Export to DVD in 1280x720 in best resolution

I'm using a Canon XH-A1 for my shooting, using premiere to capture and not having any problems with that. Finish my editing and link to Encore without any problems. I'm trying to burn to a DVD at 1280x720 is this not possible? Like the image below I change my format to Mpeg DVD but won't let me change resolution. The previous window lets me set up my transcoding for Blu Ray and DVD, I just need DVD just hoping I can output as much quality seeing that I'm using an HDV cam.
Thanks

DVD-Video supports a maximum frame size of 720x480 px for NTSC systems, and 720x576 px for PAL systems, so no - it is not possible to create a high-definition DVD.
Blu-ray can support high-definition frame sizes.

Similar Messages

  • Best Resolution/Quality Settings For 4:3 Video Going To DVD...

    Hello,
    I have several old Hi8 tapes that were imported into iMovie 10x and need to find the best export quality for these uncropped 4:3 videos. They will be exported via "Share > File"  into an MP4 file format (with H.264) and then sent to a third-party DVD program. So, what resolution and quality settings do I use?
    Do I use the highest resolution (1280x720) and then gauge down the custom quality until it can fit on a 4.7GB DVD?
    Do I use whatever resolution that can handle the quality of "High" and still fit on a 4.7GB DVD?
    Peace,
    Dr. Z.

    Hi
    DVD is as standard - Interlaced SD-Video quality - Whatever Video-DVD authoring program used (e.g. iDVD, Toast etc)
    Feeding iDVD Higher resolution and Progressive material - Will not improve the final DVD but decrease the quality as iDVD do a bad job in downscaling.
    To get best possibly result I do
    - Use a Video-Editing program that can handle - Interlaced SD-Video quality - as iMovie up to HD6 and any version of FinalCut.
    iMovie'08 to 11 can not do this in full.
    - Export as QuickTime .mov (just straight off) - if iMovie HD6 then just drop the Movie project icon into iDVD (All Quality is preserved)
    - Brand of DVD used - I only use Verbatim
    - Type of DVD used - RW-DVD usually do not work. R+DVD only works on Newer DVD-players - I use R-DVD
    - BURN SPEED - I set as low possibly
    - Free Space on Boot Hard Disk (Mac OS/Start-up one) - never less than 25Gb
    This should deliver best possibly result.
    Good Luck !
    Yours Bengt W

  • Best way to export for DVD

    Hi Guys
    Right, I am exporting to DVD and i want to know the best way to do this at the highest quality, but also, so the DVD will play on most players.
    I am shooting in HDV 1080i 60, importing to Final Cut Pro 5.1.4 (the older final cut pro) using the apple intermediate codec.
    I want to make the best quality SD dvd. The content is rarely over 5 minute's (kids music videos) but i am preparing a 50 minute show which needs to be put on DVD.
    I usually use; export to quicktime movie, with the setting dv pal 48 khz anamorphic, i use DVD studio pro also to make the DVD, but not sure what the best settings are.
    PLEASE HELP.

    The BEST export method I have found by comparing them all is by exporting using Compressor and the DVD Best Quality setting. Now this setting gives you a few different options for length of your project: 120 minutes, 150 minutes, or 90 minutes. And then with each of these length options comes the option of 4:3 or 16:9. So if your project is 50 minutes, select the DVD: Best Quality 90 minutes option, either 4:3 or 16:9 depending what your project is. After laying your cursor over this option it will open up a list of audio options. What I do is just select the "All" option, which then lists all 3 audio options in your batch window: AIFF, Dolby 2.0, and MPEG-2. What I then do is just delete the MPEG and Dolby options, leaving the AIFF. After waiting for it to compress (make sure you specify a destination for the files so you can find them) it will give you 2 files, an MPEG-2 file which is the movie file, and an AIFF file (looks like an itunes file) that is the audio file. At this point, open up DVD Studio Pro and drag these 2 files into the assets window, and you're good to go from there. Hope this helped.
    -JP

  • What is the best frame rate to shoot/edit with for export to DVD?

    Hello, I am going to shoot some instructional martial arts videos that need to be exported to DVD. I haven't exported to DVD since 2005. I am curious what the best frame rate is to shoot with and edit in Premiere to export to DVD. I've read conflicting information online. Some forums say that you can edit in whatever frame rate you want as long as the output is SD, 30i, which seems outdated to me.
    I'm shooting on the GH2, so my options are 1080 24p (which has terrible strobiness compared to other cameras at 24p), 1080 60i, 720 60p, and apparently there is an HBR firmware update that allows 1080 30p. I want the motion to be as unstroby as possible, without being too soft. My friend's camera can shoot 1080 60p and I'm considering buying the G6, which also shoots 1080 60p. But I've read online that 60p to DVD looks choppy.
    Any advice would be greatly appreciated. Thank you very much.
    Jeremy

    Thank you Jim. I do have one more question with regards to your advice:
    I am putting the new firmware on my GH2 today, so I will be able to capture 1080/30p as opposed to only 1080/60i to edit in the 30p timeline. Is there a reason you would prefer 60i over true 30p at the same res? I've had problems with interlacing in the past never quite going away and getting funky when doing slow motion and other effects.

  • Best settings for export to dvd

    I am exporting to dvd from ppro cs5.  I am on windows 7, 64 bit, 6gb ram, intel I7 core.  My export - match source, highest qualtiy, looked a little glitchy in some areas and the text did not look very clear on my titles.  I think that all titles are appropriate size fonts.  I am using hdv footage and my timeline is set up to match the original footage.  I did have a lot of excess files on my hard drive which are now deleted. I defragged about 4 times and am now trying again.  I am testing two settings - the first, export to dvd, highest quality, the second, I customized to the same mpeg2-dvd, 2 pass vbr, min 2.80, target 5, max 8.  Does anyone have suggestions as to how to export the "best" quality image possible to play on a computer or on a dvd?
    Thanks,
    Lisa

    Don't use Match Sequence Setting in the export because it uses the wrong settings.
    Use a mpeg2-dvd preset and tweek the settings a bit.
    Make sure the fields are set to upper as the source is HDV.
    Check the Use Max Render Quality.
    See how that works out.

  • Still images exported to DVD look deinterlaced and flicker on TV monitor

    Hi,
    I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
    My FCP Timeline Sequence settings match the image resolution:
    Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
    Pixel Aspect Ratio: Square
    Field Dominance: None
    Compressor: Photo JPG (also tried, DVCPRO-NTSC)
    I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
    Final output of DVD will be on this monitor:
    Specifications:
    Ikegami
    Model: VCM-2101
    Resolution: 450 TV Lines (Horizontal)
    Should I crop the images to 450 horizontal pixels or the double of that 900?
    How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
    Compressor:
    I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
    In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
    I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
    Thanks a lot..
    Re: Poor Quality Stills
    Dec 19, 2006 4:08 PM (in response to Steve Braker)
    Things to try (In increasing order of image degradation)
    - (in FCP) field order>none
    - (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
    - (in FCP) flicker filter - minimum
    - (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
    - (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
    - (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

    Dear Russ,
    Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
    make a progressive sequence with  square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
    Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
    Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
    If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
    The images are not interlaced after  I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
    Please help and thank you for your comments.

  • Exporting to dvd studio pro

    What is the best way to export sequences to DVD Studio Pro for output to DVD Video (PAL), just for television viewing? Currently using quicktime movie, but are finding artifacts on both menus and footage. Pixel type flashs, not always in the same places (seems to alter each time I do a new build).
    I have been told to experiment with Compressor, but there are so many options where do I begin? Also how does the sound work with Compressor, whats the best sound file to use, does it matter?
    I'm using FCStudio5 (upgraded recently from FCPHD4.5. Everything used to work fine on old version, now seem to have continual problems.

    The best way to export to DVD Studio Pro is using Compressor - it's also the fastest way!
    If your footage orriginated in NTSC, export it directly to PAL. It will take a little longer as PAL (720 x 576 @ 25 fps) has higher resolution than NTSC.
    It doesn't really matter what sound setting you use, as long as it is 192 Mbit/s or higher.
    Then create a DVD Studio Pro using the PAL settings and bear in mind that the picture frame (including menus) is 720 x 576.
    If you regularly send/sell matherial to Europe, it's much better to shoot it in PAL!

  • What are the best sequence presets and settings to use in FCE for the best resolution with the least amount on strain on computer?

    Hello!
    Can someone please help me figure out the best settings to use in order to obtain the best resolution in FCE4 for a television show that is going to be sent out on full size Sony DVcam tapes, with 4:3 aspect ration and audio output at 48kHz? I am currently working with mixed media sources in Final Cut Express, and I am wondering what the best settings (presets and preferences) are, in order to provide the HIGHEST resolution possible, while putting the least amount of strain on my computer system?
    I am importing mini DV-standard definition footage and still photos (from Canon Rebel camera, HD CMOS Canon camcorder that records in 1440x1080 at 48 kHz, and cell phone photos). For voiceovers I use the tools in FCE.
    I use Voltaic (which I use thanks to recommendations from Apple discussion boards, love it!)  to convert the footage from the HD CMOS-Canon HD VIXIA (HG 20) camera, and then I am using print to video to output onto Sony DVcam tapes (full size). This is for delivery for a television network that broadcasts in Standard Definition, so I need to produce the highest resolution and best quality possible that also puts the least amount of stress on my computer system.
    If anyone has any recommendations, help, or sources that can help me answer this question I would be greatly appreciative.
    Thank you!
    Susan Kayne

    This is happening because your video clip properties do not match your sequence settings.  This is always a problem when you try to insert video from multiple camcorders/cameras (that use different video codecs, frame sizes & rates) in a single sequence. 
    It will help a lot if you provide more specifics - what FCE easy setup did you use to create your sequence?  For your DV footage, are you using standard 4:3 DV or anamorphic 16:9 DV clips?
    If you plan to export to standard def (DV/DVCAM) and are mixing DV from a miniDV camcorder, stills, cell phone images and AVCHD then I would suggest that you use the DV NTSC easy setup for your sequence.  Use MPEG Streamclip or similar utility to convert your non-DV video (your AVCHD video) to QuickTime/Apple DV-DVCPRO NTSC.   Then all your video will match your sequence settings.  Yes, you will have to crop the AVCHD footage to 4:3 and you can do that in MPEG Streamclip.

  • 32" LCD Monitor - Best Resolution???

    Hello all -
    I just bought an Olevia LT32HVE LCD monitor to use with my G5. I'm wanting to find the best resolution setting so that it won't be horizontally whacky, yet still a good amount of real estate on the screen. At the recommendation of a friend who has a 42" monitor, I downloaded Display ConfigX so that I could change the default settings. After registering and installing, I changed the resolution from 1280x1024 to 1280x720 as my friend suggested. The resolution now LOOKs OK, but it's a bit large for my taste. I'd like to get a bit more real estate on the screen by making the overall image more condensed. The LCD manual says that it's highest resolution is 1366x768, but when I tried that, the monitor blanks out (to blue) and says the rate is not supported. Probably has something to do with the refresh rate as well? I then have to hook up a second monitor just to get the large one to come back (viewing-wise).
    Any suggestions on some resolutions that this LCD monitor will be able to use? Or am I missing a key factor?
    Thanks -
    G5 Dual 2.0Gig   Mac OS X (10.3.9)  

    I was able to get the monitor to work at 1360x768 @ 60hz, but it looked a little rough around edges. Looks better at 1280x720 in terms of clarity and sharpness. But it's still the exact same size (at least, viewing-wise) as 1280x720.
    Is there any way to get more real estate happening? Even though it's not horizontally crazy now, it's overall still very large.
    Thanks -

  • Long Video Export to DVD

    I have a video that is from a presentation. The length is over 3 hours long. I took slides from a powerpoint and overlaid them in various areas of the video and it looks good. My question though is what the best export method is so that I can put it on a DVD and have it still look decent. Any ideas? I did a NTSC/PRO and it made a mediocre looking video that is 42gig. Very big!

    I did a NTSC/PRO and it made a mediocre looking video that is 42gig. Very big!
    I assume you mean that you exported as DV/DVCPro NTSC. If so, that would require about 13.3gb per hour, which would be about right for a program over 3 hours in duration.
    As for exporting for DVD, you can export a self-contained or reference QuickTime Movie from FCP and then use that file in iDVD, DVD-SP or Compressor. Or you can export "Using Compressor."
    For a program that long, you should consider using dual-layer media (DVD-9) or two single layer (DVD-5) discs.
    -DH

  • Big problems exporting to DVD

    Hi
    I have a 55 min sequence that I'm trying to export using the DVD settings in compressor. I have tried all the options but keep getting the same problem. Either DVD studio pro tells me the format is incompatible or the movie file is incomplete. I have tried all the options in compressor but keep having problems and I really need to get this project completed.
    The sequence is pretty normal, the same as I have done before without any problems so not sure where I am going wrong. Is there a work around? Perhaps exporting as a QT movie then re-compressing for DVD.
    Any help would be grateful, I've posted on Compressor forum and it was suggested to double check settings.
    Many Thanks
    Adrian.

    Hi David
    Thanks again for replying. I've been using the DVD preset settings of best quality 90min. (Mpeg 2 6.2mbps 2-pass, Dolby digital professional 2.00) Although I have tried the fastest encode preset resulting in the same problem.
    Incidentally, I have used magic bullet filters for the first time on the sequence, would that contribute to the problem?
    Also, if I go down the exporting to Quicktime route and then re-import, do I then use the same DVD preset settings and will there be a drop in quality?
    Thanks, in anticipation
    Adrian

  • Export to DVD Studio using Compressor

    I just finished burning a DVD and the quality is terrible:  colors all washed out; audio comes in and out.  It's a 34 minute video.  My export work flow was as follows:  First exported by created a Quicktime reference movie.  In Compressor, settings were DVD 90 min Best Quality.  
    What might have I done wrong?  What other information should I provide here? 

    The footage looked bad in the DVDSP viewer.  I'm relatively inexperienced with DVDSP.  Here's my confusion:  I've googled "FCP export to DVD" and I see (seemingly) conflicting suggested workflows:  Some suggest exporting your sequence to Compressor.  Others recommend converting to a Quicktime reference movie first (as I did) before sending to Compressor.  Not sure which is the most appropriate approach, and whether my choice of work flow impacted the ultimately quality of my DVD output. 

  • Should HDV, being exported to DVD, be UFF or LFF?

    I know that HDV is upper field first. We capture and edit, and then use the Adobe Media Encoder to export a .m2v.
    What gives the best quality? I'm partial to clicking 'Deinterlace' and setting the Fields to 'Progressive'.
    Is that the best way to export HDV to DVD? Should I be deinterlacing? Or should I leave it interlaced? And if I do, should it be UFF or LFF? AND, if it IS interlaced, won't it look all mucked up if the DVD is played back on a computer?

    Alright, I just tested it.
    Here is what I found.
    I had an HDV file with a really "bad" pan in it where I quickly swept from one subject to another. I put no effects or anything on it.
    I went to the Adobe Media Encoder with the following settings:
    NTSC
    Interlaced
    Quality: 5
    Bit Rate: CBR, 8 Mbps
    I made one UFF and one LFF. I burned them to a DVD, and watched them back to back.
    They were both so identicle that there was absolutely no difference between me and 3 other employees looking at the footage. Visually, there was no difference.
    So then I imported both .m2vs into Premiere. I loaded both of them into the Source monitor, so I could look at individual frames.
    The LFF one had a "dropped line" at the very bottom. As if the very last field was missing, and appeared as solid black, although I have a suspicion it might actually be alpha. In Encore, it actually showed up as a very thin line of garbled reds and greens and blues and whites. But only in the preview. Nothing appeared on screen.
    The UFF seemed a bit more accurate. The fields spanned from top to bottom, with no "jiggling" at top OR bottom.
    I went to the middle of a quick pan, and put matching frames from both files on top of one another, then quickly went back and forth to compare differences.
    The LFF file seemed to have some "mushing" in the quick pans. As if someone went in there and kind of rubbed out some of the detail. The UFF still appeared sharp, and still had very concice interlaced stepping all the way through.
    Therefore, on a screen, I saw NO difference. But in Premiere, comparing both, it seems that going UFF is a bit sharper and a bit more technically accurate.
    If anyone wants to try this out for themselves, please share.
    But in my oppinion, with HDV footage going on to DVD, here are the best export settings:
    .m2v
    (leave it interlaced)
    quality of 5 (out of 5)
    CBR, 8 Mbps
    Field Order: Upper Field First
    Let me know what you think.

  • Can I make 1080i into progressive before exporting to DVD?

    This excellent post explains how my HV20 1080i60 footage can be made progressive by using the ProRes setting:
    http://docs.info.apple.com/article.html?artnum=306389
    However, doing this sextuples the file sizes, and I have 50GB of footage on this project and needed it all on my MacBook, so it was a no-go.
    Is there a way to apply this ProRes now that I have my project edited in timeline (4 minutes) before exporting to DVD? Or could I somehow use the ProRes setting itself (rather than one of the DVD export settings) to export the project to burn on a DVD in DVD Studio Pro?
    Or is applying a Deinterlace filter going to do the same?
    I would keep the framerate at 29.97, as it is destined for broadcast.
    Thank you,
    MaW

    Thank you very much for superfast replies.
    You are right about the broadcast, I just checked the Viacom submission specs, and for HD it says “MTVN requires delivery of 1080i (16 x 9) aspect ratio program material, at 29.97 frames per second (59.94 fields/sec) for broadcast.”
    It would be quite silly to go from i to p to i.
    I just wanted to do everything I could to make it look less sharp and videoey (being a $1,000 CMOS camera...)
    I am now trying to add some grain with the CGM plug-in...
    Very interesting about the Deinterlace Filter vs. Frame Controls.
    Which one of the four should I select?
    (Fast (line averaging), Better (motion adaptive) Best (motion compensated) and Reverse Telecine)
    I would want the best possible result, of course.
    Also, should I leave the ‘adaptive details’ box checked?
    For future reference, if I wanted to export 1080i timeline and make it progressive, could I still follow the article instructions and select Reverse Telecine (I’d probably keep the framerate at 30)?
    This would seem so much easier than having to do the pulldown on ALL your footage before starting to edit...
    Thank you
    MaW

  • How to get Best Resolution from iPhoto to iDVD

    I have some excellent photographs in a slide show that I want to burn to iDVD. I have tried sending to iDVD but am not happy with the resolution. I have read on this forum that the resolution will always be less when transferred to iDVD.
    So my question is in two parts
    1. If using iDVD what steps can I take to ensure the best resolution? I can't crop to screen size at it ruins the composition.
    2. If not iDVD then what will give me resolution as good as or nearly as good as the original slideshow?
    Cheers
    Ollie

    Hi Olie,
    It's late so I'm to lazy to google it but is Australia PAL or NTSC? In North America we are NTSC. This means that a DVD will have a resolution of 720x480. It won't matter how high of resolution your files are or what program you use to create the DVD: a standard definition DVD will have 720x480 pixels. Next, the whole DV/DVD specification was designed for motion video, not for still images. So, in general, it is a good idea to apply at least a slight motion keyframe (Ken Burns effect). The following tutorial actually uses PS and After Effects but it gives you an idea:
    http://forums.creativecow.net/articles/kramer_andrew/slideshows/slideshow.htm
    Of course there are some high-defination DVD options on the market now... in the $1,000 range for a burner!
    Mike

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