Confusing issues with ORM.

Question

I am having some very confusing issues with ORM.
CF 9,0,0,251028 , developers edition locally hosted, Window XP 5.1
First I created a test in it's own directory using the book club database. Created a CFC called Books and everything ran fine.
But when I move the test to the root of one of my projects it gives a "Mapping for component Books not found."
I set the correct [this.ormenabled = "true"; and this.datasource = "cfbookclub"] in the application.cfc and the test cfm is in the same directory (project root) as the app.cfc and Books.cfc.
I can cfquery the books database from the test cfm just fine.
The main project is in Mach-ii, but the test does not invoke any mach-ii elements, index.cfm is not run - just the test cfm.
I have event commented down the application.cfc so that all is left is
this.name="myApplication";
this.ormenabled = "true";
this.datasource = "cfbookclub";
Also - as a "crazy try anything" I did:
this.ormsetting.cfclocation ="books.cfc";
and created an ORM directory and tried:
this.ormsetting.cfclocation ="orm";
and
this.ormsetting.cfclocation ="C:\ColdFusion9\wwwroot\eBusiness\books.cfc";
Further info:
My test.cfm is essentially:
<cfset books = EntityLoad("Books")>
The header on Books.cfc is:
<cfcomponent persistent="true" entityname="Books" table="books">
Any help would be appreciated.
Sam.

Answer 1

its important to use the same exact cameras on multi camera shoots. also important to take color meter and see what the lights give you. sodium vapor and tungsten and flourescent all need different " color correction" gels to make them equal 32k or 56k .. and its not just orange and blue correction ...its also green and magenta etc...
professionally , you cant do all that at the " lens " with cc filters..you need to actually get to the lights physically ( with scissor lifts or cranes ( manlifts ) and gel the lights too ).
Once you have your lights corrected and ready to shoot...all cameras need to shoot "color swatches - usually Kodak .. with a single light source that equals what your camera is set to ( color temp )...and that is used to get your balance correct in post.
That said it sounds like you are screwed...
To have someone try to correct that professionally would cost more than you can afford, or you would have used that " money " to correct your color etc in the beginning... in other words, if you could afford to send everything to a pro lab and try color correcting all that stuff, you wouldnt have this problem to begin with IMO.
My suggestion:
Since wrestling is a gritty sport and " manly " and full of emotion that is basically " tough " and " hard " ....trash the color altogether and make everything black and white... maybe increase your contrast a tiny bit ...or maybe add a slight " tone " to it....( not sepia which looks just " old " , but maybe slight blue tint ? ) ...something to make it look as gritty and hard as you can...
Then tell client you did it on purpose !  Is part of your concept to begin with... wow them with your creativity !