Youtube output?

So my content exports are bugging me. The video defaults i've used has always been youtube Widescreen HD, my content has lines that appear on my facecam compared to before, i've always pumped out my facecam using windows movie maker, really odd, I don't have these on videos where I use vlogs.
My output(note facecam):
IT MOVES | [PART II] | SPOOKITY SPOOKS - YouTube
My facecam has these noticable boxes, which is weird because I always export em in 720p
I've fiddled around with the exports and still the same. I tried to accurately use the recommended setting by YT

Zak Ray wrote:
... all you really need to do is add an flv extension yo your output from Compressor.
If file size is the issue, then I'd work in Compressor to get it down. But there's no need to encode twice.
Oh, ok. So, output using the youtube settings or any of the H.264 settings, then just change/rename the .mov extension to .flv or f4v and this will work for my client? That would be golden!
Not even sure if file size is an issue, although as I have web design experience, I always try and get the best possible image (for jpegs/pngs) or video at the smallest file size for slower broadbands.

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YouTube output to flash encoder

So I've been using the youtube setting in compressor, then take the output to CS3 and/or CS4 encoder. It works fairly well.
Can I improve with a different setting? H.264 perhaps?

Zak Ray wrote:
... all you really need to do is add an flv extension yo your output from Compressor.
If file size is the issue, then I'd work in Compressor to get it down. But there's no need to encode twice.
Oh, ok. So, output using the youtube settings or any of the H.264 settings, then just change/rename the .mov extension to .flv or f4v and this will work for my client? That would be golden!
Not even sure if file size is an issue, although as I have web design experience, I always try and get the best possible image (for jpegs/pngs) or video at the smallest file size for slower broadbands.

Best YouTube output settings using CS2?

I have tried and tried and tried to get decent looking footage onto YouTube to no avail! What is the deal here? I have a simple 3 minute clip that is taking over an our to export as a WMV file before I even attempt to get it to YouTube. Can anyone tell me what format and settings ought to give me the best results? Please be very specific. Thanks!!

Very important is quality of your source video.
If there is too much noise you must apply noise reduction first.
Dont change frame rate.
If the source video is interlace you must deinterlace it."Separate fields" with "preserve edges" option in After Effects is good solution.
Also some basic adjustment like Levels etc. is good idea.
Now if you can upload your video in source format it is best for quality when Youtube encode it, but it is time consuming upload.
Best compromise is to encode video In h264 codec.
I use MainConcept Reference encoder for this but you can use AME.
Here is my settings for PAL/NTSC SD source example,
Codec H.264/AVC Pro
Profile H.264 High
Level 5.1
TV system PAL/NTSC
Frame rate 25/30 fps
Widh 640 px
Heigh 480 px
Aspect 4:3
Square pixels
Variable Bitrate
Average 4000 kbps
Maximum 8000 kbps
2 pass encoding
Frame Encoding
Set keyframe at scene change
Stereo Audio,Sample Rate 44.1Khz, and Bitrate 192 kbps
AUDIO and VIDEO mux in MP4 file
...or you can just use one of AMEs Youtube preset.
Also if your audio is 48Khz you better go first to Audition and resample there to 44.1Khz with pre/post filter on and quality set to High 999, because audio resampling is very critical proces for quality and Auditions resampler is one of the best on market.
What is your source file?
Message was edited by: lestra7
Oh I am an idiot,dont see you have CS2, sorry.

Camera settings for making youtube videos

I have a Canon 60D and CS4 master collection with Premiere Pro and Encore. What settings should I shoot video at in order to get the best youtube output? My choices are 1920x1080-30; 1920x1080-24; 1280x720-60; 640x480-60; crop-640-60

Thanks Bill, that's a most honest answer. I also found this tv segment to help in the camera settings. http://tv.adobe.com/watch/shooting-and-editing-hdslr-video-using-adobe-tools/-setting-up-t he-camera-correctly-for-dslr-video/ This is most exciting challenge and a healthy switch from my traditional photo skills.
Bob.

Best setting for Canon VIXIA HF R21 for YouTube

I am looking for the best or most optimal setting for shooting video with my Canon VIXIA HF R21 camera.
I am using a MacBook Pro laptop and Adobe Premiere Elements 10.
My goal is to produce the best quality videos for a "YouTube" channel. The videos will be for a teenage car show shot outdoors and narrated.
The current DEFAULT settings are:
Recording Mode = SP, 1440x1080
Bitrate = 7Mbps
Codec = MPEG4-AVC/H.264
Frame Rate = 60i
Digital Image stabilization = standard
Here are possible "alternative selections" - please let me know if any of these settings are better than the Default settings for YouTube.
Change Recording Mode to
1. MXP = 1920x1080 @ 24Mbps
2. FXP = 1920x1080 @ 17Mbps
3. XP+ = 1440x1080 @ 12 Mbps
Change Frame Rate to
1. PF30
Digital image stabilization
1. Dynamic
2. Standard
3. Off
I will use Adobe Premiere Elemebnts 10 to upload the final edited video - what setting are the best upload compression settings if I want to upload for the ebst quality?

BillFlorida, I'm not sure what you're not getting here. Have you tried any of the things we've suggested?
There are two settings you need to worry about. One is your PROJECT setting. That must match your original footage, as I've indicated. If it doesn't, you're going to get poor performance and video quality.
The second setting is your OUTPUT setting. That's the only setting YouTube is interested in. If you use the output settings I linked you to above -- working from a project that's been set up properly -- you will get excellent YouTube results.
Try it. You'll see.
You'll also see, if you experiment a bit, that there's virtually no difference in the quality of FXP and MXP -- especially if you're going to display your video online. The important thing is that your PROJECT settings match that 1920x1080 AVCHD footage and that you use the YouTube output settings recommended in the FAQs.
Try it. You will see.

Best camera settings for youtube videos

What settings should I shoot video at in order to get the best youtube output? My choices are 1920x1080-30; 1920x1080-24; 1280x720-60; 640x480-60; crop-640-60
I'm wondering if it's better to compress a high quaility video, or can I shoot at low quality and get the same results?
I have a Canon 60D and CS4 master collection with Premiere Pro and Encore.

Use the preset under H.264 and set the framerate the same as your footage.
Do a little experimenting, you dont have to upload the whole movie, couple of minutes is enough.
HD footage can be upload as HD so why go for low.

Overriding YouTube Export Time Limits

Hi,
I'd like to use the 1440x1080 preset YouTube output option in PrE10 but it limits me to 15 minutes.
I have a YouTube account that allows uploads of longer than 15 minutes. Is there a way to override this limit in PrE10? Or is there a way to recreate a similar output option in say the Flash output settings.
I've been using the 720p flash output settings for my 1440x1080p video but wanted to see how the video looks on youtube if uploaded in the native 1440x1080.
I can't seem to find a way to specify the 1.33:1 aspect ratio in any of the outputs.
Maybe I need to switch to regular premiere to do something like this?
Thanks!
Jeremy

Jeremy,
To utilize the full potential of your YouTube account, just manually Export/Share from PrE, and then manually upload via your account. The direct upload to YouTube from PrE was coded, when there were Duration limits, that have now been expanded. YouTube is a "moving target," and by the time that a program, like PrE, is released, the target has moved again.
As I do very little that goes to YouTube, and have not done any Amamorphic HD, I cannot help with that 1.33 PAR, but others probably can.
Good luck,
Hunt

Is ther any plugin for export in flv wirth premiere cc

Hello there,
I'm new in here,
I'm testing the adobre premiere cc on trial, and didn't find the flv format output!
is there a way to make it work ? or similiar presset not so big for youtube output ?

Hello there,
I'm new in here,
I'm testing the adobre premiere cc on trial, and didn't find the flv format output!
is there a way to make it work ? or similiar presset not so big for youtube output ?

Is the "Import" function temporary?

I think I may have lost several hours of footage.
First of all, in haste in buying a camera for my son's birth two years ago, I picked up a Sony AVC-HD SR-5 and later found out that it was not the best choice for iMovie. Long story short...
I've since filled up the camera's hard disk and have been slowly importing footage into iMovie successfully to regain some more space, but so far I've only saved for YouTube output -- and nothing yet for long-term DVD use/storage.
Well, I was importing several segments of footage the other day but didn't create a Project with it nor backed it up to my hard disk. I only created 1 project of many that were imported, but I closed iMovie and when I opened it again just today to import some more footage, I found that what I'd previously imported a couple of days ago and had also DELETED FROM MY SONY CAMERA, was no longer there.
Please tell me I didn't lose that footage?

iM08 & 09 import movies into the "Events" folder under the "Movies" folder. And Projects get stored under the "Projects" folder within "Movies".
So, open up your explorer, er, I mean Finder and see if the Events folder has a directory for the clips you imported. So, if you still find the clips there, then you're good - you have the source files that you can use within iM.
An alternate way to import AVCHD clips from the cam is to use the archive function. With this, you get to specify where the archive is to be stored. If you used this option, then check if that specific folder exists wherever you specified it. You can then use iM to import (and convert HD media to AIC) the clips from that archive.
And here's another bug I encounter occasionally with iM09. Sometimes, the Events browser goes BLANK within iM! Workaround I found (after wiping the sweat off my brow), is to eject the external drives, and re-start them so iM can automatically detect events on the ext drives.
Message was edited by: TSilverX5

Big Color Shift between exported H264 mp4 and Program Monitor

I get a big Color Shift between exported H264 mp4 on Vimeo/Youtube and Quicktime X and Program Monitor.
There are quite a few posts on Quicktime gamma issues, but there seem to be no solutions and the other editors I know don't seem to have this problem.
I know there will be a bit of a shift but this is MASSIVE. At the moment I add a whole extra adjustment layer to all my clips to get it approximately right, but ofcourse this does not solve the issue nor does it give proper results.
Please do not reply with the "You need a real reference monitor via SDI etc etc ..."
By my logic on the same screen the program monitor should resemble what is going to be the final result in a relevant player like Quicktime X which all normal apple consumers use to watch their films. I know VLC and Mpeg streamclip gives different results, but mostly when playing Quicktime/h264 files Quicktime will play it thus average users ( the people I'd like to downwload/buy my films )will watch it in Quicktime.
Furthermore, Quicktime X's gamma/color looks very similar to the image I get on Youtube or Vimeo - which is where all my current work is going. I'm not outputting to boradcast or DVD etc.
Strangely enough the MPEG 2 stuff I've done for DVD matches the Youtube output with the Program monitor.
What am I doing wrong?
I have a Dell 2711 wide Gamut Display which is calibrated with an SPyder 3 Elite using its full colour gamut ( close to 90% of Adobe RGB - thus bigger than sRGB or Rec709) Could Premiere be ignoring the calibration in the Program monitor and making the image values 16-235 and then Quicktime uses all values 0-255? If so, how can I fix this?
Any help will be much appreciated!

I know this has been a while so hopefully you found some help by now, but maybe this will help anyone stumbling across this.
What people seem to be missing in what you are asking is... this is the same file, on the same monitor, but with a different appearance in different software. It is not a question of whether the overall monitoring is GOOD, and it is not a matter of hardware settings (as that would most likely propogate across all software) it is that it is not CONSISTENT side by side on the very same monitor.
I had very similar issues that really seemed to get worse when we got new monitors, which is what lead me to chime in here. The monitors were also wide gamut displays.
The problem is likely this...
1. The difference being shown are the difference between software that properly color manages (i.e. Premier or After Effects) and software that does not (i.e. Quicktime or some web browsers)
2. The reason it is so severe is that the wide gamut monitors are able to show many more colors and thus the difference between the managed and unmanaged software is much more exagerrated than on regular gamut monitors.
I found this great link that helped calm my nerves and helped me get handle on much of what is going on.
http://www.artstorm.net/journal/2009/07/color-management-wide-gamut-dell-2408/
Now that is not to say that the 0-255/16-235 issue is not also involved here. It is definitely possible that a specific codec or compressor is part of the problem, but it sounds like it starts with the color management issue first.
I hope this helps.
Andy

AME bogs down when encoding

I have a fairly edit-intense file that I've been trying to encode (using Adobe Media Encoder) for YouTube. The first part of the video (a little over 5 minutes total length) is pretty straight-forward video and chugs along just fine. Then it hits a section which is heavily edited - a bunch of green screen video with some effects and it understandably slows down. The problem I'm getting is that when it gets through that section to something less intensive, it continues to be VERY slow to render frames. It's like the tough part made it tired and it just doesn't have the energy anymore. I've tried several different output options, all with the same results.
What's most frustrating is that during editing, I have saved versions of this which did not bring the encoding to a halt. In fact, the most recent successful encoding was making a DVD ISO in Encore which also included an additional video and menu screen. Yet that worked as expected in a reasonable amount of time. What could have changed?
I started this project and wrote to DVD in CS6. My first attempt at the YouTube output was also CS6. Thinking the upgrade to CC might fix the problem, I upgraded, but it's reacting in the same way.
I appreciate any help - thanks!

Now, to make things worse. Since I couldn't figure out the issue, I just let the sequence run. I happened to be at my computer for the last few frames (watching it render in AME's output preview) at roughly the 45 hour mark! I was happy that even though it took forever, at least it was done. But I noticed the progress bar was only about 1/2 way through... and then the video started over! It didn't save the file, it just kept on rendering a second time through.
How could that be? Is there a "repeat" setting I might have accidentally changed? This has been so frustrating.

Premiere Elements 9 Won't Let Me Export Video. What's Wrong?

So I have been trying to edit a recent Let's Play video for my Youtube channel, but there is a huge problem. The program won't let me export my video. I tried to export it as a .mpg; but it will never finish rendering. I've tried other formats and the same thing happens. I tried making a new project file and the same thing happened. It will usually get to 1% or 47% and then the estimated time will start increasing and the video won't save any further. I've edited videos with these type of files before (.M2TS, .MP4, .WAV, & .PNG) and it has rendered just fine. Please help me because I have people who are asking for this video. My computer runs Windows 7 Professional and has 2GB of RAM.

You've got a couple of issues to be concerned with, Cwood.
First -- are you really running a Windows 7 Professional computer with 2 gig of RAM! If so, it's surprising you can even run Premiere Elements. I highly recommend you upgrade to 4 gigs of RAM at the minimum -- and, if your OS is Windows 7 64-bit, possibly 6 or 8 gigs. RAM is your computer's lungs. Without adequate RAM, your computer can barely breathe!
Also, make sure that you have adequate free space on your hard drive (I'd recommend at least 100 gigs) and that you have run Disk Cleanup and the Defragmenter so that Premiere Elements has adequate free space to use for temp and render files.
Second, editing video from recording software like Let's Play can have a number of inherent problems. What format is Let's Play recording your video as? If you open the video file in Media Info or G Spot, what frame rate, resolution and codec is displayed?
Finally, I would very much recommend AGAINST using an MPEG output for your YouTube output. MPEGs, like DV-AVIs, are interlaced videos, and they are really not going to look good at all when you post them online?
Have you tried using Premiere Elements 9's Share/Online/YouTube to output your video?

Converting DV-NTSC to DV CCIR 601 NTSC?

We're trying to provide some footage to a group who is asking us to convert our Final Cut Pro DV/DVCPro NTSC sequence to DV CCIR 601 specs (basically 720 x 480 to 720 x 486). They also included in their specs that it be encoded to Photo JPEG, lower-field dominant, 44.1 Khz audio.
We've complied and found the resulting video file, when imported into FCP, has a strobing effect-- especially where there is movement. Is there a better way to do this?
Would an export of the sequence to DV/DVCPro NTSC work? They see it as a bit soft and I tend to agree (but displayed from Final Cut on an NTSC monitor, its kind of hard to tell).
What would be the best way to provide someone who has Final Cut Pro a file that they can use without much or any loss and one they don't have to render?
Thanks!

One thing I've found, (which might relate to your workflow attempts so far) is that the edited/locked/unrendered DV sequence, has to be dropped into the 8bit sequence for rendering/exporting. IOW, I can't export a DV sequence, then drop that in an 8bit sequence, because the disparity in scan lines between 720x480 vs 720x486 will 'tear' graphics apart...particularly text.
So I'm on the same page: I shouldn't export a DV sequence (File>Export>Quicktime Movie>Self-contained movie) and suggest that he place it into a 720 x 486 Final Cut sequence? Or there will be "tearing" issues? (We're kind of seeing that with the Photo JPEG files)
Info to get more specific answers...like...
-how are these digital files expected to be delivered...tape? hard drives? ftp site? (we used to upload our DV shows by ftp, but the uncompressed 8bit are way to cumbersome, so we sneaker-net them on external harddrives).
We're trying to provide our video as digital files via a server/download rather than driving two miles to deliver it on a Beta tape. Since both organizations have FCP, we thought we could expedite-- and save gas, time, etc.-- by providing a serviceable digital file. The question here is: in what flavor?
-what format would be best for cross platforms...FCP/Avid/Premier/Vegas/Velocity/Edius..etc.
The cross platform format question is so they can post the resulting file to a web site so others can download it and use it as a source file. Of course, they'd like to provide in a good quality codec but need to consider bandwidth as well as quality. Their solution is the Photo JPEG approach-- I'm asking, +"Is there something else?"+
-what lenght are these clips expected to be...1min. / 1 hour / various
The length is under two minutes. Never more than that.
-who are the ultimate end users and how will the media be used
The ultimate end users are broadcast news stations and their affiliates. We surmise it won't be long before the satellite uplink delivery is no longer cost-effective and video news packages will be shared like photographs that users can download and use in their publications. But for right now, we're just trying to get our packages over to them and let them decide what flavor they want to serve.
-what additional compressions might take place throughout the pipeline...QT / WMV / Flash / RM
A station might download a segment, use some footage from it and post their resulting package from their web site. Or they could post the entire package as their own news story-- nobody has an issue with that as long as it's seen and used. They will post it as Flash video, as that's what I'm seeing a lot of news web sites using (CNN, NBC, Fox News, etc.)
-"IT / server folks" sounds to me, more like PC based systems...will this ultimately be web delivery / YouTube / output to tape / broadcast / projected in a theater...or other end deliverables.
The IT-server folks control the servers and are concerned about the bandwidth. A larger file equates into more demands on the bandwidth and they don't want the download delivery of a 2 minute package affecting the bandwidth of the server. The pipe is only so big, they say.
Ultimately the end deliverable(s) will often drive the workflow, so please clarify what you/your client are trying to accomplish.
The above describes what it is we're trying to do. We supply our local client with a finished product and they, as a gatekeeper, supply it to the broadcast audience. Their default delivery is a satellite uplink and they're alternatively providing these as on-demand web downloads. Since that delivery is Photo-JPEG, CCIR 601, it seems they're asking us to provide our videos already encoded in that flavor. What we're saying is, "We'll provide you the product as an export from Final Cut-to-Quicktime movie, and you make the flavor you want to provide it in."
THANKS for your helpful consideration!

HT1222 my iphone 4S no longer plays music output to speaker after updating to version 6.1.3. I am unable to reset the phone to an earlier version! How do I get my audio output to speaker back? (music, audible, youtube, netflix))

my iphone 4S no longer plays music output to speaker after updating to version 6.1.3. I am unable to reset the phone to an earlier version! How do I get my audio output to speaker back? (music, audible, youtube, netflix)

So you have business contacts that were lost... do you not have these on a Database in some shape or form? Sounds like you need to invest in a RAID1 backup setup for your computer so you dont have this issue in the future.
As for repairing your problem, sounds like you are going to need to start from scratch at this point or if the data is still on your phone look into a program that can take the information from the phone onto iTunes.

Output file size restrictions - HD Video for YouTube

For over a year YouTube has removed restrictions on file sizes for individuals that want to do so. The preset output in Premier Elements 11 for "Online - HD Video for YouTube 1920X1080" will not allow a video longer than 15 minutes. I need to remove this restriction and be able to produce files to upload to YouTube without file size restrictions. How can I do this?

TheBanjoNut
You cannot. And, Premiere Elements 12 has the same YouTube limitations as 11.
You need to export your Timeline to a file saved to the computer hard drive, and then upload that file to YouTube at the YouTube web site.
At YouTube, you would need to explore the opportunities that it offers in the way of "extended times". It may require special accounts.
Without further details of your Premiere Elements project preset and the properties of your source media, I would generalize and suggest that you look at the follow choices for creating this file for upload to YouTube at the YouTube web site...
Publish+Share
Computer
AVCHD
with Presets =
MP4 - H.264 1920 x 1080p30
or
YouTube Widescreen HD (changing the settings under the Advanced Button/Video Tab of the preset)
Please review. If you have any further questions on this, please do not hesitate to ask.
Thanks.
ATR

Youtube output?

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