AIFF's imported are always out of sync and need to be rendered!!!!!

I have had this problem for years, has anyone figured out hoe to get sound files that are in sync in pro Tools and in Sound Track Pro to be in sync in FCP??
This is the strangest thing that you can not import files into a PAL session without a red line needing to be rendered and without the audio drifting!!
Any ideas? Thanks, mark

Nick Holmes wrote:
Your audio files must be 48,000 kHz AIFF files if you want to use them in Final Cut Pro.
If the originals are coming from CD's they are 44,100 kHz.
Resample in Soundtrack Pro or convert in QuickTime Player.
Your location says you are in LA. Why are you working in in PAL?
I know that things need to be at 48K this would not matter anyway if it was 44.1 FCP would do the conversion and not make it out of sync in an NTSC Timeline, but a PAL timeline FCP screws with the sound file. The files came from pro Tools, the industry standard should mixing.
I put them through Sound Track Pro and it did not help.
LA is the entertainment center of the world, we send project all over the world.

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Anyone know why an aif sound file from Pro Tools imported to 25 fps sequence is always out of sync and needs rendering? It is like FCP is converting it to another freq. when it is 48k already! I do this all the time with NTSC and 23.98 projects, what is up with the 25 frame seq.??
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Nick Holmes wrote:
Your audio files must be 48,000 kHz AIFF files if you want to use them in Final Cut Pro.
If the originals are coming from CD's they are 44,100 kHz.
Resample in Soundtrack Pro or convert in QuickTime Player.
Your location says you are in LA. Why are you working in in PAL?
I know that things need to be at 48K this would not matter anyway if it was 44.1 FCP would do the conversion and not make it out of sync in an NTSC Timeline, but a PAL timeline FCP screws with the sound file. The files came from pro Tools, the industry standard should mixing.
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LA is the entertainment center of the world, we send project all over the world.

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The footage is always shot in 16-bit thus I use the DV NTSC 48 kHz setting which should be correct.
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In Solidarity,
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http://www.crazyredacesproductions.blogspot.com/

Merçi à Michel et Tom pour vos répliques.
My camera always has the same settings (16/48 kHz) and I capture accordingly. Tom, I will try your suggestion shortly and update this topic.
Thanks again to Michel and Tom for your help.
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http://www.crazyredacesproductions.blogspot.com/

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AIFF's imported are always out of sync and need to be rendered!!!!!

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