Codec for hdv

hey guys~
i'm trying to open my hdv files and i'm missing codecs. which codec is necesarry for hdv files. thank you.

Yes, basically...
my settings are in hdv 1080i (easy setting, sequence setting, capture setting)
when i log and capture i see nothing, when i'm capturing from my cam i see nothing. i treid playing the mov file through qt(captured images) and it says i need codecs.. i'm really lost here

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Codec for HDV whent missing

I had to do an "archive and install" for my OSX and now I can´t play HDV material (1080i50). When I open the quicktime files I can hear the audio but see only a white screen. Clips that I shot in DV-PAL are still playing fine. When I try to open FCP I get the "Codec not found" error message, although I see the HDV codec in the FCP Easy Setup folder.
Any ideas why my I keep getting this error & how I could fix my problem? Thanks in advance for any suggestions.

I presume the FCP 5 install is a 5.0.4 version, which is what I see when I open my FCP 5 and check the "About Final Cut Pro" menu. When I found my old FC Studio installation discs I cant find one disc that would specifically be for installing FCP 5. There is the FC Studio installation disc, and then different discs for Motion2, Tutorials, DVD Studio Pro4, Live Type Media, Soundtrack Pro. Have I misplaced a disc for FCP 5 or is it possibly embedded in the FC Studio Installation disc?

Codec for HDV to share between apple and pc??

our boss got us 2 G5s and a PC workstation, we can now only share movie files in uncompressed format between different platforms which costs a lot of disk space
is there a CODEC which can be used in both APPLE and PC that encodes HDV in relatively smaller file?
G5 Dual 2.7GHz Mac OS X (10.4.7) FCP 5.04

i'm sure there's codec that use RLE could be
lossless: ]
but this is not what i want.
i just need the codec that could be shared between
mac and windows and keep most of the quality of HDV
and compression ratio is close to HDV codec itself,
When analog signals are converted into HDV digital data inside the HDV camera, your video is no longer lossless. It's not lossless because HDV is based on MPEG-2, which is not lossless. So, I don't mean to insult you, but your comment is self-contradictory.
or may i ask is there a HDV codec which could be use
both in mac and windows?
HDV is a codec, so the answer is HDV. Or... As I said before, H.264 may be used to further recompress high-definition video.

Best workflow for HDV 1080/60i/24pA with FCP 5.1.4

I've spent hours trying to find the answer to this specific problem on the discussion forums as well as the FCP user manuals and I can't find it, please help! I've got a Sony HVR-V1U and I recently recorded several hours of footage at 24pA. I would like to edit the footage in 24p, and preferably in a different codec besides HDV and definitely not in AIC. I don't have any experience with Cinema Tools and I can't seem to get any files directly from FCP to Cinema Tools no matter what I transcode the video to. Also, is there any way to transcode the video to ProRes because it is so much faster to render video in ProRes than in HDV.
Thanks in advance!

Removing pulldown is done during capture if you shot 24pa, and in Cinema tools if you shot 24p. However I don't think that camera shoots a version of 24p that works when you remove the pulldown pattern. I could be wrong, but as I recall, the 24fps video that the v1u shoots isn't exactly the same as that shot by say, a DV camera so might not work removing pulldown. Just looked at the specs at Sony on the camera... it does apparently shoot with a 2:3 pulldown, so after you capture, you might try Cinema tools for the removal. Never heard of anyone doing this with HDV though, so it might be pretty problematic.
That said, you should be able to transcode to ProRes in Compressor, and it should look great. Don't use your computer display to judge the quality of the results though, use an external video monitor. Artifact may show up on the computer's display when it's really not in the video...
Jerry

Sequence settings for HDV 720p 24 fps

Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

Don't stay nervous for ever, you're missing out on a lot of good stuff.
1. Repair Permissions.
2. update to OS X 10.4.8
http://www.apple.com/support/downloads/
3. update QuickTime to 7.1.3
4. make sure you have Motion 2.1 already installed
5. update all your pro apps with Software Update
http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
http://discussions.apple.com/message.jspa?messageID=3213777
Still nervous?
I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
I would convert the HDV to DVC PRO HD 720p.
Editing in native HDV is a pain because of the frame structure.
You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

FCP IMX codec for windows

Hi guys,
is there any IMX codec for windows so i can easly export my grahics from my PC to FCP without rendering? CMIIW
Many Thanks,
Bayu

Happy to help out, but you need to identify what cam or sequence settings you use to create the HD sequence.
HD means so many things, including HDV and DVCProHD.
What is it?
And what did you choose to export to that create a smaller movie file for use on the PC?
Because it seems you have converted the original footage to something else, otherwise the size would be the same.
You might try an export to h.264 that should work if your friend is using v.7 of QT on Windows.

[CS5] Project Manager Trimming not supported for HDV footage?

Yes, I have the licensed version of CS5 Production Premium.
The Premiere Pro "Project Manager" allows you to create a "trimmed" version of your project. That is, only the footage actually used in sequences (along with some handles) is placed in the new, trimmed project. For example, I have a project which uses only 1 second of an 11 second HD Quicktime clip.
original project folder which includes the clip = 352MB.
trimmed project folder is = 26MB
My problem is with a similar project using only a small portion of an HDV clip (M2T):
original project folder = 232MB
trimmed project folder = 232MB
There is nothing I can find int the Adobe help file regarding limitations for HDV files with the trim feature. This problem is not limited to CS5. I experienced it also in CS4 but resolving it was not a priority at the time. But I now have a large number of projects I wish to archive.

Jeremy, I am assuming that this is harder to solve, because it gets into Premiere and/or the mainconcept codec being used, not providing smart rendering. You can't just take the middle of an mpeg clip without rendering. Premiere could do this, but there would be a quality hit. Is there any chance we will see a more sophisticated approach to mpeg inside Premiere? And I am also interested in whether the long gop formats are/might be addressed differently from others.
Todd, here is the CS5 help file that should have this.
http://help.adobe.com/en_US/premierepro/cs/using/WS1c9bc5c2e465a58a91cf0b1038518aef7-7c74a .html
And it does not.
In earlier versions (I'm still CS3, and I think it was CS3 in which there was this discussion), I found that you could not work around this by creating a subclip. In fact, the original full clip would be repeated for each instance of the subclip.
If someone adds a comment to this help entry, and it is a weak attempt, do you edit the comment so that the help file is most useful?

Best codec for DVD export for editing

If I want to burn DVDs for a client who will want to edit the footage later, what's the best codec for that?

What editing application will they be editing with?
DVD's aren't the best archival solution. They hold 4.7GB of info, and that is like 20 min of DV quality footage. Forget about HD quality...Oh, unless you use HDV. That's the same data rate
Shane

SLLOWWWW encode for HDV to SD for DVD

I am now in the 2nd day of waiting compressor2.3 encode a 2 hour program I shot & edited in HDV.  I am outputting it for a SD DVD.  The longer I watch it encode the longer the time remaining grows and slower the encode process seems to be.
When I went to bed last night it was at 48% complete only to wake up this morning and it is now at 49%.
I set the encode tabs using the apple settings for encoding a 150 minute 16:9 video.  I believe it is a 2 pass setting. I am only processing the dolby 2.0 (which has completed) and the mpeg-2 vid.
I don't recall if I chose to de-interlace the video, but now on second thought if I did that may have been stupid because I'm not sure 1080i is interlaced...
My question or concern is, is this length on compression normal?  I haven't compressed a full HDV program before.  But even my longest SD compressions were under 24 hours.  I expected this to take a while but at this rate I am worried it won't be done until next Friday and then, who knows if it will have worked and I need to get it to a client by next week.
Thanks for your input.

FWIW, an improved FCS 2 (fcp - compressor) workflow with HDV content (I have a HVR-Z1P).
On advice from others and other forums, I do the following when working with FCP and HDV in FCS 2.
(option A) -
• import/ingest the footage as HDV.
• batch convert the HDV and RENAME the footage (from CAPTURE) in to APPLE PRORES 422 codec
• work the time line with output codec APPLE PRORES 422
• submit sequence (s) to COMPRESSOR (works fast)
• when finished, use MEDIA MANAGER to consolidate footage, and purge the HDV footage (if you have limited disk space)
(option b) -
• in FCP log the footage
• import the offline footage using APPLE PRORES 422
• work the project in APPLE PRORESS 422
• submit PRORES 422 sequqnces to COMPRESSOR
• watch cmopressor work this.
I dont have a tehnical explanation fort htis ony an optinion that for HDV to a MULTIPASS H.264 AVC transcode from FCP takes ages on this dual QUAD core (and worse on my old g5 QUAD).
Other methods you could try vary to taste.. THese are:
• from the HDV sequqnce - expoert a QUICKTIME REFERENCE MOVIE - sometimes is quick but most of the time takes ages... then
• set up a QMASTER VIRTUAL cluster with an instance for every two (2) cores you have on all machines in the cluster (plenty of info on this) in these forums. . On this octo, I have 4 x instances for example and one instance on each of the MBP's (unmanaged services).
• submit thereference movie to this compressor cluster.
Others have found better experience submittimg a SELF CONTAINED QUICKTIME movie as above.
post your results.

Intermediate codec for Premiere on MAC

What if you want to edit different sources and still have realtime playback and no loss of quality... On PC you use Cineform but on Mac ? Pro-Res works realtime only on Final Cut.. So what do you suggest for workin in Premiere on a Mac (possibly free) and keep realtime playback and all the quality? We are talking of HD footage (XDCAM) and HDv footage. XDCAM plays realtime (though only in MP4 wrapper and not MOV wrapper) while HDV doesn't. I could obviously convert HDV to MP4 XDCAM or both to P2 (this also is read realtime).. but XDCAM will not keep all the quality. Can somebody suggest something?

This is a few weeks old so I hope you've found a good answer, but for the benefit of others you have a couple options. First you can actually get a copy of the Cineform codec for Mac buy purchasing a copy of Neoscene for $99 (from Cineform). This would be my recommendation. You other option is to download Blackmagic's codecs for Avid's DNxHD codec packs (both are free on their websites). You can use MPEG Streamclip to transcode your files after you capture, or if you're tapeless, after you copy your files over. But a couple QT updates ago, I lost any DNxHD 36 playback...don't know why, don't care to test it.
Your system's more than fine to editt HDV natively (not sure who'd want to though)...my suspicion is that unlike FCP, Adobe uses their Media Player instead of Quicktime as the native video player for the NLE and since Mac's core is Quicktime that results in some sort of performance issue. I'm only speculation but stuff plays back fine in QT outside of Adobe.
I've never gotten anything thing one way or the other from Adobe about it (no surprise there). I get the same crap performance on my dual-core MacBook Pro as I do on my new 3+Ghz Octomac. And I won't even get started on how completely worthless HDV is. I haven't edited an HDV file for over two years, I just got too many damn MPEG stream errors and didn't want to deal with it.
I'm hoping a future update will allow me to use QT as the native media player instead of Adobe. So in the end, I convert all my source video (no matter where it came from or in what format) to Cineform and leave my headaches at the door.

Im trying to put songs i just purchased into my video on windows movie maker and the error comes up that the codec for the song is missing what do i do?

It's for my grandfathers funeral video tomarro and i can't get the songs i just purchased on itunes to work. They play but wont work when i drag them to the movie maker program. it says that the codec for the song isn't installed. codec?

werm21 wrote:
It's for my grandfathers funeral video tomarro and i can't get the songs i just purchased on itunes to work. They play but wont work when i drag them to the movie maker program. it says that the codec for the song isn't installed. codec?
The songs you purchased are in AAC format, which Windows Movie Maker cannot handle. You can use iTunes to make MP3 versions by following this guide: http://support.apple.com/kb/HT1550 and the MP3s will work fine.
Note that when iTunes does a conversion it creates a new file and leaves the original in place. Make sure you are grabbing the new MP3 for your movie and not the original AAC.
Sorry to hear about your grandpa.

Are there benefits to the Blackmagic Intensity Pro for HDV capture ?

Are there benefits to the Blackmagic Intensity Pro for HDV capture ?
I have a Sony HDR-FX1 that records in HDV 1440 x 1080
I have already captured the footage to miniDV tape.
Can the intensity card get the full 1920 x 1080 video ?
I now use Premiere to capture my video and my HDV is in mpeg2 and my SD is in DV type 2 AVI
What format does the intensity card capture at ?
Are there other ways to capture that would make the footage better.
From what I have read allot of people have had problems with these cards.
Im just looking for the best way to get the footage off my camera with the best resolution.
Thanks: Glenn

Glenn,
I have posted this before in the PC Buying Guide (post #23 and later), but have a look at this diagram:
The problem is that once recorded to tape, the material is compressed to MPEG and there is no way to get the data back, that were lost during compression. The only thing you achieve is that you lose device control, lose all timecode information, lose all metadata like date and timestamp and exposure data and lose the capability of scene detection. There are no gains to compensate the losses.
Compare it to a glass of orange juice, that was made by heavily compressing oranges. How do you think you can reconstruct the original oranges that the juice came from? Were there 4 large oranges or 6 small ones or a mixture? Were they light colored or were they dark or a mixture of light and dark?
BlackMagic in their marketing may lead you to believe otherwise, but the truth is they can only guess at how many oranges were used, their size and color. It is nothing more than a guess.

Hi all ,anyone knows some usefual Codecs for H.264 live video/audio

I'm headache about the JMF codecs ,they are too few ,and seems inefficiency, anyone knows pure java codecs for H.264 or MPEG4 ?And I think it's better a open source one ,do my thanks , guys!

Here are some basics....
FMLE creates RTMP protocol streams that PCs and Macs watch with Flash players. iOS devices don't understand RTMP (Flash), only HLS delivery of 10 second chuncks of downloaded video playback. Both systems understand H.264 video, but iOS wants to see AAC audio not MP3.
You didn't state how you are live streaming, meaning what bandwidth delivery service you are using. Live streaming only via RTMP won't get you to successful iPad and iPhone HTTP Live Stream. On-demand delivery to iOS devices normally requires .mp4 video files to be hosted, which Macs and PCs also understand via RTMP delivery. But unless your delivery service can convert .f4v or .flv files to .mp4 on the fly there is no easy way to to get to iOS via the direct file output of FMLE as of today. Sometimes we upload live encoded project files to our www.Wistia.com account for PC, Mac and iOS delivery. This is a YouTube / Vimeo paid type hosting service for on-demand only.
Some commercial CDNs (Content Delivery Networks) today allow an inbound live RTMP into their system using FMLE. Then they re-mux that RTMP stream into HLS delivery for iOS. Some work well using the native MP3 audio codec (Internap), but most require FMLE to have the AAC audio codec installed from Main Concept for $200. Or people use Wirecast from Telestream which is $500 per license to be able to run two instances on that one license.
In my 15 years of being a big commercial webcaster here in Silcion Valley, I have yet to find the perfect simple and easy and affordable RTMP to HLS live and on-demand delivery system. We currently do it different ways with multiple providers depending on the job. More offerings are coming out now and we try them all as they come down the pike.
Harvey Louie
Event Compression Group

Best editing card for HDV

what is the best editting card on PowerMac G5 that i can work either DV and HDV without lossing any quality especially in HDV
i getting a new PowerMac G5 & gonna use it for editting, i have DV & HDV camcorders , im trying not to loose quality for HDV when capturing
Thank you

None, really. FCP 5 is meant to handle DV and HDV (and DVCPRO HD) over firewire with no loss of quality.
BUT...if you are talking the JVC and 720 24p...then you'll need a capture card. AJA LH or LHe, depending on the model of G5 you have.
Shane
"There's no need to fear, UNDERDOG is here!"

Best Codec for exporting animations with alpha channel from FCP timeline

Whats the best codec for exporting animations (hopefully using loseless compression) that will retain alpha channel, and use the current sequence settings for fps and size?
Currently Im exporting image sequences, but I'd prefer a wrapper.. I don't know much about the 'Animation' export codec.. I did notice that set to current size had some funky value of 753x450 or something.. instead of my current project size of 1920x1080...
Anyhow.. Just seeing what others are doing..
basically Im reading out some titles that I'll end up dropping over video later.. but since they render out so slowly (**** lower 3rds is slow) Im trying to get a jump on the process..
Tx..

PNG should do it. I think PNG is lossless (that's what they say, anyway). But realistically, if you use PNG, Animation, or JPG2000 set on highest quality, I'd dare you to tell a difference.
I use PNG because it's supposedly lossless, renders twice as fast as Animation in a FCP timeline, and is usually about half the size.
If you use "Export Using Quicktime Conversion", you will need to check all of the settings manually to make sure they match your sequence settings. This is always true, no matter what codec you use.
If that sounds risky, your other option is to go into your sequence settings and change the codec to the one you want to render to (this will probably turn your whole timeline red), and then choose Export -> Quicktime movie.

Codec for hdv

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