MPEG Streamclip 1.8b1 BETA

MPEG Streamclip 1.8b1 BETA
Mac OS X version - Free download
This beta version should provide better compatibility with the iPod and other improvements.
It has not been fully tested. Please report bugs and issues to Squared 5.
Do not link directly to this file.
Date: 16/10/2006 - Size: 1.3 MB - Show version changes
added support for iPod H.264 640x480 format
two-pass encoding should be compatible with the iPod
added an option to try opening unrecognized files
Fix Timecode Breaks modified to minimize audio dropouts
keyframe interval increased to 5 seconds
added support for 16:9 PAL format of the JVC Everio camcorder
new supported files: DCM, TP, VID, JPEG, TIFF
compatible with Perian for FLV playback/conversion
new options in the frame exporter
added the Spanish localization
http://www.squared5.com/svideo/mpeg-streamclip-mac.html

mmm...why can't you set key frames in Streamclip?
"The keyframe interval for export has been increased from 1 second to 5 seconds (as recommended by Apple)." -- from the New in Beta Version 1.8b1 Help file.
Qt does 4 or 5 passes you just don't see it happening...Compressor does 4 or 5 passes...
Had wondered in the past but you are the first person to confirm this.
I've seen it when a h.264 is set to multi-passes and the video doesn't has much going on in it...then there is fast encoding...
Always happens in H.264 and is specifically mentioned in the Help file. Would prefer, however, that instead of simply saying "Passing movie at ..." the progress window would say something like "Pass #1: movie at ..." and increment the pass number on each pass so I will know when to expect the last pass. Got into the habit of always monitoring the last pass to scan the video output and keep an eye on the combined average data rate. However, must admit this may no longer be necessary as the data rate appears more stable (i.e., not as "loose" as v1.7) and output is actually iPod compatible.
I've seen it when a h.264 is set to multi-passes and the video doesn't has much going on in it...then there is fast encoding...
Am trying to consolidate workflow to fewer applications rather than expand them. Was forced to use MPEG Streamclip to create consistently cropped/scaled video frames for media sourced from old TV footage. Was totally dissatisfied with ffmpegX in this department and fell back on the old MPEG Streamclip to new QT workflow as the best temporary alternative. And, since there is little visual difference between the single-pass and multi-pass modes, the new Streamclip also provide a much faster workfolw for material that is basically dated and of a somewhat lesser quality to begin with.
Or to take a 10-bit uncompress and make it either smaller x to y or change the frame rate...Or take a 10-bit from FCP flatten the transitions and then bring that back into FCp...
Have to confess that my efforts are only directed exclussively towards personal archiving and easy access of so-called "oldies but goodies" and not "production level" edits.
Do you think Streamclip does a good job on h.264? Compared to Qt...
If pressed, would have to admit that I probably like the "tweeking" done by Apple for quality. MPEG Streamclip, at least using my combination of workflow, filters and settings, produces a somewhat "softer" rendering than I prefer. This is likely due to my using the "wider 2D-FIR" scaler and undoubted contributes to increased processing times since I crop/scale in both horizontal and vertical dimensions. Would, however, readily change my workflow if Apple were to add the ability to control alternate audio tracks to both the iTunes application and iPod firmware, as well as, provide AC3 support for QT-to-Optical line output. (This is rapidly becoming a personal "pet peeve" as we approach release of the "iTV" device in Q1 of next year.)

Similar Messages

  • Why does De-interlacing looks better with MPEG StreamClip?

    For our client we need to render 1080i for TV and 1080p for WEB. After creating graphics in AE we add final touch and audio in PR.
    If we make it progressive in PR (CC2014.1) the zoom in the packshot does not look good.
    However if we make the 1080i ProRes progressive in MPEG Streamclip the zoom does look great.
    How is it possible a freeware swiss army-knife makes a better progressive export than commercial software?
    Or is there something we do wrong?
    Herewith links to the ProRes material:
    1 1080i rendered from AE: http://gvs.ftpaccess.cc/_q8w_U9SXYWR6tR
    2 1080p rendered from AE: http://gvs.ftpaccess.cc/_WSw7A_kh-W66sR
    3 1080p rendered with PR: http://gvs.ftpaccess.cc/_dAxuZAvbVWP6AR
    4 1080p rendered with MPEG StreamClip: http://gvs.ftpaccess.cc/_nQwqP-HqMWz6FR
    Please do not use this material elsewhere except for testing purposes.
    Thank you in advance!
    Ivery Barel
    Gooi & Vecht Studio - Netherlands
    OSX 10.9.5. Mavericks

    ok
    just to illustrate the problem a little better, here's the actual difference
    this is what I have in Lightroom after editing:
    and here's what I get after exporting

  • Why do my DV files look better when played in MPEG Streamclip than iMovie?

    My home movie DV files look washed out (compared to what my tapes looked like I played them on the TV years ago) when played with both iMovie '06 and iMove '11. The claim has been made that if I retransfer my tapes using iMovie '06 (rather than '09, which I used last time, or '11), there will be a dramatic improvement in the visual quality (and there will be some unspecified benefits if I set the dial to 48K audio). HOWEVER, if I play the files I already have in MPEG Streamclip, the visual quality improves substantially without any retransfer. Here is my question: Why? Why do my iMovie-imported files look better in MPEG Streamclip than in iMovie?
    Here is my layman's answer: algorithms. When MPEG Streamclip encounters the exact same arrangements of molecules (or whatever), it has some plan for what to do with them that is smarter than what iMovie does. Is this another sign or way that iMovie is not well suited for DV?

    Please go to my website where I have posted new instructions on working with DV.
    This keeps both interlaced fields from FireWire capture through to a DVD. All the lines means no lost quality when editing DV or Digital8.
    It also solves the washed-out color problem.

  • Mpeg Streamclip DVD settings for FCP...trying to preserve quality

    I'm very new at editing, so please bear with me!
    I am creating a director's reel for myself using footage on DVD. I'm ripping the DVDs with MPEG Streamclip to DV NTSC then importing to FCP and finally exporting to DVD.
    My problem is--there is an egregious quality loss through this process. Basically is there a better codec than DV NTSC to use in MPEG Streamclip?
    I'm having to render my clips in Final Cut which leads me to believe I'm adding an unnecessary step of compression/de-compression. Also, the DV NTSC quicktime doesn't look so bad until I put it in Final Cut...then it looks awful. Am I messing up an import setting?
    Finally-- When I load my clip in final cut it loads it anamorphic and I'm having to right click my clip after I load it to the bin, search it's video settings, and de-click "anamorphic" in order to get the right aspect ratio (16:9)...am I doing something wrong there?? Is that messing with the quality?
    I realize that this is a basic question, but I literally have spent 3 hours searching for an answer and haven't found one, so please forgive me if it's repetitive! And obviously I'm stuck using the DVDs...I have no option to get the uncompressed original footage. Thanks!!

    razini wrote:
    I'm very new at editing, so please bear with me!
    No problem, we all were at one time. Welcome to the family.
    razini wrote:
    I'm ripping the DVDs with MPEG Streamclip to DV NTSC then importing to FCP and finally exporting to DVD.
    My problem is--there is an egregious quality loss through this process. Basically is there a better codec than DV NTSC to use in MPEG Streamclip?
    Shouldn't be. But transcoding form MPEG2 to DV can get messy. I use DVDxDV for unwrapping MPEG2 form DVDs.
    razini wrote:
    I'm having to render my clips in Final Cut which leads me to believe I'm adding an unnecessary step of compression/de-compression. Also, the DV NTSC quicktime doesn't look so bad until I put it in Final Cut...then it looks awful. Am I messing up an import setting?
    You should not be rendering in FCP, this suggests your sequence is not set to be plain ol' DV.
    razini wrote:
    Finally-- When I load my clip in final cut it loads it anamorphic and I'm having to right click my clip after I load it to the bin, search it's video settings, and de-click "anamorphic" in order to get the right aspect ratio (16:9)...am I doing something wrong there?? Is that messing with the quality?
    If your clips are not anamorphic, your sequence is set incorrectly. Start with a new sequence and make sure it is set to DV.
    razini wrote:
    I realize that this is a basic question, but I literally have spent 3 hours searching for an answer and haven't found one...
    Yeah, video is like that.
    bogiesan

  • Using MPEG Streamclip for Mac. Help me if you can

    Hi, I've found out about MPEG Streamclip in Apple Discussions.
    I opened Streamclip for the first time and converted an .mpg file to .mov file by clicking File>Export to Quicktime. It successfully converted quickly and I opened it w/ Quicktime and was satisfied to open its properties and see two individual tracks for visual and audio. This should convert to iPod video format w/ sound, correct? What bugs me is the fact that the file size multiplied by 4, or went from 256MB to 1GB.
    I would like to know the perfect exporting settings for good iPod quality (sound and visual) and reasonable size. What scares me is that if and when this newly 1GB file is converted to iPod, it'll be even larger, since a previously successfully converted movie went from 3.5MB to 5.1MB.
    I'd like to know your experiences of using Streamclip. Should I experiment? What setting did you use to get the mpeg files to .mov files with smallest size and equivalent quality? Any reply is appreciated, and ones that answer my questions shall be favoured.
    thnx for your time

    In a nutshell, YES you should experiment. You should also try iSquint incidentally.
    However, MPEG Streamclip 1.5.1 has an iPod button if you do File -> Export to MPEG4. Clicking that button sets the parameters to equal what the iPod would need to display without having to convert to a QuickTime movie first. Do one both ways to see if QuickTime and MPEG Streamclip's output looks identical (I've found QuickTime does a better job on animation).

  • Mpeg Streamclip

    Can someone offer some insight as to why Mpeg Streamclip is always suggested for transcoding instead of Compressor? I mean by almost everyone on this forum.
    Why is it better than Compressor? Faster encoding, better encoding?
    Can it do things Compressor can't?
    Does it do droplets?

    Yes; if Quicktime cannot play something, I reach for MpegStreamclip next. Also, it not only opens and transcodes many formats, but also performs container operations that help avoid transcoding. For instance, demuxing an mpeg transport stream to elementary streams, or rewrapping it as .mpg; this is useful if you are trying to find the right format for a particular device or application, but don't want the time or quality loss from transcoding. I used MpegStreamclip to turn camcorder HDV files into Blu-ray discs with no transcoding at all; very handy when dealing with issues such as "HDV=mpeg2=Blu-ray......but not exactly".
    I am not myself aware of any practical pass-through or rewrapping of formats in Compressor. That is, I know you can sometimes pass video through, but it has never been practical for my tasks. Compressor always needs to reencode.
    Jeremy

  • HELP!  Missing?? for Mpeg Streamclip

    First, forgive me if this question is too simplistic but my knowledge is basic, at best.
    I just had a new hard drive installed on my vintage iMac (10.9.2. was installed on it) and am busy trying to replace the apps I knew and used and loved. 
    I have downloaded mpeg streamclip 1.9.3b8 but am obviously missing something else as it will not work for me (video screen remains white/blank). What else do I need to buy/install/download to get it to work?
    Many thanks!
    HJ

    Did you install The MPEG-2 Component?
    See: http://www.squared5.com/svideo/mpeg-streamclip-mac.html
    The installer of the MPEG-2 Playback Component may refuse to install the component in Lion and Mountain Lion. Apple states the component is unnecessary in Lion and Mountain Lion, however MPEG Streamclip still needs it.
    To install the component in Lion or Mountain Lion, please download MPEG Streamclip 1.9.3b8 beta above; inside the disk image you will find the Utility MPEG2 Component M. Lion: use it to install the MPEG-2 Playback Component in Lion or Mountain Lion. The original installer's disk image (QuickTimeMPEG2.dmg) is required.
    The current versions of MPEG Streamclip cannot take advantage of the built-in MPEG-2 functionality of Lion and Mountain Lion. For MPEG-2 files you still need to install the QuickTime MPEG-2 Playback Component, which is not preinstalled in Lion and Mountain Lion. You don't have to install QuickTime 7.
    Also read the information for Snow Leopard below.
    Snow Leopard and MPEG-2 Playback Component
    The Snow Leopard upgrade DVD released on August 28, 2009 may wipe the content of the /System/Library/QuickTime folder during the upgrade process, and delete your MPEG-2 Playback Component installed in that folder. To use MPEG-2 files with MPEG Streamclip you have to reinstall the MPEG-2 component or restore it from a backup copy.
    If you are going to upgrade to Snow Leopard
    Open the /System/Library/QuickTime folder and drag the QuickTimeMPEG2.component file to your desktop to make a copy of it. Then upgrade to Snow Leopard. When the upgrade is complete, open the /System/Library/QuickTime folder again and move the QuickTimeMPEG2.component file from the desktop to the /System/Library/QuickTime folder (enter your administrator password if necessary).
    If you already upgraded to Snow Leopard
    You have to reinstall or restore your MPEG-2 Playback Component.
    If you have a Time Machine backup of your System folder, then open the /System/Library/QuickTime folder, enter Time Machine and go back in time until you see the QuickTimeMPEG2.component file; select that file and then click Restore.
    If you purchased the MPEG-2 Playback Component from the Apple Online Store, then you probably still have the DMG file that contains the installer. Use Spotlight to search for "QuickTimeMPEG2.dmg": if you find a file with that name, double-click it and then in the disk image, double-click the installer package for Intel Macs.
    If you purchased the MPEG-2 Playback Component from the Apple Online Store but you can't find the QuickTimeMPEG2.dmg file, you can download the file again from the Apple Online Store if you remember the Apple ID used when you originally purchased it (if you forgot your Apple ID then go to Apple iforgot). Visit the Apple Online Store, click on "Account" in the store menu, then click "Downloadable Software Purchases," enter your Apple ID and password, and click the link to the QuickTime MPEG-2 Playback Component to download it again.
    If you obtained the MPEG-2 Playback Component from the installation of Final Cut Studio, then you can reinstall it again from the Final Cut Studio DVD. Insert the DVD and use the Finder's Go menu > Go To Folder... command to get to the /Volumes/Final Cut Studio/Installer/Packages/ folder inside the DVD. Locate the QuickTimeMPEG2.pkg or the QuickTimeMPEG2Pro.pkg installer: double-click it to reinstall the MPEG-2 component.

  • Best MPEG Streamclip settings

    I've looked at the prior discussions of this subect on these forums and they are several years old, therefor may not be accurate for FCPx, and some refer to screenshots of settings which are no longer available.
    I am having to import video from disc sources since the original source material is no longer available. I want to bring the best possible quality into FCP possible so as not to degrade the video/audio quality any further. I have been advised to use an uncompressed intermediate format but some of the previous posts on the subject indictate this is not an option when bringing video into FCP.
    So, what are the best settings for MPEG Streamclip for this purpose. Most of the video in question was what would be classified as standard def, some as high def (at least 720p, possibly some 1080p). Output will likely be in various formats and viewed on various devices, up to (and including) 1080p screens. So I'd rather keep the quality at as high a level as possible throughout the process.
    Thank you in advance.

    Tom, I had this same question last week. I'd like you to expound, if you could. Two Q's:
    1.) What is the difference between "HQ" (obviously "high-quality") and "LT?"
    2.) When converting MPEG-2 for edit in FCPPX, I found "Apple FCP Uncompressed 10-bit 4:2:2 worked VERY well. So, is "422LT" better?

  • Exact import settings for .mov files via MPEG Streamclip?

    Ok, as I mentioned in this other thread , I'm looking to import some files recorded at an odd resolution into FCE.
    Resizing my 512x288 files to 720x480 looks like it works, as well as with my 640x480 ones (don't know how it'll ultimately mess with the quality)... but I did do a test using some footage from 3 different video sources with different native resoultions, a)720x480 Sony DV Cam, b) 512x288 captured by helmet cam on Archos PMA 430, and c) 640x480 captured on Canon SD600, as well as .jpeg photos at 640x480 res.
    I changed the odd sizes (Archos & Canon) to 720x480 using MPEG Streamclip, resampling the sound uncompressed at 48 khz, using the Apple DV/DVCPRO NTSC compression option. Importing these files into FCE, I mixed them and the Sony standard footage, and a few pictures up on a timeline, rendered it and exported it to a QT file, then burnt a CD. It appears to have worked to my satisfaction.
    My question is, before I go and convert about 60 5-10 minute clips to this 720x480 resolution for use in a full length documentary, are there any settings I should be ticking off on the MPEG Streamclip interface to maximize the likelihood that the final project will work as well as the test did?
    Below are the options I selected in the test, which seemed to work:
    MPEG STREAMCLIP
    Compression: Apple DV/DVCPRO-NTSC
    Quality: 100%
    Sound: Uncompressed Stereo 48 KHZ
    Frame Size: 720x480
    Frame Rate: 29.97
    Checked boxes for:
    -Frame Blending
    -Better Downscaling
    -Interlaced Scaling
    Zoom: 100%
    X/Y: 1
    Center: 0,0
    Field Dominance: Upper field first
    That's about it. I tried doing similar conversions in a trial version of DIVX Converter pro, but the quality was noticibly lower than in MPEG streamclip. Maybe I just had the wrong settings in it.
    Anyway, Tom Wolsky has mostly got me on the right track in the last post "...so the material needs to be a .mov QuickTime file in DV NTSC, at 29.97fps, audio should be Linear PCM with a sample rate of 48KHz, and frame resolution of 720x480 using the CCIR601 digital video aspect ratio... be warned you're scaling up a very, very heavily compressed video stream, so it's going to look less than optimal when you make it DV. I can't believe they can do 192kbps at that frame rate, when DV, which is heavily compressed as well, is 3.5MB/sec."
    I have no idea if what I described in my test is heavily compressed or not, so couldn't really say how the settings I mentioned above affect Tom's latter advice.
    Anyway, any help would be welcome before I encode all these files. Thanks.
    iMac 17-inch 1.83GHz Intel Core Duo   Mac OS X (10.4)  

    I'm kind of confused because the only settings I could find on the Handycam for audio are 12 khz and 16 khz, and though I think I filmed them at 12, I've captured the footage at both within FCE... I'm not sure either have shown any probs when imported at 48 khz as yet. Not sure if that's because they are a multiple of 48 or I just got lucky. Either way, 1) does the audio bit rate the footage was captured at (12 khz) change to 16 if changed on the camcorder (or is it solely what the original was filmed in, period) prior to capture on FCE, 2) and if so or if not, how serious of a problem will it pose, if I do nothing and keep the FCE settings at the normal NTSC 48khz, in later stages of production considering there will be a lengthy timeline?
    iMac 17-inch 1.83GHz Intel Core Duo Mac OS X (10.4)

  • Process for exporting in FCPX and then using MPEG Streamclip to downgrade?

    I have footage shot with a 5Diii, and it is set at 1920x1080, 23.98p.
    When I export through FCPX at H.264, it gives me a beautiful master file, but is larger than the 4GB that I need.
    What is the process for using MPEG Streamclip to get a smaller file?
    Do I export a master file in FCPX first using a different codec, and then use MPEG Streamclip to compress it? If so, what would be the best setting to export from FCPX, and then what would be the best setting to compress at in MPEG streamclip?
    My goal is to be as close to 1080HD as possible.

    Here is the background story....... I provide movie files on a DVD delivery (files in SD quality) and then also give a copy of the same films on a flash drive so clients can have it in HD quality, and plug the flash drive directly into the TV.
    This always worked fine in the past until I ran into a movie file that is 4.7GB, and would not copy onto the flash drive, since flash drives only accept files up to 4GB.
    So I tried reformating the flashdrive to exFAT. It allowed me to copy the 4.7GB on the flashdrive, but when I tried plugging it in directly to the TV, the TV did not recognize the drive. (I learned that exFAT is not always compatable with all TVs.)
    My other option would be to download an app to let me reformat the drive into NTFS which accepts files bigger than 4GB, and supposedly works better with TVs. I haven't tried this yet because I am worried that downloading that app might mess up my computer. ???????
    So....I have come to the conclusion that the only other thing I can do is compress the 4.7GB file to be 4GB (or less) so it will fit on the flash drive which I believe had an original format was MS-DOS FAT.
    Are you suggesting instead of exporting the file from FCPX in H264, I should do it in ProRes? The file will be much larger than 4GB, but, then I can compress it, without losing as much of the quality as I would if I compressed an H264 file? Either way it needs to be 4GB or less, so I don't know if that defeats the purpose of using a ProRes file to begin with.
    Thank you so much for helping with this!

  • Mpeg Streamclip, GOPRO HD HERO

    What are the best settings in MPEG STREAMCLIP to convert 1080i GOPRO mpeg4 video files to Pro ResLT for editing in FCP6?
    Bueler?

    I am shooting using the "r5" setting on my HD Hero which is 16:9 1080p at 30frames/sec.
    There are myriad settings with MPEG streamclip - For Example: I assume that when exporting to FCP6 I want to "export to quicktime" under the FILE menu - correct? - once in the "Movie Exporter" pane I select "Apple ProRes 422" under Compression - ProResLT is not listed on my system. The quality slider is set to 50% but I have been moving it to 100% - is this a good idea or not necessary? Next comes Frame size - should I keep it unscaled? Should I enter something in the "frame Rate" box? Should I check "frame Blending" and/or "better downscaling"?
    "interlaced scaling?" Should I deinterlace video at this point or do it later when I export from FCP6 at the later part of the workflow?
    The rest of this "movie exporter window" I think I understand.
    THanks for anything you can send along.
    Best,

  • Quick MPEG Streamclip question

    Hi --
    Following the great guidance of this group, I have just started using MPEG Streamclip to rip a bunch a home DVD's into editable form. The program and process work great, save for one annoying glitch.
    *After setting in and out points and trimming, the newly trimmed segment will not display correctly when PLAY is selected.*
    Specifically, when play is selected, the timeline counter progresses, but the image stays frozen. The image will change when using other controls, such as manual grabbing of the timeline or scraping on the mousepad. Unfortunately, this quirk makes it difficult to view trimmed segments to identify additional edit (cut) segments.
    I'm looking for suggestions how to fix this issue. Software? My workflow? Hardware inadequacy (IMAC?).
    Thanks again for all the great help.
    Ken

    FWIW, I tried to diagnose the issue and may have accidentally come upon a solution.
    First, I looked to see if memory was an obvious issue. Using the Performance Monitor accessory, there was no obvious overload issue.
    Then, I took the DVD out of the loop by copying the VOB file to the desktop and running from it. Same problem.
    Then, I realized that playback DID work when I trimmed starting at the beginning of the file. I recreated that trim and it worked.
    However, when I reverted back to the original and trimmed the next segment (after the original), it failed to work.
    Next experiment, revert to original and trim an amount that encompassed both the first and second segment. Voila. The second segment played normally (along with the first.) A clue?
    So I trimmed the second segment from the combined trim -- and back to frozen screen.
    However, I tried the same process (revert to original and trim segments one and two), but CUT out the first segment. SUCCESS.
    I have no idea why this works. Any ideas? Better solutions?
    Is anyone else having this problem.
    Thanks.
    Ken

  • Getting Around MPEG Streamclip "No Audio" Problem

    (Long post; apologies in advance.)
    I needed to get around the MPEG Streamclip "no audio" problem that other people here have had. I just found a workaround that more-or-less works for my specific situation ... and it's free to boot.
    Since other people are having this problem, I thought I'd let you know what happened to me, so you can decide if this is something you want to try. If you do, I suggest posting replies here so we all can learn (if that's okay with the board moderators here).
    QTAmateur for MacOS X is available at http://www.mikeash.com/software/qtamateur/ . The developer has a somewhat full explanation of what it does at the site, so I won't repeat it here (and I don't get anything for talking about it here; I just want to share the good news).
    Right now I'm field recording with a Flip Mino camera (non-HD), which saves video/audio to an AVI file (3ivx MPEG-4, 640x480) at 30 fps, with 44.1 kHz audio (Microsoft ADPCM). Funny thing is the files from my Flip actually imported into FCE without any conversion, but I had to render everything. And the video looked like crap. Hated the rendering and the look, so I searched for other solutions.
    After paying for a couple of things that didn't work (lessons learned there), I finally found MPEG Streamclip. Since I'm using Snow Leopard, I sunk the additional $20 into the dang MPEG-2 playback component after my initial export try didn't produce any audio. After the component install, I still didn't have audio. Grrrrr.
    So I Googled a bunch of keywords, and I somehow stumbled across this QTA package. Snow Leopard users should note a minor drawback here: QTA needs QuickTime 7, which gets blown away in a Snow Leopard upgrade and is not included in new Macs with Snow Leopard. Users can get off of their Install DVD, though, so it's not a huge deal.
    When exporting from QTA, I matched its settings (audio and video) with the ones I found in this document: http://discussions.apple.com/thread.jspa?messageID=12274888&#12274888 . QTA's export interface is actually QT7s, so at least that's familiar.
    The only problem I'm having is that even though I set QTA to export at 29.97 fps, the exported files are still at 30 fps. A quick change in FCE upon import is the only thing I needed to use the file without rendering. I also had to change the fps setting on my LiveType files.
    The only thing I need to figure out is to how to match up some studio-recorded audio with all of the above, so I don't have to render the studio audio and so it comes out at the equivalent of 30 fps. I think all I need to do is record at 44.1 KHz and I'm okay.
    Of course, this is all my experience, and I realize others may not be able to work with this kind of setup. But I think this is an interesting workaround .. I wouldn't really call it a full solution, though, mainly because of the 29.97 fps versus 30 fps aspect.
    One other quick thing: I'm not sure if this works without that $20 MPEG-2 playback component from Apple (thanks for that charge, Apple!), since I already had the component installed when I discovered QTA. Someone without the component, though, can download this and see if it works. If it does, then we all know that we don't need to spend the extra $20 for it to work.
    If you decide to take the plunge, please let us know here. Thanks for reading.

    @Tom and @Meg:
    Thanks so much for your replies (speedy, too!). I especially want to thank Meg, who took the time to replicate the problem (which confirms to myself that I'm not nuts ). At least I know I have an ultimate "savior" in QT7 Pro.
    Before I spend that final $30, though, I want to see if Tom can help, based on what the QT Inspector says about my .avi files from the Flip. Here's what it says:
    VID00001.AVI
    Format: Generic MPEG-4, 640 x 480, Millions
    Microsoft ADPCM, Mono, 44.100 kHz
    FPS: 30
    Data Rate: 3408.53 kbits/s
    Normal Size: 640 x 480 pixels
    Current Size: 640 x 480 pixels (Actual)
    (that's word for word, except for the source [file location]; wish I could figure out how to paste in the window from my Grab of it.)
    I've already done the exports in the same way Meg indicated in her reply, trying all kinds of combinations. When exporting, though, I've always used DV/DVCPRO w/audio @ uncompressed 48k, and frame size @ 720x480 @ 29.97fps settings (saw those in another post here at the forum). I'm thinking those aren't contributing to my situation.
    Whaddya think, Tom?
    BTW, the biggest reason why I want to have the audio is to easily sync the audio off the digital recorder (I hook myself up with a lav mic) to the audio coming off of the Flip. I do the ol' "triple clap" trick to sync audio, so that helps -- thank goodness for audio waveforms in FCE.
    Once synced, I then delete the Flip audio and move the digital recorder audio up to A1/A2 (although I delete the A2 audio channel). Sounds 1000% better than the Flip audio, as I record outside and the Flip mic picks up wind big-time.
    BTW, Tom: I bought your book earlier this week. It's really, really good. You could teach an entire college semester class off of this book, and do it well. I'm getting to more of the lessons this week.

  • MPEG Streamclip rip - codec for FCE + QT viewing on Mac AND PC?

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    Crop: None
    Padding: None
    Frame rate: (100% of source)
    Frame Controls: Automatically selected: Off
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    Aspect ratio: Automatic
    Selected 16:9
    Field dominance: Automatic
    Average data rate: 6.2 (Mbps)
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    Maximum data rate: 7.7 (Mbps)
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    Closed GOP Size: 1/2 second, Structure: IBBP
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    http://www.squared5.com/
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