Best video asset format?

Help! I'm working out of FCP, original footage in 24pA, Sequences in ProRes 422 with Markers. When I export two Sequences as self-contained QT files and then import them into DVD Studio Pro, one of my videos looks like 4:3 (squeezed) and another looks like 16:9, but stretched horizontally too much. One comes in with the Chapter Markers and one doesn't. What's going on? And, if I start over, what's the best Sequence format and Export format out of fcp such that 24pA footage will arrive in good shape, with markers?
Thanks!

Not sure if this wold help, but I usually export the sequence from FC to compressor first, and make the mpeg files in compressor, then pull those assets into DVD Studio Pro.

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Hi Guys
Some of my clients have been complaining about the DVD quality they received from me, and I wondered to myself how can I improve in future.
I just want to confirm if these are the best formats for each asset:
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2) Photos - TIFF format (as opposed to JPEG)? Same story as above regarding disc space.
3) Audio - AIFF format (as opposed to MP3)? Same space problem as the first 2. Furthermore, my major annoyance with WAV files is that you have to know which version of WAV files are the best quality.
Now, I do not what TVs most of my past and future clients own, i.e. a normal 4:3 TV like mine or the 16:9 plasma ones (although the trend these days seem to be LCD TVs). What is the best aspect ratio to use that will work on most TVs?
Also, I use a Sony 30g HDD video camera to record events. I like it since these is no hassle about carrying tapes or DVDs around. But, the problem with the camera is that MPEG2 is the "highest quality" it can record events; my still camera can take jpeg's as the highest quality. And the photos on the DVD look - most of the time - OK in terms of quality. It's only in my last DVD that I built that I saw some of the photos having some sort of problem in the slideshow (something like a water effect on the blazers and shirts of some of the audience - definitely unwanted).
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All I want is to have the highest quality possible. What's the best advice?
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Since you raised the question of Hi8 versus DV tape formats, here are a few thoughts intended partly for you and partly for those who (unlike you) may be planning to get their first camcorder and are wondering about the different formats available.
Hi8 is a second-generation analog format that was marketed starting about 1988 to permit better resolution than the original VHS and Video8 camcorder formats. It was superseded about 1995 by the digital video, or DV, format.
Hi8 produced video of decent quality and was a good capture medium for material that was going to be distributed on VHS or SVHS tape. But the quality of DV is better, and DV has enormous advantages for editing and distribution. In particular, DV has absolutely no "generation loss" when transferring from tape to computer, from tape to tape, or from computer to tape, and it permits sophisticated editing using any one of many "nonlinear editing" applications that are available on PC's or Macs. Once you have edited your video using one of these applications, you may proceed to "author" your DVD's (i.e. add menus, etc.) and they will be of surprisingly high quality.
In mentioning Hi8 you may actually have been thinking of the Digital8 format. This is a format developed by Sony as a bridge between the older Video8/Hi8 world and the DV world. It is logically identical to DV but it uses the same physical tape as Hi8. This tape is now customarily labelled "Hi8/Digital8" to emphasize this fact. Hi8/Digital8 tape is less expensive and reportedly more robust than DV tape.
In principle Digital8 is just as good a format as DV. However, Digital8 has been targeted at a lower end of the market than DV, so even the best Digital8 camcorders may not have as good optics, as good sensors, or as many features as the better DV camcorders.
A few years ago, many people would recommend Digital8 as a very practical format for someone just getting started in video, since it was available at lower price points than DV, was identical in quality as regards format and perhaps better in value as regards camcorders, i.e. Digital8 camcorders were less expensive than DV camcorders of the same quality. Above all, Digital8 was ideal for someone who had previously used Video8 or Hi8, since the early Digital 8 camcorders would play back analog tapes and so could bridge the transition to digital. In fact, by buying or borrowing a second Digital8 camcorder, you could play back your analog tapes from one camcorder and record them as digital tapes using the other camcorder, forever after enjoying the advantages of the digital format.
At the present time, however, DV would be a much better choice than Digital8. Most (or all?) recent Digital8 camcorders have abandoned the ability to play back analog tapes. Only one or two manufacturers are making Digital8, and their offerings have dropped to a handful in recent years. This hardware will quite likely cease to be available in the near future, though the tapes will probably be marketed for years. When your present equipment wears out you would not want to be left with a library of family videos in an unsupported physical format.
In the last few years the DV format itself has been superseded by various high-definition formats, especially by HDV, a format that records to the same physical tapes as DV, at the same bitrates as DV, but, thanks to much greater compression, with twice the horizontal and more than twice the vertical resolution of DV.
Another format using even greater and more sophisticated compression, AVCHD, promises similar quality as HDV with even greater horizontal resolution, although the implementations of AVCHD available now are probably not as high in quality as the best HDV, and are certainly much harder to edit.
Despite the emergence of high-definition formats, there are good reasons for some people to prefer standard-definition DV at this time. One reason is cost. A good HDV camcorder -- the Canon HV20 is probably the best consumer model right now -- is likely to cost $1,000 or a bit more, while good DV models cost a few hundred. A second reason is low-light capability. The imaging chips for high-definition have many more pixels than the chips for DV. If the lenses are the same size, then these pixels must be crowded into a sensor about the same size as that of a DV camera, meaning that each pixel must be smaller and therefore less responsive to low-light conditions. So a good DV camera may be much better in low light than even the best high-definition camcorder of the same size.
Camcorders are now available that record direct to DVD (NOT advisable as John Smith said: the DVD medium is not robust for long-term storage and the necessary MPEG2 compression robs your source video of the quality it would have on tape and is much harder to edit).
Camcorders are also available that record directly to hard disk. Depending on the implementation, and your handiness with computers, thes might be just right FOR SOME USES. In particular they permit much more rapid turnaround between shooting and editing, so they might be right for something that is needed quickly but where archiving is not important (for example, shots of a football team at practice). But (as you have undoubtedly discovered with your 30gig Sony) you must download the material from camera to hard drive when the camera fills up, and this is not as easy as putting in a new tape. Also, the file may not be stored on disk in the relatively uncompressed, and easily edited, DV format. Finally, no hard drive is as safe a storage medium as a tape. With a hard drive and especially with a DVD, you risk losing everything to a crash or scratch; with a tape, you risk at most losing a few frames to a dropout caused by imperfections in the media.
Only you can balance all these factors knowing the type of things you will be shooting, how you will view or share your videos, and what you plan to do with them in the future. Note that DV can be edited together with HDV by many editing programs, though either the quality or the size on screen or both will be noticeably different. Also note that the high-definition formats are all in the widescreen 16:9 aspect ratio, like the newer TV's, while DV was originally 4:3 and may be available in 16:9 but with the additional width achieved by stretching the same number of pixels and possibly by using a smaller fraction of the imaging chip.
I would recommend that you search for articles and forums about camcorders to learn what is available. There is a lot of information out there. As for me, I would certainly not recommend Hi8, or even Digital8, at this time. Choose DV if you have a pressing reason for it, such as cost or the need to get good images in low light; otherwise make yourself more future proof with HDV or AVCHD. They will produce high-quality DVD's when "downconverted" when capturing them into the computer or when exporting them from the nonlinear editor or authoring program (experiment to find which method is best). Unless you are using AVCHD, which is not a tape-based format, stick with tape (for now) if you are concerned with long-term storage.
Best wishes!

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What format can my video assets be?
I thought they had to be mpg2.
Can they be something else too?
-Thanks

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