Colour space (Aperture 2.1.4)

Everything I use to shoot photos and work with them has the colour space sRGB. But when I automatically open an image from Aperture in PhotoshopCS3 with the right-click, Aperture insert the colour space Adobe RGB. Where can I change this setting? I can choose the colour space for the export in export preferences, but not for automatically opening in another programm.

Yes you can,
I'm running Aperture 3 now so this is from memory and mightn't be exactly right.
On the top menu, Aperture, Preferences there should be a tab or setting for or external editor where you can set 8bit, 16bit, Tiff or PSD. From memory you should also be able to select the colour space as well. Assuming you're using the open with external editor you need to set the correct settings in the external editor section.

Similar Messages

  • Colour Space / Workflow question.

    Hi,
    I have been seconded to take photos at an up and coming family wedding.
    I will be using a Canon 300D Digital SLR, shooting in RAW, and performing post processing on a Mac using Aperture (yet to be purchased).
    I have established that my print lab works in the Adobe 1998 colour space. So, please let me know if I have the this right:
    As long as my screen is calibrated, and I work in and save my images as Adobe 1998, my prints should accurately resemble what was present on my screen?
    Is there a preference for which format (jpg, tiff, etc.) the images should be saved in for ensuring accurate print output from a pro lab ? They charge per print for RAW conversion, so I'm looking at saving finals as TIFF as the logical alternative.
    Also - can someone tell me if I should necessarily set the camera parameters to any particular colour space ? On the Canon, I have the option to set Adobe RGB, or a number of Canon pre-sets, or in fact set my own pre-sets for tone, colour saturation etc. Does this even matter if I'm shooting in RAW ?
    Any other advice on how I can ensure consistency in this workflow for this and future projects ?
    Sorry for all the questions, but many thanks,
    Paul
    MacBook Pro   Mac OS X (10.4.7)   23" Cinema Display

    I took your advice and sought more info from my lab.
    They have provided me with a calibration image on CD
    as well as a print of the same to do some side by
    side comarison with my monitor. They also provided a
    colour settings file for Photoshop. Armed with all of
    this I seem to be getting closer to understanding the
    necessary adjustments (although I temporarily
    confused things by introducing my home printer into
    the equation, until I realised that this thing also
    has it's own colour settings).
    To me, it sounds like the color settings file for Photoshop is most likely the color profile data I was talking about - does it end in .icc? What are the instructions for installation?
    After you install it you can check the "Proofing Profile" dropdown in Aperture to see if you see anything like it - you'll need to restart Aperture after you install the icc profile (I think).
    You can import the image from teh CD into Aperture and try using the proofing with the color profile sent to see how close it looks.
    Basically the idea of the proofing and the profile is that by turning on on-screen proofng, you are taking the colors you have and seeing how the smaller range of color availaible in the printer will reflect what you have.. this gives you the ability to alter tones until the image you have better fits into the range of colors the printer can produce.
    I haven't purchased Aperture yet, but I presume there
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    Aperture makes use of any color profile defined in the system, so hopefully the installation instructions are for general OS X color profile installation. If it's an icc file you can install it for use with all of OS X.
    Correct me if I'm wrong, but from what you're saying
    it actually makes no difference what parameters I
    specify in my camera if I'm shooting in RAW ? This is
    good to know, as the Adobe RGB setting in the Canon
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    home printing' needs wheh shooting jpegs. So,
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    preference) and work with a calibrated screen I
    should be okay ?
    Yes, all true. I just want to make sure to note that the choice of color profile does make a difference shooting JPG as it will affect the colors that are defined in the file (and the viewing of them in a browser), but from your comment above it seems you understood that aspect.
    I calibrated my current monitor (using software only
    at this stage). Does it particulary matter which
    colour space I choose to start from, if I'm modifying
    brightness, gamma, temperature etc. to save as a
    custom profile ?
    I'm not sure here what you mean by "color space you choose to start from".
    Also for profiling even a cheap device like the Huey would probably be a lot better than the software profiling - I went that route at first as well but the hardware stuff is worth it.
    One last, slightly dumb, question. Are "Adobe RGB
    1998" and "Adobe RGB" the same thing ?
    Yep, pretty much the same thing by slightly different names.

  • Colour space incorrectly reported

    When exploring the metadata panels, I noticed all my photos were marked as Adobe RGB. This is incorrect as the camera was set to sRGB, which Photoshop Elements reports too.
    This happens with Canon 20D RAW and JPEG files.
    Anyone else notice this?

    If this is happening with JPEGS then it's an issue,
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    converted, let alone ICC profiles.
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    Also the manual reads
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    So it seems that Canon are nudging me towards using sRGB anyway. (I generally don't use the basic zone modes anyway, rather the aperture and shutter speed priority modes instead).
    All my RAW files are IMG_ files. Not only that, but Canon's utilities report what colour space is associated with the RAW.
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    calibration - sRGB and Adobe98 are profiles strictly
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    to the screen will mess up the displayed colours.
    Why then is there a display profile for sRGB and Adobe RGB in the System preferences? I don't understand what you mean here, sorry.
    In general, Adobe98 is a larger space than sRGB,
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    Ian
    I don't use a hardware calibrator (yet - budget constrains). I have just used the Disply prefs to assign the sRGB profile. I tried the Adobe RGB one and like I said it looks dull and subdued for everything else.
    I notice in the following thread :
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    you said
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    2b. In general, anything for screen or web use should be in sRGB.
    The vast majority of my stuff I will put on a website for friends/family to view, so I have everything set to sRGB along the way so I can get (I hope) a fair idea how it is going to look. I do print things out occassionally though - I send them to a photo lab, I don't bother with a home photo printer. For the couple of photos I sent off, I didn't have a problem. They were JPEGs saved (pre Aperture) off the RAWs taken with the camera set to sRGB.
    Since the images are in an sRGB profile, doesn't it make sense to have the monitor set to use that same profile?
    I am happy to admit that I am an utter novice with the digital side of photography, and the different colour profiles and what not have me confused.
    Any explanations are greatly appreciated
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    17" PowerBook G4, 20" iMac (Intel)   Mac OS X (10.4.6)  

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    Newbie alert!
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    There's a little camera gizmo titled "Camera Calibration" underneath the histogram, but it's not there.
    I've read that there should be some control in the middle beneath the preview but there's nothing there either.
    Is this hobbled in Elements?
    Thanks,
    Keith

    ElephantSandwich wrote:
    Thanks for the reply: I'm aware I can set the colour space in the editor but my concern is that if it's exported from Camera Raw as sRGB then converted to AdobeRGB that there may be some information loss, my thinking being that getting it right early is better than later.  Am I right in thinking that converting from sRGB to ARGB will lose information, or more likely won't have the full information set in the first place because the initial export from RAW is to sRGB?
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    You are perfectly right that the resulting image (psd, tiff, jpeg...) when you save from the editor will keep its color profile and that converting sRGB to aRGB won't add any useful information; that's what I said in the other post.
    When I was experimenting on that matter with other users in another forum, I was able to select previously edited raw files containing subtle tones in green/cyan and re-process them in aRGB instead of sRGB and I got better results on my 6-inks home printer.
    Don't believe all images will be better in aRGB, there are not necessarily 'out of gamut' colours in all of your pictures.
    Edit
    I just realized that I have missed to put the link to the other thread:
    http://forums.adobe.com/message/4619442#4619442

  • Changing Colour Space - How do I save an image in Adobe RGB 1998?

    I wish to submit an image but it is required to be "Saved in Adobe RGB 1998 colour space".
    Any suggestions?

    Export it an open it with Preview and assign Adobe RGB using preview
    LN

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    Hi all,
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    Looks like I was confusing the Ghent Workgroup specs (and their use of TrimBox to define an area for print elements) with the PDF/X-4 standard which clearly (6.1.3) says that anything drawn on the page is a print element.
    Sorry for the confusion.

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    I create a text box in Indesign, place an image over this text box with a solid colour as the border in the image, then set the colour of the text box to be the same colour as the border of the image, using the eyedropper. The RGB numbers of the text box colour and the colour in the image are the same, and the colour space of the text box and image are the same, as is space and blend space of the Indesign document - all sRGB IEC61066-2.1.
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    Many thanks

    I think I have solved this: by going to edit > Assign profiles > sRGB
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    Nancy O.

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    Thanks for the answers to my last post about sharpening and workflow.
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  • Pixma Pro 100 Colour Space Questions

    Hi
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    Thomas
    Solved!
    Go to Solution.

    You can not set the printer to match the monitor.  You must set the monitor to match the printer.  But the printer is already calibrated by the factory.
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    EOS 1Ds Mk III, EOS 1D Mk IV EF 50mm f1.2 L, EF 24-70mm f2.8 L,
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