Best Sequence & Export settings For Best dVD quality

I Have footage of a wedding shot on a sony VX2000. The quality on Screen while editing looks great, but once i export it and burn it on DVD studio, when viewed the quality turns boxy and grandular on whatever TV i view it on. Are there any suggestions for a good sequence setting and export setting to work well with dvd studio pro and not lose any quality?? Thank You.

of course you're gonna lose quality. compressing already compressed marginal dv25 video to mpeg2 results in extremely compressed video, no way around that.
however, depending upon the length of your video and if you're using single or dual layer dvd media, you can mess with the bitrates to vary the amount of compression. compression is an art of trade offs and constant experimentation. if you're using compressor, start with the high quality presets and start testing. mess with the gop structure, the avg. and max bitrates.
good luck.

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Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

What are the best imovie, mpeg4 settings for making dvds?

What are the best imovie, mpeg4 settings for making dvds?

• iMovie'08 to 11
- Share to Media Browser - AND as Large (or Medium) - HD or other resolutions degrades the final result
iMovie'08 to 11 are not the tools of choise if quality is important as they all degrade the picture by discarding every second line when going from, Event's to Project's and this can not be mended.
iMovie HD6 and FinalCut delivers 100% of what any DVD-Authoring program needs.
• DVD is as standard MAX - intrelaced SD-Video - and can not be any better than this
• iDVD does only care about TIME / Duration as
iDVD 08, 09 & 11 has three levels of qualities. (version 7.0.1, 7,0.4 & 7.1.1) and iDVD 6 has the two last ones
• Professional Quality
(movies + menus up to 120 min.) - BEST (but not always for short movies e.g. up to 45 minutes in total)
• Best Performances
(movies + menus less than 60 min.) - High quality on final DVD (Can be best for short movies)
• High Quality (in iDVD08 or 09) / Best Quality (in iDVD6)
(movies + menus up to 120 min.) - slightly lower quality than above
Menu can take 15 minutes or even more - I use a very simple one with no audio or animation like ”Brushed Metal” in old Themes.
About double on DL DVDs.
• iDVD Does Region = Zero (to be played everywhere)
• Frame rate - DVD can be in two types PAL (25fps) and NTSC (29.97fps)
If Your material is 30fps then keep to NTSC (29.97fps), if 25fps keep to PAL.
One can feed iDVD the other frame rate - BUT RESULTING DVD WILL BE BAD
I use JES_Deinterlacer (free on Internet) to convert all material to the same and final frame rate
• NTSC - US etc
• PAL - EU etc
Yours Bengt W

Best sequence export settings from FCP7 to use in X

Hi
I wanted to work with old sequences created in 7 but in X. I know, I know, I could continue in 7 but like working in X and maybe adding newe material. So what would be the best export settings for a sequence to import into X? Simply uncompressed, or one of the ProRes options? How bout audio?

Thanks, innocentius!
i agree it's a worthy tool, but just for kicks I want to bring in the sequence in some other way because it doesn't need editing, but I'd use bits here and there.
So I'm still wondering how to bring export it closest to it's original quality. I could choose 'none' in the compression settings or maybe one of the ProRes options. Any ideas?

What are best Mpeg encoder settings for making DVDs?

In switching from PP1.5 to CS3 the procedure is different for making DVDs and we have to encode mpeg files that later get picked up by Encore DVD build proces. What are the best mpeg encode settings for making the DVDs?
Thanks,
Chuck Taylor

Question:
If you are doing a video that is small enough that you are not worried about size, what is the absolute best quality encoder settings? Would a Continous Bitrate result in a higher quality file generally? VBR is for trying to make a smaller file I assume.
I'm frustrated with even white letters on black titles that have some flicker. I just don't seem to get the smooth quality I desire.
Should I look at a different encoder?
If you output PP3 to an AVI and then import it into encore, isn't there a reduction of Q. due to the save to the AVI file?
thanks.

Export settings for best quality for pages with letters etc.

Hi, I am trying to make video of a musical piece, featuring the score of the piece with pages turning following the progression of the music. I made the video in Adobe After Effects CS5 and exported it so it would be lossless. The video itself is a .mov file and looks great when I view it in Quicktime, but when I import it into FCE the quality goes down a bit. I don't know if FCE is handling the clips correctly or if it's just for making it quicker to view. Any suggestions on export settings from FCE for best quality of a video of this nature, so that the notes are clearly readable.
Thanks in advance
Ps. It has to be in a format suitable for Youtube.

Under "Sequence" and in "Settings" and in the tab "Render Control" I have: Frame Rate: 100% Resolution: 100%.
If that is what you were referring to... but under the tab which is called RT and is located left of the timeline and left of the timecode. There I have checked : Safe RT, (Playback Video Quality) Dynamic, (Playback Frame Rate) High.
There might be a way to import the clip in better quality (so it doesn't downgrade the quality).
Was mostly trying to find out with the export but it might have something to do with this.
Thanks

Best Export Settings for 24PA DVD

Just finished 10 minute production shot with a Canon xl2 in 24p advanced pulldown with 16:9. After exporting with compressor to DVD Studio pro and burning - have some leterboxing and quality is not what I expected. Also - client reports "pause" when playing on new dell. Need the highest quality - but production needs to play on most popular newer model computers. Would appreciate any advice anyone can provide:
1. What is best export setting to use from FCP for DVD production of a 24pa 16:9 project? Should 16:9 be checked under the advanced sequence setting - or does that cause a problem in dvd studio pro?
2. What is best compressor setting? DVDbest quality 90 minute 16:9?
Really need some help on this - we have a fantastic production and wand it to be displayed in the proper format at the highest quality. Thanks so much.

>require this much memory
Just a comment to help with future communication... memory is RAM, file storage is on a hard disk
Glossary of Terms http://forums.adobe.com/message/2276441 to help w/communication
My 3 hard drives for video editing are configured as...
1 - 320Gig Boot for Win7 64bit Pro and ALL program installs (2)
2 - 320Gig data for Win7 paging swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folders and files
3 - 1Terabyte data for all video files... input & output files (1)
(1) for faster input/output with 4 drives
- use drive 3 for all source files
- use drive 4 for all output files
(2) only 60Gig used, for Win7 & CS5 MC & MS Office & other smaller programs
Search Microsoft to find out how to redirect your Windows paging swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Drive C space http://forums.adobe.com/thread/1007934?tstart=0

Best HD export settings for YouTube

I am looking for some info on what export settings to use for YouTube with HD video. I want to export everything in 1080 (not 720) so I can also upload to Vimeo. Can someone please explain (or link) to me how I should export.
This is my first time using HD video, I shoot in 24fps onto HDV tapes.
I am not sure what else I need to know (or do) to export in the best quality.
THank you in advance!

Any other input for this topic?
I have been searching around for the past week for a solid export setting.
I've tried the above settings but I have yet to see the final product because it takes FOREVER to export (the estimated time just keeps going up and up, never down).
I found a setting a few weeks ago and used it but I cannot find it again. It did not take too long to export and the final product looked amazing both in Quicktime and on YouTube/Vimeo.
Anyone that would like to share their settings for an upload to YouTube/Vimeo, please do, I am in need.
Thanks!

Best AVI export settings for a XDCAM EX 1080i60 35VBR FCP timeline

I've editted a couple of XDCAM EX 1080i60 35VBR timelines in Final Cut Pro. The dimensions of the source footage and timeline sequence settings are 1920 x 1080 XDCAM EX 1080i60 35VBR.
They will be used at a large conference center and the client has asked me to delivery HD AVI files.
So far, everytime I export an AVI file from either the FCP timelines, or HD Quicktime XDCAM EX 1080i60 35VBR composites that I've made from the timeline, the AVI file that results is either alot smaller than the 1920 x 1080 quicktime file and/or pixelated to some degree, and not as clean as the HD quicktime.
I have very little experience with AVI and was hoping someone could suggest appropriate export settings. As I said, the client only indicated they want AVI files, and that their equipment can display HD files.
So I'm trying to maintain the quality of the original and editted footage.
I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder, but I guess I'd be open to that if I had to otherwise take a huge quality hit.
Thank you in advance for any assistance.

I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder
As far as I know there are no tools/export options within FCP7 (FCS3) and/or Quicktime to do what you probably want to do (compressed HD AVI export). But if a fully uncompressed 1920x1080 AVI export is ok for you / your client then you can use Export > Quicktime Conversion, set the Format to AVI and change the Options >> Video >> Settings >> Compression type to "None" ... bear in mind that this will produce some pretty big exports file size wise (about 6-7 GB per minute).
Or instead, you can download and use MPEG Streamclip. Open your HD Quicktime XDCAM EX 1080i60 35VBR composites into MPEG Streamclip and choose File > Export to AVI ... then in the AVI Exporter window you can +choose the codec+ you need and press the "Make AVI" button (leave the settings at default, especially Frame Size which should be "unscaled"). Note that AVI is just a wrapper, not a codec. Make sure you chose an HD capable codec that your client can handle (it's unlikely that they will be able to play back any Apple XDCAM EX variant, or indeed any codec that starts with "Apple").
Or just send them an unscaled H264 test file and see how they get on with that (and you can export H264 from FCP, Compressor, Quicktime and/or MPEG Streamclip). It's scalable (handles any resolution including HD) and is pretty much universally supported delivery codec. I'd expect your client would be happy to accept it if you explain that the format will offer the quality the need.
However you proceed I'd strongly recommend you send the client a few test encodes first to have them confirm that they can indeed read / handle your encodes correctly.
Hope it helps
Andy

Best project & export settings for GoPro 1080p 30fps - YouTube

Hi all,
Just made a new video for YouTube and it's come out a little grainy, no where near as good as the original. I know YouTube compresses footage but looking at other users with the same equipment my video quality is sub par, I seem to be editing them incorrectly causing quality loss. Footage has lot's of motion:
★ HD YAMAHA RAPTOR 700 TRAIL RIDING, OFFROAD & SUSPENSION SETTINGS! QUAD BIKE ATV ★ed - YouTube
My other videos don't seem as bad, not perfect, but maybe as this one had less light and lot's of bumps/motion it's finally come to light that something is not right.
For example look at this video, same equipment etc, similar conditions, but quality is much higher:
[HD] Raptor 700 GOPRO HERO 3 BLACK HD 1080p 2014 Raptor 700 x2 Riding in NYC - YouTube
Quite a big difference right?
I didn't realise there were project settings lol, I checked and it's set at 25FPS but my footage is 30FPS, would this cause issues? Export wise I did
I need help with project settings and export settings, can someone tell me what information you need from me to ascertain this?
Many thanks,
Toby

Toby
If you have source media = GoPro 1080p30, then your project preset should be
NTSC
DSLR
1080p
DSLR [email protected] or DSLR 1080p30 if the camera specification says 30 instead of 29.97 frames per second.
Either you set it manually or you make sure that the project is setting it automatically correctly.
ATR Premiere Elements Troubleshooting: PE11: Accuracy of Automatic Project Preset (New Project Dialog) Setting
When you go to export that to YouTube from within the Premiere Elements YouTube feature, you use the
preset = High Definition Video for Youtube - 1920 x 1080.
If you exceed the file size/duration limit of the YouTube feature within Premiere Elements, then you export the
Timeline to a file saved to the computer hard drive. Next you upload that file to YouTube at the YouTube web site.
YouTube extended time accounts do not work in the YouTube feature within the program. The suggested file for
this route would be
Publish+Share
Computer
AVCHD
with Presets = MP4 - H.264 1920 x 1080p30.
Please review and consider. If any questions or need clarification, please do not hesitate to ask.
Thank you.
ATR

Best ATV-2 settings for ripping DVDs using Handbrake

I have a large dvd library that I want to get into itunes for the ATV-2 as well as the ability to use on my iOS4 devices. Can anyone share their experiences?

If you're talking about commercial, encrypted DVDs, the terms of use of these forums prohibit discussion of software or methods of breaking the encryption/copying them.
For unencrypted DVDs, Handbrake is one of the most recommended applications.
Best of luck.

Help! Best SD export settings for web CS4

Hello and thank you in advance for your help. I'm a newbie here and have read through many posts on exporting and found some good information here for creating a master http://forums.adobe.com/message/3005601. But, I am searching for export settings to send a 3:30 min. video to a client to upload to a website and you tube that is high resolution but not too huge of a file. I am looking for setting others have used to create this.
This is a SD tutorial video with a combination of .psd and .jpeg stills and graphics in After Effects compositions mixed in video footage. There are a lot of cross-dissolve transitions and I am getting pixelization with the settings below. It is a start, but I hope to get a smoother video for the web at 320x240 and 720x480. Any suggestions on aspect ratio, file format and settings would be appreciated. The original video is 720x480.
Format: H.264
NTSC, 720x480, 29.97 [fps], Progressive
AAC, 128 [kbps], 44.1khz, Stereo, Frequencey
Field Order: lower
Pixel aspect ratio: square pixels
Profile: high
Level: 3.1
VBR, 2 Pass, Target 6.00, Max 8.00 [mbps]
Widescreen 16:9
Thank you!! I need to get this project out today, so any help is very appreciated!

You could go that way, looks very nice.
I tried it but still not able to get it in my website.
Taking the save route is by Premiere.

Export Settings for Optimum HD Quality

I'm getting back into editing after a couple of years away and having worked up until now with SD DV tapes. I now own a Sony HDR-SR10E Hi-Def camcorder, a brand new iMac with huge screen and more than enough memory/hard disk space, and a copy of FCE updated to work with AVCHD files. (Before the update, although I could preview the camcorder's files in the Log & Transfer window, for some reason FCE wouldn't actually import them when commanded, always giving me the dreaded Error; No Data message. Thankfully, the update fixed that. I work with the preset "AVCHD Apple Intermediate Codec 1920 x 1080i60")
I've just edited my first sequence; a three minute short, and ultimately intend to burn most of my movies to Blu-Ray. I monitor on the iMac, and whereas I used to monitor externally via DV deck and monitors, I've become used to this. My problem, I guess, is what are the ideal export settings to use to achieve a near loss-less movie at the other end of the editing process? "Export To Tape" is obviously redundant for me, so I'm left with "Quicktime Movie" or "Quicktime Conversion". The trouble is, nothing seems to give me the desired result. Plain old Quicktime Movie isn't good enough, leaving the exported movie looking under-resolved and full of horizontal artefacts, especially with moving objects featured. Neither can I find any presets/permutations within Quicktime Conversion that leave me with a half decent result; I'm basically left with files that are better or worse than each other depending on their varying degrees of artefacting!
I'm in the market for a quality external BD Burner and, probably, a copy of Toast Titanium 10 Pro, but there's no point in considering purchasing these until I can export good quality versions of the movies I edit in FCE. Can anybody please advise me as to the best export settings to use?
Thanks

FYI
To anyone interested in this thread, Tom's advice regarding export settings was good;
I exported as a QT movie. I then took a gamble, and bought Toast Titanium 10 Pro, and an LG BE08 external Blu-Ray rewriter, (although it doesn't officially support Mac), thinking that it's "plug-and-play" USB2 connectivity would be pretty universal. Luckily, it seems I was right. I burned the disc using Toast's Blu-Ray plug-in, and the HD playback quality on my PS3 is superb. To my eye it looks pretty much loss-less when compared to an HDMI feed straight from the camcorder to the TV.
The only niggle is that the disc shows up as an "Incompatible Disc" when I try to play it on my three-year-old Sharp Blu-Ray player, so be warned that the older machine may encounter problems!

Sequence / Export Settings for Mixed Footage, Various Outputs

Using variety of footage from a Canon XA10, Premiere titles, After Effects Titles, stills in a variety of nested sequences.
In one of my sequences where I used the XA10 to set sequence settings it was interpreted as AVC-Intra 100 1080i. The problem I had was one Premiere title showed interlacing no matter what I tried to remove it. The only thing that worked was to change the sequence settings to AVC-Intra 100 1080p. When I exported it the interlacing was gone.
Other sequences from Digital Juice footage have native settings of ARRI Cinema Field: No Field Progressive. Eventually all these sequences will be lined up on a master timeline.
So my question is for individual and the master timeline sequence what settings should I use, or should I not care about it and let exporting settings take care of it? This project will be rendered to:
1. DVD with menu (Recommended export settings?)
2. Windows Media Computer file (Recommended export settings?)
I've read many threads that say wait till export, but my H264 exports of the AVC-Intra 100 1080i footage and Premiere titling had interlacing in Windows Media playback.
Thanks.

Thanks Kevin. I had seen Photoshop pop up a lot during my researching the problem, but was unsure if that was the best way to go for my specific problem. Tried it out, and I'm headed down the right road now, just have to tweak output settings. Thanks!

QuickTime Export Settings for Optimal DVD

Hello. I am using a third-party slideshow software (FotoMagico) to produce a QuickTime video which I will then burn to a DVD using iDVD. Fotomagico has many different export settings. I would like to produce the highest quality DVD possible. From reading past posts, I understand that 640x480 is the maximum size for iDVD (although I also see 720x480 listed as a standard DVD size). I also understand, from an article on Apple site, that iDVD supports high definition video. Here's where I get confused. Should I export from the slideshow software using H.264 video compression, or should I use another of the available codecs, like DVCPRO? Also, is it possible to make a DVD that looks sharp on a high resolution monitor (say 1280x1024 or some such), or must I just downscale my expectations and maybe make a QT movie for computer viewers? Thanks so much, Barbara

Barbara,
The 640X480 vs 720X480 dilemma is an interesting subject! DV Video and Video DVDs use 720X480 resolution. TVs do not have square pixels, but computer monitors do have square pixels - so some adjustment is needed, and 640X480 is the square pixel down-converted equivalent for computers to the 720X480 in non square pixels used by TVs......make sense?
iDVD supports high definition video
Well what this means is iDVD can read HD video files, and convert them to standard definition Video DVDs. It does NOT mean that iDVD can produce HD DVDs. HD DVDs and HD DVD players are not on the market yet.
Today's Video DVDs are not high resolution, they are 720X480. The only way to get higher resolution is to avoid the Video DVD standard, and just make a data DVD. This will not be playable on commercial DVD players, only on computers with the right software and codecs. If I needed to make professional presentations on large screen high resolution monitors, I would not use Video DVDs. Bring a new powerbook and use H.264
If you want to go the DVD route anyway, then 720 X 480 is the best you can get. I'd tell FotoMagico to export in HD (720p). This is a bit of overkill, as iDVD will encode at a lower resolution, but I've gotten good results that way.
You may have to use the anamorphicizer to get iDVD to realize the movie is Widescreen.
http://homepage.mac.com/sith33/FileSharing34.html
hope this helps
John B

Best Sequence & Export settings For Best dVD quality

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