Bass Sounds---Stereo to Mono

I've been using GB3 now for a week and I created some nice stuff but there was a problem with this one track and I didn't realize what was bugging me about it until I realized that the Bass sounds are in Stereo (at least all the sub synths i was using). Like, it's excited between both speakers. I tried using the Izotope Vinyl plug-in (Free @ Izotope.com), putting it in Mono but then like every 25 seconds the bass will slowlyl go out of phase and then get in phase.
Any suggestions based on anyone's experience to get these bass sounds in Mono? Or does anyone know which are the best mono bass sounds? (I'm a lil lazy--LOL)
Thanks GB Fam!!!

HangTime,
I went and downloaded both wiretap and monomaker and they both fixed my problems-----especially the monomaker!!! I gotta give it you man cause I had no idea how I was gonna resolve that bass to become mono and not phase out or move to one side----Monomaker is amazing--it completely did the trick.
I used it with Roger Nichol's Inspector plug-in (free also in case you don't know about it--Roger Nichols.com i think--or just google it) to check to make sure that the bass wasn't moving a fraction to either side-Everything looked and sounded perfect!
Thank you----Much luck in all your endeavors!!

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I just conected my new firepod to garage band 3. It works great.
1. But I am finding I can select channels 1&2 stereo, 3&4, 5&6, etc. However it won't let me activate the red record button on 2, 4, 6, etc since it tells me it's all ready chosen.
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http://www.radioshack.com/product/index.jsp?productId=2102690
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Tjed wrote:
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Re-Capturing Media with original settings but with Stereo not Mono Selected

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Jerry
Message was edited by: Jerry Hofmann

Audio-Stereo or Mono

Hello. I'm editing a 1:30 minute video bio on a community leader and I'm finding my audio levels aren't balanced. I have three audio elements in this video:
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2) Voice track which sounds stereo and coming out of both speakers.
3) Music track which also sounds stereo.
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hmm, 3 audio sources, 2 audio layers.. Houston, we have a problem ...
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Once again I'm starting a new thread to explain some general audio principles that newbies have trouble with.
There's an issue here that's a bit difficult to explain--the difference between "stereo" and "mono".
You have two ears, so you hear "stereo". Your ears send a left signal and right signal to your brain. Your brain processes the difference between the two signals and gives you a sense of direction. You can figure out where the sound you are hearing is coming from.
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Originally "stereo" meant placing two microphones on something--one to represent what the left ear would hear, and one to represent what the right ear would hear.
However, when you take one microphone and plug it into a recording device, you can only record a mono track. Your recording device might permit you to record what you think is stereo, but in reality you are only recording two identical mono tracks.
A guitar also has a plug that comes out of it that sends a mono signal.
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If you put an acoustic guitar in a large, reverberant room, and set up two microphones, one on the left side of the room and one on the right side of the room, and record the two mono mike signals to a stereo track on your digital recorder, then you get real live stereo.
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Apologies to all as I'm sure this is a 'newb' question, but I need help!
I'm at the final stages of mixing a track. It's all sounding great, apart from one small section in the middle, where the only sounds playing are the kick drum and bass sound.
It's House music, the bass sound is a regular fingered bass.
The problem is when certain lower notes are played, there seems to be too much 'sub-bass' and the speakers vibrate quite annoyingly. I've tested it, and it happens on nearly all speakers I've tried it on.
In the rest of the track, when other sounds are also in the mix with the bass, it is fine. It's just when the bass is alone it seems to cause this result.
I've tried EQing out the lower bass frequencies and fiddling a bit with compression, but I always seem to end up filtering out too much bass (in fact, even when I remove nearly all the lower bass frequencies, the 'annoying' vibration is still there), or removing all life from the original sound.
I know it's very hard to offer advice when just going off a flakey description, but any help would be appreciated.
Thanks.

Create a cycle containing your middle section. Open the channel EQ, and click the 'analyze' button. the analyze display should give you an approximation where the troublesome frequency is. Then select the appropriate band, and set the Q very narrow (higher number, probably around 50), and drag down the level to cut. Be quite extreme in cut dB.
Now slooowly drag the cut left-right around the frequency in question and you should be able to find the point where the resonance is reduced. Now tweak so that your cut is the minimum you can get away with, and fine tune.
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Switching from stereo to mono...

is there a way i can switch from stereo to mono for recording volcals in garageband?if so...how??thanx much

In the Track Info window where you select your instrument or preset, you can also select the channel through which you record - either one channel (mono) or two (stereo). Set it to one channel.

Stereo to mono

how do I switch from stereo to mono in FCP?

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Can Compressor downmix from stereo (dual mono) to mono?

Seemingly simple question - when compressing DV/AIFFs to web H.264/AACs, is there a way to downmix from stereo(dual mono) to mono without boosting the level?
I don't care if it just uses the left channel, the right channel, or mixes both together - I just want it not to clip 0dB when it comes out mono. Is there a way to do this in Compressor?
(NOTE: without using the Peak Limiter filter to lower the level, which always seems to cause the job to fail)

I've been editing NLE for over 15 years and have never once used a "mono" track, never felt a need to, and Premiere tracks default to stereo normally, which matches my sources. All delivery is typically stereo anyway, so in the case you have with wanting to use just one mic, the Fill Left or Fill Right works perfectly to "Pan Center" so to speak. Hopefully this will suit your needs. Maybe I have tunnel vision and am not understanding how a mono track is uniquely useful, but always open to learning new things.
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If I need to MIX the left and right channels in varying degrees of volume, I will duplicate the stereo track and apply Fill Left to one and Fill Right on the other and this has the same effect as two mono tracks, each centered. There's certainly many ways to accomplish the same thing with almost any aspect of editing and that's just how I do it, not wrong or right really.
Thanks
Jeff Pulera
Safe Harbor Computers

Bass-sound disappear when exporting to Adobe Flash Video format

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I've tried bitrates of both 128 and 256 kbps, which should be more than plenty.
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Borre Pedersen

jtp44 wrote:
Does "Data Rate" = "Bit Rate"
Yes
I selected DVD/CDROM in the "Data Rate" category...?
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Bass Sounds---Stereo to Mono

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