ADVICE needed - FCPX projects -- FCP7 workflow (not X27)

Hey all,
I need some sage advice.
I have been working on a huge project for over a year now on location in Bosnia.
All footage has been shot on the 5D mrk3 and c300 cameras.
My FCPX Workflow
While on location I was importing / organizing / syncing / labeling and adding subtitles into FCPX.
- I have each camera in it's own event and project.
- I have the video synced (using Plural Eyes) with the Zoom audio files.
- I have added subtitles from my translator using Annotation edit.
- I have then used the TimeCode generator to give the entire sync'ed, subbed "master timeline" a consistent reference throughout and so I always know exactly where that clip lives in the "master timeline" once I start editing.
- Lastly I have added the "file name" using the Text "right" generator in FCPX so I always know what day it is.
I would then create a separate compound clip for all the video from that day, the external audio, and the subtitles. (so that is 3 Compound clips. (see pics below)
Add the TimeCode and right text generators...
Select all and make it all a C. Clip... I did this so nothing would shift.. the Subs would be in sync and the timecode would always be the same no matter how and where the footage was used....
My Question / Challenge
OK so now my producers have found an editor and this editor needs to edit this project in FCP 7.
I am in Chicago they are in Berlin... I will join them in Berlin but want to do as much prep work in the 1.5 months leading up to my travel date here in Chicago.
They have all the footage and FCPX projects and events and now need to get them into FCP 7
the app X to 7 does not import FCPX generators and has some quirks importing text (I am not sure how it will handle my subs as we are just beginning the import / converting process)
What I don't want is to loose all the good work that I have done on my end to be organized and I absolutely NEED the subtitles included with the sync'd footage.
Does anyone have any advice and / or know where I can turn to figure out what to do in this situation?
the viewer with subs, timecode, and file stamp
the timeline broken apart
the timeline as compound clips

@ Russ H
Yeah I thought of that too...
Just using the flatened verssion as a reference file that can be enabled and disapbled as necessary hoever like you pointed out that is "not ideal" AND would actually be pretty time consuming as I am dealing with
45 Days of footage totalling 200+ hours...
So it actually takes about an hour to render and export each 3-4 hour days of flattened footage.
But that may be the best soltuion of the not so great options I have in front of me...
@Meg The Dog
Thanks, and yes I will be doing all of that sans the assistant editor.
One of the largest issues is that I am not a FCPX expert so I can't do that...
AND the budget is a bit tight to hire a second editor for this job PLUS it is in Berlin (I am in Chicago)
So while I will be there for the editing process the lead / post time is going to be pretty tight and I need to make sure that all the footage is online, sync'd, subbed and ready to go once I step off the plane.
I agree that in an ideal situation your suggestion would be best if the budget allowed for it...
Message was edited by: sConvey

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    "Now hiring best-in-class IdM architects. Inquire via emai"

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    2. Risk paying £150 for a Photoshop CS2 upgrade that may baulk at my dubious serial number for the "original" Photoshop CS.
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    iMac G5 (20" Rev B)   Mac OS X (10.4.3)   2GB RAM

    Rob, I'll take a quick shot at this for you.
    I'm fairly new to digital SLR photography (hobbyist
    only)...but have had a variety of non-SLR digital
    cameras over the years.
    First, welcome to digital SLR photography.
    I shoot in raw and jpeg, maybe about 100 shots when I
    go out (landscape and general outdoor shots mainly,
    some wildlife). After I have deleted the stinkers,
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    keep...my iPhoto library has about 1000 images that I
    like, and I'm assuming that Aperture wouldn't have
    performance issues with a library of that size, on my
    hardware.
    You shouldn't have any performance problems with a library this size.
    From the library, I create web galleries, print out
    to A3 (max...usually 8"x6", some A4) and create photo
    slideshows on DVD/CD media.
    I've been using a mixture of iPhoto, Photoshop
    Elements 3, and Photoshop CS.
    Sounds pretty standard so far (except for using both Elements and CS).
    iPhoto for photo import and organisation ; Photoshop
    Elements 3 for raw image manipulation, and minor
    tweaks ; Photoshop CS for the bulk of image
    processing. (The raw images produced by my camera, a
    Nikon D50, are not supported with the Camera raw
    plugin for Photoshop CS.)
    Pretty much the same thing I have done (only I use PS CS2 for everything). One note. If you are considering Aperture, I would strongly suggest that you put some samples of your images on a flash card and take them down to somewhere that has Aperture loaded and available for evaluation. Judge for yourself how Aperture handles your images. This is what I did with my D2X images and was happy with the results.
    Having to utilise 3 separate programs does grate
    after a while...and ideally, I would like to use a
    single program.
    Keeping in mind that Aperture was never meant to be a replacement for either Elements or Photoshop. It does offer some correction capabilities, but more along the lines of Adobe Camera Raw (though not as full featured.) Also, there have been a number of posts here where people have noted that the adjustments that they are making in Aperture aren't as good as with ACR. I can't see any difference on my system using my D2X files.
    Aperture sounded ideal, but the £350 price is a
    little steep for a program that I may end up using as
    "iPhoto-on-steroids".
    Again, I HIGHLY recommend you go somewhere where Aperture is loaded and you have the chance to use it yourself to see if it is indeed "ideal", before you buy.
    An alternative would be to upgrade to Adobe Photoshop
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    meet the upgrade criteria...my copy of Photoshop CS
    was purchased via eBay (authentic CD, box and
    manuals), but the serial number, I later found out
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    networks.
    This, I can't help you with.
    The combination of Adobe Bridge, the raw manipulation
    and editing features would mean, similar to Aperture,
    potentially a single program to cover all my needs.
    As I noted, I have CS2. I still use Bridge and ACR. In fact, prior to getting Aperture, Bridge was the answer to my organizational prayers, letting me easily sort through shots from a shoot to get the few I really wanted to keep. To me, adding Bridge and upgrading ACR in CS2 was worth the upgrade cost of the program.
    So my options are...
    1.Purchase Aperture for £350, which may be unsuitable
    (overkill) for my use (although I'm sure that over
    time I would use its features more and more)
    True. But, you need to determine if it is for you now.
    2. Risk paying £150 for a Photoshop CS2 upgrade that
    may baulk at my dubious serial number for the
    "original" Photoshop CS.
    Again, I can't help you here.
    3. Keep with my current software workflow...but
    dropping Photoshop CS, as my conscience is shouting
    fairly loudly. I'd miss the curves feature, and be
    out of pocket to the tune of £125...but that's my
    fault for not assuming the eBay offer was too good to
    be true...
    Your call.
    4. Any other alternatives...?
    Maybe someone else has one to offer.
    Good luck.
    Jeff Weinberg

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