How to match color on g4 ibook for projector or TV

I'm doing an on screen iphoto slideshow presentation for an upcoming event on a projector via VGA. We did a test run yesterday with my ibook g4 1.33 (OS 10.4.9) hooked up to a Viewsonic PJ-750-2 Projector. The color was awful. Tried a custom calibration with no success.
The color issue looked the same as when I make a slideshow DVD to view on a TV. Horrible yellow cast and and over saturated.
When I got back home, I was curious to see how it would look if I hooked the ibook up to a television, via RGB with an Apple video adapter. The images looked exactly the same as on screen through the projector. Horrible color, and over saturated.
I'm guessing I really need to do a custom calibration? If I don't succeed in that respect, I can always edit each image while viewing on TV, but that's the long way. Is there another common issue that I'm not aware of?
I'm a newbie at using external displays, and have my ibook display custom calibrated for print publications that I work for using Photoshop CS2. The files that I send them match perfectly when I see them in print.
Also, any suggestions on projector display resolution and refresh rate?
Thanks in advance for any suggestions. I've search the forums, but didn't find an answer. Any additional advice is welcome.
ibook g4 1.33 Mac OS X (10.4.9) Emac g4, imac g3, powerbook g3

Yellow cast and oversaturated sounds like a bad cable connection. Tried cleaning both ends? Checking broken pins?
also try resetting pram, nvram, etc.
try selecting default mode on the displays
OSX provides pretty good default profiles for most displays.

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HI,
I've done everything possible to get a certainly red color I want in my ID manuscript, from setting color profiles, snyching across applications, monitor calibration, soft-proofing etc.etc etc. What I see on my monitor with the publishers profiles is NOT what I'm getting on my printer (R1900). I guess that's to be expected.
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Actually, my document may even print fine with the publishers. Not being able to have more reassurance of the publishers outcome leaves me queasy! But I guess I have to play my hand.
So is the only way to know is wait for the hard copy? what about using Pantone? I don't know anything about that, but aren't they for spot colors, or at least I could find something closer that way. If there is a color I like, use those numbers rather than the ones I am.
Ideas?

Color management is an attempt to put into play .icc color profiles. This starts in your application's color settings. But, working with your print vendor is the best policy in preparing your files and getting what you want consistently. The Epson R1900 is a photographic printer. It is not an inkjet proofing device like an Epson Stylus Pro 3880 with a Colorburst RIP. I sense that, because the R1900 is not backed up with a RIP, you'd benefit from "Let InDesign determine color". However, the print driver is responsible for interpreting the information supplied from the application in an attempt to convert that info to an actual print. The challenge for you and your applications, along with your hardware limitations, is to give you a reasonable "red" that you are looking for. In short, you would benefit from assigning a Pantone Spot color for the specific Red you are looking for. The only problem is getting that Red to print on your R1900. And, the only way to get that to happen is using CMYK equivalents which you have been wrestling with. In a RIP ( Raster Image Processor ) scenario, you would use the printer's profile in the Print setup dialogs. Let's assume they are using "SWOP Coated v2 Sheetfed". You would assign that profile in your application's Color Settings under CMYK Workspace. Then, in your "Print" dialog, you'd set the same profile in the CMYK print space. But, in a RIP scenario, you'd let the RIP determine color rather than the application. That's the value of a RIP over a photographic printer where color matching is not a priority. It sounds like you'd benefit using a Pantone Spot. If you decided to use a Pantone Spot Red in your document, you would need the RIP and Proffer to produce an accurate color matched conversion in the Print process. With your current setup you will get mixed results from your print vendor. In any case, at a minimum, you should get a contract proof before you approve the project for press. This will give you an opportunity to adjust the CMYK equivalents or finalize a decision to go Pantone Spot before the job is ultimately printed. Now, again, a Postscipt Level 3 RIP matched up to a professional printer/proofer will convert your file's assigned Pantone "Red" Spot color and, in the case of the Epson Stylus Pro 3880, the printer will use it's 8 internal ink sets to produce a relatively close match to your Spot color.
"I've done everything possible to get a certainly red color I want in my ID manuscript, from setting color profiles, snyching across applications, monitor calibration, soft-proofing etc.etc etc. What I see on my monitor with the publishers profiles is NOT what I'm getting on my printer (R1900). I guess that's to be expected."
Yes. Get a hardcopy proof instead of relying on the R1900.
"The publisher has it's own CMYK profile for their printer so i can't use theirs. There are so many different ways to configure printer management from letting ID manage color, using various Epson settings....all this stuff. Even if I get the color right on my printer, that doesn't mean it'll match the publishers, so why even try to get it right on my printer?"
It would help, if you continue to do this type of work, to get a desktop proofer like the one I've mentioned in my post. You want to "try" to get color matched output so that you are communicating what it is you want before getting to the printer, especially if you have an internal approval process you have to go through.
"Actually, my document may even print fine with the publishers. Not being able to have more reassurance of the publishers outcome leaves me queasy! But I guess I have to play my hand."
Not necessarily. Get the proof. You do not want 200,000 copies of your manuscript floating around out there with a rose pink instead of a flaming red.
"So is the only way to know is wait for the hard copy? what about using Pantone? I don't know anything about that, but aren't they for spot colors, or at least I could find something closer that way. If there is a color I like, use those numbers rather than the ones I am."
Yes. A Pantone Spot color is actually a very smart decision. And your InDesign document must be setup using that Spot color, not CMYK. For instance, let's say you settle on Pantone 206C for the cover and Pantone 206U for the uncoated text pages ( if any ). It's a simple 2-color job. Black + Pantone 206. If you want to print the file on your R1900, then you will convert a swatch using 0%C, 100%M, 30%Y, 3%K in a COPY of your Spot Color file. Send the Pantone Spot Color file to the publisher and keep the COPY in your folder for reference if need be.
This is my recommendation and I know it will work for you. Should the publisher insist on using a CMYK color mix, let them do it and supply you with a hardcopy proof before it goes to press. This is avery important no matter what you decide. The proof is very important part of the entire process.

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Reference:
http://www.icalamus.net/tutorials/howtocreatepdfx.php

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Hi all! I´m new here so I hope I ask this in the right forum. Please advice me if this should be in another sub-forum..
First: The white edges around my photos when printed:
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HI Lisa91,
Here is a link to a post about the same problem you are having and the same printer. You may find the posts helpful as some were able to find a solution. Post number 6 and number 12 specifically have found solutions that worked for them. Hope this helps some.
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How to match colors between 2 photos?

Hi everyone!
I'm faced with a problem here. I made myself a Grey/Color card, having it developped at the local photo store. I know it's not the best solution, but I couldn't get my hand on a 100$ ColorChecker, I'm broke! (20¢ a picture is quite a good deal!)
Here is the default file I used for my photos:
And once I take my picture (Ok, this one is from my laptop screen, but it's only for example purpose) it loks like this
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Thanks!

DaSniper1977 wrote:
... I'm taking pictures for my GF, who makes jewels. All those beads, pearls and cristals have little tint in them, and being so small, it makes it almost impossible to adjust the color for them to look as good as what I see when taking the picture.
I was thinking (I'm going on a limp, here!) that IF I had a reference picture (see above), in a computer generated format, and the same pattern that I took a picture of, that I could tell LR that, let's say Magenta, is supposed to look like the one I have on my PC. and it would adjust the colors accordingly. Building a ColorProfile on the cheap would maybe best describe what I want to achieve, but only for a batch of pictures, not for the camera. (Once we sell the jewels, I promise to get a real ColorChecker and stop bugging you guys!)
Sorry to be discouraging, but I think your concept is fuzzy and ill conceived.
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In Photoshop, are you working in RBG or CMYK mode? RGB output
is the mode
for web graphics. What type of graphic are you using when you
Save to Web
As - gif, jpg or png? Jpg and png will give you better color
matching
control than gif. Gif is capable of producing only 216 web
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million (24 bit)
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http://alt-web.com/HexColorChart.shtml
--Nancy O.
Alt-Web Design & Publishing
www.alt-web.com
"anyoneSeenMaiTai" <[email protected]> wrote
in message
news:[email protected]...
> I've generated a simple shadow around my page design in
Photoshop (the
shadow
> blends into the background color via a soft gradient).
I've imported a
small
> section of the shadow into Dreamweaver and placed it in
a special table
cell to
> duplicate the affect in Dw.
>
> This is very simple. I'm using web-safe colors (#336699)
both in Ps and
Dw.
> All artwork was created on my Mac Pro running Leopard
(10.5.2).
>
> When I test my design in Firefox it looks perfect. When
I copy the site
folder
> over to Dw on my Windows XP machine and test in IE it
also looks perfect.
It
> also looks perfect when I open the design up in Dw on
the Windows machine
(in
> the document window).
>
> HOWEVER ... the colors do NOT match in the Dw document
window on my Mac.
Nor
> do they match when I test the page using Safari on my
Mac.
>
> I'm perplexed. I'm somewhat new to Dw, but I've been
using Ps and Gl for
a
> long time. I think I know how to match colors in the
workflow. I recently
> upgraded my Mac to 10.5.2 and I'm wondering if this is a
bug?
>
> One other thing ... the pull-down menus in the Dw color
selection areas
aren't
> always functional. Sometimes the color picking windows
will close leaving
the
> pull-down menus unresponsive. You have to hit the escape
key to exit. If
you
> are very careful you can get the menus to work using the
middle mouse
button
> (I'm using a wireless Mighty Mouse).
>
> Can anyone offer me guidance ... or has anyone else
experienced these
problems
> in Dw? TIA.
>

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Fabrício Camisão - Brazil

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Guin123 wrote:
Thanks. I'll try that. The photos were imported to me at 300. I assume
you are suggesting to then alter one, use Color Match to bring in the
color to the succeeding ones...?
resolution will have nothing to do trying to match the greens or any other color.
Also do not use the the previously color corrected images.
use the original supplied images that you used to duplicated the first batch of images.
Make new dups of those files then color correct one and color correct the others to match.

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I'm not certain I follow the question but here's my take on it.
For a single match color (I would assume you mean monotone):
1) Convert the image to Grayscale
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3) In the duotone panel select Monotone (that's usually the default) and select the color you want to use there
For a duotone:
1) Convert the image to Grayscale
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As for making sure it separates properly:
It should separate exactly the way the levels/curves are adjusted in Photoshop.
HTH

How can i make simple program to match colors ?(photos taken by camera)

how can i make simple program to match colors ?(photos taken by camera)

Hi khaledyr,
use a "random number" and compare for ">0.5" to get a (1 or 0) signal
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Message Edited by GerdW on 04-16-2010 08:15 AM
Best regards,
GerdW
CLAD, using 2009SP1 + LV2011SP1 + LV2014SP1 on WinXP+Win7+cRIO
Kudos are welcome

How to match color on g4 ibook for projector or TV

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