Assign instrument to midi controller buttons

Good evening folks, recently i've got a Launchkey 61 and i'm having trouble programming it with Logic X.
Here are some of my doubts:
1 - I want to operate the keyboard as a common tonebank synth, press a button and it change the patch, how do i do that? How can i assign patches to Launchkey pads and buttons?
2 - How can i create dual and split tones?
Thanks in advance.

Hi - quick question - are you planning to do this for live performance?  If the answer is yes, it's much easier to do this in Mainstage rather than Logic.   If it's not for live use, I'll let someone with better knowledge of Logic than me answer you.

Similar Messages

  • Assign instruments to Midi channels?

    Hi. How do i set up instruments/patches in mainstage and only have them work on specific midi channels?
    For example being able to have 16 patches, each with an individual midi channel.
    Is this possible in Mainstage3?

    Hi
    Use the "MultiTimbral" function in the Channel Strip Inspector to specify which strips respond to which MIDI channels, per patch.
    CCT

  • Markers - Can I trigger looped marker sections via MIDI controller?

    This is kind of a multi-part question:
    I know that I can set up key commands to toggle between various markers, but can I set up a group of MIDI controller buttons so that each one represents the 1st marker, the 2nd marker, the 3rd marker, etc., etc. of whatever project/song might be loaded?
    Pending that answer, is there a way to set up each marker as its own looping section (without manually changing the cycle section)? Logic makes it very inviting to write/record over looped parts, and I would love to be able to toggle between each looped section of a project, via MIDI controller hardware, for a more intuitive way to both write additional parts for each song section, as well as compose more fluid sequences and experiment with different arrangements without having to drag everything around in the arrange window. I figured that using markers would be a way to do this, since I am under the impression that I can already have the 1st, 2nd, 3rd, etc. mapped out to MIDI controller buttons/triggers. I am hopeful that the trick can be accomplished with cycle automatically being associated with each marker section . . .
    Thanks for your time, and your assistance/suggestions!

    You can assign buttons to control key commands by opening the key command set-up window. Navigate to the key commands you wish. You don't need to assign an actual key command for this to work, by the way. Highlight the appropriate key command (go to marker number X in your case). At the bottom left is the 'learn new assignment' button, press it and then press a button on your keyboard. Repeat for all desired key commands.
    If you type 'marker' into the search box of the key command window, you will notice a key command a few spaces up from the 'go to markers' that is called 'set locators by marker and enable cycle' - to jump to this cycle just hit play, even if it's already in play it'll jump as long as you have 'play from cycle' selected in your play button options (which it is by default). Then press record and it will be recording.
    There are several other key-command strategies that end up with the same result. So explore the options to find out what works for you. Since you can only assign one key command to a button, you do have to press several buttons (select marker, set loc. at marker, play, and then record).
    You could rig up a little system in the environment that splits and converts cc messages so that pressing cc24 spits out 24,25,26 which are all assigned to different key commands. So one button kicks out 3 key commands this way. It's not too complicated to set up, but you need to pay attention to what is assigned to what or else you'll end up with a spaghetti pile of confusing assignments. Start with the easy 4 button method to make sure this is actually accomplishing what you want - who knows, maybe you will discover a key command combo that takes a step or two out. Then you can take a look at combining and simplifying.

  • HOW DO I TRIGGER GROUPS IN AN EXS24 INSTRUMENT VIA MIDI FROM THE SCORE

    HOW DO I TRIGGER DIFFERENT GROUPS IN AN EXS24 INSTRUMENT VIA MIDI CONTROLLER MESSAGES FROM THE SCORE - PLEASE ? WHERE DO I GO IN DOCUMENTATION AS HAVE GIVEN UP FOR TIME BEING WITH MULTI INSTRUMENT WHERE I CAN'T SEEM TO DEFINE CUSTOM BANK SELECTS BECAUSE I CAN'T FIND THAT OPTION. BUT MAYBE I'M ON THE WRONG TRACK ANYWAY! WITH THANKS

    For those who are following this thread I have received the following info from LPH: it hasn't dealt with this through midi controllers but with key switches in a v. easy to work with fashion, though I would still like to have a result with former, if there is anybody that can give me a clear proceedure. Christian thanks for your help and if you are offay with MC's then I love to hear from you!
    METHOD #1
    Create a duplicate track for those instruments which you're keyswitching. Let's just focus on one instrument for now, flute. Create a duplicate track assigned to your flute instrument ("new track with same instrument/channel"). Next, copy all of the regions from the original track onto this track and merge (glue) them to create one contiguous track. Of course if you have only one region for the part, just copy the region over to the new track.
    Then go into the piano roll editor and swipe the keyboard on the left in the range of your keyswitches. Then use the command "toggle selection" and hit DELETE. Now you have a region that contains only your keyswitches.
    Or, of course, you can just swipe the range that the instrument plays in. Then hit DELETE. Either way...
    The final step here is to untick the "score" checkbox for this keyswitch-only region (region parameters). Now, both tracks will still play, except only the actual flute part will appear in your score.
    METHOD #2
    In the score editor, open the staff style for the part. Set the highest note/lowest note range to (visually) filter out the keyswitch notes. This may seem like the easiest way to do things, but it will require you to have a distinct staff style applied to each part. For example, if you're using the Treble staff style for multiple parts (picc, flute, bass clarinet) and their key switches are in different ranges of the keyboard (as is the case with some libraries), you will need to create duplicates of "Treble", name them accordingly (picc, flute, b.clarinet), assign them to the various regions playing those parts, and then set their highest/lowest note values accordingly.

  • Assigne record button on midi controller

    I have a midi controller (m-audio oxygen 25), i have a record butto0 on the controller  but i cant assigne it to logic ?! I can assign the volumes mixers on the mixers window in logic, but when you it comes to the record button.... I go ctrl+L but i cant assign this button !

    You could also rig up some environment octave switches and put the buttons on a floating window on your screen. Even better, if you have a couple of spare buttons on your MIDI controller that output MIDI messages, you could rig these to control Logic's octave transforms, thus giving your your octave buttons directly on your controller.
    One of the great things about Logic is this kind of thing - you can really configure things to your needs in a way you can't do with other software.

  • Mute Button on a Midi controller. How do I set this up?

    I want to setup a button on my midi controller keyboard, as a mute button for a certain track.
    I select the track, hit 'Mute' with the mouse, and then 'learn controller assignment'. I then proceed by pushing the button on the midi controller.
    The Parameter is "Learned", but doesn't work as a toggle button: I have to press the button two times for it to work.
    Any Ideas?
    Tibook 867   Mac OS X (10.3.9)  

    fotofono, depending on the kind of result you're after, you may want to consider a sidechain. I'm pasting text from a previous post I did where someone wanted to be able to create a stutter effect (with mute) on a vocal track. It may apply to what you're trying to do.
    Here's how:
    On the vocal track you want to create the stutter effect, insert a noise gate.
    On the noise gate plug-in window, look for the sidechain input (top right).
    Pick 'Bus 32' for example, or a bus that you don't have in the environment window.
    Pick an empty midi track in the arrange window, insert an EXS piano or any other Audio Instrument (something with good attack works best). Assign it's output to Bus 32.
    Since bus 32 is not in the environment window (make sure it isn't), it won't output any sound to the main outs, and you won't hear that Audio Instrument you've just inserted. Nevertheless the audio is still being routed within Logic, and will affect the SideChain of the noise gate, which is what you want to create the stutter.
    Sequence the rhythm for the stutter into the midi track (you won't hear the Audio Instrument, but you should hear the vocal track stuttering to your midi track playing), do any quantizing you want, etc, and the noise gate will follow the notes.
    You can also tweak the Noise Gate of course, to ease the threshold of the stutter, etc.
    Even if it's not what you're after, you may find it's a really useful tool for many kinds of results.
    Regards,
    Luis
    www.logicprocorner.com

  • How to use a specific MIDI controller to control instruments loudness?

    Hi, I just started using Logic, so it's possible I will find the answer to this question by myself over time, but maybe somebody can point me to the answer right now...
    I want to control the loudness (volume) of a software instruments over time, for a given note, using a MIDI controller channel. The note velocity only controls the loudness of the attack.
    Of course this is not applicable for an instruments such as the piano, but it is quite important for string or wind instruments where you can attack a note very softly but keep playing louder on the same note.
    The MIDI controller to control that could be after touch. In my case, it would be CC2 (breath control), as I use a wind controller.
    My experiment so far is that Logic sees the value of CC2 correctly, but whatever its value, the loudness of the note sound never changes.
    I understand that the answer to that question might depend on the instrument under consideration. Then an example would be of great help.
    Many thanks.
    JD

    Jean-Denis Muys wrote:
    My experiment so far is that Logic sees the value of CC2 correctly, but whatever its value, the loudness of the note sound never changes.
    As it was suggested you can try CC11 or you can transform your existing CC2 to CC11. Patch a transformer between the Physical Input and the Sequencer Input in Click & Ports Environment layer and make the next settings in the transformer:
    Conditions
    Status=Control
    Data Byte 1 (= 2)
    Operations
    Data Byte 1 (Fix 11)
    It this scenario your incoming CC2 will be transformed into CC11 and you can control the Expression (CC11) of a software instrument if it responds to that controller at all ( some software instruments must be mapped previously to have such respond ). Note you will be able to control only the selected track this way.
    You can try to use the Controller Assignment dialog and learn CC2 to control the "level" parameter of an instrument or its channel strip level fader, gainer plugin (which can be inserted in the top plugin slot) etc as well.
    !http://img59.imageshack.us/img59/4967/aglogo45.gif!

  • Some software instruments are not working when midi controller is plugged in for logic pro x

    So I have made a track and I have been using my midi controller. Some instruments work when i record on the track. But if i change to some other instrument i.e. the vintage organs, then it won't work. I have bypassed all control surfaces and it still hasn't worked.

    Some of the vintage organ patches use different Midi channels.....other than Chan 1 for other registers... Example Chan 3 might be used for the pedals... and Chan 2 might be used for the lower keyboard/register of the organ...
    Check your keyboard to see what Midi channel it is actually transmitting on and set it accordingly....

  • Dedicate midi controller to instrument

    I would like to know how to dedicate a midi controller to a specific instrument. I currently use two devices. I would like the Korg micrKontrol to be dedicated to a specific instrument. I would then use my Keystation for the instrument I have actively selected. It is important to not allow the Korg to work with the selected region.
    I am using Logic 8.

    Figured it out!
    Open Environment window
    View --> deselect "By Text"
    drag the physical input that I want to the instrument I desire
    done!

  • Midi controller doesnt work with ES2

    Hi
    Im using my virus TI synth as a midi controller for my soft synths.
    It works just fine with my NI instruments, the midi learn functions just fine with those,
    but when i try midi learn with the ES2 i cant get the virus to control any of it.
    Can anyone point me in the right direction?
    Thanks
    digi

    With the help of Bee Jay (much thanks), I figured this out. What you have to do is this
    First, use the Virus TI graphic user interface to create a Remote Template. You can learn how to do this by going to pages 24-26 of the Virus Control Tutorial.pdf (read it carefully). I would suggest creating a new template titled "Logic".
    In creating this template, you will need to create MIDI strings for each of the Virus' knobs (page 25-26 in the Virus Control Tutorial.pdf). I would suggest using some of the MIDI controller numbers for the ES1's parameters, which are listed on page 248 of the Logic Studio Instruments and Effects.pdf manual - if you do that, the ES1's knobs will respond to those Virus knobs for which you assigned the specific controller numbers listed for the ES1. Then you can create some more unique MIDI controller strings any extra (unassigned) Virus knobs. In any case, each of the Virus knobs has to be assigned to a unique MIDI Controller number.
    After this is done, you can use Logic's Controller Assignments "learn" function to assign the virus to control the other Logic instruments. First, make sure your Virus is in Remote mode and your new "Logic" Remote Template is loaded, and open up a Logic instrument (e.g., the ES2). Now hit command-L. Logic's Controller Assignments window will appear, but you can just drag it off to the side for the moment. Now click on a knob on the ES2, then twiddle the knob you want to use on the Virus. Do that for as many knobs as you want, then deactivate the "Learn" button on the Controller Assignments window when you're done.
    Then, whenever you want to control a Logic instrument which you've set up this way, you just need to put the Virus in Remote Mode and make sure you load the "Logic" Template.

  • Switching tracks via MIDI controller

    I've been using Logic 7 for a couple of years now. Until today, I used the 'musical typing' function and the mouse to manipulate the software synthesizers. I just got the M-Audio Oxygen controller, and I'm having trouble finding out how to toggle among software instruments via the controller. So far, I'm only able to switch instruments by selecting their tracks with the mouse. I've tried assigning the instrument tracks to different MIDI channels, then selecting that channel on my controller, but it still will only play the track that is highlighted on the screen. Logic and Oxygen references don't seem to have the answer

    Open the Key Commands window -
    Logic Pro : Preference : Key Commands
    In search box type: next track
    The default key command is 'down arrow'. Select it.
    Click on 'Learn New Assignment' button and move fader/button on MIDI controller to learn the hardware switch to the function in Logic.
    Do the same for 'previous track' with a different hardware button.
    JG

  • Sending audio samples to midi controller

    i have logic pro 8 and i was wondering how to send chopped up samples of an audio file to my midi controller which is an axiom 49. for example, i wanna chop up some vocals and instrument loops from a song called dazed and confused to create a hip hop song and i ve seen it done before on youtube just wondering how to do it.

    Not sure what you mean by sending audio samples to your MIDI controller. Maybe you'd like to play or trigger these samples from your controller? One way is to cut them up (lots of ways to do this in Logic) and then assign the resultant bits of audio as samples in the EXS sample player. You can also assign these samples in Ultrabeat.
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  • HT5147 How do I assign a NOTE to a button?

    Hello,
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    I have gotten as far as assigning the button to the cello sound I want.  But I can't figure out how to assign the B note to the button.  I have spent about two hours trying to figure this out, with no avail. 
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    Michelle

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  • Logic Pro X - Only drum machines do not respond on MIDI controller

    98% of the time, when I load a drum machine, only a few of the keys on my MIDI controller will respond with sounds. If I switch to any other instrument patch, all keys work perfectly, but when I switch back, it's still spotty. I've disconnected and reconnected, restarted Logic, restarted the computer, and opened new sessions. Anyone have any advice?

    Ahh.. ok, it was hard to tell from your original post.
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  • Advice on Midi Controller

    I want to upgrade my current midi/keyboard controller, and would like to know which keyboard/controller you use that auto maps to logic pro 8. My current Edirol midi controller worked great with Reason (no mapping required), but ***** with Logic pro 8. I have to manually assign knobs and faders which is a daunting task. The three midi controllers I'm looking at are: Akai Professional MPK61 USB MIDI Keyboard Controller, Novation 49SL MkII Keyboard Controller, and M-Audio Axiom Pro 49 USB/MIDI Controller. If anyone has information, please let me know!
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    As far as the Novation is concerned, Automap is getting better with each update.
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