Having trouble "roundtripping" between FCP 6 and Soundtrack Pro 2

I've been a FCP user since it first came out, and believe it or not, this is my first attempt at roundtripping with Soundtrack Pro. Basically the process goes pretty good until it's time to go back to FCP.
Here's my workflow: In FCP I highlight the audio clip in the timeline. I select Send To > Soundtrack Pro Audio File Project. It creates a (sent) file, which I save (Save project with latest clip metadata is selected). Once the clip opens in Soundtrack Pro, I make the adjustments I need to make (in this case, I'm getting rid of some background noise), then I save (Include Source Audio is selected).
Here's where the problem comes in. When I go back to FCP, I get the "Some files went offline" warning. When I try to reconnect, I get the following warning:
"File Attribute Mismatch
Some attributes of one or more of the files you have chosen do not match the attributes of the original. This may cause problems within the sequences that are dependent on them. The attributes that differed are as follows:
- Media Start and End
Would you like to try to connect them again?"
When I go to the folder where the modified (sent).stap is saved, it opens and plays back fine. However, it looks like Soundtrack Pro is saving the full clip (from the original footage), not just the selection from my timeline. I'm assuming this is why I'm getting the "File Mismatch" error (basically it's too long).
Is there a step I'm missing? Any help would be greatly appreciated!

First thing to try is resetting your fcp preferences
https://discussions.apple.com/docs/DOC-2491
It's also possible your sequence has gotten corrupted. Try editing a short clip into a new sequence and see if that works.
And what are your sequence settings?
Also, although its a long shot, make sure the frame rate of your easy setup matches the frame rate of your sequence.

Similar Messages

Workflow between fcp and soundtrack pro

i am working on getting the workflow between final cut pro and soundtrack pro right for several weeks now, and i have to say, i expected more.
not that all the special gadgets aren't there, they are just not working the way they describe them in their manual or other sources.
am i the only who has made such experiences working with these tools?
for example: if i want to send a single clip from my timeline to soundtrack, there should be the possibility to have in and out points, so that final cut doesn't send the whole clip (even the parts i don't use ) to soundtrack. cool feature if it would work! no matter what you do it always sends the whole clip to soundtrack and therefore saves the whole file with all the changes and effects. and we don't talk about 8 or 9 MB here. a single clip of 1 minute, altered with EQ, takes up to 80 MB to save!!
another problem from my point of view is the exchange of whole sequences. the whole thing heavily depends on the use of markers, because without them someone working with soundtrack doesn't even see were the cuts are, which makes it nearly impossible to synchronise sounds. markers have to be placed at every single cut.
i could go in like this, but first i would like to know if i mist some fundamental thing about the use of these two pieces of software.

It depends on how you are working. If you've sent over something as a Multitrack project then you have to export the mix and edit it back in as it doesn't update in the same way. A STP audio file shoul update upon saving.

Working between FCP and Soundtrack Pro

I am trying to work inbetween the two programs updating music changes or video changes but am unable to get the programs to auto update when I save. Do I have to set up differently?

It depends on how you are working. If you've sent over something as a Multitrack project then you have to export the mix and edit it back in as it doesn't update in the same way. A STP audio file shoul update upon saving.

FCP and Soundtrack Pro music licensing and music cue sheet procedures

Okay, so we made the movie, and we marketed it and it has been sold in several geographic territories. Now I have to make up a music cue sheet. What do I put on the cue sheet for Apple Loops and FCP and Soundtrack Pro files that I have used for music? I believe they are royalty free, which is great. But I'm supposed to identify the music cues with writer, publisher, and society (ASCAP, BMI, etc.) What does an entry for those resources look like? It's really hard to find this info in the documentation for FCP and SP. Thanks.
G5 Mac OS X (10.5.4)

Interesting question - We don't use attorneys - too expensive, and we never listen to 'em anyway, so the info didn't come from a lawyer, ha ha. But I've seen several examples of music cue sheets, and they all contain the same information, including composer, publisher, society, timing, etc. (After all, that's the purpose of the cue sheet - to see that the artists and producers get paid for their work). You can find one format at:
www.ascap.com/musicbiz/cuesheetcorner/pdf/SampleCue
Of course, if the example comes from ASCAP (as that one does) or another society (BMI, others), they are working to make their job easier, but they are the societies - they are the ones who can object if they don't like it. And they have substantial power to penalize a producer for not doing what they want. But here's the thing: there's huge tradition in Hollywood, and the rule is (and the contracts say) that if you don't provide everything on the distributor's list of deliverables, they hold your money until you do - and one of the things on the list of deliverables is a music cue sheet, and every example I've ever seen (and I've seen at least 20) asks for the same information. So that's the answer as to "who told you that?" Is is possible that I'm being led down the garden path by ASCAP and the movie industry in general? Sure, but every source I consult agrees that this is the reality. I wish I could avoid it, but as I understand the situation, I have to do it, and it has to contain the info, or we'll never see our dough, ha ha. But my question remains the same - how do I get that info for the "royalty-free" music library attached to FCP?

FCP and soundtrack pro roundtrip problem?

Hello I am working on a video in the latest Final Cut Pro and software. I need to take out the hum of the audio, but when I send the audio file to Soundtrack Pro and take out the hum and then save it, the audio goes offline when I go back to FCP and it says something like the attributes no longer match or something. What am I doing wrong? Is there specific ways I need to do this? When you send to soundtrack pro it asks if you want to send only referenced media. I tried both way but no go.
Any ideas?
thanks!

Interesting question - We don't use attorneys - too expensive, and we never listen to 'em anyway, so the info didn't come from a lawyer, ha ha. But I've seen several examples of music cue sheets, and they all contain the same information, including composer, publisher, society, timing, etc. (After all, that's the purpose of the cue sheet - to see that the artists and producers get paid for their work). You can find one format at:
www.ascap.com/musicbiz/cuesheetcorner/pdf/SampleCue
Of course, if the example comes from ASCAP (as that one does) or another society (BMI, others), they are working to make their job easier, but they are the societies - they are the ones who can object if they don't like it. And they have substantial power to penalize a producer for not doing what they want. But here's the thing: there's huge tradition in Hollywood, and the rule is (and the contracts say) that if you don't provide everything on the distributor's list of deliverables, they hold your money until you do - and one of the things on the list of deliverables is a music cue sheet, and every example I've ever seen (and I've seen at least 20) asks for the same information. So that's the answer as to "who told you that?" Is is possible that I'm being led down the garden path by ASCAP and the movie industry in general? Sure, but every source I consult agrees that this is the reality. I wish I could avoid it, but as I understand the situation, I have to do it, and it has to contain the info, or we'll never see our dough, ha ha. But my question remains the same - how do I get that info for the "royalty-free" music library attached to FCP?

Roundtrip between FCP and Color

Having much trouble doing a round trip from FCP to color. Sent my sequence to color rendered and saved and tried to send back to FCP but the new sequence from color says all the media offline. I made a new sequence and deleted all the effects, etc and sent to color again but the same problem occurs. All the media is offline. Tried exporting the XML file from color and importing directly into FCP but I get this error:
Mon, Jul 21, 2008, 5:03 PM - Errors Found Importing GTF.xml
<xmeml>: Unknown element <sourceprojecturl> encountered.( line 4 )
Any ideas on what the problem is? The sequence I sent to color has several multiclips and these seem to be the only media offline when I roundtrip back to FCP.
Thanks,
Brittany

The error message you received can be safely ignored.
RE: Multiclip
Please do a forum search on the keyword "multiclip". You'll find plenty of recent discussion on it.
- pi

Roundtripping between FCP and After Effects CS3

What is the best way to get clips from a FCP timeline into After Effects, and then back again? How do i do this without purchasing any additional plugins?
Also, how do i get an entire sequence into After Effects and then back into Final Cut Studio?
Yes, i admit i'm at a very beginning stage of my expertise, but i will apreciate any help in mastering these techniques.

Yeah...if you want separate clips, you cannot do this without Automatic Duck Pro Export for After Effects. YOu can export a self contained file and import that, then export out of AE and back into FCP.
Or use Motion., as Tony says.
Shane

Working with FCP and Soundtrack Pro

Hello All,
I'm putting the final touches on a short documentary. This is my first time trying to do the sound properly by working with STP.
I have sent my FCP file to STP. I then work on it (in multitrack mode). When finished, I export it to FCP. I place it in the same file location as all my other assets concerning sound. From the tutorials I have taken, I am expecting the new mix to appear on the project as a master mix, with the individual sections that makeup the whole available, but deselected.
This isn't happening. Nothing happens on the FCP window other than the file appears in the browser. If I click that file, it says, "not available".
I'm sure I'm doing one important step incorrectly, but have reached the frustrating point of repeating the same wrong this over and over.
Your help would be appreciated.
Thanks.
DG

New Discussions ResponsesThe new system for discussions asks that after you mark your question as Answered, you take the time to mark any posts that have aided you with the tag and the post that provided your answer with the tag. This not only gives points to the posters, but points anyone searching for answers to similar problems to the proper posts.
If we use the forums properly they will work well...
Patrick

Having trouble with condenser microphone and Logic Pro. please help

I purchased a condenser microphone that runs only with phantom power. I have an XLR cable from the mic into the phantom power interface and have an XLR to USB plugged into my computer, when i go to logic audio preferences it doesnt show that the microphone is even connected (ive checked input and output). Ive even tried it on other programs and i still get nothing. Please Help.

I have an XLR cable from the mic into the phantom power interface
What phantom interface is this, make and model.
XLR to USB plugged into my computer
What is this? Just a cable?
What microphone is it?
Trying to get an idea of your signal chain as, in your original post, your signal chain makes little sense. Do you have an audio interface or is that the phantom power interface you are referring to? A microphone isn't an interface and a mic, in itself, won't show up in Logic prefs (unless it was a USB mic, which it is not).

Final Cut Pro 4.5 HD and Soundtrack Pro 1.0.2 and new Intel iMac

I have the both FCP and Soundtrack Pro versions listed above. I'm thinking about picking up a new Intel iMac. Will I have to pay $199 or $99 to upgrade to FCP Studio. I just purchased Soundtrack Pro recently, if I could upgrade for just $99 and get Shake and iDVD that would be a deal...probably still a deal for $199.
I also use CS2, seems Adobe is a little confusing to me. Will I have to pay to get CS2 native for the Intel iMac? Any idea on cost and timeliness.
Separately, how will FCP run on a 20" Intel iMac once upgraded to Universal version, which I'll have to do, since it won't run under Rosetta? I currently only do Mini DV but should I plan on getting the extra video memory now, planning on eventually going into the HD video realm?
Thanks everyone for your thoughts and comments...thinking about getting the Intel iMac via CompUSA with their interest free deals tomorrow.
Dan
Powebook G4 Mac OS X (10.3.9) Happy with Mac...don't want to lose the ease!

well, same situation here, I was about to order a Macbook Pro but then decided to saty with our beloved G platform. the reason is that it will take some time for our Pro Apps to become fully /natively compatible with Intel and I just can't wait that much.
as for your question about using an iMac with FCP, the answer would be a;
"Yes" if you're going to work with DV only footage (using an external HD for your captured media is a must). and a
"No" if you plan to work with HD material in the future. there you've got no choice but a PowerMac G5 with a fast Graphic Card and a special SD/HD card or box to capture the footage.
résumé: if you're a serious FCP user, go for something expandible, go for a Powermac.

I am having trouble getting my My Mac Book Pro 15" Retina to wake up with an Apple Bluetooth Keyboard and Mouse while Docked in a Hengedock vertical docking station.

I am having trouble getting my My Mac Book Pro 15" Retina to wake up with an Apple Bluetooth Keyboard and Mouse while Docked in a Hengedock vertical docking station. The Keyboard and mouse work great with the laptop lid open but when closed in the docking station the bluetooth signal does not seem to transmit. Is there a setting that can be changed to allow an Bluetooth keyboard and mouse to wake the computer while docked?

Please read this whole message before doing anything.
This procedure is a diagnostic test. It’s unlikely to solve your problem. Don’t be disappointed when you find that nothing has changed after you complete it.
The purpose of the test is to determine whether the problem is caused by third-party software that loads automatically at startup or login, by a peripheral device, by a font conflict, or by corruption of the file system or of certain system caches.
Disconnect all wired peripherals except those needed for the test, and remove all aftermarket expansion cards, if applicable. Start up in safe mode and log in to the account with the problem. You must hold down the shift key twice: once when you turn on the computer, and again when you log in.
Note: If FileVault is enabled, or if a firmware password is set, or if the startup volume is a Fusion Drive or a software RAID, you can’t do this. Ask for further instructions.
Safe mode is much slower to start up and run than normal, with limited graphics performance, and some things won’t work at all, including sound output and Wi-Fi on certain models. The next normal startup may also be somewhat slow.
The login screen appears even if you usually login automatically. You must know your login password in order to log in. If you’ve forgotten the password, you will need to reset it before you begin.
Test while in safe mode. Same problem?
After testing, restart as usual (not in safe mode) and verify that you still have the problem. Post the results of the test.

I am having trouble downloading pictures to my MacBook Pro os 10 from my iPhone 7 and a samsung galaxy 3 and also an evo htc

I am having trouble downloading pictures to my MacBook Pro os 10 from my iPhone 7 and a samsung galaxy 3 and also an evo htc

When you have kernel panics, the pertinent information is in the panic report.
These instructions must be carried out as an administrator. If you have only one user account, you are the administrator.
Launch the Console application in any of the following ways:
☞ Enter the first few letters of its name into a Spotlight search. Select it in the results (it should be at the top.)
☞ In the Finder, select Go ▹ Utilities from the menu bar, or press the key combination shift-command-U. The application is in the folder that opens.
☞ Open LaunchPad and start typing the name.
In the Console window, select
DIAGNOSTIC AND USAGE INFORMATION ▹ System Diagnostic Reports
(not Diagnostic and Usage Messages) from the log list on the left. If you don't see that list, select
View ▹ Show Log List
from the menu bar.
There is a disclosure triangle to the left of the list item. If the triangle is pointing to the right, click it so that it points down. You'll see a list of reports. A panic report has a name that begins with "Kernel" and ends in ".panic". Select the most recent one. The contents of the report will appear on the right. Use copy and paste to post the entire contents—the text, not a screenshot.
If you don't see any reports listed, but you know there was a panic, you may have chosen Diagnostic and Usage Messages from the log list. Choose DIAGNOSTIC AND USAGE INFORMATION instead.
In the interest of privacy, I suggest that, before posting, you edit out the “Anonymous UUID,” a long string of letters, numbers, and dashes in the header of the report, if it’s present (it may not be.)
Please don’t post other kinds of diagnostic report.
I know the report is long, maybe several hundred lines. Please post all of it anyway.

"render.mov" file goes offline when roundtripping between FCP & STP

Hi there
I'm having an issue roundtripping between Final Cut Pro and Soundtrack Pro. I have some clips which need to be de-noised, so I right click and select "Send To > Soundtrack Pro Audio File Project", do the de-noising with no issue, then save the file and return to Final Cut - your standard roundtripping experience.
However, when Final Cut Pro updates the file in the timeline, it brings up a file offline warning, stating that "~/file.stap:render.mov" is missing. I attempt to reconnect the file by opening the .stap package and creating a duplicate of the render.mov file in there, and reconnecting that, however that brings up the error "The file does not have enough audio tracks to reconnect to "file.stap" at time [time] in sequence [sequence]", and the file remains unconnected and silent in the timeline.
I am selecting the "include source audio" option when saving out of STP. It is also worth noting that I have managed to get this to work once this morning, but not since then. It was also not doing it last week, so I'm not sure what I did differently with that first file this morning.
Any help?
Cheers!

Hi there
Sorry to take so long to come back to this but this project had to spend a little bit of time on the backburner whilst I worked on some other projects.
Thanks for your reply Robert, however saving the STP project as a different .stap file and then attempting to reconnect to it brings out the same error.
This is the error window I get:
!http://img35.imageshack.us/img35/4086/picture19r.png!
I've found that exporting the file as an AIFF and reconnecting to that seems to do the trick, however it is a bit of a roundabout way of doing things when you consider the way I'm trying to do it is the way I should be doing it, and a way that used to work. It's also a pain when you consider I have perhaps dozens of audio artifacts that need some form of audio post in Soundtrack Pro for this project alone.

Final Cut and Soundtrack Pro

Just recently upgraded to Lion and having issues now with FCP and now Soundtrack Pro. I never had any problems until the upgrade, also noticed that my Quicktime Pro is gone, which I used all the time for making flv files for my website for all those in the world who insist on not loading QT on their machines. I am having to use QT 7.6.6 to do that and my flash files are doing strange things.
http://homepage.mac.com/ote_productions/Malcom.html
Yes, it's supposed to flash like that because I degraded the footage, but not that bad. It has never done anything like that before.
Another problem I'm having is I have a Macbook Pro hooked up to an old 20" Apple Cinema Display DVI late 2005, I never had issues with it, but now when I got to full screen on my FCP it is making strange lines in the footage as it play back. Never did this before, when I display on the 15" laptop monitor, no issues.
Soundtrack Pro crashed on me 3 times this morning, never does that.
Anyone else having any problems? I'm afraid to upgrade to the new FCP because of what I"m reading online about it. I think Apple needs to release a fix for this or are they trying to force us to use the new version and not worried about the old version? I am a professional who using these apps daily to do my job and it is causing me time that I am losing money on.
Please fix Apple we depend on these apps to work. Wish I had not upgraded to Lion now!

I think Apple needs to release a fix for this or are they trying to force us to use the new version and not worried about the old version? I am a professional who using these apps daily to do my job and it is causing me time that I am losing money on.
Please fix Apple we depend on these apps to work. Wish I had not upgraded to Lion now!
Why are you being forced to use the new version of anything... including the operating system?
If you are a professional then you always stick with what works and/or use what it takes to get the job done.
STP is not supported under Lion, it's been discontinued, EOL.
I worry about you Mac folks.... the days of auto-upgrading to the latest and "greatest" are over, "It Just Works" only pertains to iMovie, Garageband and apps included with the OS.
Apple is a hardware company, their software is designed to sell hardware, Lion requires more memory and processing power as does FCPX.

Logic Pro 9 Compressor and Soundtrack Pro

Hi,
I have recently installed Mackeeper in my iMac. After everything I opened Logic Pro and it couldn't open. So I thought it could be an issue from Mackeeper, I requested a help from them and they asked me to send my report and I sent to them. Later on I was recommended to uninstall the logic pro, so when I reinstalled the logic pro the following components Compressor and Soundtrack Pro were deselected, it was in gray and I couldn't find out how to install it. The other issue is that the installation was successfully completed without installing the Logic Studio Audio Contents 1,2,3 and Demo Content was also not installed
Is there anything wrong I did?
Help Please!
Many thanks in advance

Interesting; and who would have thought ! What does Logic and FCP have to do with each other being installed. I have FCP running (w./ all) and Logic Pro 9 and perhaps your Logic Studio 2 is not the same. I have no idea.
I'm hoping that I can export the LPro files into FCP ez along with exporting them to WAV or formats that a PC can use; if anyone has heard of problems with that. ?

Having trouble "roundtripping" between FCP 6 and Soundtrack Pro 2

Similar Messages

Maybe you are looking for