A Few Workflow Questions

I shoot Raw or Raw plus jpg and I am not yet clear on how to include Lens Correction in my workflow. In the past, I have typically opened in LightRoom and set white point, exposure and black level to start. Occasionally a crop and straighten might be required. Then I'd typically reduce noise and sharpen the image. In this new era, where exactly do I use Lens Profile Correction?
A another question is that there seems to be a lack of richness in the ACR 6.1 version of lens correction, I therefore, much prefer to us CS5 Filter to make those corrections. From LR this would require an Export to CS5; when and how should this be done?

The lens correction happens at very early stage of the raw processing pipeline. The subsequent raw processing steps are all made "lens correction" aware so that you can combine them anyway you want. Precisely because ACR/LR is able to handle the lens correction at such an early stage, they are the best place to do lens correction (for vignetting for example), compared with the LC filter in PS CS5. When processing raw, the LC is also more predictable and subject less to what the user might have done to the image in the past, such as cropping, scaling, color transform, on-camera LC etc.
The LC in ACR/LR emphasizes the auto/batch operation for its target users; The LC filter in PS CS5 gives more controls to the user. Overtime, I would expect the two take the best of each other.

Similar Messages

  • Yet Another Workflow Question

    Ok I too, like many others here, am new to the Mac (thanks to Apple's I'm a Mac, I'm a PC ads that my wife couldn't get enough of). I have done some searching around and I see that there are quite a few iMovie workflow questions out there. I have not quite found what I am looking for however, so I thought I would make my first post tonight. So here it goes...
    I have 3 different ways I capture video:
    1. Canon Vixia HF10 (HD)
    2. Canon Powershot (SD)
    3. Blackberry Storm (SD...I know it isn't a good phone)
    I record everything to SD cards. I am wanting to know the best way to store my raw video for editing at any time. Do I copy the AVCHD file structure (for the Vixia) and .avi files (for the other non HD) to my hdd, or do I just import into iMovie '09 and let it reside there, or both? I noticed that iMovie had an archival option (which appears to just copy the AVCHD structure to my hdd), which is why I ask. I want to always keep my raw video in case I decide to go back later and create a new video.
    After I have the raw video archived, I would like to know the best way to use iMovie. Depending on where I end up storing the raw video, should I keep the imported video in iMovie once I am finished with a project, and then reimport it at a later date if need be? Or, do I leave it in iMovie as events? I guess this all rely depends on the first question...where do I store the raw video for archival purposes...
    Finally, when exporting my iMovie project, should I store that in more of a, pardon the Windows reference, "My Videos" folder with a original size, web optimized size, and ipod optimized size? Thus, keeping the actual exported version of the project separate from the raw video?
    I hope I have asked the right questions here. I appreciate any and all help I can get!
    Ron

    Welcome Ron to the  iMovie boards..
    very interesting : 'switchers' care sooo much for 'storage strategies' ..
    the by Apple intended workflow/concept for iApps is:
    any 'photocam' related material (still or movin') comes-in via iPhoto, and is stored in an iP Library (=you can tell iP to create 2/many Libs, if you prefer to organize manually....)
    any 'camcorder' related material HAS to be imported by iM - why? because, iM has some internal routines to make such material editable (codecs, thumnails, stuff....). the same material as 'file by Finder' does not import.. in most cases!
    storage..
    iP stores in its Library (local/internal HDD and/or ext. HDD)
    iM stores in Events (local/internal HDD and/or ext. HDD)
    to make Projects/Albums accessible to any iApp, you should keep your fingers off that structure.
    Erasing Events 'kills' projects.
    allthough, once 'shared to media browser' there's a 'copy' of your project WITHIN the project file. (= the socalled Media Browser is no single Folder somewhere hidden in the system)
    there's this Spacesaver feature to erase any Event content which is not in use in any project to keep Events lean.
    use the Archive feature from within iM to keep things easy and convenient.. if you miss a single file of the SDcard file-structure, the whole card's content is kaputt ..
    summary:
    • use iApps as intended.
    • use iP for cameras, it stores 'raws' (the avi too)
    • use iM for camcorders, use Archive to store raws..
    • purchase a dozend of HDDs to store your material..

  • Workflow question - which codec to use?

    Starting a project and want to get a quick check before I possibly do something really dumb:
    • Shooting on Canon t2i, importing footage off cards via Image Capture
    • Taking the resulting .mov (h264) and converting it in compressor to Apple Intermediate Codec (AIC)
    • Edit AIC files in Final Cut Pro 6
    • Once editing complete, make all clips Offline and reconnect original H264 files
    • Render out Final project to self-contained file
    • Final color correction in Color
    I'm a bit rusty in the video production arena and this is my first project shooting on a t2i. I am a bit unsure about the codec situation and finishing editing with the smallest amount of transcoding. I tested a few codecs and I found AIC to be the fastest and easiest to edit with minimal file size, but I have never used it before. Should I just convert the footage to ProRes and be done with it? I'm expecting a high shooting ratio on this project, so I would like to utilize an offline workflow if possible without crating a bunch of headaches down the road, though with drive prices what they are now, it's not a big deal anymore. I'm really just want to edit as quick as possible (minial rendering utilizing RT) while maintianing good quality (I know the client will be worried if I presented them a 50% quality Jpeg version of the current edit).
    Mac Pro 8-core 2.26 w/ 24GB RAM and 3 drive 3TB Internal RAID

    Thanks Mr. Ross and Mishmumken for the advice, will definetly do the ProRes route. A few final questions though:
    1. I watched the tutorial link a few times which was helpful, but am still fuzzy as to why I need to ingest via FCP. Is there anything wrong with importing from Image Capture and using Compressor to get the footage into ProRes? I see the positives about it, logging the clips, trimming the fat, having it all in the program, avoiding compressor, but does my original method cause any degradation?
    2. Can you elaborate a bit, not sure what you mean by Roundtrip and what do I need to prep?
    mishmumken wrote:
    Just roundtrip your timeline but make sure you prep it before sending to Color: there are limitations ....
    Thanks again guys, you have been extremely helpful and probibly saved me a lot of future problems!

  • Few problems/questions! (cover flow, album art...etc)

    Ok I finally added my songs to my new IPOD (replaced my old one) and this is my first Ipod with video, color...etc. Its the IPOD Classic 80 GIG.
    Well I am having a few problems/questions:
    ---Why when I hit "Get album art" does it ONLY get art for my videos? It doesn't get any for all 1,500+ songs! Is it because they aren't downloaded from Itunes? If so then why does it do it for the movies then? They aren't from ITunes either!
    ---With Cover Flow I updated the Album Art myself and have about 700 songs with art now. But I have two problems.
    1. It won't display all 700 songs under Cover Flow!
    2. It won't show them in order by song name! Can I change that?!? If not then how is it showing them by? What do I need to change?
    ---Are there any other video types supported besides that on Mpeg4 and that other weird type? If not why not? Its a pain to have to convert everything. Its almost not worth having this video IPOD if you have to go through sop much effort just to watch 1 stupid video. I mean I spent more money on extra programs now for music and videos then I did on the IPOD almost.
    ---Is there any way to transfer your music from one IPOD to another? I know some people say you can't but why? What about people like me who have music ripped from our own cds and NOTHING from ITunes? Its a REAL pain having to rerip all the cds, put them back on, rename all the songs, fix all the info...etc. Its taken me 4 days now. Apple needs to think about a "IPOD TO IPOD" music transfer kinda program.
    ---How do you get pics on the IPOD without having to keep them on your PC? I notice it has to SYNC them every time I have it plugged into the PC! But if I tell it NOT to sync pics anymore then they won't stay on the IPOD if turn that option off and unplug the IPOD. Theres got to be another way to add them.

    Assassin X wrote:
    ---With Cover Flow I updated the Album Art myself and have about 700 songs with art now. But I have two problems.
    1. It won't display all 700 songs under Cover Flow!
    2. It won't show them in order by song name! Can I change that?!? If not then how is it showing them by? What do I need to change?
    Cover flow on the ipod can only be done (as far as I know) on Album by Artist Name. On iTunes you can change it around
    Assassin X wrote:
    ---Are there any other video types supported besides that on Mpeg4 and that other weird type? If not why not? Its a pain to have to convert everything. Its almost not worth having this video IPOD if you have to go through sop much effort just to watch 1 stupid video. I mean I spent more money on extra programs now for music and videos then I did on the IPOD almost.
    Try using freeware, heres an excellent video converter for iPods:
    http://www.videora.com/en-us/Converter/iPod/

  • RED Workflow questions with Mac Pro (including third party plugins)

    Hello all,
    I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
    Here is what I’m working with:
    2014 Mac Pro
    -2.7 GHz 12-core intel xeon E5
    -64GB Ram
    -Dual AMD FirePro D700 6GB
    -1TB Flash Storage
    Editing all footage off 96TB Raid 6 mini-sas server (getting about 1100mbs read/write rate according to AJA system test) which is faster than any Thunderbolt/TB2 drive array I have.
    Media I work with is footage from the RED Epic (normally 5K) as well as DSLR footage from the 5d.
    Software:
    -PrPro CC 2014 (8.1)
    -Magic Bullet Looks 2.5.2
    My question(s) pertains to RED post-pro workflow in combination with third party plug-ins and the different approaches to make it more efficient.
    Right now, majority of the clients need a 1080p HD master, and they are generally anywhere from 2-8 minutes (usually). So my sequence settings are as follows:
    Video:
    Editing Mode: RED Cinema
    Size: 1920 x 1080
    Audio: 48Hz
    Video Previews
    Preview File Format: I-Frame Only MPEG
    Codec: MPEG I-Frame
    1920x1080
    Maximum Bit Depth unchecked
    Maximum Render Quality unchecked
    Composite in Linear Color checked
    Export Settings
    H.264
    1920x1080
    VBR 1 pass
    Target Bitrate 12mbs
    Max bitrate 12mbs
    Maximum render quality/depth/previews unchecked
    Issues I have:
    -Playback is fine at 1/2 or even full, but once effects (especially magic bullet looks) start to go on the clips, it’s very choppy and has difficult playback at 1/4
    -Export times (especially with magic bullet looks) will take the better part of 1-4 hours for a video that is 3-6 minutes long. This doesn’t seem like it should be the case for a maxed out MacPro
    So my questions are:
    Do these seem like the right sequence/export settings for mastering at 1080p? If not, what would you suggest?
    Would using offline editing help at all?
    Do you place your effects on adjustment layers?
    Is there anyway to improve export settings when using an array of filters?
    Have you stopped using third party plugins for their inefficiency in unreliability and switched to more integrated applications like SpeedGrade?
    Is there any other tweaks that you would suggest for RED workflow with PrPro?
    Should I consider switching to FCPX or (besides the iMovie-likeness) does it carry problems of its own?

    Hi This Is Ironclad,
    thisisironclad wrote:
    Hello all,
    I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
    The biggest issue is that most people have is that updating OS X causes certain folders to be set to Read Only. See this blog post: Premiere Pro CC, CC 2014, or 2014.1 freezing on startup or crashing while working (Mac OS X 10.9, and later).
    thisisironclad wrote:
    Hello all,
    I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
    Here is what I’m working with:
    2014 Mac Pro
    -2.7 GHz 12-core intel xeon E5
    -64GB Ram
    -Dual AMD FirePro D700 6GB
    -1TB Flash Storage
    It's a nice base system. How about an additional speedy disk for media cache files. You also did not mention which version of OS X you are running.
    thisisironclad wrote:
    Software:
    -Magic Bullet Looks 2.5.2
    The Red Giant website does not indicate that this software is yet updated to work with Premiere Pro CC 2014.1 (8.1). Proceed with caution here.
    thisisironclad wrote:
    Issues I have:
    -Playback is fine at 1/2 or even full, but once effects (especially magic bullet looks) start to go on the clips, it’s very choppy and has difficult playback at 1/4
    I would not use this plug-in until you get the OK from the manufacturer.
    thisisironclad wrote:
    -Export times (especially with magic bullet looks) will take the better part of 1-4 hours for a video that is 3-6 minutes long. This doesn’t seem like it should be the case for a maxed out MacPro
    Again, I suspect your plug-in.
    Keep in mind that exports are largely CPU based but you can make sure that GPU acceleration is enabled for AME at the bottom of the Queue panel.
    thisisironclad wrote:
    So my questions are:
    Do these seem like the right sequence/export settings for mastering at 1080p? If not, what would you suggest?
    It's OK.
    thisisironclad wrote:
    Would using offline editing help at all?
    No need when you should be able to edit natively. Relinking might also be an issue.
    thisisironclad wrote:
    Do you place your effects on adjustment layers?
    That's one way you can do it with the benefit of being more organized.
    thisisironclad wrote:
    Have you stopped using third party plugins for their inefficiency in unreliability and switched to more integrated applications like SpeedGrade?
    I do. Of course, that's a preference.
    thisisironclad wrote:
    Is there any other tweaks that you would suggest for RED workflow with PrPro?
    Try the following:
    Sign out from Creative Cloud, restart Premiere Pro, then sign in
    Update any GPU drivers
    Trash preferences
    Ensure Adobe preference files are set to read/write(Hopefully you checked this out already)
    Delete media cache
    Remove plug-ins
    If you have AMD GPUs, make sure CUDA is not installed
    Repair permissions
    Disconnect any third party hardware
    If you have a CUDA GPU, ensure that the Mercury Playback Engine is set to CUDA, not OpenCLYou have AMD GPUs.
    Disable App Nap
    Reboot
    thisisironclad wrote:
    Should I consider switching to FCPX or (besides the iMovie-likeness) does it carry problems of its own?
    I really shouldn't answer that question.
    Hope this helps.
    Thanks,
    Kevin

  • A few simple questions from a new Iphone user

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    Cheers

    I have the origina iPhone.
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    Edge is Edge and nothing more. It is slow compared to a strong 3g signal. But is liveable most of the time. Heavy traffic can slow it down to barely usable.
    My four wheel drive club has a web site with a large photo section. I was standing out in the middle of parking lot in San Jose, Ca and showing a friend some photos. It opens up a page of small picts to choose from. Select a print and it enlarges, He was amazed at how fast they appeard. Especially given the quantity of photos.

  • Few fundamental Question- Project IMG and BBPs

    Dear All
    I have few basic question and will appreciate answers ,. points will be awarded as well.
    1. Is there any difference between Enterprise IMG and Project IMG ( or is there any thing such as Enterprise IMG exists in Solman).
    2. Can scope of project IMG be changed once it has been creted and saved. ( if yes then Steps plz)
    3.How to create BBP nodes in Solar02 based on Project IMG.
    Regards

    Hi Nayab,
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    2. Yes. it can be changed. But, I am unable to list steps here
    3. By BBP nodes in SOLAR02, what did you mean ? I have heard the term BPP (Business Process Procedure) or BB (Business Blueprint). Can you elaborate please.
    Also, the whole topic of Project IMG Vs. Enterprise IMG is about the satellite system involved  and not on SolMan's own configuration.
    Regards,
    Srini

  • Sharpening export workflow question

    I have a sharpening workflow question. Say I have pictures from a portrait session I just finished. I have to send 10 pictures the client ordered to a print lab and I also will make some small facebook sized pictures and upload them to my business facebook page. The level of sharpening needed for large prints (I upload to print lab as RGB JPEGS) and sharpening needed for the very small sRGB facebook-sized pictures is different. In Lightroom I have the option to set the sharpening on export and have a bunch of presets that alter the export size, color space, sharpening, etc(WHCC print lab, facebook, Client CD, etc). I don't see how to do that in Aperture. I see they have the option if you have a printer, but not on normal export.
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    Thank you in advance for time and help!
    Scott

    Frank Scallo Jr wrote:
    The thing is guys - Once a file is sized down it WILL lose sharpening - what we are doing is sharpening the full size RAW file or rather what the full size output would be like. Once we export a version sized down it will lose some of the 'bite'. LR has sharpening options on 'output' which is not only smart but a necessity. Adobe realizes that output for screen needs another sharpen. Apple either doesn't know or didn't bother. It makes ANY output for screen less than best.
    Bear in mind that there seem to be two separate issues going on here - sharpening adjustments not being applied on export, and resizing.
    As far as resizing is concerned, Aperture appears to use something roughly equivalent to Photoshop's Bicubic Sharper setting. Because of this I've never had much problem with Aperture's exports when used for the web, but obviously everyone's taste for sharpening differs which is why an option for output sharpening would be good.
    Sharpening adjustments not being applied on export is a separate issue and should be reported via the feedback form ASAP by everyone who is experiencing the bug.
    Now printing is another animal - I wouldn't print directly from RAW in aperture either if I'm printing small. Again, LR beats Aperture here as well since they include output sharpening for print.
    Aperture has had output sharpening for printing since 2.0 came out (unless it in was 1.5). In A3 you need to turn on 'More Options' and scroll down, I can't remember where it is in A2. I don't know how effective it is as I print via a lab, but it's there and it's been there for a long time...
    Ian

  • Just a few small questions :)

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    mike XxX

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  • Few basic questions about database administration

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  • Before upgrading iPhone to 3.0 beta a few basic questions!

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  • A few quick questions about publishing for iPhone/Android

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  • Vibe Z2 Pro - Few newby questions

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    Hi, ileyb
    Unfortunately I don't know, what is the "Security Zone" & will be very grateful if you explain a bit about this feature or provide an appropriate link.
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    I came to Java from ActionScript too, and I must say having ActionScript as your first programming language does NOT make it easy to learn other languages. I was incredibly lost when starting with Java.
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    1. I have added a Text Field box. When I preview the form and enter text in the form, the text starts in the vertical center of the form, not at the top. I have allowed for many lines of input, but I want the text that is inputed to start on the top and work down the area as the user types, not keep the text centered vertically.
    b How do I change the text field so that the user text starts at the top left of the field?
    2. I'm not really ready to accept the data from my forms as XML. I'd have to write some sort of XML parser or use a database program to read the data. I do not get volumes of data. I would just like to receive a filled in PDF file via e-mail that is easy for me to read after the user fills in their data.
    b How do I code the form so that when the user is ready, it submits the completed form back to me via e-mail in .pdf format?

    I finally found the answer to my question #1, Use the Window<Paragraph to set the attributes for the text field paragraph.<br /><br />I'm still trying to figure out #2 though.<br /><br />I have a new question too<br /><br />b How do I add a note in my form like I can when creating a PDF document in Acrobat?<br /><br />I want to use the note as detailed instructions on how to fill out a particular field.  Perhaps, AD7 has some other way of accomplishing this that is not called a "note"?

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