Best way to stabilize shaky video?

Whats the best plugin or standalone way to stabilize shaky video? Are there any free solutions?

Nothing free that I know of, but take a look at iStabilize.

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    how bout a bit more thought on this one, some people are trying to pull a video clip from their 15 seconds of fame on channel 7 news,
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    Hi Russ--
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    Analysis for stabilization takes quite a long time (something like 10 times the suration of the clip).  When it is done there should be a white tick against the 'Stabilize Shaky Video' above the viewer. 
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  • I need help figuring out the best way to convert analogue video to DV so that I can edit it.

    I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
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    I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
    I'm sorry in advance if this seems like an obvious question, but I have been googling and looking at tutorials on the site and just have not found the answer. There are a lot of ads for expensive low quality services to do this converting for you, so maybe the answer I am looking for is burried in all that advertising.
    Thanks

    Thanks Biggles and Gotz. I just couldint find capture, but now I can! (It was right under my nose too).
    I'm trying it now and it appears to be working. Do you have any other recommendations for capturing from hi8 video source as far as setting go? I am using DV to capture. Are there any other settings I should pay attention to?
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  • Best way to compress a video file for burning a Bluray disc?

    I just got an OWC Mercury Pro external Bluray burner that came bundled with Roxio Toast 11 Titanium.  I'm editing with
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    The default Compressor options are:
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    HD DVD H.264 60 minutes
    HD uncompressed 8-bit or 10-bit
    I've also considered exporting a Quicktime .MOV file and letting Toast do the compressing.
    Thanks for your help!

    I feared you might come back and mention juddering. Is this more noticeable when panning?
    Are you observing this from your Bluray burner into your Mac, or through a Bluray Player into a TV?
    If from Bluray Player/TV then you may have to select the Motion Interpolation mode on your TV.
    From Wikipedia
    Names of motion enhancement technologies
    The commercial name given to motion interpolation technology varies across manufacturers, as does its implementation.
    Hitachi – Reel120[2]
    Insignia – DCM Plus, for Digital Clear Motion 120 Hz, or Insignia Motion 120Hz
    Kogan Technologies – MotionMax 100 Hz,[3] 200 Hz
    LG – TruMotion 120 Hz, 240 Hz, 480 Hz
    AOC – Motion Boost 120 Hz
    Bose - VideoWave III 120 Hz (Not named)
    Loewe – Digital Movie Mode (DMM)[4]
    Mitsubishi – Smooth 120 Hz
    Panasonic – Intelligent Frame Creation (IFC) 24p Smooth Film (24p material only)
    Philips – HD Digital Natural Motion,Perfect Motion Rate[5]
    Samsung – Auto Motion Plus 120 Hz,[6] 240 Hz, Clear Motion Rate 100 Hz, 200 ,HZ 400 , 500 , 600 , 800  (PAL video system), Clear Motion Rate 120 , 240 , 480 , 600 , 720 , 960  (NTSC video system)
    Sharp – Fine Motion Enhanced,[7] AquoMotion 240 Hz,[8] AquoMotion Pro
    Sony – MotionFlow 100 Hz, 100 Hz PRO (XBR series, Australia), 120 Hz, 200 Hz, 240 Hz, 400 , 480 , 800 , 960 .[9][10]
    Toshiba – ClearScan 120 Hz, 240 Hz
    Vizio – SmoothMotion [11]
    Sceptre – MEMC (Motion Estimation/Motion Compensation)
    I play around with HDV which is Interlaced , you are dealing with Progressive.
    If I maintain the workflow as Interlaced then I do not get judder for Bluray via Toast, irrespective of Motion Interpolation ON or OFF.
    If I export/Share in a Progressive mode , say 1080P AIC, then the only way to stop judder is to select Motion Interpolation on the TV.
    Also I find that Progressive gives a slight grainy texture to the video which may be what some call 'FILM LIKE"
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    As I maintain Interlacing in all that I do then I do not have to worry about what my TV is set to and more importantly nor that of any friends that  I happen to do Discs for.(not very often)
    I have also played around in ensuring that I am judder free for any DVDs that I do.
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    DV interlaced into iDVD
    HDV interlaced into iMovie (converted into AIC on import) Shared as AIC 1080i (size 1920x 1080 HD) then into Compressor-DVD Best quality and then into Toast for burning DVD.
    I can of course use HDV in iMovie but the export used for use  in iDVD will give me judder if the TV Motion Interpolation is set to OFF but no judder if set to ON. And, strangely, exactly the same for iMovie HD 6 .
    Is it possible that the majority of people who are satisfied with their iDVD videos  have their Motion Interpolation set to ON and those that are not satisfied have their Motion Interpolation set to OFF ?
    Are you able to experiment with any Interlaced footage? Can your camcorder be set to record Interlaced.If so then you may be able to establish whether or not the issue is down to Interlaced versus Progressive.
    Not trying to rub salt in the wound,( but trying to give you encouragement ) but it is possible to produce really good quality DVDs and Bluray.
    Would be interested to know how you get on.

  • Best way to Capture Analog Video (via DV)

    I have no issues with capturing DV video froma DV Camcorder in PRE. The process is very smooth and I really am comfortable with it. However, when I am capturing my old wedding and other personal VHS tapes (via an ADTech Pyro AV) I really hate the capture capablities within PRE ( I am use PRE 7).
    I was wondering if there is any advantage to using PRE for the DV Capture for my Analog material verses using either Windows Import Video, or using some other capture program like Pinnacle Studio (which allows me to specifiy the length of the capture verses having it just run on until I stop it.) Most of my VHS tapes are 2 hours in length and I would like to be able to say capture 125 minutes then stop (so I could just run the captures at night or while I am otherwise not using the computer.) With PRE7 it will just continue capturing forever until I stop it, which creates some enormous files that then need to be trimmed.
    (Does anyone know a way to tell PRE to just capture for x amount of time on a analog to DV Capture?)
    Is a DV Capture the same regardless of program? Is there any advantage to actually running the capture through PRE7 verses external where I can provide better control over the length and time of the capture.

    If your ADS Pyro AV Link is set up right and capturing over FireWire, you should get the same quality no matter what program you use to capture -- and that quality should be as good as the original. Premiere Elements does nothing to change the video data of DV as it captures; it just saves it as it comes in.
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    Does that answer your question?

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    Hello,
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