1-Up vs. 2-Up -- I design in 2-Up but my print house wants 1-Up

I've been designing magazines and newsletters for about 10 years, and I have learned to do it using facing pages -- this seems perfectly natural and that is how I visualize and balace my pages.
My print house of 7 years has recently informed me that high-end production houses always submit their work in 1-up format, becuase a 2-up multi-page booklet requires the print house to "break" the pages apart and re-impose them according to their printing methods, such as an 8 page sig. I understand this, and am willing (if not eager) to conform to save time, $$$, and reduce errors. However this presents a few issues. I was wondering if any of you high-end experts out there know any tricks or features that wil ease this transition:
1) MASTER PAGES -- I now have to create a separate left and right master. Is there any way to make InDesign automatically assign them according to even and odd pages? So that I can shuffle pages without having to manually update the master page assignments? (I am familiar with the "apply mater pages to ..." feature; hoping for something less clunky.)
2) VISUALIZING -- is there any way to see the pages side-by-side even though the pub is in 1-up format? A split screen like Excel, or some kind of proofing view? I can make a PDF and look at that, but again, this is an extra clunky step I'd like to avoid.
3 BLEEDS -- I understand that with 2-up the inside bleed is eliminated, and how this can be an issue for the print-house. So, is there a way to set up a 2-up pub where this inner-bleed still exists? Some kind of compromise between their needs and my familiar workflow?
Finally, if 1-up is the preferred standard for professional printing, and InDesign is the professional design standard, why is there even a 2-up option that creates so much extra work for the print house?
Any advice would be greatly appreciated. Thanks in advance.

Not sure what you've been doing, but left/right master pages and
side-by-side display are both pretty normal and simple, unless you've
got Facing Pages turned off. Facing Pages don't print or Export to PDF
facing unless you choose Spreads when you print or export.
> 1) MASTER PAGES -- I now have to create a separate left and right
> master.
File > Document Setup > Facing Pages. Turn this on, and your master
pages will come in pairs.
> 2) VISUALIZING -- is there any way to see the pages side-by-side
Again, Facing Pages.
> 3 BLEEDS --
If you really need an inside bleed (you probably don't) you can offset
the spread that requires it. So instead of having page 4 next to page 5,
page 4 has an empty space to the right of it, and page 5 has an empty
space to the left of it. Why do you need an inside bleed?
> why is there even a
> 2-up option that creates so much extra work for the print house?
What 2-up option is this? Are you using Print Booklet?
Kenneth Benson
Pegasus Type, Inc.
www.pegtype.com

Similar Messages

Need advise on preparing .ai files for print house for labels design

Greetings!
I just got a freelance job to do label design for commercial products (cleaning, food products, etc).
Its a huge task as the company have lots of products in the market and they decided to drop the design
company that were doing the labels for them and hire me to be the main designer.
Since my main work with Illustrator and Photoshop is been for Web Design and screen graphics,
I am not sure how to use Illustrator CS5 the best way for preparing the final files to send to a print house
according to European or US norms, I would like to have some help from other users that maybe are experience with this kind of job.
My main concerns for now are:
1. Should I send .ai or .eps?
2. Pantones or CMYK ? And how to create the artboards that show the measures of the labels and the pantone colors palette
    (I have seen examples on some prints that have show me ), but have no idea if Illlustrator already have a template/tools for that.
3. About the size of the labels, if its a straight shape, like a square, you make the artboard on that size and just put some bleed,
    but since most products labels come in many shapes, how do you work around it?
   Since the artboard can´t have the same shape as the labels , will the white background being print?
4. When using effects like highlights, reflections, especially in Titles, how do you create the pantones for that ?
Hoping to have some help from the community here, you can send me some links, tuts,
everything that can help me to understand all this kind of process, I will be much appreciate.
Thanks!

Some of the following (but not all) repeats, but elaborates on or clarifies what others have said.
First, though: While I certainly don't mean to discourage you, you will be far better off getting started if you realize this:
Designing for commercial-quality print is a hugely different world from designing for the web. You are now dealing with characteristics and limitations of real-world, physical machines, inks, substrates, and many-step workflows. The most tragic (and potentially disasterous) error web-only designers (and their clients) make is naively thinking that moving from web design to print design is a simple lateral move involving nothing more than a few quick answers to a bullet list of questions (CMYK vs. spot, etc., etc.) If you fall into that camp, you are asking for serious and costly trouble.
A user forum like this is a very poor place to educate yourself. Forums like this are populated by more beginners than experts, many of whom are far too eager to post answers. More often than otherwise, answers are--if not downright wrong--not best-practice.
You need to gain a working knowledge of the printing processes with which you wll be dealing. Take a class at the local tech school. Visit the printing houses (and don't carry a designer's chip on your shoulder). Look for any opportunity to get your fingers dirty; offer to do some grunt-work in a press room to gain exposure. Read authoritative books on the subject.
function(){return A.apply(null,[this].concat($A(arguments)))}
f1. Should I send .ai or .eps?
Nowadays, PDF is the preferred delivery format for whole documents. If the printing house is placing the artwork in a program that cannot place PDF as a spot graphic, it is conceivable that they may need EPS. Depends on the printing house's workflow. In print work, you need to communicate with the printing house--and you need to learn to speak their language.
function(){return A.apply(null,[this].concat($A(arguments)))}
2. Pantones or CMYK ?
Don't say "Pantones." Pantone is a company. Say "spot color." Pantone makes both process and spot inks. Pantone is not the only source for spot color. Your question is "spot color or CMYK process." The answer depends on the specific project.
Labels may involve CMYK process, spot colors, or a combination of the two. You can't just add colors to your design willy-nilly. You have to plan and design for it. It depends on the printing budget, the printing capabilitites of the printing house, the printing method, and even the design (which may affect the substrate, which may not be suitable for process).
When designing for print, don't think in terms of colors. Always think in terms of inks, because that's what you're really dealing with. Each time you add an ink, you add a workflow process, and therefore cost. As soon as you add a number of inks in the design that exceeds the number of inkwells on the press on which it will be run, you have just necessitated another press pass.
Labels also commonly involve clear or translucent inks (varnishes), liquid lamination (flood or spot), metallic inks, and/or foils. Each of those count as an additional ink or even a different work process. Sometimes certain inks require drying time after previously-laid inks, which also affects costs.
function(){return A.apply(null,[this].concat($A(arguments)))}
And how to create the artboards that show the measures of the labels and the pantone colors palette
Again, best practice depends on the printing house and its workflow. For example, it can be a no-brainer labor (i.e.; money) savings to gang multiple instances of a label design onto a design page (Artboard) set up to the size of the press sheet.
It can be advantageous to draw die cuts on a separate Layer, also ganged to match the artwork layout. Same may apply to foils, varnishes, and embosses. It's often advantageous to draw trim and fold marks in the bleed area of the page layout. It's often advantageous to add registration marks in a press-sheet layout.
Again, best-practice depends on the project--but the economical and turn-around advantages can be significant.
function(){return A.apply(null,[this].concat($A(arguments)))}
(I have seen examples on some prints that have show me ), but have no idea if Illlustrator already have a template/tools for that.
Whenever you catch yourself thinking "I have no idea if Illustrator..."--read the instructions.
Most graphics programs (including Illustrator) provide options for including basic "printer marks" (trim and registration marks, separation labels) outboard of the page size. That doesn't mean it isn't often advantageous to add your own. For example, the auto printer marks setting will only add one set of trim marks for the whole page. That's pretty useless in a multi-up layout, which is quite common in label design.
function(){return A.apply(null,[this].concat($A(arguments)))}
...but since most products labels come in many shapes, how do you work around it?
Pages (Artboards in Illustrator) are rectangular. One typically provides die cuts (and/or varnishes, foils, embosses, etc., etc.) as elements drawn accurately on a Layer dedicated to the purpose.
function(){return A.apply(null,[this].concat($A(arguments)))}
Since the artboard can´t have the are same shape as the labels , will the white background being print?
There is no "background." This is an object-based program. Where there is no object, there is nothing. By default, even white fills don't mean "white ink"; they mean "no ink." (Remember, think inks, not colors.)
function(){return A.apply(null,[this].concat($A(arguments)))}
4. When using effects like highlights, reflections, especially in Titles, how do you create the pantones for that ?
Illustrator is primarily a vector based drawing program. Vector graphics are by nature and even by definition sharp edged. When vector programs try to provide "soft & fuzzy" features, they do it in either of two ways: either by programmatically creating additional vector paths and parameters (blends, grads, mesh grads), or by resorting to creation of non-vector "effects" (raster images). Whether such features correctly handle spot colors depends on the feature, and even on the version of the program.
So whenever working with spot color--in any program--you have to stay consciously aware of what you are actually doing (what kind of objects you are creating) when you apply such features. That's why it does no good in a user forum to speak of nebuous designerly terms like "highlights" when you ask technical questions. In order to get a correct answer, you ultimately have to state the kind of objects you are dealing with (and feature, and version, etc.).
function(){return A.apply(null,[this].concat($A(arguments)))}
1. PDF?? I only use .pdf to show the client the designs before approval but never as final file...also I have heard from some many places that if the print house needs to open the file on a different design program the best is to send them .eps
PDF is a delivery format. As such, it is very versatile. Design comps is only one of its many uses. But PDF is not meant to be an editable format. When you deliver a PDF that was created by Illustrator and which is fully editable on the receiving end, you are really embedding in the file a full second version of the file as native AI content. Whether this AI-native content is included is controlled by you when you export the PDF.
Editing PDFs that do not have the AI-native content embedded can be very cumbersome and problematic. Again: PDF is a delivery format, not an editing format. Ideally, the printing house should not have to edit your press-ready files. It is supposed to be up to you to build them correctly. That should be your goal.
I expressly forbid printing houses from editing my delivery files. If an edit is needed, it comes back to me, and I make the edits. If a printing house chooses to edit one of my files without permission--and a problem result--they eat it; not me.
Yes, yes, if print-side minor editing (like the afore-mentioned ingredients boilerplate scenario) is part of the established workflow, that's fine; its assumedly been agreed upon as the cost-efficient workflow. But generally speaking, the kind of designer who routinely relies upon the printing house as a "safety measure" to fix his files is...well...exactly the kind of designer I would not hire.
By the way: Hearing something "from many places" (especially in online user forums) in this business is no indication of correctness or best-practice. Quite often, the most-cited advice is the bad advice. Case-in-point: The ever-cited myth that everything for print should be rasterized to 300 ppi. 300 ppi is usually needless oversampling. This is especially true in reference to mere raster effects like those controlled by Illustrator's Document Raster Effects Resolution setting. 300 ppi is almost never needed for the most common uses of such effects: blurry drop shadows, glows, etc., etc. "Fuzzy" is the very purpose of those effects. All you have to concern yourself about is the potential for visible pixelation, which is directly tied to halftone ruling.
function(){return A.apply(null,[this].concat($A(arguments)))}
...what I was mention is to be able create like a table where you list the pantones use, same time to put measures guides on the artboard itself, is this possible to do in illustrator?
Again, separation names are included in the Printer Marks option of the Print Dialog. See the documentation. Depending upon your delivery format and workflow, the printing house may not even use Illustrator's printer marks; they may use those in one of their prepress programs.
But you should always check the seps before sending a press-ready file. You can do this in AI's print dialog, or in Acrobat Pro. Regardless, it's your job to make sure the project color-separates correctly. It is very common to "finish" a job thinking you have been very careful and everything is right. It is just as common to preview the seps and find an object on the wrong separation plate, or knocking out something it shouldn't, or overprinting something it should knock out.
(There's also the whole matter of trapping, which this thread has yet to mention.)
function(){return A.apply(null,[this].concat($A(arguments)))}
...imagine I have a label that is a star with 200x200 px, and the artboard is white background with 300x300px,
I will add (with as much force as I can muster) my admonition to that which has already been given: when talking about actual, physical measure, forget about the web. Forget about Photoshop's rulers. Forget about pixels. A pixel is not a unit of measure. If you think it is, tell me: How big, in inches, is a pixel? I might as well ask you "how high is up?"
If you tell a printing house that the trim size of your document is 600 by 1200 pixels, he will (and should) laugh at you.
function(){return A.apply(null,[this].concat($A(arguments)))}
if I print the artboard on my laser printer I get the label with the background also, so how does the print house manage to
not have the background of the artboard when they print?
If you print the artboard on your laser printer, you do not "get the background." Think about it: Do you have any white toner in your laser printer? (Think inks, not colors.)
All the above is offered in a spirit of helpfulness (and some tongue-in-cheek jest). Take it as such. Bottom line, though--and this is not meant to be the least bit insulting--unless the company you have just contracted with is a small mom & pop shop and/or has very basic labeling projects, it really sounds as if you are already in well over your head. I am certainly not saying any of this is rocket science. It isn't. A dedicated person can learn its ins-and-outs in relatively short time if that time is well spent. But an online user forum is a very error-prone, incomplete, inefficient, and therefore poor way to learn it. It doesn't sound like you have that much time to waste.
JET

How can I see if my program is for more than one user? We think we have bought in design for more users, but can not find out how to get in for more than one?

How can I see if my program is for more than one user? We think we have bought in design for more users, but can not find out how to get in for more than one?

If you bought a CC for team, you can log in at http://adobe.com and insert the e-mail that you gave at the moment at the purchase and than you can manage and see you product/plan/team.
If I was not clear you can use the following link to help you solving your issue:
Creative Cloud Help | Manage your Creative Cloud for teams membership
If your not clear about this situation, contact with an agent of Adobe, by chat or phone. Use the following link to see the type of support you have on this matter:
http://adobe.com/getsupport
I think this will help you.
Regards

I just fix my macbook air because it was kernel panic. They changed the hard drive. I could not back up with Time Machine, because it did not work and I had over Adobe creative suite 5 design premium student. But I finished my studies last year and I'd li

I just fix my macbook air because it was kernel panic. They changed the hard drive. I could not back up with Time Machine, because it did not work and I had over Adobe creative suite 5 design premium student. But I finished my studies last year and I'd like to know how to get the serial number for me to reinstall Adobe creative suite 5 design premium when I am no longer study because I would still like the used? It is not fair if I do anymore because I really need.

You can download Creative Suite 5 here:
Other downloads
To deal with the issue of the serial number and using it again, you'll have to use Web Chat. Here's a link:
Adobe ID, sign in, and account help
See the bottom of the page for a link

I like to pdf my score. I design my score properly, but then when I make the PDF it changes, in not correct design, help!

i like to pdf my score. I design my score properly, but then when I make the PDF it changes, in not correct design, help!
the same problem when normal printing

You have 90 days of free AppleCare telephone support, please call them. If you don't know the number please click AppleCare Contact Info to locate the number on your part of the planet.

I purchased the design suite for PC but would like to install my second licensed download on a mac. Can I do this?

I purchased the design suite for PC but would like to install my second licensed download on a mac. Can I do this?

Your Windows license might only be installed on a Mac if you install Windows emulation software.
While it might be possible to swap to the Mac platform, which depends on which version is involved, that means giving up the Windows license.

I purchased Creative Suite 6 Design Standard for windows, but I now have a MacBook, how can I download it onto my Mac - please tell me I don't need to spend another £1000!! :(

I purchased Creative Suite 6 Design Standard for windows, but I now have a MacBook, how can I download it onto my Mac - please tell me I don't need to spend another £1000!!

Change product platform or language
You can swap languages/platforms for a latest version product (CS6 only) if you follow the instructions at the following link:
http://helpx.adobe.com/x-productkb/policy-pricing/order-product-platform-language-swap.htm l
Alternative: If you wish to continue using the software on the Windows machine as well then your only recourse without buying again would be to install a Windows emulator on the Mac so that it has the rght environment to install in

I purchased a new mac and i installed CS4 Design Standard, it installed but won't open

I purchased a new mac and i installed CS4 Design Standard, it installed but won't open

You're welcome! Glad it worked!
Benjamin
P.S. Be sure to mark the solving answer correct (Java update) to mark the issue resolved and help other user's find solutions to similar problems.

I'm trying to install Design sutie 5.5 but lost theserial number. It is on an older computer that is crash and i need to put it on a newer computer how can i get it.

I'm trying to install Design sutie 5.5 but lost theserial number. It is on an older computer that is crash and i need to put it on a newer computer how can i get it?

If you registered the software when you first installed it then you should be able to find the serial number available thru your Adobe account online.

I bought a new mac. my old creative suite design standard works well but acrobat doesn't accept the serial number

I bought a new mac. My old creative suite design standard works well but acrobat reader 8 doesn't accept the serial number.
Please, is there any methods do make this?
All is right with my subscription. I just install the suite one time on my old mac.
Thanks
Yoann

Was the FCS on your old machine an upgrade? You will need to enter your original, full version serial first, and then you will be prompted for the upgrade serial number.
Hope this helps.
MtD

I got CS6 Design & Web Premium on my mac, but now i also want it on my new macbook is it possible to use it also on my macbook? thanks!

I got CS6 Design & Web Premium on my mac, but now i also want it on my new macbook is it possible to use it also on my macbook? thanks!

yes, all adobe single user licenses allow up to two concurrent installations and activations. if you need the installation file:
Downloadable installation files available:
Suites and Programs: CC 2014 | CC | CS6 | CS5.5 | CS5 | CS4, CS4 Web Standard | CS3
Acrobat: XI, X | 9,8 | 9 standard
Premiere Elements: 13 | 12 | 11, 10 | 9, 8, 7 win | 8 mac | 7 mac
Photoshop Elements: 13 |12 | 11, 10 | 9,8,7 win | 8 mac | 7 mac
Lightroom: 5.7.1| 5 | 4 | 3
Captivate: 8 | 7 | 6 | 5.5, 5
Contribute: CS5 | CS4, CS3
FrameMaker: 12, 11, 10, 9, 8, 7.2
Download and installation help for Adobe links
Download and installation help for Prodesigntools links are listed on most linked pages. They are critical; especially steps 1, 2 and 3. If you click a link that does not have those steps listed, open a second window using the Lightroom 3 link to see those 'Important Instructions'.

CSS Designer keeps switching from the media query I want to edit to Global

CSS Designer keeps switching from the media query I want to edit to Global. How can I keep it in the same editing mode so that I'm not all of a sudden making global changes instead of confined to the particular media query?

I feel your pain. I see that using styles apply to the entire paragraph.
So I have a kluge until some really bright minds step in.
Open the Pages document that you need to edit.
Have in memory a single word that is in (red) in your desired font style.
Just type a word in (red), make your font color adjustments. Copy the (red) word into memory. Delete from the document. I put this in parantheses.
Paste the (red) word where you want to make an edit
Sample
I have to edit papers that require me to type red words into each sentence, sometimes several times per sentence.
Every time I write a word in red, the next time I click into the sentence (or anywhere else on the document), the color defaults back to black.
So let's say you want three edits. I am showing all three, but you'd just do it as you encounter things that need correcting.
Sample
I have to edit papers that require me to type red words into each sentence, sometimes several times per sentence (red).
Every time I write (red) a word in red, the next time I click (red) into the sentence (or anywhere else on the document), the color defaults (red)back to black.
Type directly into the (red) or double click on red and make your edit(s) one at a time.
Result
Sample
I have to edit papers that require me to type red words into each sentence (only those that needs correcting), sometimes several times per sentence (that sounds painful).
Every time I write (you mean type, not write) a word in red, the next time I click (with the mouse) into the sentence (or anywhere else on the document), the color defaults (reverts) back to black.

My pages are missing in design view ?? but not in live view?

I am using win 7 & DW5. I have not used DW% for more than a week. I need to update today and there is no page to work with? I don't know what to do? [email protected]

I have two sites up and running ... www.latheart.com and ... svwoodturners.org. Both are ok. This past weekl I installed chrome !@#$%^! didnot like it so I uninstalled it !@#$%^&! What a mess that caused. Some of the reg files had to be rewritten in the regesters also my photos also do not open automatically any more. The fonts were changed in almost everything. I think I have fixed most everything and then I found this problem with DW5. I do not know it that is related or how the htmls could even be affected. But both of my sites have the same issue. They will not dysplay in design view ..... Thanks for any help or suggestions. Rich Johnson San Jose Ca.
I don't know how to enter the code here ... I have cut and pasted and it creats the page with out the photos.
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />

<title>The Brickyard RR</title>

<style type="text/css">
body {
background-image: url(images/Trains/ballest.jpg);
#title {
height: 250px;
width: 950px;
margin-right: auto;
margin-bottom: 5px;
margin-left: auto;
border: medium solid #F90;
position: relative;
#navbar {
height: 35px;
width: 950px;
margin-right: auto;
margin-bottom: 5px;
margin-left: auto;
border: medium solid #F90;
position: relative;
padding-left: 0px;
padding-top: 3px;
background-color: #FDFDDB;
#main {
height: auto;
width: 950px;
margin-right: auto;
margin-left: auto;
border: medium solid #F90;
position: relative;
background-color: #fdfddb;
font-family: Arial, Helvetica, sans-serif;
font-size: 24px;
#main h2 {
text-align: center;
font-size: larger;
</style>
<script src="SpryAssets/SpryMenuBar.js" type="text/javascript"></script>
<link href="SpryAssets/SpryMenuBarHorizontal.css" rel="stylesheet" type="text/css" />

<style type="text/css">
#main p a img {
border: medium solid #F90;
margin-top: 10px;
margin-right: 10px;
margin-bottom: 10px;
margin-left: 40px;
</style>

</head>
<body>
<div id="title"><img src="images/Trains/traintitle.jpg" width="950" height="250" alt="title" /></div>
<div id="navbar">
<ul id="aboose" class="MenuBarHorizontal">
    <li><a href="rrindex.html" class="MenuBarItemSubmenu">RR Home</a>
      <ul>
        <li><a href="rrabout.html">About</a></li>
</ul>
    </li>
<li><a class="MenuBarItemSubmenu" href="rrstart.html">Our Story</a>
      <ul>
        <li><a href="rrfriends.html">Friends</a>        </li>
        <li><a href="rrpower.html">Power</a></li>
        <li><a href="rrmeanwhile.html">Track</a></li>
        <li><a href="rrmore.html">More Track</a></li>
        <li><a href="rrready.html">Ready</a></li>
      </ul>
    </li>
    <li><a href="rropenhouse.html" class="MenuBarItemSubmenu">Open House </a>
      <ul>
        <li><a href="rrsanjose.html">San Jose</a></li>
      </ul>
    </li>
    <li><a href=" " class="MenuBarItemSubmenu">Roster</a>
      <ul>
        <li><a href="rrmotivepwr.html">Motive Power</a></li>
        <li><a href="rrrollingstock.html">Rolling Stock</a></li>
        <li><a href="rrpassenger.html">Passenger </a></li>
        <li><a href="rrcaboose.html">Cabbose</a></li>
        <li><a href="rrcaboose.html">M. O. W.</a></li>
      </ul>
    </li>
</ul>
</div>

<div id="main">
<h2>Our Track Plan </h2>
<p><a href="images/Trains/trackplan.jpg"><img src="images/Trains/trackplan.jpg" width="850" height="668" alt="trackplan" /></a></p>
<h2>Our Yard</h2>
<p><a href="images/Trains/backyard.jpg"><img src="images/Trains/backyard.jpg" alt="yard" width="850" height="575" /></a></p>
<h2> <a href="rrstart.html">Follow along on a journey through the creation of the Brickyard Garden Railroad</a></h2>
<h2><a href="rrindex.html">Back to the top of the page</a></h2>
<p> </p>
<h2><a href="tindex.html">Woodturning</a></h2>
</div>
<script type="text/javascript">
var MenuBar1 = new Spry.Widget.MenuBar("aboose", {imgDown:"../SpryAssets/SpryMenuBarDownHover.gif", imgRight:"../SpryAssets/SpryMenuBarRightHover.gif"});
</script>
</body>
</html>

Data Services 4.0 Designer. Job Execution but empty log file no matter what

Hi all,
am running DS 4.0. When i execute my batch_job via designer, log window pops up but is blank. i.e. cannot see any trace messages.
doesn't matter if i select "Print all trace messages" in execution properties.
Jobserver is running on a seperate server. The only thing i have locally is just my designer.
if i log into the Data Services management console and select the job server, i can see trace and error logs from the job. So i guess what i need is for this stuff to show up in my designer?
Did i miss a step somewhere?
can't find anything in docs about this.
thanks
Edited by: Andrew Wangsanata on May 10, 2011 11:35 AM
Added additional detail

awesome. Thanks Manoj
I found the log file. in it relevant lines for last job i ran are
(14.0) 05-11-11 16:52:27 (2272:2472) JobServer: Starting job with command line -PLocaleUTF8 -Utip_coo_ds_admin
                                                -P+04000000001A030100100000328DE1B2EE700DEF1C33B1277BEAF1FCECF6A9E9B1DA41488E99DA88A384001AA3A9A82E94D2D9BCD2E48FE2068E59414B12E
                                                48A70A91BCB -ek******** -G"70dd304a_4918_4d50_bf06_f372fdbd9bb3" -r1000 -T1073745950 -ncollect_cache_stats
                                                -nCollectCacheSize -ClusterLevelJOB -Cmxxx -CaDesigner -Cjxxx -Cp3500 -CtBatch -LocaleGV
                                                -BOESxxx.xxx.xxx.xxx -BOEAsecLDAP -BOEUi804716
                                                -BOEP+04000000001A0301001000003F488EB2F5A1CAB2F098F72D7ED1B05E6B7C81A482A469790953383DD1CDA2C151790E451EF8DBC5241633C1CE01864D93
                                                72DDA4D16B46E4C6AD -Sxxx.xxx.xxx -NMicrosoft_SQL_Server -Qlocal_repo coo ds local
                                                repo_azdzgq4dnuxbm4xeriey1_e" -l"C:\Program Files (x86)\SAP BusinessObjects\Data Services/log/js01/tip coo ds local
                                                repo_azdzgq4dnuxbm4xeriey1_e/trace_05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3.txt" -z"C:\Program Files
                                                (x86)\SAP BusinessObjects\Data Services/log/js01/tip coo ds local
                                                repo_azdzgq4dnuxbm4xeriey1_e/error_05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3.txt" -w"C:\Program Files
                                                (x86)\SAP BusinessObjects\Data Services/log/js01/tip coo ds local
                                                repo_azdzgq4dnuxbm4xeriey1_e/monitor_05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3.txt" -Dt05_11_2011_16_52_27_9
                                                (BODI-850052)
(14.0) 05-11-11 16:52:27 (2272:2472) JobServer: StartJob : Job '05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3' with pid '148' is kicked off
                                                (BODI-850048)
(14.0) 05-11-11 16:52:28 (2272:2072) JobServer: Sending notification to <inet:10.165.218.xxx:56511> with message type <4> (BODI-850170)
(14.0) 05-11-11 16:52:28 (2272:2472) JobServer: AddChangeInterest: log change interests for <05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3> from client
                                                <inet:10.165.218.xxx:56511>. (BODI-850003)
(14.0) 05-11-11 17:02:32 (2272:2472) JobServer: RemoveChangeInterest: log change interests for <05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3> from client
                                                <inet:10.165.218.xxx:56511>. (BODI-850003)
(14.0) 05-11-11 19:57:45 (2272:2468) JobServer: GetRunningJobs() success. (BODI-850058)
(14.0) 05-11-11 19:57:45 (2272:2468) JobServer: PutLastJobs Success. (BODI-850001)
(14.0) 05-11-11 19:57:45 (2272:2072) JobServer: Sending notification to <inet:10.165.218.xxx:56511> with message type <5> (BODI-850170)
(14.0) 05-11-11 19:57:45 (2272:2472) JobServer: GetHistoricalLogStatus() Success. 05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3 (BODI-850001)
(14.0) 05-11-11 19:57:45 (2272:2472) JobServer: GetHistoricalLogStatus() Success. 05_11_2011_16_52_27_9__70dd304a_4918_4d50_bf06_f372fdbd9bb3 (BODI-850001)
it does not look like i have any errors with respect to connectivity? ( or any errors at all....)
Please advise on what, if anything you notice from log file and/or next steps i can take.
thanks.

PP CC 2014.2 no longer will Playback to Blackmagic Design Mini Monitor. But CC and CC 2014.1 did.

The latest update to Premiere Pro has created problems. Sequences are frozen from playing and there is no video out to the broadcast monitor. If "Enable Mercury Transmit" is turned off then the timeline will play. There is not a problem with the Blackmagic Mini Monitor as it works fine with AE CC 2014.2 or with Premiere Pro CC. And it worked fine with Premiere Pro CC 2014. Of course we can't use PP CC to open any projects created since updating to CC 2014. We are editing commercials and must have broadcast monitoring. PLEASE HELP. AGENCY COMING IN TOMORROW FOR EDIT SESSION!
Also, another odd problem is that in this version when I open an existing project, it opens with random older sequences instead of what was open when it was saved/closed. This never happened in other versions.

I experienced the same problem. Try the following:
1) Uninstall BlackMagic Design Desktop Video and Drivers completely.
2) Reboot to finalize uninstall.
3) Install old BlackMagic Design Desktop Video v.10.1.4.
4) Restart
In my case rolling back to v10.1.4 helped to solve the problem.
Please report here if this works all right.
I am not sure who to blame: Adobe for their update or BlackMagic Design for a buggy driver.

1-Up vs. 2-Up -- I design in 2-Up but my print house wants 1-Up

Similar Messages

Maybe you are looking for