Exporting for color

I want to prepare my film for export to put on a drive and bring to my colorists studio (he is using color).
What kind of file (I'm assuming a quicktime) should I export for him so he won't have to notch every shot, meaning a file that breaks down into each specific shot for him to color correct?
Thanks,
Adam

clean up your list:
render out speed changes, bake in multiclips (don't just collapse them -- pick the actual clip used and re-imbed it), Command-drop sequences onto a timeline so that the individual clips land and become independent. Reduce the number of tracks in use to the absolute minimum --no more than four.... one would be good. Remove all filters that will confuse the re-import to FCP (ie colour corrections).
Media manage the project out so that you are working with as small a source media file as possible -- handles are a sometimes appreciated luxury as occasionally COLOR misses IN/OUT points, especially in 23.976 fps, and nearly always in 25fps. If you are comfortable in a codec such as DVCProHD, good... ProRes422(HQ or otherwise) are bigger, but also good. VERY BEST uncompressed 10-bit gives the colour resolution/depth that colorists CRAVE -- it is the meat on the bones. Do not attempt to submit non-supported codecs like Animation, HDV, XDCam or foreign versions of Quicktime (Dnx Avid, for instance). Tiffs are okay -- the only still file that COLOR respects -- even FCP still movies are ignored.
Your colorist will load the Final Cut Media Managed project, verify it, SEND to COLOR... almost done except for the fun part.
JPO

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Edit Color Sync for Exports for Web Sites

Hi,
Perhaps this has been covered, but I've not found the thread. Most of the export color sync questions seem to revolve around printing or displaying on one's own monitor. Neither is an issue for me. However, I note that my RAW images exported from Aperture 2.0 as jpg's and then uploaded to web sites such as Jalbum and Orkut are washed out. Some forums have suggested this is due to those websites being optimized for sRGB. I understand that Aperture uses a proprietary color sync profile; however, my default EXIF - Expanded shows "Color Model" as simply "RGB", and "Profile Name" is Adobe RGB (1998) (my Canon 50D is set to sRGB). Again, I have seen suggestions on this forum that one can change these settings, but the process appears to be only for printers and monitors. Where/how can I change the export for uploading jpg's to the web.
Thanks,
Nick

I understand that Aperture uses a proprietary color sync profile
If the profile were proprietary, it would be an illegal profile under the ICC Specification.
However, I note that my RAW images exported from Aperture 2.0 as jpg's and then uploaded to web sites such as Jalbum and Orkut are washed out.
If you did not disable embedding of an ICC source colour space in Aperture, if you did not use a non-ICC enabled browser, the OS X system level services will set up a ColorWorld and convert the pixels in your JPEGs matching from the ICC source colour space to the ICC destination colour space of your display. Thus you will get what you uploaded in the first place.
I have seen suggestions on this forum that one can change these settings, but the process appears to be only for printers and monitors.
The idea is that each and every colour device is calibrated and that calibration is captured in a colourimetric colour characterisation from which an ICC colour device profile is computed. Colourants that form certain colours one one colour device at one calibration will form other colours in the same colour device at another calibration and in other colour devices at yet other calibrations. By means of device profiles, the COLOURS can be kept constant while the COLOURANTS are recomputed to compel the device to paint the closest possible match it is capable of.
Some forums have suggested this is due to those websites being optimized for sRGB.
The issue is whether people who post pictures do or do not embed ICC source colour spaces into their pictures and whether they pick browsers that are ICC-enabled or pick colour blind browsers.
To determine if there is an embedded ICC source colour space in a picture, download the picture to disk, open iApple Preview and select Tools > Get Info > Summary.
Colour Model: This defines the format or model of the colourants, e.g. three component RGB, four component CMYK.
ColorSync Profile: This defines the ICC source colour space. If there is none in the image file, the system level service assigns the Generic RGB Profile for model RGB, the Generic CMYK Profile for model CMYK and so forth. Therefore, any ICC source colour space than a Generic Profile source colour space is embedded in the image file itself.
In technical terms, the rule is that to construct a ColourWorld that does a colour space conversion through the PCS Profile Connection Space, you have to have an ICC source colour space and an ICC destination colour space (typically your display profile). It follows that the system level service ASSIGNS an ICC source colour space automatically where is none embedded. The ICC source colour space that is assigned when there is none embedded is the Generic RGB Profile for colourant model RGB, as explained.
/hh

Using Color profiles and exporting for web browsers

I've been trying to figure out the answer to this question. As I'm sure you're aware Safari supports color profiles while other web browsers like Firefox do not. I would like to setup Aperture so that it displays and exports images for the widest audience possible. Unfortunately it embeds a color profile and my images on the web only display correctly in Safari. I've tried changing the proofing profiles and export settings to no avail. I didn't seem to have this problem in iPhoto, a picture there looked the same on screen as it did in Safari and Firefox but I can't achieve the same with Aperture...

Thanks for that information, unfortunately I'm not really any closer to solving the issue since I've already tried that. 1) by default, doesn't Aperture automatically embed the sRGB color profile? 2) if I set view>proofing mode to sRGB shouldn't what I see on screen match what a "dumb" application such as Firefox does when it ignores the embedded profile and display sRGB? I've tried going into the preferences>export settings and changed everything to sRGB IEC61966-2.1 but I see no difference in the final image between that and the default setting.
I guess my question is more specific to Aperture since I don't have this problem with other applications. For example, in photoshop if I do Export for Web it strips out any embedded profile and when I open that image in Firefox and Safari side-by-side they are exactly the same. But not so when I export an image from Aperture, when opened in Firefox it is desaturated and flat and of course in Safari it honors the embedded profile and looks fine.

FCP export to Vegas for color correction

I work in FCP, I don't have the best eye for color, so I'm having a friend do the color correction with a PC, using Magic Bullet and some other software. Rather than exporting the entire film, or entire scenes, which he'd have to go back and cut into individual shots in order to edit them all individually with their own color treatment, he has me exporting every shot from the film and exporting them to his harddrive or DVDs for him to work on. I've been doing it a scene at a time. It's incredibly tedious, very easy to screw up (if a shot goes a few frames long and under another shot, for example, it's out of sync, and if I forget a shot, mislabel a shot, get out of order when labeling them, etc, it's out of sync, etc), and I'm sure, at some point, I'm going to screw it up and it's going to be very annoying. Is there any more practical way to do this so that he has the markers, the shots are cut already, etc, but he doesn't have to reconstruct it from a thousand shots I've exported one at a time? I don't want to make him go back and make all the cuts himself, either, though that actually seems slightly easier to me.

"I don't have the best eye for color" means I'm color blind. I don't appreciate the "learn the 3 way" comments. You can learn to drive a manual all you want, but if something in your brain tells you train tracks are highways, you're bound to run into trouble. And a train.
The other editor lives an hour away, and he hates working on a Mac. He came here once and tried to edit using my system, but he couldn't get the hang of it. Add to that he came an hour each way to do that, and I had to pay for his gas, that made it very expensive, timely venture. It also means he'd have to have, say, at least 4 hours set aside each time he wanted to edit, to travel here and make it worth his time to do so. At home, he can do it anytime.

Colored ALV to export for excel with the colors

Friends,
Would they like to know how I can export a colored ALV for EXCEL, including the colors.
Thanks

I shall divide the question into two parts
a) Export ALV report to Excel
b) Retain colours of ALV in excel
If you know how to do a), I guess I would just be waiting like you for some person to throw light on how to to retain colours of ALV in Excel.
Regards,
Subramanian V.

Problems with jpg export and color profiles

I browsed the forum but I didn't find any recent thread about the issue I'm experiencing right now, I wonder if it's common or it just affects me. Mavericks, Aperture 3.5, all up-to-date.
I imported a RAW file (I tried with both a Nikon and a Sony camera), made a few adjustements and then exported the picture as a jpg. It looked good in the Finder, in Photoshop, in Preview. When I uploaded the file to flickr, everything was ok.
Then, I browsed flickr via its iOS app and - surprise - the image is completely wrong: colors are washed out, desaturated, with an awful greenish dominance. I tried a few things and discovered soon that also opening the file on my Mac with GraphicConverter has the same ugly result. Same with the iOS version of Safari.
I use ProPhoto RGB as my default color space in Aperture. I changed to sRGB: same result. I changed to AbobeRGB and te output is finally consistent through all the platforms and apps.
Too bad I managed to do this only for one photo because, even if I changed the settings, every other photo I exported is still sticking with ProPhoto RGB. The problem is surely here because I solved it changing manually the color space to AdobeRGB with Pixelmator and re-saving the images one by one. But of course this cannot be a successful workflow...
Any experience about this?
Thank you!

OK, I can reply to myself. The issue has mysteriously gone away - no idea why. Edit: The issue is gone on Desktop, with GraphicConverter. From iOS, pictures still look weird.
About the exported default, my bad: I was using presets and they choose their own settings for color space. Still, no idea why the first one was exported in Adobe RGB instead of ProPhoto RGB (the default for "JPEG - fit within 2048x2048").
Message was edited by: difool

[AS][IDCS3] PDF Export Preferences Color Conversion setting

I want to set the field of Color Conversion (as equivalent to manual setting under Output>Color>Color Conversion) to "No Color Conversion" in Applescript but couldn't figure it out.
My skeleton Applescript is as follow:-
tell application "Adobe InDesign CS3"
 tell PDF export preferences
 -- I want to set No Color Conversion for Color Conversion here
 end tell
 tell document 1
 export format PDF type to filename without showing options
 end tell
end tell
I have search through Applescript ID CS3 dictionary but couldn't find the answer. Hope someone can advise. Thanks!

Use:
set effective PDF destination profile to use no profile
Shane Stanley <[email protected]>
AppleScript Pro Sessions <http://scriptingmatters.com/aspro>

Export for print

What should the DPI be set for when you export for print? (The best quality) What should the settings for gamma, and the color profile be also? Not sure what gamma and color profile is.

The DPI setting during export doesn't affect the quality of the print. It is only used by some software to determine what size the image is printed at. For example, a 1500 x 1500 pixel size image exported at 300 DPI would print as a 5" x 5" size if your printing software was told to print actual size. If you exported that same image at 150 DPI, it would want to print at 10" x 10". Your printing software can easily override these settings anyway so the DPI setting doesn't do much.
Most printers and printing services use the sRGB profile so that is the setting to use unless you specifically know your printer will use something else.
The gamma setting can be used to change the brightness of the image. I would leave it as the default unless your prints are coming out too dark or light.

Advice for logical workflow for color correcting and color grading

I am an experienced user of PPRO CS5. I am a novice with color correcting and color grading. I am also just barely competant in AE CS5. It has been suggested that I use AE for color correcting my footage. Can you advise me as to the most logical workflow for doing this in coordination with PPRO CS5? Are there some tutorials that you recommend? I subscribe to Lynda.com and I think that they have some great tutorials, I am unsure as to where to begin looking and what to search for.
Thanks so much,
Lisa

lisaellensegal wrote:
I am an experienced user of PPRO CS5. I am a novice with color correcting and color grading. I am also just barely competant in AE CS5. It has been suggested that I use AE for color correcting my footage.
You can do it that way, sure. But you don't have to. You can accomplish quite a lot without leaving PPro. This has two major advantages. First, if you aren't using AE for anything else, it gets you out of using AE at all, so gets you out of climbing another set of learning curves.
Second, even if you are using AE for other things (I use AE to make motion lower thirds, for example), doing the work in PPro can improve exporting speeds. This is because AE gets restricted to a single processor core in some workflows as discussed in this thread and others (search around if you're interested). This can make exporting take 3x as long or longer, depending on how much footage has to be processed by AE.
So, how to do color correction without leaving PPro? Use either a luma corrector or luma curve effect to set black and white points, and contrast (use a waveform monitor to help). Then use a three way color corrector effect to get rid of any residual color casts (use the vectorscope to help, and the RGB parade, etc.).
If you find you have specific colors that need to be fixed, you can apply another three way color correction effect and use it to make that secondary color correction (for example I find the blue dyes used in many labels tend to fluoresce under fluorescent lighting, and has to be desaturated with a secondary color correction or it "blooms" on an HDTV -- IOW, it has to be made "broadcast safe").
If you want tutorials for using these tools, the ones on Creative Cow by Andrew Devis are quite good, and free. The ones on color correction with PPro cs6 start at tutorial number 47. There's a bunch of them. All good.
Finally, get a copy of Van Hurkman's Color Correction Handbook. May be the best technical book I've ever read, and it'll certainly point you in the right direction for doing color correction work regardless of which tools you use to do it.

FCP export to Color not working

I could only wish I was having the troubles on this forum, as I can't get to Color to open a file.
In FCP 6, I export to Color, choose a name, Color opens... and you see a file box for a brief second, and the file loads a blank timeline with no information.
I tried importing an XML file from FCP's export, and Color doesn't open the file.
How can I troubleshoot this? It's happening on both of my workstations.

After some tinkering, I found the problem.
My ~/Documents/Color Documents had read only permissions, and made the file bork without giving an error.
Permissions. Permissions.

Raw, colorsync profiles, and saving/exporting for web

I'm having a bit of trouble dealing with my raw files, or more particularly, being sure that I'm saving for webpages with the right profile.
I have several thousand images in Nikon's NEF and/or DNG format. I'd like to have iPhoto be my main catalog for them, but I don't want to copy over the several gigs worth, so I set the prefs to NOT copy the files over. The working jpg files it creates seem fine, but I can't tell whether they have the AdobeRGB profile associated with them, since that's what I shot them with. I'd then like to export them, or save them, to jpegs for the web at a somewhat reduced size, but they need to be in sRGB format for proper web presentation, which I'll do much of the work with iWeb. But there's no color profile choice in the export dialog, or the edit dialog, or anywhere else I can find. Am I missing something?
Basicallly, I'd like to have all my images in albums, and then have subalbums with the web versions (say about 900x600, about 70% quality, and sRGB color space). Is this possible with iPhoto? I've been mucking about with Adobe's Lightroom, which does have the color space choices in the export dialog, as well as a ton of other features. And previously I used Photoshop CS2 / Bridge to handle everything. But I thought iPhoto would make things easier.
Mark

Thanks for that information, unfortunately I'm not really any closer to solving the issue since I've already tried that. 1) by default, doesn't Aperture automatically embed the sRGB color profile? 2) if I set view>proofing mode to sRGB shouldn't what I see on screen match what a "dumb" application such as Firefox does when it ignores the embedded profile and display sRGB? I've tried going into the preferences>export settings and changed everything to sRGB IEC61966-2.1 but I see no difference in the final image between that and the default setting.
I guess my question is more specific to Aperture since I don't have this problem with other applications. For example, in photoshop if I do Export for Web it strips out any embedded profile and when I open that image in Firefox and Safari side-by-side they are exactly the same. But not so when I export an image from Aperture, when opened in Firefox it is desaturated and flat and of course in Safari it honors the embedded profile and looks fine.

Export for DVD with Animation codec without alphas channels not working?

I'm using FCP 5 with DVDSP. My FCP projects consist of quicktime movies that are using the Animation compressor (for lossless quality), and the movies contain alpha channels (thus they were rendered at Millions + colors to preserve the alphas).
This is my problem. I want to now export a quicktime movie to use in DVDSP with animation compression, so it is again lossless quality (obviously to presever the quality through these steps). But I do NOT want to preserve the alpha channels, because what I've learned is that when made into a DVD, the alphas are not preserved and the image looks wrong (as if without the alphas).
So I basically want to "flatten" the video, if there was some way.
I would assume the solution would be to, in FCP, export a quicktime at animation compression, but set to Millions for colors, and not Millions + (I was taught that the Millions + will preserve the alpha info).
Well, what's happening is when I set it to that, it renders, but then I get info on the movie in Quicktime and it says it has Millions + still. And thus, it looks wrong in DVDSP.
What is going on? Is this a bug in FCP?
Does anyone have an idea as to how to get around this. The only thing that has worked for me is to export the Quicktime movie with "none" for compression, but that's making the movie SO large that I can't work with it and it doesn't play right when I make the DVD.
I really appreciate anyones help on the matter. Thanks!
Brian,.
Quad-core 2.5 G5 Mac OS X (10.4.6) 30" Apple Cinema Display
Quad-core 2.5 G5 Mac OS X (10.4.3) 30" Apple Cinema Display

Thanks for the suggestions. I have not yet tried laying a solid black video track underneath to see what it does, but it seems like a good idea and I'll try it out to see what happens when I get back home.
I'll try to explain what I mean by the image looking wrong.
I'm picking up where another left off, so I'm not sure of how he cut the quicktime movie together; all I know is that they used alpha channels in Photoshop and After Effects to make the image looks the way they want it. This is a drawn character laid on a white background with a black frame around the entire image. It looks the way he wants it to in the quicktime movie, and this quicktime movie is 720x480, animation millions colors +, 24fps.
This movie, along with others of the like, need to be cut together in FCP and then put on a DVD with DVDSP. When I export it and it looks "wrong", what's happening is there is a black block behind the drawn character. The guy that made the movies in AE says that, that is what it looks like when the alpha channel is not working correctly.
To test things, I've changed the quicktime compression settings in the sequence settings. If I set it to anything that is not animation, I get that black block in the viewer. (Note though, that if I set it to animation, millions + or not +, it shows the alpha correctly both ways).
In FCP's user manual it says that if you're passing your movie on to a DVD, to use a high or lossless compression to keep the quality up, like animation or PhotoJPEG. For this reason, I haven't wanted to go to DV - especially with this type of image (graphic drawn shapes), it's easy to see a quality difference.
It really seems like there is a lot of voodoo involved with compression settings. As for now the best "fool-proof" solution I've found is to re-render the movie in After Effects at millions (not+) so that it won't contain the alpha channel info, and FCP seems to like that a lot more.
I just wish I could get FCP to work with the movies as they were because I'm having to re-edit everything to work with these new movies now.
Thanks again for the tips and insight.
Quad-core 2.5 G5 Mac OS X (10.4.3) 30" Apple Cinema Display
Quad-core 2.5 G5 Mac OS X (10.4.3) 30" Apple Cinema Display

Can we put condition for color in bex query designer

hi all,
can any one guide me how to put a condition for color settings in query designer
for example:
i have a key figure like ANSWERED%.in analyser it should display in red if answered% exceeds 95%.
please help me in this issue.
regards
Vamshi D Krishna.

Hi,
Use Exceptions while designing your Query.
Please go through the link
http://help.sap.com/saphelp_nw04s/helpdata/en/43/21b4cd14cd06f4e10000000a422035/frameset.htm

Problem with Exporter for MS Access 3.2 in SQL Developer

Hi,
I have problem with exporting tables and data from MS Access to XML with Exporter for MS Access 2000.
This error ocurr: 'Error #5 - XML Exporter'
When I use Exporter for MS Access 2002 this error ocurr: 'Error #3478 - XML Exporter'
Any leads how to solve this problem ?

Thread moved to Forum Home » Database » SQL Developer
SQL Developer
Please, stay tune there.
Nicolas.

Mail export for OS 10.8.5

Mail export for OS 10.8.5 (OS Mountain Lion):
How to export your mailbox?
Press Option button (keyboard) AND select "Go" folder using your mouse at the top of the window in Finder.
Look for "Library" on the menu bar. After you select the Library, you will see Mail folder.
Open that Mail folder.
There is only one folder that shows you "V2." I do not know why it is created. Go look inside that folder.
Now, you see your created mail folder such as Mailboxes, MailData, POP- ... folders, and RSS. Please becareful.
Please go back two times (arrow left) where you found Mail folder.
Finally, you drag that specific folder manually - Mail folder into your external hard disk drive. That's what you wanted for your backup.
Hope that help!

Mail export for OS 10.8.5 (OS Mountain Lion):
How to export your mailbox?
Press Option button (keyboard) AND select "Go" folder using your mouse at the top of the window in Finder.
Look for "Library" on the menu bar. After you select the Library, you will see Mail folder.
Open that Mail folder.
There is only one folder that shows you "V2." I do not know why it is created. Go look inside that folder.
Now, you see your created mail folder such as Mailboxes, MailData, POP- ... folders, and RSS. Please becareful.
Please go back two times (arrow left) where you found Mail folder.
Finally, you drag that specific folder manually - Mail folder into your external hard disk drive. That's what you wanted for your backup.
Hope that help!

Exporting for color

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