3D curve and control points

Hello All-
I'm sure this is an easy answer; just can't seem to figure it out. I've drawn out a curve with a few control points. All I want to do is adjust the control point so the curve is 3D. Each point should have an X,Y and Z value. But when I switch to 3D the points only retain the X and Y. I am not able to move the points in any view other than the one I drew the path in.
What's up with that? Am I missing something or ...
And why can't I see the curve in the viewport unless I have Adjust Control Points or Adjust Item Tool active. Shouldn't a curve (shape) inside a group be visible at all times?
What I want to is create curves that will go around an object and I can attach a brushstroke to the curve. Can I do that some how?

Curves drawn with the shape tools, as you have discovered, are 2-D: the control points only have X and Y coordinates. They can live in 3D space, but they live on a plane.
One fix is to instead use a motion path behavior - its control points can be manipulated in x, y, and z.
There is another fix using a replicator and a frozen sequence replicator behavior, but it all depends on what you are trying to do.

Similar Messages

  • Vector lines and control points stay onscreen

    Photoshop CS6 64bit WIndows 7 64 Bit.
    Using pen tool to create a mask.
    After de-selection of path (using pointer tool, paintbrush or anything else) the vector line including the control points does not disappear as normal.
    Deleting the layer removes it, but changing the visibility of the layer does not have any effect - it simply stays onscreen.
    Radeon HD4850 card with latest drivers.

    Photoshop CS6 64bit WIndows 7 64 Bit.
    Using pen tool to create a mask.
    After de-selection of path (using pointer tool, paintbrush or anything else) the vector line including the control points does not disappear as normal.
    Deleting the layer removes it, but changing the visibility of the layer does not have any effect - it simply stays onscreen.
    Radeon HD4850 card with latest drivers.

  • 3D shading and control points

    In the screen grab here, you can see that "errors" in gradient smoothness coincide with control points..or maybe between certain control points....is there a way to prevent this error from happening?
    Thank you!

    Sort of like this
    I replaced the screen shot this is better I think you get the idea

  • Bounding box, paths and control points are not visible

    When I select an element, in this case a building, to make changes, the entire file is selected instead of the building. There is nothing to ungroup when this happens. Can someone tell me how to fix this? Thanks

    pk,
    You may have a look for Clipping Masks or other means of disguising the artwork. You may start by looking at the Layers palette/panel (expand as needed).
    Presuming we are not just talking about View>Show Bounding Box (and/or Show Edges).

  • PI Control Error Between Process Variable and Set Point

    I've developed a PI program that uses measurements from a pressure transducer as the process variable to control air pressure released from a motorized valve. The program works great at lower pressures, but as the set point pressure increases the error between the process variable and set point increases. I've tried several things....adjusting the P seems to initially increase the overshoot but the process variable always settles down below the set point....tried adjusting the EGU min and max values but no real pattern develops with this. It appears as the process variable get closer to the max EGU value of 70000 pascals the error increases.
    I've attached three screen shots showing the process variable curve and setpoint value. The graph of interest is the one in the upper right hand corner.
    Any recommendation or advice would be appreciated.
    tks, Terry
    Attachments:
    Low Pressure.JPG ‏267 KB
    High Pressure.JPG ‏398 KB
    Mid Pressure.JPG ‏266 KB

    Kyle,
    First off....I appreciate your comments. No...there is no value is system represented as U16.
    Actually errors start to develop quite a bit before the maximum. If you look at the mid pressure.jpg file you'll notice that the set point (~28125 Pascals) and process variable (~25625 Pascals) are roughly off by about 2500 Pascals. Then if you look at the high pressure.jpg file you'll notice that the set point (~53000 Pascals) and process variable (~45500 Pascals) are roughly off by about 7500 Pascals. Therefore it appears as the setpoint pressure increases towards maximum the error tends to increase.
    I was curious about something....the set point value I'm inputting into the PID.VI , shown in the high pressure.jpg file, is from EGU to percent.VI. It would look exactly like the EGU to percent VI feeding the process variable input of the PID.VI with the set point value feeding the EGU to percent.VI input. Would I be better off feeding the actual set point value to the PID.VI input instead of percentage?
    Thanks, Terry

  • Deleting control points for volume curves

    I might be a little thick today, but for the life of me I can't figure out how to delete control points on my volume curves and pan curves. Any help?
    TIA
    iMac Intel Core Duo   Mac OS X (10.4.6)  

    click on the dots, they increase in size, and hit delete. Or you can rubberband them all by dragging an area over all of the one you want gone and then hit delete.
    X

  • Is there a way to change the color of the Bezier Curves and points to a different color other than black  I find it perplexing while setting points and curves working on a photo that needs to be separated from it's background for placement on transparent

    Is there a way to change the color of the Bezier Curves and points to a different color other than black  I find it perplexing while setting points and curves working on a photo that needs to be separated from it's background for placement on transparent backgrounds. Any thoughts?

    Yes. Well, sort of: instead of a "path", set the pen tool to "shape" in the tool properties. Then set the fill colour to transparent, and the stroke colour to the colour you want. You can also set the stroke width.
    Not perfect, but at least you can see the path more clearly - the anchor points and handles still remain the default colour. Open the path panel, and right-mouse click the path shape to create a selection based on that shape. The Paths panel menu also allows you to create work paths based on that shape.
    Unfortunately when you try to move the handles the black thin outline appears again until you release the mouse button.
    This is one of several things that works better in Photoline: in Photoline, once the path is set to a specific colour, editing the path uses the actual colour and stroke width. which is extremely handy for creating path based selection with awkward background colours and/or a high resolution screen. In Photoline the handles and bezier points are also much, much larger, which makes it rather simpler to work with as well - especially on a higher resolution screen. And when selected the handles and points are a clear red with a black outline - again easier to spot and identify. I just works better, in my opinion.

  • Drawing small, short curves in Photoshop draws straight line between start and end points

    I recently installed Windows 8 Professional, Photoshop and the latest Wacom Bamboo tablet drivers and have been experiencing this issue. I've turned off windows flicks and ink. This only happens in Photoshop with the brush tool and I can't seem to find a setting that this corresponds to.
    Basically, when I draw small, short curves (particularly letters like 'c' and 'h'), when I lift up my pen, Photoshop automatically connects the end and start points together with a straight line ('c' almost becomes 'o' or 'a'). I'm not holding the shift or any modifier keys. I've tried googling this issue, but I have no idea how to phrase it properly to get any results.
    Here's an image of what I'm talking about (the top was drawn with the pencil tool, the bottom with the brush tool which demonstrates the issue. I've highlighted the start and end points with red dots):
    ANy ideas? :/

    Is caps lock on?

  • How will Aperture treat Nikon raw images which have been enhanced using Capture NX2 software?  Some are cropped and "developed" and some have been enhanced using the control point technology.  I have NIK sw as a plug-in in aperture.

    How will Aperture treat Nikon raw images which have been enhanced using Capture NX2 software?  Some are cropped and "developed" and some have been enhanced using the control point technology.  I have NIK sw as a plug-in in aperture.

    Actually, there is a Nik/Nikon connection — but I am pretty sure it is irrelevant to the OP's question. The connection is that Capture NX2 was written as a joint venture between Nikon and Nik. (The name similarity is a coincidence.)
    Capture NX2 is a cool program that incorporates the features of Nik's Viveza and Nikon's Raw processing engine, along with some other powerful image adjustment features. It provides, like Aperture, a losses workflow. Unlike Aperture, the adjustments (Edit Steps in C-NX terminology) are saved in the original NEF file along with the un-altered raw data. Multiple versions can be saved in a single NEF.

  • Can I control the in and out point of a layer with a keyframe?

    Hi all, I'm working in a sort of template for a series of mograph videos. Some sort of motion typography work.
    The animation is always the same but the only thing that changes is the length of the video (for legibility purposes).
    I was wondering if I can control the in and out points of a layer with the keyframes from another layer.
    Lets say Layer's A keyframe from slider 1 position in time is the out point (plus/minus an offset would be also great) of layer B.
    I've been playing with expressions on a regular basis but I don't really know where and how to write an expression like that or if it's possible.
    Thanks in advance

    This should probably be moved to the expression forum then.
    I'm not sure I understood the details of your project but here's a basis: you can do that with an expression in the layer's time remapping property. So if you want a layer to start playing at the second keyframe on another layer, you can try something like (writing in my browser, watch for mistakes):
    //   The "number" of the keyframe (first, second, third, etc)
    var index = 2;
    //   The layer with the keyframes
    var l = {pick-whip the layer with keyframes here};
    //   Just a safety, check the layer has at least enough keyframes
    if (l.numKeys >= index)
         //   If yes, the new time is the difference between the keyframe's time and the current time
        max(0, l.key(index).time-time);
    else
         //   Doesn't matter, let's return 0
        0;

  • Selecting an existing volume control point-hit and miss

    Hi folks,
    Learning GarageBand feature by feature and enjoying it at every step.
    Minor annoyance with the following and hoping someone has a way to make it less so.
    I added volume control points to a song track to lower the volume at certain areas. I wanted to modify the levels but for the life of me selecting the already existing points results in adding a new control point I can never hit the blue dot on target to select it.
    Any key click available to ensure I select the control point I want to move and not create a new one?
    Thanks in advance.

    FrankMtl wrote:
     Any key click available to ensure I select the control point I want to move and not create a new one?
    i'm afraid not, the only advice is to set and click the mouse _very_ carefully, and perhaps zooming the screen to see the point and mouse tip better

  • Custom Control Help: Draw a line and output start and end points

    I'm looking to find or make a custom control (or simple subVI) that will appear as a 100x100 unit grid and allow me to draw a line from one point to another on that grid. It will then output the (x,y) of the starting and end point of that line on the grid.  Any help or ideas?
    Thanks,
    Steve
    LabVIEW 2009 SP1
    Solved!
    Go to Solution.

    What you basically want is a loop with an event structure where you process Mouse Down, Move and Up events for your controls. There are any number of ways of implementing something like this, but this one will probably be the simplest:
    Use a multicolumn listbox or a table for your grid. Hide the scrollbars and headers.
    You can use the ActiveCell property with -2,-2 to select all cells. You can then use the cell size property to set the exact size of the cell.
    Next, you put a picture control on top of the table and color its background transparent so that the table shows through. You use property node to make sure the two are aligned to exactly the same spot and size.
    You use the mouse events on the picture control to detect the clicks and moves.
    You use the table's Point to Row Column method to translate the event's position data to a cell.
    You use the picture control VIs to draw the line on the picture based on that data.
    You can even color the selected cells in the table using the table properties.
    If you want to simplify things somewhat, you can also use the timeout event instead of the Mouse Move event to draw the line, but then you'll need to keep the timeout value in a shift register and reset it to -1 (no timeout) when the Mouse Up event happens.
    I would also suggest processing Mouse Enter and Leave events to change the cursor and cancel if the user leaves in the middle of dragging.
    Try to take over the world!

  • Can UCP(Utility Control Point) and MDW(Management Data Warehouse) use together?

    Hi,
    Can a server join a MDW and UCP at the same time? It seems that after i enrolled a instance which has joined a MDW, the collection data uploaded to UCP data warehouse only.
    So can UCP use exist MDW data directly?
    thanks.

    Hi mark.gao,
    UCP system uses the Data Collector feature from SQL Server version 2008.
     If you’ve implemented the Management Data Warehouse feature in SQL Server 2008, you’ll either have to break that relationship and start pointing that data to your UCP instance, or you won’t be able to monitor it with this utility.
    When enrolling an instances in UCP that is already using MDW, the UCP enrollment routine will change all the collections to go to the sysutility_mdw. 
    We could change the collection set to send data, including UCP data to our MDW database , the UCP utility on the manager would not see the MDW database. So in personally, UCP not use the MDW data directly.
    Thanks,
    Sofiya Li
    Sofiya Li
    TechNet Community Support

  • White and black point vs ??

    I never know which forum to post these things, so I'll start with the photographers.
    <br />
    <br />These three shots are as follows: (1) the camera raw version, (2) where I moved the sliders from the ends to approximately the beginning/end of the major portion of the histogram, and (3) using the threshold control to find the white and black points in the main part of the picture.
    <br />
    <br />Then, in the two adjusted versions, I lightened the image with the curves control.
    <br />
    <br />In both these cases, I used the grey dropper to touch the same spot on one of the rocks, to get the apparent neutral point.
    <br />
    <br />It seems to me that the threshold method to find the white and black points is preferred, based on the overall color and appearance of the finished adjustment.
    <br />
    <br />But, I've found on some images where the histogram has missing black and missing white, if I adjust the sliders to these two ends, I get pretty much the same outcome, as far as the contrast, color, and grey point.
    <br />
    <br />Could I have some advice on the preferred method to use in handling my image adjustments? Doing it the threshold method takes more time, and sometimes it's difficult to find the white and black points, or even the grey point.
    <br />
    <br />Thanks.
    <br />
    <br />Al
    <br />
    <br />
    <a href="http://www.pixentral.com/show.php?picture=1SlEeG9kfwzD34gVOEcCbg7Ktp83p3" /></a>
    <img alt="Picture hosted by Pixentral" src="http://www.pixentral.com/hosted/1SlEeG9kfwzD34gVOEcCbg7Ktp83p3_thumb.jpg" border="0" />
    <br />
    <br />
    <a href="http://www.pixentral.com/show.php?picture=1tIEs4eAyKz4sxamyVaYRlKjTIIfKj" /></a>
    <img alt="Picture hosted by Pixentral" src="http://www.pixentral.com/hosted/1tIEs4eAyKz4sxamyVaYRlKjTIIfKj_thumb.jpg" border="0" />
    <br />
    <br />
    <a href="http://www.pixentral.com/show.php?picture=17K3ewFXsGo4K2uH5TGfO06CdVayyn1" /></a>
    <img alt="Picture hosted by Pixentral" src="http://www.pixentral.com/hosted/17K3ewFXsGo4K2uH5TGfO06CdVayyn1_thumb.jpg" border="0" />

    Yes the image was purposely underexposed. What I was trying to accomplish was to speed up the shutter speed to remove the slight blurring and compensate by pulling data from the shadows. Even though the lens has an image stabilizer the amount of light wasn't enough for a proper sharp shot.
    this image is before touch up
    These two images are F/5.6, 1/20, ISO 800
    After touch up
    Better lit scene but shows slight motion blur
    This last image is F/5.6, 1/4, ISO 800
    I believe that I will have to wait next year and hope I have a faster lens by then. I just don't think the 28mm-135mm f/3.5-5.6 lens is fast enough. I was trying this without a tripod to get in tighter.
    Also I was taking these shots without the flash to get the drama of the tree lights.
    What I would have prefer is a shutter speed of 1/125 or better as it helps with my hands shaking I believe the slowest should be 1/60
    And the lower the ISO the better for noise.
    These preferences are what I am used to with my Canon G3 that does not have IS.
    I am getting so off track here, lol. But anyways, here are the pictures.

  • Using more than 2 control points in Interpolater.Spline

    Hello,
    what I'm working on is a bouncing ball, I figured it might work controlling the interpolator to create a multiple control points using the spline. ( a function with x ^n^ , where n is the number of control points)
    In a spline I can use only two control points, is there a way to make it use more than that, or do i have to use another way.
    Thanks for all help.
    Edited by: A.m.z on May 9, 2013 1:49 AM
    Edited by: A.m.z on May 9, 2013 1:49 AM

    Well, I guess it wasn't so hard - at least when there are libraries written by others to borrow from . . .
    This interpolator requires the apache commons math 3.2 lib - you can download commons-math3-3.2-bin.zip from here:
    http://commons.apache.org/proper/commons-math/download_math.cgi
    Extract commons-math3-3.2.jar from the zip and put it on your class path.
    This interpolator differs a little from the Interpolator.SPLINE interpolator that comes with JavaFX.
    Instead of control points which bend the curve but do not lie on the curve, the interpolator takes a set of points and plots a curve of best fit directly through the points.
    import javafx.animation.Interpolator;
    import org.apache.commons.math3.analysis.interpolation.SplineInterpolator;
    import org.apache.commons.math3.analysis.polynomials.PolynomialSplineFunction;
    public class BestFitSplineInterpolator extends Interpolator {
      final PolynomialSplineFunction f;
      BestFitSplineInterpolator(double[] x, double[] y) {
        f = new SplineInterpolator().interpolate(x, y);
      @Override protected double curve(double t) {
        return f.value(t);
    }Here is an example usage:
    import javafx.animation.*;
    import javafx.application.Application;
    import javafx.scene.* ;
    import javafx.scene.paint.*;
    import javafx.scene.shape.*;
    import javafx.stage.Stage;
    import javafx.util.Duration;
    public class BestFitSplineDemo extends Application {
      private static final Duration CYCLE_TIME = Duration.seconds(7);
      private static final int PLOT_SIZE = 500;
      private static final int N_SEGS    = PLOT_SIZE / 10;
      public void start(Stage stage) {
        Path path = new Path();
        path.setStroke(Color.DARKGREEN);
        final Interpolator pathInterpolator = new BestFitSplineInterpolator(
          new double[] { 0.0, 0.25, 0.5, 0.75, 1.0 },
          new double[] { 0.0, 0.5,  0.3, 0.8,  0.0 }
        // interpolated spline function plot.
        plotSpline(path, pathInterpolator, true);
        // animated dot moving along the plot according to a distance over time function.
        final Interpolator timeVsDistanceInterpolator = new BestFitSplineInterpolator(
            new double[] { 0.0, 0.25, 0.5, 0.75, 1.0 },
            new double[] { 0.0, 0.1,  0.4, 0.85, 1.0 }
        Circle dot = new Circle(5, Color.GREENYELLOW);
        PathTransition transition = new PathTransition(CYCLE_TIME, path, dot);
        transition.setInterpolator(timeVsDistanceInterpolator);
        transition.setAutoReverse(true);
        transition.setCycleCount(PathTransition.INDEFINITE);
        transition.play();
        // show a light grey path representing the distance over time.
        Path timeVsDistancePath = new Path();
        timeVsDistancePath.setStroke(Color.DIMGRAY.darker());
        timeVsDistancePath.getStrokeDashArray().setAll(15d, 10d, 5d, 10d);
        plotSpline(timeVsDistancePath, timeVsDistanceInterpolator, true);
        stage.setScene(
          new Scene(
            new Group(
              timeVsDistancePath,
              path,
              dot
            Color.rgb(35,39,50)
        stage.show();
      // plots an interpolated curve in segments along a path
      // if invert is true then y=0 will be in the bottom left, otherwise it is in the top right
      private void plotSpline(Path path, Interpolator pathInterpolator, boolean invert) {
        final double y0 = pathInterpolator.interpolate(0, PLOT_SIZE, 0);
        path.getElements().addAll(
          new MoveTo(0, invert ? PLOT_SIZE - y0 : y0)
        for (int i = 0; i < N_SEGS; i++) {
          final double frac = (i + 1.0) / N_SEGS;
          final double x = frac * PLOT_SIZE;
          final double y = pathInterpolator.interpolate(0, PLOT_SIZE, frac);
          path.getElements().add(new LineTo(x, invert ? PLOT_SIZE - y : y));
      public static void main(String[] args) { launch(args); }
    }Edited by: jsmith on May 11, 2013 5:58 AM

Maybe you are looking for

  • IPhone not syncing to iTunes music, But iPad OK... Restore?

    I updated to IOS7 on both my iPhone 4s and iPad 2. But when I go to sync music on my desktop through iTunes I get stuck in the final step of transferring for my iPhone but not the iPad. Is there anyway to go about fixing this without restoring my pho

  • Encrypt/decrypt in XML

    Hi all, I've got a test program I'm running that does the following: Take servername, username, pwd from command line, and encrypt them. Write an encrypted XML document (see below). Read the encrypted document, and write a decrypted version of the sa

  • Uable to see link 'Managing Application Express Users'

    When I login to admin page for the workspace, I can only see 'Monitor Activity ' 'Change Password ' and 'About Application Express ' links not other two mentioned below. Am I missing something here. Please help About Administration An Administration

  • Share exporting...done..but showing time remaining

    I shared a short video clip, sending it to DVD. It worked just fine, creating a short, plain jane dvd. The next morning I saw that FCP had a dialog box saying "Exporting 2 Output Files: Finished Disc 100% complete". and the grey barber pole was just

  • Retrieve 2nd image if 1st image fails

    hi all GURUs, i have this jsp.code: =============== <%@ page contentType="text/html"%> <%@ page import="oracle.jdbc.driver.OracleConnection,java.sql.DriverManager, java.sql.SQLException, java.sql.*, javax.sql.*,java.io.*, java.text.*, java.util.*, ja