Audio tracks - languages available

Ladies and Gentlemen:
I suggest that Apple shows which audio tracks (languages) are available for a movie in Apple TV - like in iTunes.
When I buy a movie i would like to know if an OV version is available.
It would also be nice if the movies always have the OV Language Track available.
Thank you very much.
Kind regards
Dieter Zakel MD MA

Welcome to the Apple Community.
This is a user to user community, Apple are unlikely to read your comments, if you have any suggestions that you think might enhance the Apple TV you can send Apple your feedback here.

Similar Messages

Encore authored DVD displaying wrong audio track language info

Authored a number of DVDs using Encore CS6. Some play fine and some show incorrect audio track language info when played back on a DVD player even though they are programmed correctly and the same as the ones playing correctly. Has anyone else encountered this? If so, what was the fix?

Hi,
Can you please add some detail to "incorrect audio track language info when played back on a DVD player even though they are programmed correctly" - what exactly is the error you get - do you get any audio playback?
And how are the discs "programmed" - do you have multiple audio tracks, for example English and Spanish?
Please let us know the normal workflow you use to create a DVD. Does it use Dynamic Link from Premiere to Encore, do you encode assets first, how do you make DVDs? Video and audio source formats?
Screen grabs can be very helpful to show settings used at various stages.
Thank you
Jeff Pulera
Safe Harbor Computers

How to extract one of several audio tracks from a .vob file?

Hi guys,
hope you can help me, i'm looking for a solution for hours now but can't find one.
I would like to know how to extract one audio track from a .vob file when there are different tracks/languages on the dvd? Media encoder does it very well, but i can't find the option for choosing the right audio track/language for extraction. Please help
Kind regards
Alex

This is because the OMF specification requires mono audio files
It really depends on what you are trying to do with the two tracks as to the best answer as far as 'grouping'
You could select all the clips on both tracks and right mouse click and select 'group'
You could send both tracks to a bus
You could export the two tracks to a stereo file and bring that back into the session
Lots more things I'm sure but a little more detail as to what you are trying to do would help

Specifying the language of unknown audio tracks

I've been using MTR and Handbrake to convert and import a couple of foreign TV series into iTunes. I understand them just fine in their native language, but I wanted to keep the English dub so that others can enjoy it as well if they want to check out something on my library. Overall it's been working pretty well, however one disc hit a snag, and I had to export it from MTR as a separate VOB file for each episode, then encode in Handbrake. Unfortunately, while it maintains the integrity of the audio data, it labels both tracks as "Unknown", so you can't tell what language is selected (and in some cases, such as VLC, the program can't, either. It'll only play one, even though it's theoretically selecting the other).
I've tried using Lostify or MetaX to modify the relevant metadata, but neither has access to the names of the audio tracks. Is there a program that will let me specify what language each audio track is for M4V files?
* Extra side note: I'm still running a G5 rig, so PPC or UB options would be preferred, however I can borrow a more modern machine if Intel is required.

Select all of your audio, go to the Modify > Audio > Apply Audio Normalization. It will bring all clips in each track to be the same level. Then, later, you can do your final mix much easier.
Or go to Window > Arrange > Audio Mixing and you'll have an on-screen mixing board to work with. There's a speaker icon in the top right, green keyframing is on while you mix in realtime during playback, gray, keyframing is off.
But use the first method first, for sure. Open the audio mixer after that, you'll save yourself a ton of work and time.
Message was edited by: BenB

QuickTime doesn't allow to choose each audio track of one language

1) Before you tell me that I'm asking question in wrong community section, I can't enter to QuickTime section with new Safari 8.0 and it says that I have to download Safari.
2) I have some videos in .mp4 format and it contains few English audio tracks, few other language audio tracks and when I chose one of multiple languages Quicktime always chose the very same track from this language. And QuickTime marks all audio tracks of this language with checkmarks. So there is no effect when you try to switch to another language
3) By the way. iTunes playback has no error with this, but it's still in old Mavericks style. Thank you.

Many of my QuickTime files use Flash tracks for things like controllers and the only way they can be properly viewed is if "Enable Flash" is checked.
It's a completely different animal inside the MIME Settings options.
If you allow Flash in the Miscellaneous setting then the QuickTime plug-in is going to try and open the content and the Flash plug-in isn't used. Since QuickTime can only open very old Flash media the browser gives a ? over the file.
Turning it off allows the Flash plug-in be used.

Languages on audio tracks

Hi, I am working on a project with 11 different languages.
I have named the audio tracks with the languages names, i.e. Track 1 is Englis, Track 2 is French
however, when i get to these three languages
Bosnian
Sylheti
Mandarin
I can't find them in the list, and when i choose the -- option, on the remote control it shows at English 2, can anyone help me with this issue please?
Thank you very much,
Mariana

Welcome to the forum.
Somewhere in the recesses of my feeble memory, it seems that there is a limit to the number of Audio Tracks. If I am wrong, then someone will quickly correct me on this. My guess would be that you have exceeded that limit. I'll poke around and see if I can confirm a limit and will post my findings, if Jbowden, Jeff, or others do not step in to correct this old guy.
Good luck,
Hunt

Language audio tracks and subtitles with videos

I have a number of movies I have ripped that have both Chinese and English audio tracks. Is there a way to switch between audio tracks for videos, or do I just need to load separate .mp4 files for each?

I do not think there is any option in the ipod to select between the two sound tracks, unless there is a hidden hack. I might be wrong though.
Obviously the only option I am aware of is creating two different files each with the different sound track.

Using sequence as source, but only one audio track avail

So I have created a "raw" sequence containing multiple source clips. The source clips have 4 channels of audio and 1 channel of video. When I create my sequence, I see all of my channels....great.
However, when I load the "raw" sequence into the source monitor...I no longer have access to my 4 channels of audio independently. I simply get one audio source track and the audio is mixed....as it appears in the timeline.
When I create a new "raw" sequence, I select multichannel for the master. I've tried every track type (mono, standard, adaptive)...and still I only get one audio channel when the sequence is loaded into the source monitor.
I watched several tutorials about nesting, but there is little discussion about multiple audio tracks.
Thanks...

Its kind of the point of using a a nest. ( a pre comp if you like)
Nothing stops the editor going back to the source of the nest to work on the individual assets. These will update automatically into the nest.

Record button only available for AUDIO TRACK, not for AUDIO INST.

Hi -- For some reason Logic Express 7.1.1 is only giving me the opportunity to record enable tracks that are AUDIO TRACKS. All of my other tracks (mainly software synths) using the AUDIO INSTRUMENTS don't have the ability to record.
I opened previous files where I'd recorded on these tracks, but even on older files, the option still is not there.
Any thoughts?
As for setup, I just have an MAudio keystaton attached via USB, and it's playing the software instruments fine. Also, I sometimes have an MBox hooked up (although not right now.) I updated this recently for TIGER, and I didn't know if this messed it up.
Powerbook G4, 1.5 GHz Mac OS X (10.4.5)

don't know if on Logic express there's the key command 'Capture Last Take as Recording'.
If yes,during playback you can play anything you like on your keyboard and by pressing the keys that you have assigned for this key command you can have everything that you played as events on the specific audio instrument as if you were in record mode.
If you move the SPL the new information will delete the previous one.
powerbook G4 Mac OS X (10.4.5) logic pro 7.1.1,FW410 m-audio

Any free way to encode 5.1 audio track for DVD?

Besides the limited 3-use SurCode for Dolby Digital that comes with Premiere, is there any free way to encode or convert a 5.1 PCM WAV file to a surround format for DVD?
Thanks!

I can't find the post, but I saved it...Here it is:
Like most of you, I was annoyed to find out I couldn't create AC3 surround sound files with my CS4 software, and also that we got downgraded from Audition to Soundbooth. We all paid a lot for it! I know many people have ranted about that already, so enough said.
Here is a workflow that gets around that problem without ponying up for the SurCode Plug-in, and/or buying Audition!
To convert your mixed 5.1 audio, or stereo audio, to the DVD standard AC3 file that Encore wants, download the latest version of Audacity here:http://audacity.sourceforge.net/ It is available for Mac OS X, Microsoft Windows, GNU/Linux, and other operating systems. If you don't know already, it's free!
Now, before I start getting flamed, about Audacity, it works great! The UI is not the most modern, but the quality is top-notch. I've used it for years and most complaints about it are unjustified.
You'll need to download the latest version: "Beta: 1.3x - for advanced users." There will soon, I hope, be an Audacity 2.0 stable release. Until then, use the Beta release for this workflow.
Note: I'll focus on Premiere Pro CS4, because that is where I originally troubleshooted this, but something similar will work for the other Adobe products that use sound.
Workflow:
Create your mixed 5.1 surround sound audio in Premiere, and output the audio only by going to File > Export > Media, and selecting "Windows Waveform" as the output. You should only have "Export Audio" checked. Verify the format in the Summary section. You should see something like: 48000 Hz, 5.1 Surround, 16 bit. Now under Audio codec, make sure "Uncompressed" is selected. Click Okay, and Adobe Media Encoder should launch. Click "Start Queue" and your audio file will be created. You'll get an interleaved 6 channel wave file. Not all applications will open it, but Audacity will.
Note: When you mix your surround sound in the Audio Mixer, you'll place your little "Puck" where you want the sound to come from. Picture yourself in the middle of the "dish," if it's a puck, isn't it in a rink, as in hockey rink...ah, but I digress. Anyway, you'll notice that volume meters in the 5.1 (6 channel) Master section are laid out in the following order: L,R,LS,RS,C,LFE. Also, if you open a 5.1 audio file in the Source panel, you'll see the same order from top to bottom: L,R,LS,RS,C,LFE.   Soundbooth also does it that way. Ahh....Adobe...nice try.
The actual channel order should be L,R,C,LFE,LS,RS. That's the order that you'll probably have to assign in the "Audio Output Mapping" section in the properties menu to get your channels to play correctly with your surround sound hardware. L,R,C,LFE,LS,RS is also the order that interleaved files use. So after you create your 5.1 file, and open it in another audio program that displays them in the "proper" order, like Audacity, you'll see your tracks laid out from top to bottom in that order. I'm not sure why Adobe does it that way, but oh well.
Surround sound primer:
The LFE channel is not, despite popular misconception, a subwoofer channel. Bass from all the channels in a surround sound Amplifier is summed and sent out to the Subwoofer. The LFE channel is supposed to be used only for very low frequencies, to create extra ...oomph. I think that is the technical term. It is not supposed to be used for bass frequencies from the other tracks. It is for explosions, dinosaur footsteps, ...etc.
Audacity will open DVD ".vob" files, and even let you select which stream (usually Language) to open. As an example, open up a movie with some action in it like Ironman (The movie starts at "VTS_03_1.vob") and look at the LFE channel. It's the 4th track from the top in Audacity. You'll see it's silent except at parts where there is thumping AC/DC music at the Intro, or explosions. It's not used as a subwoofer channel!
With that in mind, you may have noticed, unless I'm missing something, that there is no way in the Premiere Mixer to assign an audio track only to the LFE channel. Sure, you can dial up the "Bass Clef" knob to 0.00 db, and send a mono channel's audio to the LFE channel, but there is no place to put the "Puck" that only outputs to LFE. There is one for the center channel, but without someplace to put it, your 40 Hz dinosaur footprint "Thump" is going to also be assigned to some of the other channels. Which channels depends on your "Puck" placement. This is not correct. Again, unless I'm missing something, Adobe needs to correct this oversight. We'll get back to this problem with a solution later, but first let's continue with the AC3 issue.
At this point you should have your wave file. If you want to apply any global changes to all 6 channels, you can open it in Adobe Soundbooth and trim the beginning or end, and apply effects to the entire file. You cannot, however, make changes to individual channels. Audacity will! We'll get to that later.
Encode with Audacity:
Install the software and go to Edit > Preferences > Libraries, and click on "Download" for the "FFmpeg Library." This is the library that Audacity will use to create the .AC3 file. Once installed, the library version should show up next to "FFmpeg Library Version" While the "Audacity Preferences" window is still open, select "Import/Export" and select "Use Custom Mix", this is used to export a 5.1 channel file. Now you're ready to open your .wave file from Premiere. Drag and drop it in the Audacity workspace and you should see 6 mono tracks laid out from top to bottom in the following order: L,R,C,LFE,LS,RS. Audacity will let you edit the individual tracks, unlike Soundbooth, thanks Adobe. But for now, we'll keep it simple. Set your "Project Rate" in audacity in the lower-left corner to what you want the AC3 file to be. For DVD, chose 48000 (Hz). If you leave it at 44100 (Hz) Encore won't import it.
Your almost done. Now let's export the file. Go to Files > Export... > and select "AC3 Files (FFmpeg)" in the "Save as type:" drop-down. Click the "Options..." button and set the "Bit Rate:" for your file. For 5.1 AC3 audio, probably 448. Now enter a file name and click "Save." This will open the "Advanced Mixing Options" window. This allows you to re-map the tracks to a different channel order. It should be correct, and it should show "Output Channels:" set to 6. Press "OK" and you're done.
Presto, you have a 5.1 channel AC3 file. Use that in Encore, or whatever DVD creation program you use, and when you play your DVD you'll have full 5.1 audio coming out your surround sound Amplifier. That is if you have one.
Test your file:
If you want to test your file, you can do a couple of things. Since Soundbooth and Adobe Bridge won't even open AC3 files, and Encore will open but only play the Left and Right channels in the preview, you'll have to either import the file into Premiere, or use another media player.
If you got Premiere to play your surround properly, then you can drag and drop the file into the "Project" panel and preview it from there. You will hear all 6 channels in the correct speakers, but I did notice that the quality is not very good. Maybe Premiere doesn't decode AC3 all that well. I heard some crackle that isn't in the file. How do I know it isn't just a bad encoding job by Audacity? Because I played the file with the VLC media player, and Cyberlink PowerDVD on the same computer, and also on a DVD in my home theater system with no artifacts. Maybe Premiere doesn't decode AC3 files well.
The VLC player, will play almost any file in the known universe, and at least on my computer, it automatically played the AC3 surround file, created by Audacity, with all the channels mapped correctly. That's right, full surround out my speakers with only default settings. It's a great player. Get it for free here: http://www.videolan.org/
Test with Encore:
So far so good. Now open Encore, drop the AC3 file in an empty project, throw it on a Timeline and build the project without Video, It will autoplay without a menu this way. If you set the End-Action to the same AC3 file it will repeat continuously. Either burn this to DVD-RW and test it in your DVD player, or better yet, Build the project to a DVD Image instead, and mount it in a virtual DVD   Drive with a program like "Virtual CloneDrive."
If you don't know what that is, or how to do it, it is very simple. Go to:http://www.slysoft.com/en/ and download "Virtual Clonedrive." It is free. It tricks your operating system into thinking you have another physical DVD drive. In fact, it can create up to 8 virtual drives. Now you don't have to waste time burning, and erasing DVD's every time you make a change to a project. You can build your project as a DVD Image from Encore, save the .iso file to your Desktop and "mount" it (load it) in Virtual Clonedrive. You're computer will now think you loaded a DVD into a physical drive, and launch whatever DVD player you have installed. Mine launches "Cyberlink PowerDVD" which plays the AC3 audio-only DVD in full surround sound on my computer.
Building and testing projects this way will save you endless hours. If you need to make a quick change, just "Unmount" the .iso in Virtual Clonedrive, rebuild your project to the same filename, and "Mount" it again. Instant testing!
Now, as promised, back to that LFE Channel problem with Premiere that I mentioned:
Audacity will let you modify the individual channels in your interleaved 6-Channel file. So don't put anything in that channel in your Premiere mixer. Leave the "Bass Clef" knobs at full CCW position ( -00 db ). The bass from the other channels will go to your subwoofer automatically in your Amplifier.
Now if you have some low frequency effects files, open them in Audacity. You can open multiple instances of Audacity at the same time by going to "File > New." Then, copy and paste them into the LFE Track at the correct point.
Audacity newbie Hint: Audacity doesn't yet have a "Mix-Paste" function, so to avoid altering the track length as you paste in your clips, do the following: Select the LFE track by clicking on it's info area. The info area should say something like "Mono, 48000Hz" Then press "Delete," That will remove everything from the track. Now copy and paste your clips into the track by clicking once with the "Selection Tool" where you want the clip to start, and selecting "Edit > Paste." If you need to fine tune the position of the pasted clip, use the "Time Shift Tool" to move it left or right. If you work from left to right, then you won't push clips over when you paste new ones in.
There is another way to do this by opening up new tracks, using the "Mix and Render" function, and re-ordering the tracks to maintain the L,R,C,LFE,LS,RS channel order. But that's for advanced users.

Can quicktime play an video track with multiple alternate audio tracks?

Hi,
If I have a video track with multiple alternate audio tracks (say different languages), can a user select the audio track of his choice and play in Quick time?
Thanks,
Apurva

Does quick time/ safari have this capability?
QT (i.e., the QT structure embeded in current Mac OS/device IOS versions) has the ability to switch between alternative audio tracks assuming the file is properly encoded and the compression format is supported. QT 7, QT X, iTunes, and similar app player GUIs can switch between such tracks during playback but the QT plug-in cannot. In a similar manner, devices like TV can switch between such tracks but an iPhone cannot just as an iPhone can select "Chapters" but the QT browser plug-in cannot but an iPhone file programmed with both chapters and alternate audio tracks can be played back through a TV device and access both chapters and alternative audio tracks.
What I want to use is one video track with alternate audio tracks in a set level manifest and play this using HTTP Live streaming. I'm using the manifest mentioned here :
http://tools.ietf.org/html/draft-pantos-http-live-streaming-07#section-8.7
Since I do not use playlists, I am not familiar with the approach in your example. If I want alternate audio and/or video tracks, I create standalone video files with these features built in. Nor do I use RTSP if that is what you mean by "live streaming" of content. If I want to "stream" the content, I use "Fast Start" files programmed to open in the QT player app which supports these features or create reference or QT Media Link files that do the same thing.
As you mentioned, Safari on my iPhone is playing the default/first alternate audio track mentioned but not giving an option to switch tracks.
Neither Safari nor the Video app GUIs on your iPhone have a built in switching option. The only way to switch to alternate audio tracks is to do so with QT 7 Pro or possibly iTunes before loading or streaming the video file. (Am still speaking about a standalone file here and not a programmed playlist/RTSP switch.)
However Quick time on my Mac machine only plays the audio with the the video stream and not the alternate audio track.
The QT player app GUI only switches between tracks that are stored as part of the standalone file. Basically, QT files may contain up to 99 individual data tracks. In alternative audio videos, multiple audio tracks are added to the file by an editor like QT 7 Pro but only one track is designated as "active." All other tracks are designated as "inactive." The QT player GUI allows the viewer to select which audio track he or she wants to hear and then turns off the current audio track and turns on the selected audio track. Otherwise all active tracks would play simultaneously.
Is there a way to switch tracks on my iPhone on Safari?
As previously noted, the default track can be manually changed by QT 7 Pro or, I believe, iTunes (used to have this capability) before actually loading or streaming content.
Does quicktime have this capability?
As far as I know, only with regard to stand alone files programmed with multiple alternate tracks. I am not a HTML, HTML5, or Java programmer so I assume there may be web alternatives here but they would be beyond the scope of my expertise.
Do you know any free player that can do this?
Again, I don't use either playlists or RTSP so I've never had a need to look for/use alternative players that might meet your needs. I simply find it easier to build files that work correctly in current player app/device GUIs already having these capabilities.
Or the very last option, can I build a player to do this? If yes can you suggest where/how I start?
Once again, I assume this might be possible but not part of my experience since, for my part, easier work flows are available.

The deal with the new subtitles and audio track feature...

During the keynote, Jobs claimed that chapter selection, subtitles and alternate audio tracks for movies were a new feature on the iPhone. Why that feature would only be available on the iPhone is beyond me -- I assume that the feature is actually available on the iPods, or at the very least on the computer. Indeed in the new iTunes 7.6 the option shows up in the menu. But it's greyed out! What's up with that? And I just purchased several new movies since the upgrade, including Bridge to Terabithia and the Prestige. But when playing either one of those films, the Controls -> Audio & Subtitles option is greyed out (though the chapter selection works). The option is greyed out for my rentals (Superbad and Underdog) too. My wife is not a native speaker and it helps her a lot to have the subtitles. What am I not understanding here? Are only some movies going to have subtitles and audio tracks? Is this a big downside to buying/renting on iTunes instead of just going and buying or renting a DVD?

That would stink if the subtitle/CC option were only available for the iphone. It is more likely though that the movies you tried simply do not have any other language track or subtitles: thus you see them greyed out.
I don't know of any movie that has another language track for sure - though in the Keynote Steve's version of Ratatouille has a French track...

2 Audio tracks on one video?

Hello,
I have two videos that are the close to the same...and are pretty close in length.
One of the AUDIOS i want to use for practice and the other for the Actual process.
So what i would like to do is set it up so either video can have BOTH audios.
People will be watching them many times so to keep them from getting board
with having one audio for one video. I want them to be able to change the audio.
So when watching one of the videos for a week with the practice audio
the can then watch the video next week with the Actual process
and visa versa for the other video.
I know there is a way to add subtitles or a different language to a video.
But these will be only 2 videos of 7 total in the DVD.
Is there a way to do this? if so could someone please explain or direct me to a video or tutorial
on how i might do this?
Thanks so Much!
Soshman

Here's one way:
The 5 videos with one audio will just be regular timelines. Lets call the two other videos with the 2 audios V1 and V2. And the two audios A1 and A2.
So you want one timeline with V1, and in Audio track 1 you will have A1, and in Audio track 2 you will haveA2. In another timeline with V2, you will have in Audio track 1 A2, and in Audio track 2 you will have A1.
You will have a menu that will select the audio track. See help:
http://help.adobe.com/en_US/encore/cs/using/WSbaf9cd7d26a2eabfe8074010 38582db29-7e8ca.html

Unable to perform multi audio tracks mixing with Audio Mixer

How do you get a simple multi track mix with the Premier Pro 1.5 Audio Mixer?
I got 2 audio clips, each sitting at the start of its own separate track (Audio 1 and Audio 2). I just want to mix them into the Master track. Simple enough.
So I go to the Audio Mixer. Position the CTI at the start of the tracks and hit the red RECORD button. The red spot starts blinking. Then I hit the START/STOP button expecting the tracks to start mixing into the Master track. Instead, I get this error message
"PLAYER ERROR: You cannot record without enabling at least one track for recording."
I get the same problem if I try the mix onto a submix track.
What am I missing? I combed through the Premiere Pro User Guide and J. Rosenberg's Premiere Pro Studio Techniques but to no avail.
Thanks for any help.
JB.

Jacques, I havn't seen 1.5 for a while, so I need to stress that what I'm about to say is more of an educated guess linked to a rough memory.
Each audio track in the mixer has a small chip (tickbox in 1.5??) that you click in order to enable that track for recording. In CS3 it's a little microphone.
Having said that, I DON'T think that's going to give you what you want, as the intention of the recording functionality in PP is to record audio FROM AN EXTERNAL SOURCE (like a microphone) straight to an audio track, say, when doing a Voice Over for some video.
You can't "mix down" to the master, as the master is not a track per se. It's just a "final" level control. The master will always be the sum of the active tracks, and THAT'S what will be rendered in the final output.
You can still "live mix" your audio with the faders, it's just that those movements get recorded as keyframes on each of the tracks you modify (including, BTW, the Master).
The advantage to this workflow is that every fader move you make is infinitley editable... a small error when riding the faders can easily be fixed by dragging keyframes.
HTH.
Matthew

How do I set up stereo audio tracks as default in Premiere using the ProRes 422 codec?

Forgive me if this has been asked many times before. I have searched but can't find anything that explains it in language that doesn't require an advanced degree in computer engineering.
I am a recent convert for our beloved FCP 7. I am learning to love Premiere dearly - but the audio part of it drives me nuts.
I have exported from FCP a series of files as ProRes 422 movies with stereo audio tracks. I want to bring them into Premiere in the same way. But when I do it squashed everything into a single audio file.
This plays havoc with the panning - especially in mixes that have stereo music mixes. Apart from that it just confuses me.
Also. when I create a new project from scratch in Premiere and I select the custom ProRes 422 setting it only allows ProRes 422 mono audio. I don't see a codec for anything else (ie. stereo).
Am I missing something?
I have looked in all the preferences areas and can't find anywhere to change this. I just want to be able to import simple, basic two track audio (and have it show up the same) as I would in FCP, ProTools and the myriad other editing programs I use.
I also want to be able to set up a basic two track stereo timeline/sequence without having to reinvent the wheel.
Many thanks for any help and your patience. I am slowly tearing my hair out and spending long periods sitting in the corner hugging my knees and weeping.
My specs. Preferred editing codec: ProRes 422
Premiere pro version CS6 (6.05)
Thanks again.

Go to the Project Panel, select all clips and rightclick/modify/audio channels.
Set it to 2 tack and mono.
When you drop the clip onto the timeline the stereo will come in on two tracks.
You can also set this to default in the Preferences under Audio (before importing the clips) (Stereo set to mono).

Audio tracks - languages available

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