Can't Batch Capture 24p Footage

I recently crossgraded to Final Cut 5.1 (now using the most recent version, 5.1.4) and my JVC BR-HD50 deck seems to be having issues when it tries to cue the tape for batch capture in 24 frames. All of the settings on the deck are as they were before, when I could batch capture 30p footage, but I haven't yet been able to batch capture anything shot on 24p. Capture Now works fine but is very tedious when importing a lot of footage.
Appreciate any suggestions..
Thanks.
G5 Mac OS X (10.4.9)

Well.... NEXT TIME you'll know to always have adequate pre-roll on your footage.
THIS TIME, first, change the inpoint on the batch capture that contains the offending portion to a place where you can reliable capture the clip you need. Then do a capture now of the head of the tape up until the new in point of that clip. Be sure to give yourself adequate overlap so you don't lose any frames.
Does that make sense?

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Can't batch capture, no pre-roll

I am trying to re-capture some footage. The problem is, I needed the beginning of the tape, so I originally captured from the start of the tape. Now, I can't batch capture because there is "not enough pre-roll" (not a direct quote, but that is the error it is giving me).
How can I fix this? Is there a way to change how long the pre-roll will take? Or is there a way to edit the in point on the clip?
Thanks, like always!
Matthew

Well.... NEXT TIME you'll know to always have adequate pre-roll on your footage.
THIS TIME, first, change the inpoint on the batch capture that contains the offending portion to a place where you can reliable capture the clip you need. Then do a capture now of the head of the tape up until the new in point of that clip. Be sure to give yourself adequate overlap so you don't lose any frames.
Does that make sense?

Batch Capture - Ingesting Footage of a Public Hearing

I have a unique video verité project and I'm trying a unique approach to the Log and Capture process for it, and I'm asking for a little advice...
On Thursday, I was recruited to record a nearly-five-hours-long public meeting at which over 150 people spoke. (1,200 in attendance) Fortunately, the meeting had a pro-grade P.A. system, and the hosts offered a box to plug in for audio pick ups on the P.A., so I used my wireless mic system to feed the speakers' voices directly into my new Canon Vixia HV 40 camcorder; I recorded the whole thing in HDV onto 5 tapes. The audio was clear as a bell. This project has a vaguely C-SPAN feel to it.
Now comes the challenge. This was a non-stop, live-on-tape meeting. The only time I stopped was the switch to newer cassettes. The organization I am helping asked me to find a way to ingest this footage as quickly as possible, figure out how to get it onto regular DVD media, and ship it out to a couple of volunteer organizations so that people can digest the proceedings and get organized for future plans. There is no time for frills or FX or anything but a plain brown wrapper on these DVDs.
I switched my HV 40 over to output down-converted DV streams. I started up Final Cut Pro 7 (I previously used FCP 4.5 on other projects) and got the log-and-capture process going. One thing I noticed during the Log and Capture process on the first tape:
I decided to Log the video using the Batch Capture process. All five 60 minute tapes have been thoroughly logged now. I wanted to use Batch Capture so that it would be easier to isolate individual speakers by clip if necessary; I logged consecutive back-to-back clips of four speakers apiece on each of the tapes, each tape is logged to a different logging bin for better organization. (The logged clips are each typically 8 minutes duration.) I intend to make sequences in Final Cut, each sequence will be a different DVD disc (Disc 1 of 3, for example) and I will insert the clips consecutively into the Timeline to form a complete show.
During the Logging process, I noticed something odd: doing everything on the fly, one clip will end on a specific frame and the next logged clip will begin on the very same frame as the previous clip ended. Shouldn't consecutively logged-on-the-fly clips with an end point followed by the beginning of the next clip on the next frame afterwards? Should I adjust the clip frame-times in the Browser by offsetting them by one frame to make them flow properly?
Thanks in advance,
--WA
[NOTE: 5 tapes used, 5 logging bins logged, meeting was just over 4.5 hours in length.]

Since saving time is essential in this case, I would have logged each tape as one clip, captured that tape and move on to the next. Drop two full clips in one Sequence for DVD 1, play out the Timeline to a stand-alone DVD recorder in real time, and move on to the next one.
Once they had their 'no frills' DVDs, you could then go back and make subclips of each speaker if needed.
-DH

Can't batch capture only needed media

Hi,
I have many 7 minute sequences imported from 60 min dv tapes. The drive holding the media crashed and now when I try to re-importing the media by batch capturing directly from the sequence it re-captures the entire tape. I only need a generally half of this footage and I have several hundred sequences.
Please help

Use the Media Manager to create new offline sequences with the unused media removed into a new project. Then you can batch capture the newly created clips.

Batch Capturing HD footage

I just finished editing my short opera film i shot on super 16 then transferred to HD d5 at 24fps, then to dvcam for editing. I used some effects in hope that i would be able to batch capture the HD footage. I really can't afford to just send my cut to a post house ( i used postworks in NYC) and hope i can used FCP since i have coloring and effects etc. I currently have an Imac g5 20" with 1.5 ram.
1. what would i need to batch capture my HD footage? I heard a Kona 2 card for ex. would i need also a special firewire drive as well?
2. how much space does HD take up? My fnal project is 20 minutes
3. Can i rent the equipment necessary? does anybody know where it would be cheap to rent a deck? (most post houses i talked to do not want to rent the equipment, they want me to send them the edls so they can do all of it)
4. If it all fails, does anybody know or own this equipment that could capture it for me?
5. i also need to make an HDcam, betasp pal and ntsc copy- is that possible or do ihave to go to a post house to do that.
I know it is a lot, but thanks!!

Which format of HD? There are many...
If this is HDV...no, you cannot. You need FCP 5.1 in order to work with HDV footage. If it is DVCPRO HD from a varicam, then you should be able to capture with FCP 4.5. If it is footage you imported from a P2 card (also DVCPRO HD), then I don't think it will work.
you'll also need big fast hard drives in an array.
Only if working with uncompress HD. DVCPRO HD and HDV work fine on Firewire drives. DVCPRO HD might require FW800, but still editable via firewire.
Shane

Can you batch capture with Final Cut Express?

I'm new to Mac and FCE,
I'm used to running through my dv marking in and out points to create a batch and then hitting capture at the end and the computer rewinds and captures each in/out point. At this point, I usually start editing pics, etc for the video on another machine (videos are very short turnaround time).
Is this type of batch capture possible with final cut or does the user actually have to wait while the video is captured or better yet go to the end of each out point only to have the tape rewind for each clip captured. Seems like a very inefficient way of doing, so i'm guessing I am just unaware of how to do it. Please give me the steps if possible and of course all help is much appreciated.
Thanks,

This is very irritating. The more I get into the Mac side of video the more I think I have been sold a bill of goods. Mac seems to be good for lots of stuff, but I have to say that iMovie and Final Cut Express seem to lack some pretty basic functionality found in Windows software like Ulead MSP.
I even asked this specific question to the Apple store personnel and they guaranteed me that batch capture is possible on FCE.
I have to ask myself at this point why am I considering paying 900.00 for FCP when a 300 dollar Windows Program does the same thing. I guess live and learn, but it sure helps when people tell the truth and don't make stuff up when they don't understand it.
I am very disappointed at all the Mac video hype I have yet to see the wonders.
Thanks for the reply,

At what setting should you capture 24p Panasonic VariCam footage?

Hi Everyone,
I'm very new to DVCPRO HD and have been capturing 24p footage shot on the Panasonic VariCam camera with the capture setting DVCPRO 720p/24, and the duplicate frames have been removed during capture. What is the difference between capturing 24p footage from the VariCam at 720p/24 (23.98fps) versus 720p/60 (59.94fps) in terms of the editing workflow? Are either of these settings preferable? I've heard contradicting stories on this...
The final output of this project will be to DVD but also 35mm film most likely. Any advice will be appreciated.
Sadie

Use the DVCPRO HD 720p 23.98 Easy Setup.
Advantage? Well, for one it was SHOT that way, so why not capture it. Beside the film look, capturing at 23.98 as opposed to 59.94 means that you use less than HALF the drive space. Less frames means less space used up.
The final output of this project will be to DVD but also 35mm film most likely.
Then you definately want 23.98 over 59.94. Film is 24fps...so 23.98 translates nicely.
Shane

Can't capture 24p

I'm trying to capture 24p footage from two different cameras: Panasonic 100 and Panasonic 200, both from DV Tape with no results: it stops after three or four seconds. I have FCP 5.1.4 and QT 7.4.1. I'm capturing those tapes with a Sony DV camcorder DCR-TRV19. Any ideas?
Thanks a lot

24P or 24PA?
Regardless, you capture at 29.97, not at 24.
Patrick

Batch capture logged clips makes subclips that are invisible in sequence

Any ideas?
I log a series of clips (the icon is the square master clip icon). They are offline until I batch capture. However, once I batch capture, they become subclips(jaggy-edge subclip icon). They can play in the viewer and they are viewable in Quicktime. However, once I put them in the sequence, they are only black, even after rendering. HOWEVER, if I do a capture now off of the SAME tape w/ the SAME settings it will play just fine (after render) in the SAME sequence.
Anyone else experiencing this? Thanks in advance
Vicky
Power Mac G5 Mac OS X (10.4.2) FCP 5.01

Okay, finally able to do a couple of tests. I started a new project w/ settings for capturing good ol' NTSC DV, logged some footage and then batch captured (ntsc footage) -- no problem at all. The clips were clips, not subclips. Then I went into a project for DVCPro HD 720 30p, and pulled some clips from my original low res project into the HD project. Made those offline, then batch captured those at the full HD resolution. Not a problem there either. Then I went back into the original low res project, made a clip offline, recaptured it at full HD res, no problem. Soo.... I think there is some connection between what I've been capturing at my "low res HD" setting and the problem of turning the logged clips into subclips upon capture.
All that said...I think I'm ok. At least I know now when I do need to capture it all in full HD res, I'll be able to, and it will relink into my project correctly as visible clips.
Also, how can you mark somthing "helpful' if it has already been marked "solved"...it is not undoable, correct?
Dual 2.7 GHz PowerPC G5 Mac OS X (10.4.5) 2 GB RAM

Recommendation for HDV vtr or camcorder for batch capture

I currently own Premiere Pro CS3 and am using the trial version for PP CS4 on a Mac. One of my biggest problems is batch capturing HDV footage with my Sony HVR-Z7U HDV Camcorder or HVR-M15AU HDV Deck. It just doesn't work properly for CS3 and was disappointed to find out it doesn't work for CS4 either (unless it's a trial version issue?). Both versions I can capture on the fly, but not a batch capture. Even the adobe website say's so. So my question is, what reasonably priced HDV camcorder or VTR can I get that is compatible (let me batch capture) with both versions? Does anybody know? Thank you.

The problem I've found when capturing from the M15 is that the deck does FF and REW at such high speed that it frequently overshoots the mark by as much as two minutes, and then ends up capturing about one minute off. I usually only discover this when I look at the captured clip and find it isn't at all what I said it was when I named it.
So I just take the clip offline and recapture. This usually works. Sometimes I will manually cue the deck up to about one minute before the "in" point, and this helps the deck/Premiere find the correct timecode.
Anyhow, that's my workaround. I have handles set at 150 frames and pre- and post-roll set to the same.
(But note this is for CS3, although I assume this part is the same with CS4.)

Unable to locate timecode in batch capture

Hi there, I have been working on this problem for a while and would really appreciate some help.
I have a documentary project I have been working on for some time and have completed the EDL. I am now trying to batch capture the footage again in full res and am having problems with a couple of the tapes.
First the specs:
The video was shot on a Sony HDR-HC1 in HDV(1080) mode.
I am using this camera to capture the footage.
I am trying to recapture the footage in a sequence with the easy setting on HDV1080i50.
I had originally captured the footage in SD on an older version of final cut pro (I am now working with FCP6) and didn't realise that my 16:9 footage was actually all 4:3 letterboxed. To fix this problem I used the media manager to export and then in the new project batch capture all the footage again from the tape. The project uses 18 tapes, 16 of which were batch digitised with only minor troubleshooting required. However 2 of the tapes are proving to be very problematic. It seems that whatever clip I select on the tape it gives me a message saying "unable to locate timecode".
I have tried setting the tape to the exact location of the clip before selecting the batch capture, but the computer always seems to look for a spot which is 2-3 mins out of sync with the clip. For example, if the in point is 00:10:00:00 the computer will roll the tape to around the 00:12:00:00 mark and start jogging around there for about 30 seconds until eventually giving me the "unable to locate timecode" message. Looking in the information in the bins, the in and out points are accurate, its just that when I try to capture, the computer rolls the tape to the wrong position.
If anyone knows a workaround for this that will help me avoid having to edit the footage all over again I will be extremely grateful.
Thanks
Liam

HI I have the same problem, the capture window says: Waiting for time code, the device must set in vcr mode and then This operation could not be complete as there is no video, the F!#!%$$ problem is very illogical ,at this mooring I do batch capture without a problem but since the second tape this problem starting, I update to FCP 6.0.4 and,. @@#%#@%#$ the first tape capture but the second not capture and the problem starting againd, note that IMOVIE capture the tape and work very well, iI replace fire wire, camera VCR and , I trayu with Canon, Sony, JVC and the problem persist , I have quicktime 7.4.5, FCO 6.0.4, note that I have two Macs with the same problem in both macs IMOVIE work like a PRO edition Software but FCP is very bad, I have with this problem a long time, I formated Mac, reinstall FCS2 many timers and the problem persist. IS not a problem whit easy setup or wherever , I download the FireWire SDK from Apple and test all connection with the applications of sdk and in all case , the camera and the fire wire are OK, the problem is with quicktime and FCP, If any one is working OK with FCP and DV NTSC devices and JVC PRO HD devices, please tell us HOW DO. I'm working with FCP since 2000 and in this month FCP makes me very UNHAPPY.

Why does Batch Capture not work?

I have FCP 5+ installed on my new MacBook 15" Pro. Sony GVD 1000 deck. Fire wire.
It works fine except that I can not batch capture. When I execute the capture the tape rewinds to the IN point and then just plays. It does not seem to recognize the OUT point of the clip.
Capture NOW works fine but anythng else does not.
I have re-installed the program with negative improvement.
This system worked fune forever.
Thoughts anyone?
Ed

Sorry,
5.1, NTSC DV format.
This is a new install on a new machine. I also re-installed only FCP thinking that perhaps something went wrong with the original installl
I have just downloaded the last update 5.1.4 but have not tested it yet.
Also, although it will capture "NOW" the program will not recognize "play in point to out piont" button.
Thanks.

Batch Capture Problems

I want to recapture a project, edited in SD as a HD project. Therefore I offlined all clips and recapture them in HD-Format. But the in and out of the clip was noct correct. Trying to use a exported batchlist in csv-Format I recognized that In and Out-Points of all clips differ from one to several frames. How can I batch capture material with correct timecode or export a correct batch capture list????
Thank you for instant help, because I have to finish HD editing on Monday
Jörg

No it's several clips on the tape. It captures 2 frames of each and then moves on to the next. Never actually heard of Rescue before but I shall check it out.One thing I have just noticed is that all the offline clips logged and ready to be captured don't have any compressor details, Vid rate or data rate details. That has to have something to do with it but I don't know what?
Thanks.

Clip names missing when trying to reconnect or batch capture

After dealing with a variety of hard drive issues, we have moved our project to a new system and I am in the process of trying to reconnect to old media as well as batch capture lost media files. I have run into two problems:
Problem 1: Many files, while they contain all proper loffing info when viewing in Final Cut, have lost their name when trying to reconnect media. When reconnecting media, the file name shows up as "". I have to manually search and reconnect the file. The problem is, if I try and reconnect from the clip in the browser, the corresponding clips in the timeline do not reconnect.
Problem 2: With clips where the media has been lost, I simply want to batch digitize from the original tapes. Again, while all the info is correct for each master and subclip I want to capture, when I actually go to batch capture, FCP is looking for the clip name "", so it starts telling me that I need to rename my clips since they all have the same name. You can see the problem with that.
Is there something corrupted in the project that is causing this? Will this keep happening? How can I batch capture without renaming all of my detailed clips? All suggestions appreciated.
Thanks in advance,
Patrick

Ha! Why do you say that's the issue? What would cause that to happen exactly in your theory?
You might want to know that I just opened an old autosave from before we had hard drive problems and switched to a new system and I copied/pasted the exact problem files and they are properly batch capturing as I write this.
Somehow, I still don't feel I have any explanation.
Patrick

Can't find Clip that is choking Batch Capture

I'm getting a Timecode error saying Final Cut has reached the end of the tape when it tries to capture a particular clip. I can't delete the clip because it's not showing up in my browser window! In other words, it doesn't exist. Is there such a thing as invisible files in Final Cut Pro?
K

The thing that's got me the most confused is when I go over to my batch capture list to see what the timecode indicates, the clip that it's having probelms with isn't listed. It doesn't exist. How do I fix a clip's timecode parameters if I can't find the clip listed anywhere. The only time I can see the name of the file (clip) is when batch capture is happening and the program lists the clip it's trying to capture. The name of the clip ends with a number. The last clp closest to it has the number CU 5-1. The program is trying to capture CU 5-2...but there is no CU 5-2!
What's going on?
K

Can't Batch Capture 24p Footage

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