!
I found that putting the sequences in the time line made the program very slow, if this is the case, I guess it is better to use the rendered video files. Or is it just my computer that has to low capacity?

Similar Messages

  • Sequence Settings Video Previews and GPU?

    Dear PrP CC Users,
    I wanted to get some information partaining to sequence settings.
    In the bottom box of Sequence Settings: Video Previews. There are three un/tick boxes:
    Maximum Bit Depth
    Maximum Render Quality
    Composite In Linear Color (requires GPU acceleration or max render quality)
    Normally I tick all of them. I have a Windforce GTX 770 4GB CUDA mercury engine enabled. I have also set to Optimise rendering for: Performance.
    My questions are as follows.
    -Do these selections effect the final output of a timeline for delivery or is it merely for during regular playback and preview rendering?
    -Also, when I export using Media Encoder through dynamic link, is it bad to Use Previews for a faster export, often I export to ProRes4444 for Grading, I heard that Preview files will always differ as its created by the GPU and can slightly change the colours dependent on the GPU you have, thus is it better to export and allow it to re-render using the CPU in Media Encoder (I always set maximum bit depth and quality)?
    -Lastly, in the export process, when I select Maximum Bit Depth, there are options of the bit depth value (32, 48, 64) does this become redundant since I checked maximum bit depth?
    Thank you.

    The first two boxes only affect previews.  The same boxes in the Export Settings dialog will override those and determine the output.
    Using previews for export is generally not a good idea, as doing so will incur an additional compression step.  The exception is when the previews are lossless (or nearly so, as with DNxHD).
    Not working with ProRes, I've never seen those options.

  • Playing a sequence of video files

    Dear all,
    I'm trying to use JMF to play a sequence of video files, i.e. one after the other.
    The program I have written creates multiple players, one for each video file. It then realizes and prefetches them all. Then the program starts the first player and on an EndOfMedia event, plays the next and so on.
    The problem that I have is that on my Swing gui, it shows the first video but none of the rest, although you can hear the audio! Below is the code that is called on an EndOfMedia event to start the next player.
        private void nextInSequence() throws EndOfSequenceException {
            // Close Previous Players
            if (current > 0)
                clipPlayers[current-1].close();
            // No more clips in sequence
            if (current >= clipPlayers.length)
                throw new EndOfSequenceException();
            myVisual = clipPlayers[current].getVisualComponent();
               if (myVisual != null) {
                  visualPanel = new Panel();
                   visualPanel.setLayout(new FlowLayout());
                   visualPanel.add(myVisual);
                   add("Center",visualPanel);
            else {
                remove(status);
                   add("Center",status);
                   status.setText("No VisualComponent available.");
            validate();
            myVisual.setVisible(true);
            // start current player
            clipPlayers[current].start();
            current++;
        }I have set the LIGHTWEIGHT_RENDERER hint for the manager. The nextInSequence() method shown above is in a class extending JPanel.
    Anybody any ideas?
    Many thanks,
    Oli Gosling

    Hi,
    Im having a similar problem and i was wondering if you were able to get a solution??
    Thanks for your help.

  • How do I make 1 video file play alone or as part of a sequence of videos

    how do I make 1 video file play alone or as part of a sequence of videos and only have it on the disc once.
    My problem is that I am short of space on my disc due to the amount of content, and all of the files appear separately on the menu to play invividualy, but i would like to have a play all function aswell without putting the files on the disc twicew. Am I being an idiot? Is this easy to solve?

    Take a look at "stories" in the manual.

  • Quicktime not an option on Sequence settings Video preview

    In the sequence settings, under video preview, "Quicktime" is not listed as a Preview File Format.
    Running Windows 8.1, 64bit
    I have installed the latest Quicktime, uninstalled it, reinstalled it, repaired it, to no avail.
    Also I have done the same with Premiere Pro, uninstalling and reinstalling.
    Here is a screenshot of the drop-down menu that does not have the Quicktime option.
    I have run out of ideas for how to get this to appear, so I came here :/
    Thanks in advance!

    [Here's the one response from the duplicate thread.]
    The Preview format options have always been somewhat limited. Consider this, that the previews should be just that - previews. When you have sufficient effects added to a clip to where it won't play smoothly in the timeline, you might wish to render it to get a better idea how the finished product will look. However, when you do the final export, best to NOT check the box for "Use Previews", since you would then be re-encoding (recompressing) the clip a second time. Better to export right the timeline, encoding straight from the source to final destination, diregarding any render previews you might have made.
    Maybe you can elaborate on the intended use or workflow of your desired preview format? I'm a PC user and I think that on the Mac, with FCP, one had the option to render previews as QuickTime and those files could then be stitched together at the end without transoding them again, but not so with Premiere.
    You might find that different Sequence Presets will provide different render preview options. 1280x960 is a non-standard format so that could limit your options.
    Thanks
    Jeff Pulera
    Safe Harbor Computers

  • Workflow for cropping video from UHD to full HD

    I have some GoPro 4K (3840x2160) UHD video that I wish to crop to full HD (1920x1080) using Premiere Pro CC 2014.2.  My aim is to incorporate the cropped video into a project that contains nothing but full HD video.  I’m aware that cropping is throwing away a lot of the original video information, but that’s’ exactly what I want.
    I’m not sure how to go about doing this.  For example, prior to cropping, do I create a sequence that matches the original GoPro 4K footage and place the GoPro video in that sequence, or create a sequence that is equal to the finished video resolution (in my case 1920x1080) and place the original GoPro video in there?
    I’d also like to know how best to use the warp stabilizer effect in conjunction with the cropping. Should I warp stabilize the 4K video and then crop, stabilize the cropped video (which would introduce some scaling), or maybe crop to some intermediate resolution, and warp stabilize that first (I’m thinking this may reduce processing time)?
    I've never attempted cropping before, so I’d really appreciate if someone could give me an idea on the workflow for cropping and stabilizing, or any tips to get me started.
    Thanks in advance,
    Steve

    I think I’ve managed to achieve what I’m after.  As you quite rightly say, I need a nested sequence.  What I’ve done is create the sequence at full 3840x2160 resolution.  I’ve then set the crop size to 50% (which gives me my intended output resolution of 1920x1080).  At this point, I'm actually working on only 1/4 of the original frame.  I have my little crop box floating around in a sea of black in the context of how much of the original frame I'm intending to discard.
    I’ve then keyframed the crop to allow me to move it around and follow the action within the video that I want to focus on.
    After that, I enable the zoom option within crop effects settings, and finally, export the video at 1920x1080.
    As far as I can ascertain, I’ve ended up with a 1920x1080 resolution video cropped out of the 3840x2160, and because I started with such a high resolution video to begin with, the part I’ve actually wanted to keep is at full HD with no loss of quality.
    I now need to figure out how to apply warp stabilization for best results.  I have a number of ideas on this but need to experiment to see how it turns out.
    Steve

  • Sequence Settings - Video Processing question!? AVCHD

    I'm using the panasonic HMC40, very similar to the HMC150.
    So i'm shooting in AVCHD.
    My Sequence Settings are as follow...
    1280x720 - HDTV 720p (16:9)
    Pixel Aspect Ratio - Square
    Quicktime Video Settings Compressor: Apple ProRes422 - quality 100%
    ('Interlace' and 'Enable 4:4:4 chroma filtering' are NOT selected)
    Video Processing
    Render in 8-bit YUV
    Process Maximum White as: White
    Motion Filtering Quality: Normal
    now while i'm editing the footage looks good, but when i go to export my video (export - quicktime movie - current settings - recompress all frames NOT selected) i get some weird lines from lights and color changes. almost like the colors aren't blending right.
    does this have to do with the Video Processing settings?
    what is the best way for setting this up for AVCHD footage to make it as close as possible to the real footage?

    The weird lines from lines sounds like a function of cheap camera lenses. All consumer cameras show streaks off bright lights. Not sure what you mean by the colors not blending right, though it sounds like banding, which you often see in low light situations with small chips and heavily compressed formats like AVCHD. A screen shot of what you're talking about would be helpful.

  • How to create CPO workflow..training video

    Does anyone has training videos for understnading of CPO workflow or how to create Prsocess ........????
    Thank you

    I have done lots of content in regards to training.
    Refer to the video section on this site @ https://supportforums.cisco.com/community/netpro/data-center/intelligent_automation/teo?view=video
    In particular, this video talks to process authoring: https://supportforums.cisco.com/videos/2150
    Since you are a cisco employee, I would suggest you check out our TAC's wiki page @ http://wikicentral.cisco.com/display/IABUS/PROAUTO+Queue and check out the "TEO Support Training" link. There are a ton of VODs I've done over time there.
    -Shaun Roberts
    CPO/CIAC Support Lead
    [email protected]

  • Player Sequence and Video Comp

    I have 3 player sequences and 3 video comps. I have duplicated player sequence 3 and video comp 3. Now I have 4 player sequences and 4 video comps. The original 3 player sequences are "linked" so to speak to the 3 origianl video comps. Each player sequence has the video file inside of it that goes with the video comp. When I go into the new player sequence 4 it has video 3 inside of it. When I double click on the video it links to video comp 3  instead of video comp 4 like it should. What am I doing wrong here.

    Replace the footage inside the comp. This is just how AE works.
    Mylenium

  • Workflow for Live Video Feed to External Hard Drive?

    My goal is to eliminate the "import from tape playback" step when filming a video blog for a medical client. Would this workflow work?
    Sony DSR-PD170 video camera "live feed" Firewire output to
    MacBookPro Firewire400 port input to
    iMovie project capture output via Firewire 800 port to
    LaCie 500GB d2 Quadra Hard Drive FireWire800 port
    In other words, is the MacBook Pro capable of simultaneously importing through the Firewire 400 port and exporting to the Firewire 800 port? I've done something similar with the two Firewire 400 ports on my iMac, a DV tape deck, and a Lacie Firewire external hard drive.
    Thanks for your feedback!
    ---j

    hey there RI,
    if you've tried something similar on your iMac & had no problems it's reasonable to think/believe it will work on your MBP, w/ this caveat: the 400 & 800 ports are actually on the same buss, so the 800 port will handle it's data at the lower(400) rate if there is a device on each port. shouldn't affect any editing w/ the drive once the cam is removed from the MBP. it should the run @ the higher rate.
    good luck.

  • No Sound in sequence and video skips badly

    Hello!
    I am currently using Premiere Pro 7.0 on a BRAND NEW Gateway desktop with an i7 processor and 8G of ram. I bought this computer specifically to be able to handle editing and using media. However, I am having this aweful problem that I just can't seem to fix.
    I have downloaded codecs, updated my graphic and sound drivers, etc.
    The thing is, the video plays fine on my computer, sound and all. It play fine when I just double click the video to preview it before adding it to the sequence, sound and all. But once it is sequence, it skips horribly and there is no sound. I have tried converting to every file type known to man. I am at a complete loss here. Please help!
    -Sasha

    1st, do not randomly " tried converting to every file type"
    Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037
    What is a CODEC... a Primer http://forums.adobe.com/thread/546811
    What CODEC is INSIDE that file? http://forums.adobe.com/thread/440037
    Report back with the codec details of your file, use the programs below
    For PC http://www.headbands.com/gspot/ or http://mediainfo.sourceforge.net/en
    For Mac http://mediainfo.massanti.com/
    2nd, how many hard drives do you have?
    My 3 hard drives are configured as...
    1 - 320Gig Boot for Win7 64bit Pro and all program installs
    2 - 320Gig data for Win7 swap file and video project files
    When I create a project on #2 drive, the various work files follow,
    so my boot drive is not used for the media cache folder and files
    3 - 1Terabyte data for all video files... input & output files (*)
    (*) for 4 drives, drive 3 all source files & drive 4 all output files
    Search Microsoft to find out how to redirect your Windows swap file
    http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
    Trying to use only ONE Hard Drive for Video Editing
    You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
    Now, at the same time and with the same hand... while still using the baton to conduct the orchestra... pick up a bow and play a fiddle... this would be doing something with your video file at the same time as all the other work
    You as a person cannot do both at the same time with the same hand
    A computer is a LITTLE better, in that it can switch from one kind of task to another very quickly... but not quickly enough for EASY video editing
    You need AT LEAST two hard drives (separate drives, never a partition http://forums.adobe.com/thread/650708 for more) with Windows (or Mac OS) and software on your boot drive, and video files on a 2nd drive so the boot drive is not slowed down by trying to do everything
    I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
    Depending on your exact hardware (motherboard brand & model AND USB2 enclosure brand & model AND external hard drive brand & model) AND the type of video file, you may... or may NOT... be able to use an external USB2 hard drive for SD (Standard Definition) video editing
    Steve Grisetti in the Premiere Elements forum http://forums.adobe.com/thread/856208 and Jim Simon in the Premiere Pro forum http://forums.adobe.com/thread/856433 use USB externals for editing
    A USB3 hard drive connected to a motherboard with USB3 is supposed to be fast enough for video editing (I don't have such, so don't know) but eSata DOES have a fast enough data transfer for video editing... I have not used the eSata Dock below... for reference only, YMMV and all the usual disclaimers
    http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t

  • Workflow and optimum video conversion for iPhone/iPod

    During my work, I produce video footage which is generally regular 16:9 aspect ratio, but quite large in size.
    I was wondering how people prepare video for import into iTunes and use on an iPod/iPhone. Ideally I'd like to compress the size of the video to the smallest that it will show cleanly on these devices. To make matters more complicated, I have an Apple TV too which I'd like to show these videos on, but the quality needn't be exceptional.
    I'm interested in your workflow, settings, file format etc and if you use any automator tasks etc to speed up the process.

    Sorry... posted in the wrong forum, should have been Mac iTunes...

  • Embedding another sequence's video...but not audio

    I want to take the video from one sequence of my film (call it "sequence A") and place it in another sequence (call it "sequence B"). I don't want the audio from sequence A in B...just the video.
    I would have thought that if I made sure that the "v1" source and destination on the "B" timeline were hooked up but the "a1" and "a2" weren't, that I could just drag sequence A onto the sequence B timeline and I'd be fine. But it doesn't work: FCPro always wants to bring in the audio from sequence A, despite the fact that I haven't set any "targets" for the audio.
    Is there a way to do this? Thanks.

    Good of you to ask, because my terminology is a little messed up. By "patched," what I meant was that my sequences had multiple audio outputs (one dual mono channel and two stereo channels, for a total of six different audio tracks). And indeed, that was the source of my problem. When I tried to drag a sequence directly from the browser onto the timeline, those other four audio tracks were what was appearing. (The a1 and a2 tracks--because they were "unpatched"--weren't appearing, which is the correct behavior.)
    To fix my problem, I loaded the clip from the browser into the viewer first (by dragging...I had been confused because I had expected to be able to right-click on browser sequences and say "open in viewer"...but that menu option doesn't exist even though it's something you'd very much want to do). Once my sequence was in the viewer all of the patch "lozenges" appeared (in fact, far too many appeared, but that wasn't a problem), then I could successfully unpatch a3 through a6 and bring in my video without any audio.
    Thanks for everyone's help.

  • Workflow for Adobe videos

    Does anyone know the exact workflow that Adobe uses to create
    their streaming video like the video featuring Karl Miller that is
    on this page:
    http://www.adobe.com/products/creativesuite/production/
    I'd like to know what format they shot and edited in, what
    compression and settings they used, and how they are able to stream
    so smoothly.
    Thanks
    Rube2

    Does anyone know the exact workflow that Adobe uses to create
    their streaming video like the video featuring Karl Miller that is
    on this page:
    http://www.adobe.com/products/creativesuite/production/
    I'd like to know what format they shot and edited in, what
    compression and settings they used, and how they are able to stream
    so smoothly.
    Thanks
    Rube2

  • HT3678 Everytime I do a Photo sequence my video is just a black blank screen? what did do wrong?

    I just installed Quicktime 7, purchase my registration code, registrate, add some pictures for a sequence, and one hour late, everything that my video shows is a black blank screen? what a dissapointment , what did i  do wrong?

    Display shows a white screen
    Try turning iPhone off and then on again.
    If the iPhone will not turn off, try to reset it.
    If that doesn't work, try restoring the device

Maybe you are looking for

  • ASA Firewall Upgrade from 8.2,8.4, to 9.0

    Dear All , we have five firewalls with the following details: First Firewall Hardware:   ASA5550, 4096 MB RAM, CPU Pentium 4 3000 MHz, Flash 256MB , BIOS Flash1024KB , ASA IOS 8.4(3) ,Device Manager Version 6.4(7)     my question can i upgrade ASA IO

  • How do I make Smart Groups in Address Book in iCloud?

    I have Smart Groups in my Address Book on my iMac but they don't appear in iCloud. Can anyone tell me how to do this? Many thanks in anticipation.

  • Wires/Amp kit for my bass system

    I need to know what kind of amp kit and speaker wire to get for my 2 12" kenwood W3012 subwoofers (400 watt continuous power and 1200 peak) and kenwood 9104D 1800 watt amp. I have an aftermarket stereo and it has subwoofer crossover (as in the aux po

  • My very first 2012 R2 Hyper V VM. The instructions do not work!

    I have a new machine with 2 Westmere CPUs and 4 SAS disks in 2 Raid pairs. WS 2012 r2 is installed and I have set up a Hyper-v Role, and rebooted, etc I have set up Gen 2 VM which starts fine I have an iso image downloaded from MS and mounted that as

  • Sun One web server 6.0 Authentication

    Does anyone know if it is possible to use form based authentication under Sun One Web Server 6.0, that checks the user authentication on a proprietary API. I need to use a JAVA library to authenticate users and i would like to use it under the form b