Advice for correcting boomy bass

Any suggestions for correcting boomy bass using AA3? I have tried several approaches with compression and parametric equalization and, I can change the sound, but I don't think that I am fixing the problem. The bass problem, I think, is in the recording.

Hi Eric and SteveG - Thanks for your advice. I am going to respond to both of you and, hopefully, get some more feedback.
Eric - The boomy bass problem, in this case, is a matter of the bass frequency (including an upright bass instrument, but perhaps not limited to just that instrument). The bass instrument, while one can hear it, does not sound clean and articulate in the way that typically does in an acoustic jazz recording. In addition to boom, I feel that there is a characteristic that sounds "cloudy". Any additional thoughts or suggestions?
SteveG - I am going to try your suggestions and will get back with my results. I have read that high Q is typically reserved for working with sound effects and eliminating undesirable sounds. Furthermore, for music, one typically use a low Q setting - probably one less than 10. While I realize that you are suggesting high Q for isolation of the problem, what are your thoughts on what I have mentioned and are there any sources that you recommend for further reading about Q?
After I opened the post, I found the following post:
http://www.adobe.com/designcenter/audition/articles/aud15freqedit_02.html
Any thoughts on it, as a way of reducing bass? In a nutshell, it recommends using the spectral frequency editor and the marquee tool and then using the hard limiter on a very small section of the frequency.
I quickly tried the suggestion (in order to get the idea), but it raises a couple of questions. Isn't the use of limiters something that one should try to avoid, if possible. By using a limiter on part of the frequency, what is the potential downside? Is there a possibility of creating some kind of audio-related seam that either revealing playback equipment and/or good ears can identify?
Thanks again.

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