Capturing to Premiere Pro CS4
I just purchased a Canon ZR960 and have footage on a mini tape. I'm running Adobe Premiere CS4 on a Mac. How do I capture the footage to Premiere? I tried File > Capture but no clips show up. What am I doing wrong/not doing?
Thanks much for any help.
Welcome to the forum.
First, plug the Canon into a FireWire Port. Turn on the camera and place it in the proper Mode. In PrPro, click Capture and then choose that camera (or very similar) from the device drop-down. If you wish Device Control, or Scene Detect, chose those. Now, do you get an error message that "no suitable device is available?"
Do not know about a Mac, but on a PC, as soon as you turn on the properly plugged-in camera, one gets a double "bong" tone, and a pop-up that New Hardware has been detected, and is ready to use. I would assume that similar occurs on a Mac, but do not know that. Does your Mac "see" the camera? Are there any error, or warning messages associated with it?
Good luck, and wish that I knew the Mac OS better,
Hunt
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[ I think this DV/HDV part is correct...... it's getting very confusing at this point??!! Your help is appreciated Thank YOU ]http://www.studio1productions.com/Articles/Firewire-1.htm
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Info from the "forum help group" through adobe. jk -
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Vob Import Question in Premiere Pro CS4 4.1
Hello,
Prior to posting, I read numerous posts related to importing vob files in Premiere. None of them seemed to address the particular problem I am experiencing, and I was hoping to find an answer here in the forums. Here's what I am attempting to accomplish:
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My system specs, if needed:
OS - Vista Ultimate SP2, x64, fully updated
CPU - Xeon e5440 x 2
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Master Collection CS4 with all updates installedWelcome to the forum.
Now, you have several problems, but most are with your choice of equipment and your workflow, not your choice of an NLE.
I took a wedding video from 1990 on a VCR tape and turned it to digital via a Dazzle hardware unit that plugs into the computer. It gives me vob files with no menus or anything like that
Few people have ever been able to get a Dazzle to work. This is true, even with the Pinnacle software, that often comes with it. It is an AVID product now, as they bought Pinnacle, and if you can get it to work at all, you are ahead of 99% of all owners. Stop by the Pinnacle fora and type in Dazzle. You will get the idea quickly.
A far better workflow would be to use a VHS player, hooked to an A-D device, like the Canopus/Grass Valley 110, or their 300. Use the Edius software that comes with it, to Capture DV-AVI Type II files w/ 48KHz 16-bit Audio. There will be zero OOS issues.
Most other equipment and workflows are kludges and seldom work at any level.
A good workman does not blame his tools. He might blame his choice of tools, but not the tools. Unfortunately, you chose a piece of hardware that doesn't usually work with the included software, and are blaming a great NLE program, because you are trying to work with horribly bad footage.
Please do yourself a favor. Donate the Dazzle to Goodwill, and look at the Canopus/Grass Valley 110. The price differential is not that great, and you will keep all of your hair.
Good luck,
Hunt
PS just did 34 VHS tapes via the above suggestions (some LP and some EP), and got many hours of usable footage. Not one glitch. No OOS. Every file edited perfectly in PrPro and I delivered 15 DVD-5's, that the client loved. I paid for a Canopus 300 with just my time on one project.
PPS, please see my post #5 for a link to an article on VOB files.
Message was edited by: the_wine_snob Added PPS -
Premiere Pro CS4 added contrast H.264 preview files
Hi,
Any help I can get with this problem would be amazing.
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I don't know what has caused this as it was working properly before my attempted upgrade, and I installed Premiere the exact same way as I did the last time I installed it and I'm using the same version. The only hiccup was after the install and upgrade it said media offline on my old project until it asked me to update codecs, once codecs were updated it displayed all footage in my timeline correctly and then I noticed that I could no longer render preview files to the same standard.
Here are screen shot comparisons of a video from my timeline. These are back to back frames, the top one was rendered before the most recent install, the other rendered after. I have put a YC Waveform chart beside the image. Sorry I think the best way to see it is just to follow the link otherwise it's gonna be too small.
http://www.flickr.com/photos/86776146@N03/8101475154/sizes/l/in/photostream/
Also here is a screenshot of the settings I'll describe below.
http://www.flickr.com/photos/86776146@N03/8101463115/sizes/l/in/photostream/
Computer:
Mac OSX 10.5.8
Intel Core Duo
Premiere Pro CS4 (4.2.1)
Project Settings:
HDV 720p
29.97 fps
1280 x 720
square pixels
30fps drop-code
I-Frame Only MPEG (video codec)
I've already searched for a solution to this but come up with nothing. I read a bunch of stuff on the increase in gamma that can happen with .mov files but I don't think this applies to my situation as I would have been having that same issue with my previously rendered footage.
Anything would be really helpful...Thanks
Message was edited by: Mike542Okay so I've been looking into this in depth over the past few days and I haven't come up with a lot. I have noticed that it's not just the render files but also the inspection window where the clip displays in this manner. It looks like the luma range (as seen in YCbCr scope) is being limited between 7.5 and 92 IRE and I think this is maybe a good indicator of the problem. Why this is happening I don't understand. On my clips that were previously rendered in this timeline there is full range from 0 to 100 in the luma from the YCbCr scope. These files were rendered to an external drive from before I reinstalled Premiere, so it's any h.264 files that I am using after reinstall that are having this issue. I have attached another screen capture illustrating this (look at line to right of scope showing full luma range). Also I have some .mts files from another camera and they import with full luma range as well.
http://www.flickr.com/photos/86776146@N03/8114886495/sizes/l/in/photostream/
When playing my h.264 files in Quicktime or VLC they look about the same in terms of blown out whites and crushed blacks. Does Premiere rely on Quicktime for its h.264 codec or does it have it's own? Is there a way to force premiere to update its codecs/manually download and replace the h.264 codec?
I really can't understand what's happening here and I can't do any work when imported clips are this messed up. Can someone please help out on this!!! Super frustrating and seems to constantly happen with Premiere... -
Need help with 24fps in Premiere Pro CS4
I am having issues working with 24fps imported video. My computer hardware is an AMD dual core processor running at 2.6GHz. It has 2GB of Kingston Hyper-X memory, 2x 300GB hard drives (not RAID), and an Nvidia 7900GS video card with 256MB video ram. My operating system is Windows Vista Ultimate with SP1. I am running Premiere Pro CS4 with all the current updates.
So here is the issue I am having. I captured video on a Canon XL2 in 24fps, 16:9 widescreen, and 2:3:3:2 pulldown. My CS4 project settings were set up as DV-24P Widescreen 48KHz. I did not try changing other settings on the other tabs. I captured the video directly from the XL2 with no dropped frames. The resulting AVI plays back in Windows Media Player 11 correctly. What I mean by that is the is no jerky video, I get no raster lines, and the video quality is very clear. When I load the video into the time line and play it back in the program monitor the video jerks like it is dropping frames, I get raster lines and it looks like video clarity fades in and out.
At first I thought nothing about it. I used Adobe Media Encoder, and burned a DVD. Playback on my widescreen TV looked jerky, rastered, and the video was only clear in static scenes. So I made some test projects with different settings. Still had no success. The original capture looks good, but whatever I do in Premiere the video jerks and looks like old VHS video.
I did another test. I set the XL2 to 30P and 4:3, and captured the video. Again the captured AVI looks good. Put it on the Premiere timeline and played it in the program monitor. It plays fine - good video quality, no rastering, and no jerking. Made a DVD with no problems in the video. So my question is what setting in Premiere do I need to capture, edit, and export 24fps 16:9 widescreen video so that it plays back with with the same video quality as it was captured? Do you think it is an encoder problem? The captured AVI is what ever encoder came with Windows/Premiere as I have not added any other encoders.
Any help would be apperciated. If I have not supplied enough information, please just ask.If the video is playing back badly in Premiere Pro from the timeline, then the things I would check would be the program monitor quality - is it set to highest...if you don't know where that it is, click on the 4 horizontal lines in the top corner of the program monitor - make sure highest quality is selected. It also may be a video card issue - are your drivers up to date? If the clips are only playing back badly on the PPro timeline (and anything exported from it), but fine in Windows Media Player - something is up.
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If you're going to finish to a regular DVD, then working at 29.97 is the way to go. As for the interpret footage command, highlight the clips in your bin, then right click on them - in the menu, you'll see interpret footage - click on that and a new window should open...you should see a box with a check next to it that says remove 24P pulldown - click it (removing the check) and the footage frame rate should change to 29.97 - then click OK...create a 29.97 sequence (DV NTSC Widescreen 48Khz), and edit away. -
Premiere Pro CS4 4.2.1 Halts rendering whatever I ask!
Hi there.
Finally I decided to post this.
I have been tracking in internet this situation for months... since PPro CS4 got out, I have been testing and working with it. However, I cannot say I prefer CS4 to other opponents (even one or two Linux apps oddly). The thing is when an app makes us spectate, we should have results! I cannot go back to previous releases of PPro because I need that queue in AME. So, let me beggin to explain the error:
The application (Premiere Pro CS4 or Adobe Media Encoder [AME]) halts forever when rendering video (a code loop? while "something"="some thing" then do "render frame again"?). So, happening the error in two aplications that use a bunch of files, I must say it is something used by booth like, my guess, PProHeadless. Moreover, the video it might have a filter or not, an opacity key, might be in a diferent format and created within adobe realm, or even outside like Fusion or Combustion, it can stop. And I say can because I am making tests these holy days to reach a conclusion: it's random. It might ocour in frame 150, or in 20 000, with some kind of format video or a filter or everything "as nature as" a PPro captured avi.
Graphics? Updated as today means. Windows? Up to date also! Adobe Premiere Pro? same thing as you already noticed.
This halt is documented by a png file atached to this post. With taskmanager also. That halt is typical. I am in windows 7 64bits, but also have winxp 64bits that produces the same error. The program can only be terminated by process kill and that sort of things.
As I have searched thoughout the internet, I have only seen a post in creative cows that appears similar to this. No luke for a solution yet. When update 4.2.0 came and I had an enormouse reliefe, thiinking it would "heal" the program... no good. I have not been able to respect some deadlines with clients. I will shift if necessary! At least the minimum would be an error ex spit by the program... nothing never came out. I'm blind and adobe might be also. All programs I've try to develop had error mannagement. CS4 release was something apparatuouse but could had wait for a 4.1.0 update in Premiere for instance... I am really tempted for a mac! At least I know what should I buy to make a program run in there... just a mac!
As I see, no software seems to be the problem. It's a fresh install of windows 7 and PPro CS4. Nothing else installed in the system but flash, vlc, acrobat reader MSN live, calim av, proDVD mercalli
Hardware bug or incopatability?
So... my specs if this helps:
Processor: AMD Athlon(tm) 64 Processor 3500+ 2.21 GHz
Ram: 5,00 GB 667Mhz
OS: Windows 7 Ultimate 64-bit Operating System
Graphic board: NVIDIA GeForce 7300 LE
MB: Asus M2N-E with Serial 3Gb/s RAID
Disks: 1 SATA for OS. SATA Disks for footage and project storage 7000 rotations all I think
I believe everything is Adobe PPro supported... so... where the hell is the problem?
Thanks in advance!OK
I have been these days arround this issue. Done many troubleshooting... trying to understand problems. Here is what I got:
Getting the hauppauge board off the PC seems to have stopped the "halt" of the encoders and renderings in Premiere and AME. Hope it won't happen again, but, It's kind an exclusion game... What was diferent from the setups I have seen in many forums and posts was this ancient board. Adobe shoulde analyse this one against Premiere CS4 and AME: Hauppauge WinTV-Go bt848 conexant board (or it's a lost of time... as it's not supported anymore in Windows, but is in Linux :] ).
As for the playback... a fine tune for performance options of my graphic board was able to reduce the jerkiness of video... so I had the idea to also overclock both processor and graphics. The result is this:
Before: Processing of video with the timeline in view (default workspace) was allways 100%, skipping so many frames that even entire clips coundln't send a sigle frame. Where only the output frame (ç shortcut) playback was almost aceptable, with processing at 100% and some times going leaving a tiny space for other things to process.... The fine tune of graphics board, was able to get in default workspace the insertion of may more frames in there, and with ç shortcut - output full mode, it was 95-100 spiking frequently between them.
Now: Default workspace: 80% processing... Output frame: 60-70% My pc is now in test to seach for the optimal (aceptable) overclock parameters. And it seems I can overclock even more (not in graphics but the processor).
This is good and aceptable for the computer setup...
However, to everyone reading this, please be very carfull at how you overclock. Be shure you read everything you can find (from reliable sources - your hardware suppliers, as for the processor, the mother board, the graphic board... etc..). If you mess something, better you have the money to replace :].
Thanks for everyting -
Media Pending with Adobe Premiere Pro CS4
First of all guys, I know this is not a brand new issue but please help me out as am providing details. Thank you.
I have JVC Everio jvc everio gz-hd5 60GB camcorder. As you probably know that it records file into .TOD format, I converted them into .MPG format. This is how I am importing to Adobe Premiere Pro CS4 before it's showing me golden little screen displaying PENDING MEDIA forever.
1. Import -> new project
2. Capture format -> HDV
3. Available Preset -> HDV108030p
Operating system detail
Microsoft XP Pro Version 2002 Service pack 3
2.19 GHZ, 1.99GB RAM, Intel core 2 duo CPU
p.s - I read some forums but the way they explained is too confusing.I dont think I have enough info about your computers and hard drives and so on to tell if you can really edit HD stuff , but at this point you should really convert the TOD file first anyway. I don't think just renaming the extension will make it work OK, but I found some info on the internet that might help you convert to a more editor friendly format...
Standard definition video is stored in MPEG program stream container files with MOD extension; in most other systems these files have extension MPG or MPEG. High definition video is stored in MPEG transport stream container files with TOD extension; in most other systems these files have M2T extension.[2] Transport stream files can be converted into more common program stream files without recompressing the video itself. For example, FFmpeg, a free software program, performs the conversion on Windows and Linux systems with the following command: ffmpeg -i myclip.TOD -acodec copy -vcodec copy myclip.mpg. Software, included with TOD camcorders, performs this conversion as part of capture process. A similar command is used for MOD files: ffmpeg -i myClip.MOD -vcodec copy -acodec ac3 -ab 384k myClip.mpg -acodec mp2 -ab 192k -newaudio.
You Gspot screenshot is good, and it shows that it doesn't recognize anything about the codec and codec name..the right side of the GSpot is usually full of information about the video file...like the frame size, FPS , aspect ratio, and so on. As you can see from the above paragraph you would probably benefit from converting the TOD file using FFmpeg or some other program like streamclip ( also free program )
That's your first step I think...
You will have to know what your video file is...from the camera manual you can find out the frame size and fps used, whether it is progressive or interlaced, etc... The reason you will need to know about your video file is because when you open the TOD file in a program like streamclip to convert it, you will want to convert it to basically the same specs, but with as a different "codec" and file type....but keep the same video characteristics as the original. -
Kodak videos lag in Premiere Pro CS4 timeline
Hey all,
Apperently there's a bug in Adobe Premiere Pro which makes it difficult to edit videos that were captured in a Kodak camera.
This issue was discussed here before, but even after reading all threads in the subject I could not solve the problem.
I've been trying to convert these files (.mov) to many other formats and codecs with no success.
After a while I got to find this crappy software that claims to specialize in converting Kodak's video files (iOrgSoft Video Converter). Between many tries of various softwares that was the only one that did it right. But the software isn't free. The trail version leaves a watermark on the each video.
Here are the details of the input file (stright from kodak Z950 camera):
General
Complete name : D:\100_0314.MOV
Format : QuickTime
Format/Info : Original Apple specifications
File size : 12.5 MiB
Duration : 7s 376ms
Overall bit rate : 14.2 Mbps
Movie name/More : EASTMAN KODAK COMPANY KODAK EASYSHARE Z950 DIGITAL CAMERA
Encoded date : UTC 2010-07-22 22:37:14
Tagged date : UTC 2010-09-05 15:01:09
Origin : Digital Camera
Video
ID : 1
Format : MPEG-4 Visual
Format profile : AdvancedSimple@L3
Format settings, BVOP : Yes
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Codec ID : 20
Duration : 7s 375ms
Bit rate mode : Variable
Bit rate : 14.1 Mbps
Width : 1 280 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Variable
Frame rate : 30.102 fps
Minimum frame rate : 30.000 fps
Maximum frame rate : 31.579 fps
Resolution : 24 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.508
Stream size : 12.4 MiB (99%)
Encoded date : UTC 2010-07-22 22:37:14
Tagged date : UTC 2010-07-22 22:37:14
Audio
ID : 2
Format : ADPCM
Format profile : U-Law
Codec ID : ulaw
Duration : 7s 376ms
Bit rate mode : Constant
Bit rate : 128 Kbps
Channel(s) : 1 channel
Sampling rate : 16.0 KHz
Resolution : 16 bits
Stream size : 115 KiB (1%)
Encoded date : UTC 2010-07-22 22:37:14
Tagged date : UTC 2010-07-22 22:37:14
Here are the details of the only output file that managed to work well in Premiere Pro CS4 (but it has a watermark):
General
Complete name : D:\100_0314.mp4
Format : MPEG-4
Format profile : Base Media
Codec ID : isom
File size : 8.47 MiB
Duration : 7s 374ms
Overall bit rate : 9 635 Kbps
Encoded date : UTC 1970-01-01 00:00:00
Tagged date : UTC 1970-01-01 00:00:00
Writing application : Lavf52.61.0
Comment : EASTMAN KODAK COMPANY KODAK EASYSHARE Z950 DIGITAL CAMERA
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : [email protected]
Format settings, CABAC : No
Format settings, ReFrames : 1 frame
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 7s 374ms
Bit rate mode : Variable
Bit rate : 9 558 Kbps
Width : 1 280 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 29.970 fps
Resolution : 24 bits
Colorimetry : 4:2:0
Scan type : Progressive
Bits/(Pixel*Frame) : 0.346
Stream size : 8.40 MiB (99%)
Writing library : x264 core 93
Encoding settings : cabac=0 / ref=1 / deblock=0:0:0 / analyse=0x1:0 / me=dia / subme=8 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=0 / me_range=4 / chroma_me=0 / trellis=0 / 8x8dct=0 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-2 / threads=1 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / constrained_intra=0 / bframes=0 / wpredp=0 / keyint=12 / keyint_min=7 / scenecut=0 / intra_refresh=0 / rc=cqp / mbtree=0 / qp=30 / ip_ratio=1.25 / aq=0
Language : English
Encoded date : UTC 1970-01-01 00:00:00
Tagged date : UTC 1970-01-01 00:00:00
Audio
ID : 2
Format : AAC
Format/Info : Advanced Audio Codec
Format version : Version 4
Format profile : LC
Format settings, SBR : No
Codec ID : 40
Duration : 7s 314ms
Bit rate mode : Variable
Bit rate : 66.15 Kbps
Channel(s) : 2 channels
Channel positions : L R
Sampling rate : 44.1 KHz
Resolution : 16 bits
Stream size : 60.1 KiB (1%)
Language : English
Encoded date : UTC 1970-01-01 00:00:00
Tagged date : UTC 1970-01-01 00:00:00
I'm looking for another way to convert this file correctly so it will work well in Premiere.
Does anyone have any idea about this?
Thanks in advance,
-Moshe.Hi,
If CS5 handles this right than I guess that's about it.
Thanks again for both of you.
This is CS3...with the mainconcept plug in trial ....as mentioned earlier...your original source loaded GREAT into the project...and plays great...etc....
The plug in trial gives that logo thing and has a limit of 5min video I think....although I've exported stuff with this and the logo was NOT on the final export...or was much smaller .....dont know if that would influence you on trying the plug in...
But what I mean to say is with cs3 it works great with the original file you supplied as a sample...
( I used this in another thread here where someone was trying to get timecode to run backwards...which is why you see that timecode thing...)
good luck with everything ! -
Premiere Pro CS4: Timecode issues (Scene Detect, Free Run)
Hi folks,
I am most familiar with Premiere Pro CS3. In the past, I have created multi-camera sequences that are synchronised by timecode. I have been shooting using the Free Run timecode feature across all cameras, as to maintain a sync'd timecode.
Now that I am using Premiere Pro CS4 at work, I am running into a few issues in preserving my timecode values during capture. I have recorded HDV footage using two Sony Z7's. I downconvert the HDV footage into DV upon capturing - this is so that I can use the scene-detect feature, and still supposedly preserve the timecode for each media file. I captured all of the tapes using scene-detect, and the timecode values were correct for each media file captured.
Having saved, closed, and reopened my Premiere Project the next day, the timecode values for the majority of the media files have been reset (ie, they all start at "0:00:00:00". This is very odd! Only a few of the media files have retained their correct timecode values.
Has anyone else experienced this? Could they please shed some light on this problem or quirk? Am I taking the wrong approach in capturing/organising media? I am following the same procedure as I had done in PPro CS3.
I have since deleted the Media Cache/Preview Files, requiring Premiere to re-index, and re-conform the media files. The timecode values are still incorrect. When I select all of my media files and tell them to go 'offline', the correct timecode values re-appear.
Many thanks for your help,
AndrewDoes anyone have an answer to this problem?? I think I am having the same problem. I don't have as much experience as the others on the
forum, but basically what I tried to do was filming a multi-camera event in free run timecode, then
captured in HDV split, and assumed I could get Premiere to align the clips accordingly. Anyone have any idea how to do this????
Any help is appreciated,
Thanks,
Aaron -
Premiere Pro CS4 and Canon 600d problems
Hello,
Recently I've been having a few recourring problems when trying to edit footage I captured on my Canon 600D on Adobe Premiere Pro CS4.
The footage shot on the Canon is 1920x1080 at 24fps, when I create a setup preset for these settings in Premiere the clips appear to import absolutely fine. The setup Ive created is shown in the screenshot below.
The problems start when I place the clip on the sequence and render it, once the clip renders the playback in the program/timeline preview window goes all weird and doesn't play the clip properly. Shown in the screenshot below.
First of all I thought this might just be a playback error but when I try to export it as a video file it says error and closes down. This is extremely irratating so i wondered if anyone would be able to offer me a soloution. I have a feeling it may be my setup preset but if so would someone be able to tell me the correct way to set it up for a canon 600d camera because whenever I try a preset found within premiere it exports the video at 720 resolution and very low quality.
Thanks very much for whoever replies, I appreciate it very much
MikeAhhh okay that sucks, is there anyway to convert the footage that I already have without drastically reducing the quality as I want my film to be the best quality that is possible?
-
Exporting Settings (Premiere Pro CS4 with Matrox)
Premiere Pro CS4
Canon XHG1 camera (HDV/Mini DV/NTSC)
Matrox RT.X2
HP Z800 with 2.4GHz Intel Xeon processor, 12GB RAM, and running Windows 7
I have experience with digital video editing in Premiere, exporting up to 40-minute videos (that took maybe 2 hours to export), but the last version I used was maybe Premiere 7 and I didn’t have the Matrox card (and was using a computer much less capable than this one). I was also just using a consumer-level camera, not the big Canon. Now I’m trying to export video and there are way more choices than I had before, and it seems like the estimated time to export is quite high, despite having a good machine and the Matrox card.
So my question is, is there a chart anywhere that says what settings to use for the particular output you are looking for? For instance, what should I pick for the web that is good enough quality but not a giant file? What should I pick if I want to make a DVD? Is there a way to directly export to a DVD if you aren’t manipulating the video at all? I’ve been told I should be able to utilize the Matrox card to reduce the export time, but it seems like it takes at least 5 times the length of the video to export no matter what.
I guess an important question here is, what is the normal amount of time I should expect something to take to export? I have a 2-hour video that just needs to be transferred from the mini DV tapes and burned to a DVD – no effects necessary. The lowest export time estimate I can get is around 10 hours, and I have no idea what that will look like in terms of quality when done.
In the future I will be doing mostly short (2 minutes or less) videos for web, so export time should be short, but I’d still like to know what the best settings are and how long it should take.
I hope this makes sense – thanks for your help!
GenevieveThanks for your help. I have copied and pasted my results below. It seemed to get through that queue very quickly, so perhaps the slowness is do to something more specific in the project I am working on. Perhaps a large mismatch in what I am capturing vs. what I am exporting? The camera is recording in HD.... I don't know much about hardware at all, and only know very basic stuff about exporting, so I know it is probably difficult to understand what I'm looking for. The last version of Premiere I had basically allowed you to choose format, size, quality, and codec whereas this version has so many different export settings I can pick from, it is hard to just guess and check which ones work best.
Hewlett Packard, Computer Manufacturer
HP Z800 Workstation, Computer Model
132.2, secs Total Benchmark Time
32, secs AVI Encoding Time
46.2, secs MPEG Elapsed Time
54, secs Rendering Time
Intel, CPU Manufacturer
Xeon E5530, CPU Model
2.40, GHz CPU speed
1, Number of CPU chips
4, Total Number of Cores
12GB, GB RAM
Premiere Pro CS4, APP Version PPBM4 DV
Win 7 (64), OSVersion
SAS, OS Disk Interface
500xR1E, GB OS Disk Capacity
15,000, OS Disk Speed
Same as OS, Project Disk Interface
Same as OS, GB Project Disk Capacity
Same as OS, Project Disk Speed
Same as OS, Preview Disk Interface
Same as OS, GB Preview Disk Capacity
Same as OS, Preview Disk Speed
Same as OS, Output Disk Interface
Same as OS, GB Output Disk Capacity
Same as OS, Output Disk Speed
NVidia Quadro FX 1800, Graphics Board
Using a Matrox RT.X2 Capture Card, Comment
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