Long Clips in Motion??!

Hi,
How can I import long clips into motion? I can only get 600 frames, but I have a lot more!

Never mind. It is figured out.

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A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip nmed 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved th

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

Can't change clip duration Motion 5

I have tried all of the work arounds I have been able to find in the Support Commnity and still I can't change the duration of source clips in Motion 5. I have trashed plist, rebooted, repaired permisions, changed timing of project, changed name of clip, used the Timeline clock instead of the Instpector window. Cleared all In / Out points and reset them to slightly different values. I have changed Timing to Variable and back again. I can open clips in a new project and change duration. I have opened new project and copied some layers from working project, the problem persists. Is reinstall the option left available to me?

BenB,
The specifics: Motion 5.0.4 Timeline is set to 6 minutes, the Media is 5:59;21 (QT,mp4, H264,1280x720, 24fps). Imported via File Browser into Layer Group (Group In / Out points are 0 and 6 mins, as is Play Range). At one time the clip was in it's full duration. Afterr a crash / restart it is only 01:52;27. I can not Drag the clip to its full length. I cannot change it's duration thru the Inspector, not the Timeline Clock.
In an effort to isolate the issue I opened a new Project (same time setttings as original Project, imported the clip, which plays to it's full duration, and then, one at a time, copied and pasted all Filters and Parameters and Objects from the original Project; all play fine. Then I copied the original Layer Group in it's entirety to the Test Project, and the clip is still limited to 01:52;27. I then used Replace Media to select a random clips (same format) with varying Duration (all longer than 01:52;27) and got the same result every time; Duraton 01:52;27. Not one element of the Test Project has an In / Out set to anything other than the full Duration of the Project.

FCE capture from my Canon XHA1 captures as one long clip

I've never had this problem capture using FCE before. I'm capturing from a Canon XHA1 and it's capturing the video as one long clip rather than the many short clips I shot. And unlike when you capture DV, you can't use the "DV start/stop Detect option" when the footage is HD..so that's not a solution.
I'm using a new Macbook pro and was wondering if that has anything to do with it given that i"m using the newest OSX as well.
Any ideas? It appeared to do the same thing when I captured into iMovie.
Or or is there a setting on the camera that I've failed to change?

Dear Phojo1,
I also have a XHA1 and am experiencing the same problem. I was wondering if you shot your footage in HD, and what are your settings on your camera for recording and outputting. The first footage I captured I used hd with 1440x 1080 apple intermediate with 29.97 rate. I had no problem. It captured each clip separately. Now I can only capture with dv/ntsc settings. I'm am trying to see where the problem is. By the way this started happening when I upgraded to 4.01. It also does the same in imovie. Thanks for any information.

Importing tape into Imovie 11. How do I import all the clips as one long clip?

How do I import all the clips as one long clip? I have 45 min of footage and I want it as one long take I can edit in Final Cut ProX. When I import, all the clips are split up when the scene cuts. I just want the 45 min in one long video.

iMovie will import the tape as if it is direct from the camera. It will sense the scene breaks and put all the clips in chronological order.
If you want to import it as one long clip, I suggest you load the tape into the app that you edited the tape with. Then export it out as a QuickTime movie in the DV codec. You can import this MOV file into FCPX or iMovie.

Is there a way to make a long clip into a short clip without compressing it any further?

Is there a way to make a long clip into a short clip without compressing it any further?
I went through all my old formats (VHS, hi8, miniDV, etc) and captured them. They end up as .mov files. Some of the longer 2hr ones are about 28GB.
If I am making a new project and I want to edit in short clips from several of these longer files, is there a way to save a short clip from an existing file without compressing it any further?
In other words, lets say I have 10 2hr files, but I know I only want 1 minute from each. Is there a way to select the good 1 minute from each .mov file that I want to use and a version of this 1 minute from each in the folder I am working on the project in, without compressing them??? I like to keep all of the content I am working with on a project in its own folder in case the project needs to be moved from one hard drive to the next while I am working on it. I would hate to have to make a folder that is 280GB or more when I only need a minute from each larger file.
I hope I have asked this in a way that is understandable. Maybe there is a term for what I want to do, that I don't know yet that has its own help section too. Thanks for any assistance

Thanks Jon - That's kind of where I started, but the part of that I need help with on is the second to last step.
"Export using a codec that matches the source material. "
The codec they were captured in is .mov at DV quality, but then after picking .mov, there are so many other options to choose from as far as compression goes from sound quality and settings, to how many passes, etc. I just want the new clip to be of the same quality as the original clip. It looks so complicated and its not clear to me what options to pick to match the original.
Is there a setting or preference that helps you to match the compression settings of the original clip? Or is there a way to detect the settings of the original clip so I can repeat that in the shortened clip??

Audio-Problem with Adobe Premiere Pro CC 2014 by using long Clips in AVC-Intra Codec (4Gb Border)

Hello
We own a Panasonic camera (AJ-PX5000G) and we film in 1080p50 with the AVC-Intra100 Codec. When importing longer clips in Premiere Pro, the video is fully loaded, but the waveform of the sound ends at the Time Code 00:02:28:35.
Sometimes the sound could be played after this Timecode but otherwise there is no audio. Even if we use the same clip several times we see that it works sometimes and sometimes not. It looks random.
We also tried to import the Clips with Adobe Prelude directly from the P2-Card but there are the same problems.
The Clips in 1080p50 AVC-Intra100 have a bitrate of 227Mbps. After 2 Minutes and 28 Seconds 4Gb are written on the P2-Card and the Camera starts a new picture file and 4 sound files..
It looks like Adobe Premiere Pro has problems with the correct relation of the files that all get together to one clip.
Is there anybody who can confirm this problem? Can anybody help me with this Premiere Problem?
Dennis
(Workstation: Dell Precision T3600, Intel Xeon E5-1620 @ 3.60 GHz, 16 GB RAM, Windows 7 Professional 64-bit, Service Pack 1, Premiere Pro CC 2014.1 (Build 8.1.0)   )
Mediainfo of the P2-Cards:
General
Complete name                            : \CONTENTS\VIDEO\0068T7.MXF
Format                                   : MXF
Format profile                           : OP-Atom
Format settings                          : Closed / Complete
File size                                : 3.92 GiB
Duration                                 : 2mn 28s
Overall bit rate                         : 227 Mbps
Encoded date                             : 2014-10-15 13:33:41.000
Writing application                      : Panasonic P2 2.0
Writing library                          : Panasonic P2 2.0
Video
ID                                       : 2
Format                                   : AVC
Format/Info                              : Advanced Video Codec
Format profile                           : High 4:2:[email protected]
Format settings, CABAC                   : No
Format settings, GOP                     : N=1
Format settings, wrapping mode           : Clip
Codec ID                                 : 0D01030102106002-0401020201323104
Duration                                 : 2mn 28s
Bit rate                                 : 227 Mbps
Width                                    : 1 920 pixels
Height                                   : 1 080 pixels
Display aspect ratio                     : 16:9
Frame rate                               : 50.000 fps
Standard                                 : Component
Color space                              : YUV
Chroma subsampling                       : 4:2:2
Bit depth                                : 10 bits
Scan type                                : Progressive
Bits/(Pixel*Frame)                       : 2.193
Stream size                              : 3.92 GiB (100%)
Color primaries                          : BT.709
Transfer characteristics                 : BT.709
Matrix coefficients                      : BT.709
Mediainfo Audio-Datei P2-Card:
General
Complete name                            : \CONTENTS\AUDIO\0068T700.MXF
Format                                   : MXF
Format profile                           : OP-Atom
Format settings                          : Closed / Complete
File size                                : 13.6 MiB
Duration                                 : 2mn 28s
Overall bit rate mode                    : Constant
Overall bit rate                         : 770 Kbps
Encoded date                             : 2014-10-15 13:33:41.000
Writing application                      : Panasonic P2 2.0
Writing library                          : Panasonic P2 2.0
Audio
ID                                       : 3
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, wrapping mode           : Clip (AES)
Codec ID                                 : 0D01030102060400
Duration                                 : 2mn 28s
Bit rate mode                            : Constant
Bit rate                                 : 768 Kbps
Channel(s)                               : 1 channel
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 13.6 MiB (100%)

Hi,
we have the same problem!
It is not possible to play audio with the AVC-Intra100 Codec fluently.
Can anybody help?
Thanks,
Anja

Sending final cut clips to Motion

I did this just yesterday, and it worked fine, now all of a sudden when I go to send a clip to motion, it just shows up black in motion!! The clips not there!!
Suggestions??

Be sure the clip is set to 'read and write' in FCP.
Along these lines, when I try to send a clip to Motion, I am getting a clip open in Motion , but the wrong one. Same thing in Shake. What appears is a different segment of the original captured video, but not the bit part that I have edited into my timeline and tried to send. What am I missing?

Sending Clips to Motion

I've tried to send a series of clips to Motion from Final Cut Pro, and while Motion opens, it does not bring up the clips I selected - in fact Motion opens and brings up the default action that exists within the preferences file.
Is there something I need to do in either Final Cut or Motion to allow this to happen?

I just began using Final Cut Studio, and was having the same problem with the Surf movie tutorial. I found the answer to my problem in this thread.

I am using final cut express. It seems that any clip over a certain length, say 5 min, does not fully transfer! All shorter clips are perfectly fine. Is there some reason why longer clips are not fully transferred? (a half blue circle shows up on the tran

I am using final cut express 4. It seems that any clip over a certain length, say 5 min, does not fully transfer! All shorter clips are perfectly fine. Is there some reason why longer clips are not fully transferred? (a half blue circle shows up on the transfer list, indicating that the clip was not fully transferred. When I check in the capture scratch folder, sure enough the whole clip is not there!
Is there some glitch in final cut express that only allows short clips to be transferred in full?

Thanks for the reply. I'll try to answer all the questions (I am a relative novice). Your help is appreciated.
By the way, the other reply I received suggested the following:
In Final Cut Express>System Settings>Scratch Discs make sure the Limit Capture/Export File Segement Size To: is not checked.
I did this and it was already unchecked. So this is not the answer...
The strange thing is, I have been logging and transferring with FCE for 2 yrs without any problems at all with shorter clips, but have come up against the problem with long clips (over 5 or so min) the whole time. I got around it by simply making sure I stopped recording after less than 5 min while shooting footage. OR if I accidentally got a long clip, I import into imovie and then import into FCE. Not very streamline and I worry about compressions altering quality!
I am now trying to import a 20 min and a 17 min clip and it only transfers around 3 minutes of each, I have re-tried several times and it happens repeatedly. The blue circle in the transfer list shows up as a half blue circle instead of full. Clip cuts off after 3 or so minutes.
ANSWERS
how you are ingesting the files
From external flash drive connected directly to mac using FCE.
the format of the source footage
digital via ext flash memory. Frame size :1929X1080 / 25fps
what camera shot the footage
SONY HXR NX5
how you are connecting to the computer
from flash memory directly via usb
what version of FCE you are using
4
what OS your computer is running
10.6.8
what model Mac
macbook Pro intel Core i7
what drive you are using for Capture Scratch
3TB external drive (plenty of room left)

Media manager shifts timecode on long clip copies

We make sub clips from an hour long show daily, then consolidate these sub clips using media manager to be their own master clips. Then we(theoretically) delete the entire hour show and work only with the clips we want. This has been working great for small clips of a few seconds, but we are finding that longer clips (4-5 minutes) have timecode shifts creating nightmares for our finisher.... big shifts of 20 seconds and more.
Has anyone else had this issue?

You are taking a 720x486 clip, and blowing it up to 6 times the size, and trying to retain some semblance of quality...YES the MM will take 16 hours. It takes time to do this. Want to cut this time? Get an HD capture card and capture the footage via the card, upconverting it as you capture. Then the process is real time.
Top end machine or not, you are asking a lot, and it will take time. This isn't a 10 second or 2 minute clip...it is nearly an hour long.
Shane

Best practice when dealing with long clips

I have some long clips that I want to use more than once with different in and out points. I know this can't be done so is the best practice to make duplicates of the clips and set different edit points or somehow roughly split the large clip into smaller clips and name them accordingly.

Not certain what you think you can't do. Take a long clip and open it in the Viewer. Set In and Out points. Drop that into the Timeline. Now you can move along in the Viewer clip and set new Ins and Outs and drop that into the Timeline. Clips in the Timeline are created from the Ins and Outs you set in the Viewer.
Is that what you want to do? If it is, I don't where making copies of the clip would work for you
Later, if you want to match up a clip in the Timeline to that master clip, just use Match Clip (find) in the timeline to find where it correaltes to your main clip
You can have FCE automatically create subclips at camera cut points by using DV Stop/Start Detect if that is what you're looking for

Breaking a long clip into 'sub-clips'

So, I have a long clip that I've imported from, say a single long shot at an event. I want to break that clip up into what used to be subclips. I want to be able to treat those subclips as if they were clips - I want to be able to give them names, organize them in folders and I want to be able to drag them onto the timeline.
My question is, how does Apple think we should be doing this? The way that I see recommended around the web is:
Select your 'master' clip.
Set In and Out points.
Bring up the keyword editor.
Enter a new keyword for that 'subclip'
Doing this allows you to organize each 'subclip' by the keyword that's assigned to it and, by 'expanding' the master clip in the clip window, you can see the subclips/keywords in that master clip and you can drag them onto the timeline.
There are big issues with this, however.
There is no easy way to organize these subclips. Lets say I make 40 subclips (keywords) from a master clip. I then organize them into folders, 20 per folder, according to how I want them grouped. When I select a folder, I see a list of 20 clips - all named the same ... they are all named after the master clip! I have no way of telling which clip is which without individully exanding each clip! I could go back to the actual master clip by looking at it under the Event and exanding the master clip to see the list of all the 'keywords' - but then I have no way of orgainizing them - they're all just under that master clip.
What I want is not a 'keyword' - which is essentially a reusable identifier, used in this work-around as a single-use identfier - but a way of making parts of a master clip funtionally equivalent to the original master clip. Just because I shot some things in one take - especially with event videography - that doesn't mean I want them grouped together for editing. As far as I can see, there is no way to dissociate these subclips from the original master clip for the purposes of working with them.
This is basic functionality ... so am I missing something? What is the non-workaround way of doing this?
Here is another explanation of the issue by a kindly blogger:
http://fcpxquirks.tumblr.com/post/7122539715/so-far-the-biggest-workflow-problem -in-final-cut-10-0
Thank you!
A

Well, the difference is you can't do anything, like drag to the timeline or scrub, with the names in the library pane, only in the clips pane.
But you're right, that does suggest an improvement over using the folder to reveal the (sub)clips in the clip pane. I could drag the library pane as wide as possible so I can see as much of the 'subclip names'/'keyword collection names' as possible. Then expand the folder I want in the library pane, revealing those names. Then I click on the subclip/keyword I want, which reveals the (sub)clip in the clips pane. I can then drag it to the timeline or scrub it etc there. That's probably also an improvement over expanding the master clip in the clips pane, though still a right hacky pain.
I really don't think that being able to create subclips is an either/or with keywords. They fullfill different needs. Keywords do what they do well, but we still need the ability to create subclips, both from a logical workflow point of view and from a practical point of view, given how inconvenient this hack with keywords is. It should be 5 step process ...
1. You shoot your video, stopping and starting how it suits you at the during the shoot.
2. You import the video.
3. You break it up into clips for editing convenience.
4. You label and group and fine tune those clips with the keywording system.
5. You edit.
The ability to non-hackily do Step 3 is missing in Final Cut Pro X, it seems.

Color correction/effects when working with long clips

Hi,
First time poster!
I'm a beginner with Adobe Premiere Pro 5.5. I'm using it right now to do some color correction on badly produced DVD's in my film collection! I was wondering if it is possible when doing color correction effects on a clip if you can apply different effects to different parts of a clip. For example - At the beginning of a clip, the scene is really bright, but, some 30 minutes later, the clip is really dark. Is it possible to darken the beginning and lighten the ending? How would you folks deal with a situation like this? Would you edit the film down to smaller parts? If so, how would you go about that?
Thanks for the help!
Howard

Howard,
Welcome to the forum.
Along with Jon-M-Spear's suggestion (the one that I use most often too), many Effects can be Keyframed, so that they change over time. However, this does take some time, and can involve a lot of fiddling.
If you have a long Clip, and know that you will be adding the same set of Effects, but just with different attributes, you can do one of two things, and both rely on Jon-M's method:
You can create an Effect Preset, and apply that to all of your Cut, let's call them "sub-Clips," even though that term has other meanings, so be careful when using it. Then apply that Preset to all of those sub-Clips. Then, tweak each application of the Preset, as is needed for the individual sub-Clip.
In a similar fashion, you can apply all necessary Effects to the first of your sub-Clips, tweak for it, as is necessary, then Rt-Click on it, chosing Copy. Now, Select all of the rest of the sub-Clips, to which you wish to apply that set of Effects, Rt-Click on them, choosing Paste Attributes, and then tweak, as needed.
A variation on the above would be to apply the Effects to the origianal Clip, and THEN make the Cuts. Go back and tweak each individual sub-Clip.
Good luck,
Hunt

Why cannot any longer do "slow motion" gesture with 2 fingers of videos in iPhoto 9.2

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Long Clips in Motion??!

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