Cannot export 16:9 aspect widescreen project to flash. 4:3 screen

I am trying to export an Encore project to flash and everything is setup in preferences and filmed in 16:9 wide screen format, however when I export to flash the project is automatically letter boxed and fitted into a 4:3 flash window. Very disappointed that no option is available to choose an aspect and with everything wide screen now days why would you choose to offer 4:3?
Is there a work around here or is there plans to offer a choice soon for us guys who desire the 16:9 aspect?

The manual says it exports to 640 x 480 (or something smaller than 720 x 480 cant remember.) It is a bummer, but i love this feature so much I will take whatever. Maybe next version they will have options for different pixel aspect ratios.

Similar Messages

I cannot export projects from GB in my MacBook into GB on my iPad3; nor can I export from IPad to my MacBook. I have tried going onto Apps update on the MacBook, but there were none available. I have read that this omission is to be corrected - can you co

I cannot export projects from GB in my MacBook into GB on my iPad3; nor can I export from IPad to my MacBook. I have tried going onto Apps update on the MacBook, but there were none available. I have read that this omission is to be corrected - can you confirm this is intended to happen, or is it already in process. While awaiting for this essential development, can you please suggest any way of transferring information either way?

spicer_the_coalman wrote:
I cannot export projects from GB in my MacBook into GB on my iPad3
http://www.bulletsandbones.com/GB/GBFAQ.html#exportgbxtogbi
(Let the page FULLY load. The link to your answer is at the top of your screen)
spicer_the_coalman wrote:
nor can I export from IPad to my MacBook.
http://www.bulletsandbones.com/GB/GBFAQ.html#exportgbitogbx
(Let the page FULLY load. The link to your answer is at the top of your screen)

I cannot export my project from Final Cut. All the options are disabled. Can anybody help me?

I have the latest version of FCPX and the final version of Compressor. I have my project ready but I cannot export because everything (Compressor, DVD, MasterFile etc.) is disabled. I need to export this project ASAP.
P.S. This is the first export that I am trying to do on a new iMac, with OS X Yosemite.
Thank you all!

Cannot export HD from Premiere Pro CS5.5 XDCAM HD 420 projects

Most of the sources material is XDCAM HD 420 35 MPS. There are a few MOV clips in there as backgrounds and some, not many Boris Red 5 transitions. No matter what I try, I cannot export to Bluray. I cannot make a bluray via dynamic link. I was able to export NTSC AVI files of each of the five modules, rebooting the computer after each of the 5 exports and not rendering the effects in the timeline. Used the AVIs to make the FLV and WMV clips. However, I still need to make a Bluray in order to get paid.
Is there such a thing as a corrupt project? This project started its life as CS5 but it started endlessly indexing renders (I mentioned that before a few months ago but with CS5.5) so I brought it into CS5.5. If I render the effects in the work areas it starts the indexing renders circle dance so I don't bother, jsut exported to AVI.
I've removed ALL unused media and ensured that every one of the 5,000 files is in the single directory on an AVID SCSI Ultra320 RAID.
I cannot export via Project Manager, it just quits.
Any ideas are welcomed.
I am running this on a Supermicro MOB with two quad XEONs, 32 gig RAM, nVidia QuadroFX 3800 and two channel Ultra320 SCSI. Win7 64 bit Ultimate. I tried swapping the Quadro for a GTX 570 but nothing improved.
thanks,
Peter Burn

"Why not?"
If I knew that I would be very happy indeed. I am reinstalling CS5 to see if it will export this project. I bought the newest version of Diskeeper and defragged all the SCSI and SATA drives, still no joy. Exports get to about 25% then Adobe freezes up completely. I may have to put the AJA Kona back in then try exporting via HDSI to a rented deck.

Settings for a widescreen project

Hi all
I assume this is a basic question which the answer perhaps is still easier. I´m a Premiere basic user
I´m trying to make widescreen projects and use Encore to export a DVD which the video fits perfectly LCDs and Widescreen Tvs...So my workflow is:
I´m starting new projects using the DV-NTSC Folder > Widescreen 48khz
The imported videos come from a mix of 2 Panasonics AGDVC20P and 1 Sony HD1000. Sony HD1000 records 16:9 and Panasonics 4:3 (I use a little zoom at Premiere to fit the screen).
After finishing the Premiere I render the project and go File > Adobe Dynamic Link > Send to Encore. Make the menus and build a DVD.
But the problem is: I perceive on my TV the image looks like 16:9 but black stripes still appears up and down the image (tested on various tvs and the same).
What Am I missing?
Should be a different size than 720x480 and Pixel aspect ratio 1,2121 as Widescreen DV profile set?
Anything at Encore?
Thank you a lot for the help.
Gustavo.

Gustavo,
Your end result should be DVD, which is 720 x 480 NTSC or 720 x 576 PAL.
Use a SD widescreen sequence setting and downrez your HDV or let the camera do that for you by capturing SD format. If you have captured HDV, you can either downrez by using Motion/Scale to fit your SD resolution or use Scale to frame. The latter has a small drawback in that it will result in small black bars left and right, that will normally not show up when played on a TV.

Export HD to NTSC Widescreen -- not truly 16:9

If you export HD footage, 1080x1920 for example, to NTSC Widescreen, you end up with 720x480 with rectangular pixels that have a 1.2121 pixel aspect ratio. That means, the display is effectively 873x480 pixels, which is a a screen aspect ratio of about 16.4:9 instead of 16:9. What you end up with is the original video image squashed between thin, vertical black bars on the right and left sides (not the thick black bars you get when you display a 4:3 video in a 16:9 display).
If you open the video in an NTSC Widescreen Sequence, you'll see those black bars. The video image does not fill the screen.
This is easily fixed: change the Scale Width value to 102.3 (uncheck Uniform Scale). That puts the image portion of the clip into the proper aspect ratio (and shoves the black bars off the left and right sides of the screen). But I'd rather change the scale of all the clips in a project.
Since NTSC has to be 720x480 pixels, if you want to display something at a 16:9 ratio, the pixel aspect ratio should be 1.185 instead of 1.2121.
Perhaps an Adobe engineer can explain why exporting HD to NTSC Widescreen creates a video with black vertical bars and how a 720x480 (with rectangular pixels with a 1.2121 aspect ratio) clip can be considered as having a 16:9 aspect ratio.
Thanks,
Jeff Sengstack

you have to do your frame aspect ratio calculations based on the image area (clean aperture) not the production aperture.
page 4...this link
http://www.panavision.com/publish/2007/12/10/GenesisFAQs20071207.pdf
My take on this is that CCD's that are full size for 35mm film ( beginning of aspect ratios for a lot of stuff ) there is less fudging re: transforming a smaller chip size to the correct exact image size, that the image size derrived from the real camera recording may not be exactly the "production" aspect ratio sizes...or something like that... It is confusing to me also, as I have no video cameras, digital or otherwise, and don't shoot anything but still film.
I think ( not sure but think I read ) that the red camera actually has a CCD "larger" than the genesis, so it actually is capable of recording higher resolutions than typical 4.4.4 production dimensions....but how that works into "clean" image area and aspect ratio is confusing to me also...
To further confuse me, this article has info on exact number of lines broadcast for pal and ntsc...
note THIS in the article ===------------------------------------------------------
NTSC Video
525 scan lines per frame, 30      frames per second (or be exact, 29.97 fps, 33.37 msec/frame)
Interlaced, each frame is      divided into 2 fields, 262.5 lines/field
20 lines reserved for control      information at the beginning of each fieldSo a maximum of 485       lines of visible data
Basics of Video
Analog video is represented      as a continuous (time varying) signal.
Digital video is represented      as a sequence of digital images.
    Types of Color Video Signals
Component video --      each primary is sent as a separate video signal.
The primaries can       either be RGB or a luminance-chrominance transformation of them (e.g.,       YIQ, YUV).
Best color       reproduction
Requires more       bandwidth and good synchronization of the three components
Composite video --      color (chrominance) and luminance signals are mixed into a single carrier      wave. Some interference between the two signals is inevitable.
S-Video (Separated      video, e.g., in S-VHS) -- a compromise between component analog video and      the composite video. It uses two lines, one for luminance and another for      composite chrominance signal.
    Analog Video
The following figures are from A.M. Tekalp, "Digital video processing", Prentice Hall PTR, 1995, NTSC.
NTSC Video
525 scan lines per frame, 30      frames per second (or be exact, 29.97 fps, 33.37 msec/frame)
Interlaced, each frame is      divided into 2 fields, 262.5 lines/field
20 lines reserved for control      information at the beginning of each field
So a maximum of 485       lines of visible data
Laserdisc and S-VHS       have actual resolution of ~420 lines
Ordinary TV -- ~320       lines
Each line takes 63.5      microseconds to scan. Horizontal retrace takes 10 microseconds (with 5      microseconds horizontal synch pulse embedded), so the active line time is      53.5 microseconds.
Digital Video Rasters
Color representation:
NTSC uses YIQ color       model.
composite = Y + I cos(Fsc       t) + Q sin(Fsc t), where Fsc is the frequency of color subcarrier
PAL Video
625 scan lines per frame, 25      frames per second (40 msec/frame)
Interlaced, each frame is      divided into 2 fields, 312.5 lines/field
Uses YUV color model
    Digital Video
Advantages:
Direct random access       --> good for nonlinear video editing
No problem for       repeated recording
No need for blanking       and sync pulse
Almost all digital video uses      component video
Chroma Subsampling
How to decimate for      chrominance?
4:4:4 --> No chroma      subsampling, each pixel has Y, Cr and Cb values.
4:2:2 --> Horizontally subsample Cr, Cb signals by a factor of 2.
4:1:1 --> Horizontally subsampled by a factor of 4.
4:2:0 --> Subsampled in both the horizontal and vertical dimensions by a factor of 2. Theoretically, the chroma pixel is positioned between the rows and columns as shown in the figure.
4:1:1 and 4:2:0 are mostly      used in JPEG and MPEG (see Chapter 4).
CCIR Standards for Digital Video
(CCIR -- Consultative Committee for International Radio)
                       CCIR 601       CCIR 601         CIF         QCIF
                        525/60         625/50
                         NTSC         PAL/SECAM
Luminance resolution   720 x 485      720 x 576     352 x 288    176 x 144
Chrominance resolut.   360 x 485      360 x 576     176 x 144     88 x 72
Color Subsampling        4:2:2          4:2:2         4:2:0        4:2:0
Fields/sec                60             50            30           30
Interlacing               Yes            Yes           No           No
CCIR 601 uses interlaced      scan, so each field only has half as much vertical resolution (e.g., 243      lines in NTSC). The CCIR 601 (NTSC) data rate is ~165 Mbps.
CIF (Common Intermediate      Format) -- an acceptable temporary standard
Approximately the VHS       quality
Uses progressive       (non-interlaced) scan
Uses NTSC frame rate,       and half the active lines of PAL signals --> To play on existing TVs,       PAL systems need to do frame rate conversion, and NTSC systems need to do       line-number conversion.
QCIF -- Quarter-CIF
ATSC Digital Television Standard
(ATSC -- Advanced Television Systems Committee) The ATSC Digital Television Standard was recommended to be adopted as the Advanced TV broadcasting standard by the FCC Advisory Committee on Advanced Television Service on November 28, 1995. It covers the standard for HDTV (High Definition TV).
Video Format
The video scanning formats supported by the ATSC Digital Television Standard are shown in the following table.
Vertical Lines
Horizontal   Pixels
Aspect Ratio
Picture Rate
1080
1920
16:9
60I 30P 24P
720
1280
16:9
60P 30P 24P
480
704
16:9 &   4:3
60I 60P 30P   24P
480
640
4:3
60I 60P 30P   24P
The aspect ratio for HDTV is      16:9 as opposed to 4:3 in NTSC, PAL, and SECAM. (A 33% increase in      horizontal dimension.)
In the picture rate column,      the "I" means interlaced scan, and the "P" means      progressive (non-interlaced) scan.
Both NTSC rates and integer      rates are supported (i.e., 60.00, 59.94, 30.00, 29.97, 24.00, and 23.98).
At 1920 x 1080, 60I (which      CBS and NBC have selected), there will be 1920 x 1080 x 30 = 62.2 millions      pixels per second. Considering 4:2:2 chroma subsampling, each pixel needs      16 bits to represent, the bit rate is 62.2 x 16 = 995 Mb/sec.
Homepage of the Advanced Television Systems Committee (ATSC)

Widescreen projects longer than 60 min

It appears that iDVD 6 (version 6.0.1) cannot compress a widescreen (16:9) movie longer than 60 minutes (with the "High Quality" setting) to fit into one single-layer DVD disc. The resulting file is a little too long to burn the disc either directly from iDVD, or from a disc image.
Is there anyone who has completed such a project successfully? This forum indictes that many people have completed such projects in the 4:3 aspect ratio, but not 16:9.
Two calls to Apple have not resolved the problem.
PowerMac G4/G5 Mac OS X (10.3.9) iLife06
PowerMac G4 Mac OS X (10.3.9) iLife06

many people have completed such projects in the 4:3 aspect ratio, but not 16:9.
I just encoded (Best Quality) a 1 hour 27 minute widescreen project last night. Now, Project Info says it's 4.2 of 4.2GB capacity, which I think is a bit odd... You'd expect that to be 75% of 4.2GB based on time alone. But the motion menus are 4:14 of 7:30, so that takes up some room. It may just be reflecting that the encoding "filled up" the disk image.
Another 45 minute widescreen project shows 1.7GB of 4.2GB. That has been encoded too. Seems aboout right.
I have seen others with "oversize" projects in iDVD 6.

Export release build fails with project created by Launchpad

When I try to export a release build (using Flash Builder 4.5) of a project created in Adobe Air Launchpad (p8_3-0-1_081911) I get the following error message:
"error occurred while saving the project settings: 'default' build target cannot be found for the selected project"
Is this a bug or am I doing something wrong? Any help/ideas would be greatly appreciated!
Rob

I solved this by creating a new project and copying everything across. But it was time-consuming work - especially creating all the new value objects and data services. Air Launchpad is a great concept and has helped me a lot, but this particular forum is dead.
Rob

Cannot export video: AME cannot read from source, Installation Error

Ok, I've seen a lot of people on here talk about this and I have tried using their solutions but nothing has worked.
I cannot export anything from Premier Pro using Media Encoder. When I try, I get an yellow warning sign saying that it cannot read from the source, and when I close out of it I get a message saying that there is an installation error and that I need to make sure it is installed correctly. I have uninstalled and re-installed ALL of my Adobe products about three times this past weekend trying to fix it and nothing has worked. I have tried making sure that there are no blank spaces in my project, I have named it several different things, I have moved it from my external drive to my main drive, to a different external drive, etc.
I am using a Macbook Pro with Snow Leopard, all of my software has been updated, and I am very frustrated.
Help?

Bummer!
Well, it was worth a shot, as externals/network drives have been known to cause similar.
Now, there were issues with Encore and Snow Leopard, but I do not recall all of the details, as I am a PC-guy, and have to admit that first I do not know squat about Macs, and probably do not read Mac threads as closely, as I should. Seems that Apple was working on an update to Snow Leopard, and again from recollection, it seems that that update helped several on the Encore forum. Have you updated Snow Leopard?
Sorry to just sit here guessing, and probably wasting valuable time for you, but until a Mac-user with the "fix" comes along, the PC-community will try to help. Be patient with us though. Our intentions are good ones, but our expertise is lacking - at least in MY case.
Good luck,
Hunt

[Error 333] Cannot export movie at all

Hi All,
I have created a new movie using iMovie 8.5 (latest version included in iLife 09).
Unfortunately, when I try to export my first project, after few minutes of processing (the blu progress bar fully completes the process) it gives me an error saying that is Imposssible to export the movie, error 333.
I have not registered yet my iLife, could be that one the reason or could be something else?
To me is so weird, if was the registration it should have been said before..
Thanks a lot
Daniel

Hello,
Are you having a similar problem as this?:
CIRCUMSTANCES:
I have the most recent version of OSX and of FCPX and yet I cannot export or "Share" my timeline's Project.
I have the simplest project (a sequence of small video clips with no effects at all) and the program does not let me "share" anything.
I have been using FCPX since the first week it came out; it's not like I'm completely lost (I have already done many jobs).
DOUBT:
WHY ARE ALL THE SHARE* OPTIONS INACTIVE?
*Either selecting the Project from the browser or clicking directly on the Timeline, the Share options I'm referring to are found on File > Share > ....
ANSWER:
If your Sequence contains one single Clip which was not well imported from the camera, FCPX will not let you "Share" (Export) the Project at all (The timeline's sequence). FCPX is probably wanting to alert you by means of a yellow triangle on the Event's icon, right at the corresponding missbehaving Event. Click on that Event, scroll down through all your clips on the Browser and you will most probably find a clip with the same yellow triangle with exclamation mark.
In order to detect the wrong clip (or clips) on the timeline, you shall click on the timeline you are not able to export (that is, to "Share") and, once you have clicked on the timeline itself, open your "Timeline Index" ( which shortcut is: shift cmd 2 ).
Once in the Timeline Index, click on "Clips" (upper left, under the small search window) and also click on Video (at the bottom of the whole Timeline Index box).
Now you have the whole list of all your clips which are used in the Timeline. Scroll down until you find all the marked clips (they are all marked with the same yellow triangle with an exclamation mark). Eliminate them from either the Timeline Index or directly from the timeline if you want to export anything.
I hope this was helpful to anyone with erroneously imported clips or any misbehaving imported media.

Cannot export to movie without media encoder!

Past workflow has involved exporting an avi to a watch folder. With CS4 I cannot export an avi without using the media encoder. I see no problem with using the encoder to do the work, but there are instances when I would want to export "same as source."
Pre-rendered elements
Export edited segments to other edit suites
Utilize a second computer system to do the encoding
Use other encoding software
It is much slower to export an avi using the media encoder rather than the export > movie route of the previous cs versions. For example, I edited a 3 minute video on cs4 and it took 11 minutes to export as an avi. It actually took even longer (up to 20) to use encore's transcode settings to encode for dvd.
I ran a test on cs2 with a 30 second spot. It took about 15 seconds to export the avi and another 15 seconds to encode as mpeg2 using a 3rd party encoder.
I have a project coming up that has an extremely tight deadline. I will be editing hour long programs and exporting them for dvd. If I am to use cs4 I will have all kinds of time problems, not to mention I can't do this on multiple computers for processing (1 for editing, 1 for encoding, 1 for authoring). Just to estimate: In CS2 it will take 1 hour to export and encode the video, and up to 7 hours to encode if I were to use cs4.
Are there any solutions to the mandatory media encoder process of cs4?

Media encoder sucks! It's slow and buggy. And it crashes 5 times at 10. The performance of Premiere CS4 on a top notch workstation is 60% slower than working with Premiere Pro 2. Media's batch feature is a failure unlike Premiere 5.5 - 6.0 ver (i think)
my dear Adobe
Why not try listening to pro users suggesting handy features and instead of getting so anxious eliminating your competitors (FCP) and launching buggy and expensive software? This ain't gonna last for long, you know!
I think if I simulate OS X and run FCP, will work faster than CS4 (have to test it)

How to export a Adobe Première project from my iMac 10.9 to windows ?

I bought a Mac iOS 10.9 . I just finished a project in Adobe Première , extension .m2v and I cannot export to my external HD to burn a blu-ray in my PC (windows). What should I do ?

Open Applications/Utilities/Disk Utility and see how the drive is formatted. If it is NFTS (?), you won't be able to write to it without using 3rd party software. Try reformatting the drive as ExFat or MS Dos (Fat). Note this will erase what is on the drive.

IMovie for IOS Cannot export 60p despite iPhone 6 capability to shoot 60p

Hi,
iMovie for IOS Cannot export 60p despite iPhone 6 capability to shoot 60p
I am obliged to use Pinnacle Studio for IOS 8
I have bought a superb iPhone 6 Plus, shooting in 1080/60p, I cannot edit my clips to build a 60p Master.
I understand the choice for shared video streams to use 720/30p 5Kb/s from my 1080/60p 25Kbps clips as it has to be streamed even on small PC.
But if I want a master file 1080/60p at 25Kbps, and send it by mail with the superb new Cloud Mail to my mac mates, I cannot do it
I need a master hacker to poke this 60 number I nee somewhere into iMovie, it should be somewhere in the compressor frameworks used by iMovie in the app Package for exporting.
SAME PROBLEM WITH I MOVIE 10.0.6 FOR OSX YOSEMITE,
Best regards to the community

I appreciate you taking the time to copy and paste boilerplate responses to increase your points in this forum, but I've already read all those support articles in depth; but you have barely read my post at all. Please don't guess a fix. Only someone with the latest versions of iMovie, iOS, iPhone, Yosemite, and MacBook Pro is qualified to troubleshoot this, because anyone would immediately see that the following option no longer exists:
Open iMovie on your Mac, and choose File > Import > iMovie for iOS Project.
Read my post before you reply: It clearly says in the title and within my post that I can neither export nor import through iTunes without receiving an error message. So your response neither solved my question nor helped me whatsoever.

Importing 4:3 clips into widescreen project

I've set up a widescreen project (PAL DV Anamorphic) and have imported some 16:9 clips which look fine. I also want to put some 4:3 clips into the same project but these are always stretched to widescreen. How can I avoid this?
I've done this in FCP without a problem. Am I missing something obvious?
Any help much appreciated.

Hi,
Open up the clip in QT and select- show movie properties, highlight the video track and deselect 'preserve aspect ratio'. Save. Clip should appear as correct aspect ratio. Don't ask me what is going on here, it all seems back to front for me. Your comment on FCP made me think that something similar could be in effect here. I guess it's a file tag thing.
-Rob
UK

I cannot export anything

I created a project in Motion 5.0.7. but I cannot export anything. The field where it says send (Bereitstellen, since I am german) is completely greyed out, I cannot select anything.
HELP!
Gregor

I've posted with this problem before, as well. My solution was to open a brand new project with the same settings as the current project that won't export. Then copy and paste everything from your first project into the new one, hopefully the share option will function, it did for me. Good luck.

Cannot export 16:9 aspect widescreen project to flash. 4:3 screen

Similar Messages

Maybe you are looking for