MPEG Streamclip "Red Flashing Frames"

I am having a problem with mpeg streamclip. I keep getting lots of red flashing frames. These happen when i am playing a dvd or even a .mov footage. I have re-installed also. I am running 10.6.5 on intel chip. Any help would be greatly appreciated or if there is a different forum, please let me know.

I think it's a system glitch because it started happening to me just recently in Final Cut Pro. When I play a clip in the viewer window, it flashes solid red like every half second. There aren't actually any red frames in the clip and once its placed on the timeline it plays fine.
More evidence that it's a glitch is that it'll sometimes go away on its own, sometimes (like now) go away if I pause the clip, go to another program and come back a few seconds later. Other times I have to quit and relaunch Final Cut to solve it.
The only consistent thing I've noticed is that it never happens when I first launch the program. It seems to happen after I've been working in it for at least a few minutes.
Message was edited by: Tonya Goodnow

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Red flash frame

Hello,
As instructed in this thread, I've started a new thread regarding this problem.
I work as an editor at a channel with Premiere CC 7.2.1 installed as our NLE. We have several 27" iMacs, 21" iMacs and about a dozen MacbookPro's.
We have experienced the red flash frame several times. It has appeared on MXF and ProRes exports. In one case, (using a MacBook Pro) it was generated on a ProRes export, but not on the low res proxy (unsure of format, will update as soon as I know) that is generated when we export to Sienna.
Red frames have also been introduced on MXF exports from iMac's (i7 27"), via ethernet to an Isilon.
I've taken the advice on the previous thread and told an editor to delete her cache and re-export. She did this and the red frames were not on the new export.
However, we have a high turnaround of news and current affairs content where a red frame may not be spotted. This could happen in a SOT or PKG for news. This file with the red frame could be loaded into ENPS and played out live. As the producer will be viewing the proxy in Sienna, they will not see the red frame as it'll only be on the ProRes, which is in a TX server they do not have access too.
The added danger is that if that section of programming is repeated, it will not be TX'd live from in house, it will be TX'd by a third party. Who (I assume) will pick up the red frame and hit us with a fine.
So, Adobe, is there a fix coming? Or is there anything we can do to ensure this does not happen?

To add, the low res proxy is an MPEG movie at 640 x 360, .mov suffix. No red frames appear on this.

Has anyone solved or worked around the After Effects CC red flash frame glitch?

I can't find any mention on any forums of the After Effects CC red flash frame glitch later than Feb. 2014. I just installed 12.2 (which was my first CC version) on my macpro and started getting the red flash frames randomly, but with increasing frequency, in my projects. I have never had this problem before on any previous computer or version for AE. The forums I've read have referenced ProRes source footage, outputs to ProRes, and lens blur. My project uses all of these things.
If there is a universally accepted solution/work around, I haven't seen it definitively. Do I not use ProRes source footage? Do I not render to ProRes 4444? Do I not use the lens blur effect? Do I give up and go back to CS6?

Hi Keith,
I have the "same" issue with the red frames in AFX CC
I have seen them first, as I resized a prores4444 HD to a smaller format and saw the redframes in the preview window.
Setup in AFX: I created a comp from the HD Prores4444 footage and put this comp in a comp with resolution of 960x540.
The output format was again prores4444.
I shuttled through the clips in the small comp and I saw the red frames too.
When I switched to the HD comp at the same position everything was fine.
I "solved" the problem by flushing the cache, twice. Because after the first purge I was only able to render the first clip. The second one had the red frame problematic again.
Maybe It has something to do with hardware accelerated layers.
I'm using a MacPro running OSX 10.8.5 with a Nvidia GTX680.
Cheers
Michael

Red flash frames on C300 sequence exports

Still no fix for this widely noted issue, Adobe?
I'm currently trying to get a job completed and the process of getting anything out of Premiere is absolutely painful...
I have tried all the suggested solutions - trashing preferences and media cache files. I saw somewhere that removing any clips that are a different codec to your footage (in this case it's MXF files from a C300) fixed the problem. Tried switching hardware GPU acceleration off. None of these things have worked. I've had to export the sequence several different times and then stitch these exports together in a new sequence (skipping out the numerous red flash frames, of course) just to get a clean export out. Pitiful.
I can see reports of this happening over a year ago - why hasn't it been fixed? I think it's pretty scandalous that this hasn't been sorted - Premiere is advertised as being able to handle these camera formats natively...well, it can't right now for me if using the native camera files results in issues like this.
Has anyone found any other work arounds that I haven't noted above?

Hi Mark,
According to the "about Premiere Pro" window, I am on 8.2.0 (65) build.
I have had the same issue exporting out of both Premiere and Adobe Media Encoder - the build of AME is 8.2.0.54.
Adam

MPEG Streamclip 1.8 error message "can't read frame size"

I receive message "Error: cant read frame size" after importing a QuickTime Movie file into MPEG Streamclip and choosing File-> Export to QuickTime as suggested in another forum to resolve the problem of no sound when importing a still camera QuickTime Movie file like the following into iMovie.
(MPEG Streamclip imports the sound but no video.)
Bottom line, how do I get the video and sound together in iMovie or Final Cut Express?
Stream: Louie&Sarful 3345.mov
Path: ~/Movies/Sarful & Louie/Louie&Sarful 3345.mov
Type: MPEG elementary stream
Duration: 0:00:53
Data Size: 0.49 MB
Bit Rate: 0.08 Mbps
Video Tracks:
DV/DVCPRO - NTSC, 720 × 480, 29.97 fps, 28.77 Mbps
Audio Tracks:
192 MP2 mono, 32 kHz, 64 kbps
Stream Files:
Louie&Sarful 3345.mov (2.13 MB)
I'm trying to resolve the problem of no sound when importing/opening still camera movie files like this into iMovie or Final Cut Express.
iMac5,1 IC2D Mac OS X (10.4.8) 1 GB 2.16 GHZ

Ref Bottom Line
Solved my problem by opening the file in MPEG Streamclip and choosing Demux to AIFF and saving the AIFF file to the same folder as the original, then drag the AIFF file to the sound track in iMovie and the original file to the video track.
iMac5,1 IC2D Mac OS X (10.4.8) 1 GB 2.16 GHZ

Flash Frames On Incoming Video

I have the strangest problem with flash frames I've ever seen. Whenever I make a cut at a scene change in my footage I get a flash frame on the incoming cut. I immediately assumed it was a field so I lopped off the first frame and... no luck. I actually have to tim off the first 3 to 4 frames! to rid the cut of the flash.
My sequence of events: I ripped supplied footage from DVD using Handbrake & de-interlacing into an progressive, Mpeg4 file. Then, using Compressor, rendered it into a progressive, ProRes 422 HQ Quicktime. However, the ProRes 422 HQ Quicktime had this bizarre brightness change when I hit play in FCP6. It was annoying so I used compressor again to transcode the ProRes 422 files into progressive H.264 Quicktimes. They seem to play & edit fine... except for this issue. Unfortunately, this issue is a showstopper. There's no way I can continue to edit with this media doing this.
I've searched the forum for similar posts but none of the problems ever seemed solved, and certainly none of the solutions suggested are working for me; I've trashed preferences, trashed rendered files & re-rendered them, etc. I have zoomed in to verify that there are no extraneous frames. Also, if I import the ProRes 422 Quicktimes and edit with them, they don't seem to have this flash frame issue.
Anybody else seen or heard of this issue? Why would an errant field exist across 3-4 frames? Anybody have any suggestions? Any and all help would be greatly appreciated.

Handbrake is the wrong tool for this...MPEG STREAMCLIP or DVDxDV Pro are the better options. I use DVDxDV...REALLY good with non-Hollywood movie type DVDs. Can extract to DV or Uncompressed...whatever you need. MPEG-4 like H.264 isn't meant to be used as an editing codec, it is designed for final delivery. That might be why you are getting the odd flash frames...the way it is compressed.
As for ProRes brightening...that means that your system needs to reduce the quality of the image in order to play it back without dropping frames...that is one symptom. Another is really low quality playback. To see what you really working with it is good to have a capture card and external monitor connected so you can tell what things really look like...as the computer monitors are playing back a low res proxie.
Shane

How do i use proper settings in mpeg streamclip with m2t files?

hello,
i have seen this discussion before but not sure what codec i need to transfer to for my type of files...
i shot a video on the **sony hvr z7u** using compact flash cards and the video was shot on 1080i 24 frames per second...all the files are currently in m2t...
i used mpeg streamclip and used the follow settings:
-apple motion jpeg a
-100 percent quality
-uncompressed sound
-frame size: 1920 x 1080 (unscaled)
-interlaced scaling was checked
although the files are workable in FCP the files themselves are gigantic...did i use the correct settings?
thanks very much,
steven

Steve
Download and install Sony's Compact Flash and Portable Recording Unit Log and Transfer plugin (BPE-SS-038D): http://support.sonybiz.net/software/detail.aspx?id=BPE-SS-038D&model=HVR-DR60
Andy

Are my settings correct for .m2t transfer through mpeg streamclip?

hello,
i shot a video on the **sony hvr z7u** using compact flash cards and the video was shot on 1080i ...all the files are currently in m2t...
i used mpeg streamclip and used the follow settings:
-apple pro res 422 codec
-100 percent quality
-uncompressed sound
-frame size: 16:9
-interlaced scaling was checked
are these acceptable? some of the footage doesnt look good with dark colors, but it might just be the way it is shot...
thank you!
steven

The Holy Grail in M2T conversion. Say it 3 times: clipwrap clipwrap clipwrap
The only program that easily rewrap m2t files into QuickTime movies Faster than transcoding
No generation loss. I have an nNovia Digital Drive to record my HD files from a Canon XH A1 camera. The M2T files were horrible to work with. No converter worked. Sound did not sync, Video artifacts, unusable. I downloaded trial- converts first minute and it worked GREAT! Bought it $49.99 very fast conversion. NO LOSS! I am in love! http://www.clipwrap.com

Help on Final Cut Express/Mpeg StreamClip

Hey, so my camera is a Canon T3i. My Dimensions is 1920 x 1080. 30 FPS. Codecs is H.264, Linear PCM; when shooting a video. When using the Mpeg StreamClip, i formatted/convert the clip into Apple Intermediate Codec, then later import it into FCE, put the clip onto the timeline and has the red line on top. Also before putting the clip onto the timeline, i did the Easy Setup, using the format HD, and used the HDV-Apple Intermediate Codec 1080i60. Still I get the red line on top.
I used another format which is the Apple DV/DVCPRO- NTSC. It works on the FCE and i dont need to render, but it has the little black frame on both sides of the video clip.
My question is how can i make my video clip work on FCE without rendering using the format Apple Intermediate Codec when converting on Mpeg StreamClip, because i dont want use the Apple DV/DVCPRO-NTSC since it doesnt give me the 16:9 screen. The reason is that i want that nice quality look on youtube and i like the full 16:9 screen.
Hopefully you guys can help me out.

You shouldn't be getting the render line so you must be doing something wrong.
You are shooting at 30fps and not 60fps?
In Streamclip do this:-
File>Export to QuickTime and select Apple Intermediate Codec.
Do not alter any other settings.
Simply click Make Movie.

Urgent!! Problems muxing .m2v files and audio!! MPEG Streamclip/Compressor

Hello!
I am under an urgent deadline to upload a short 6 min documentary clip for a client to review for screening this week. The footage was shot in 1080/60i HDV.
Usually, I find the best quality and fastest way to do this is to export directly from my FCP sequence using the '150 min Best Quality' DVD settings in compressor to get an .m2v video file and .ac3 audio file. Then I open the .m2v files in MPEG Streamclip which links it with my .ac3 file, then do 'Export MPEG with MP-2 audio". This gives me a single, muxed file that I can then upload to YouTube or Vimeo.
However, with this project, when I open up my .m2v file in MPEG Streamclip, it's recognizing the .ac3 file and I can see the info for it in the MPEG Streamclip window, but when I play the file in MPEG Streamclip or mux it, I don't hear any audio. Furthermore, after about 5 seconds into the clip, the playhead will continue moving, but the video will freeze, then maybe pick up again later. The .m2v video will play back smoothly in VLC player or Quicktime player, but not in MPEG Streamclip.
I've tried exporting different little sections of the timeline to see if maybe I had some corrupted footage or whatnot. I even exported a small clip from an older HDV project to test. But no matter where I export from, I am running into the same problem. I can bring the .m2v file and .ac3 file into DVD Studio Pro and burn a DVD with no problem, but I can't mux them. If I build the DVD file in DVD SP and try to open the .VOB file with MPEG Streamclip, I get the same problem. I even tried using a different software to mux (ffmpegX) but to no avail. When I try with ffmpegX, it either tells me I'm dropping frames, or if it works and it muxes it, when I open the MPEG file, it'll stutter at about 5 seconds in as well and I can't hear any audio, even though there is supposed to be audio in the muxed file.
I think I might have updated my Quicktime a few days ago with the system update, and maybe updated a few other things, so I don't know if this has any bearing on the problems I'm running into. But I was able just a few days ago to export HDV 1080/60i using this workflow without any problems.
I realize I have other export options, but this always seems to me to be the best quality and fastest way of doing it vs. encoding an H.264 which, on my machine is RIDICULOUSLY slow...I need to be uploading multiple versions of the cut to the client, and really need help! Thanks so much in advance!
J

what you want is an m2v program file. Export a reference copy from FCP (uncheck Make Movie Self Contained") That's very fast. Bring it into Compressor. In the settings panel find the MPEG-2 settings folder. Select Program Stream. Adjust to your liking and run. The audio and video will already be "muxed" when it's done and using compressor 3 you can set it to upload to YouTube, Mobile or similar sites.

Convert a movie from Quicktime to MPEG4 in MPEG Streamclip

I want to convert a movie from Quicktime (.mov) which I created in Final Cut Express to MPEG4 in MPEG Streamclip to be able to see it on my Samsung TV. The problem is that the uncompressed movie, comverted only from Quicktome to MPEG 4, stops almost every moment on my Samsung TV. I have connected an external harddrive in NTFS there via USB 2.0 (Samsung TV cannot play movies in HFS etc.). The uncompressed movies are bigger than 4GB in Quicktime.
I got the following information from Samsung (in German):
"Sie berichten, dass Filme zum Laden stoppen, die auf Ihrem MacBook Pro flüssig laufen. Bitte beachten Sie hierbei, dass der Fernseher hinsichtlich Rechenleistung nicht mit einem Computer vergleichbar ist. Weiters verfügt der Fernseher über einen USB 2.0 Anschluss, was die übertragbare Datenmenge ebenfalls begrenzt.
Die allgemeinen Spezifikationen für Videodateien finden Sie im Benutzerhandbuch ab Seite 248:
http://downloadcenter.samsung.com/content/UM/201112/20111208190112921/Web_GSDVBE UA_GER.pdf
Auf Seite 251 finden Sie für MPEG4-Videos folgende Beschränkung: Bei "mehr als 1280 x 720: max. 30 Frames".
Als Alternative schlagen wir Ihnen vor, Ihr MacBook Pro per HDMI direkt an den Fernseher anzuschließen, die Videos auf dem MacBook Pro abzuspielen und den Fernseher als Monitor zu verwenden. In diesem Fall entfallen die vorher genannten Beschränkungen."
I ask here how to use MPEG streamclip (free version; I use 1.9.2) so convert my movies into MPEG 4 so that I cann watch it on my Samsung TV.
I filled out "Bildrate" "30" but this did not work. I have chosen less quality but there are still - less - interruptions and I find it laborious to test different versions of less quality so that it might work.
I ask you also because I want to create my movies to give it to other people via the internet (f.i. via rapidshare) but I need a smaller size of my movies and do not know all the different TVs my friends have. I cannot imagine that it is not possible to create a movie in MPEG 4 that cannot be seen in many TVs via an external harddrive?

I know that I can do that also in FCE. It takes much more time to convert a movie into MPEG4 than to export it as uncompressed movie in QuickTime which I can use f.i. in iDVD to burn a DVD or watch it on my MBP.
But I don't know the versions of TVs of other people if I want to send them the movie via internet f.i. via mydrive.ch etc. which have limited space if used for free. So which settings to choose for an output in MPEG4?
For my one use it is o.k. if the movie can be seen correctly in MPEG4 on my TV but I can also watch it via my MBP on my TV via HDMI.

Sequence Settings for .mov clips from MPEG Streamclip

I'm converting some DVD clips (from old DVDs I created) that I exported to QT using MPEG Streamclip.
When I put them in the timeline sequence, I have to render everything.
Can I change the sequence settings to avoid this? And can I change the settings of a sequence that already has clips in it?
Thanks.

I set MPEG Streamclip QT Export to:
QT Apple DV/DVCPRO NTSC
Frame Size 720X480 (DV-NTSC)
Quality 100%
http://i44.tinypic.com/29zdhr9.png
I set FCP sequence:
Frame size 720X480 NTSC DV (3:2)
Compressor DV DVCPRO - NTSC
http://i44.tinypic.com/of3h8h.png
I still need to render. And the aspect ration looks squished in a bit. Like I've set something wrong.
What am I doing wrong? How should I change the settings:

Optimal settings for MPEG Streamclip convering mpgs to quicktime format

Hello Folks,
a newbie to this video converting world.
I've got loads of mpgs from the past, which I'm trying to convert to Quicktime(mov) format for use on my apple tv and also to publish to DVDs.
I tried the following:
- Compression - Apple Intermediate Codec
- Quality - 100%.
My 1G mpg file was converted to a 10G file!! I dont think I can afford to convert at this rate.
Can someone recommend an optimal setting on MPEG streamclip for this conversion with a balance on file size/quality?
thanks in advance!
karthik

No. You would need to upscale to HD and that's never good. Some TVs, expensive ones, can uprez fairly well, most can't. SD just looks very poor on an HD display.
Yes, sorry, the frame size needs to be 720x480, the standard DV format. Funny, I knew as I was typing it that there was something I was forgetting to include.
Message was edited by: Tom Wolsky

How do I get a lip sync flash frame sequence to encode properly

I built a flash frame sequ
ence in Premiere. It is 2 seconds long with the
first two frame white and the remaining time black
frames. This is repeated for 1 minute. If I encode it in non-compressed AVI it is correct. If I use
MPEG2 or H.264 to build a transport stream, I see two white frames
as I would expect,then black frames for the rest of the sequence. Over 15 seconds, I will start to see three frames, gray, white and gray again. Eventually, the white or gray frame starts two frames later than it should. I built this as a 720P/60 sequence with non-drop frame timecode. I have tried all I frames and the same issue occurs. The GOP structure does not seem to have an effect. There is no audio in this stream. It as if it cannot handle the quick and short transistion from white to black. There are some advanced settings for MPEG 2 but I cannot see where they are explained in the Premier help document. I need this stream to measure latency on a piece of video equipment.
Thanks
Ralph

Bill,
Your answer gave me a hint to what was happening. I'm fairly new to Premier and took for granted that the preset I chose at the begining of the program would carry through to the sequence, wrong! I found another discussion that talked about resetting the properties of a sequence. I expanded the project box a little and saw that it said my sequence was 59.94 frame rate not 60. I followed the instructions on the other discussion. File, new sequence, general, editing mode, and frame rate. The frame rate was set to 59.94 not 60. I reset it to 60, closed all the menues and deleted the original 59.94 sequence. The new sequence I just created shows a 60 Hz frame rate. I exported my lip sync project as an MPEG 2 transport stream and it was correct according to our MPEG analyzer.
Thanks again for the help.
Ralph

Exact import settings for .mov files via MPEG Streamclip?

Ok, as I mentioned in this other thread , I'm looking to import some files recorded at an odd resolution into FCE.
Resizing my 512x288 files to 720x480 looks like it works, as well as with my 640x480 ones (don't know how it'll ultimately mess with the quality)... but I did do a test using some footage from 3 different video sources with different native resoultions, a)720x480 Sony DV Cam, b) 512x288 captured by helmet cam on Archos PMA 430, and c) 640x480 captured on Canon SD600, as well as .jpeg photos at 640x480 res.
I changed the odd sizes (Archos & Canon) to 720x480 using MPEG Streamclip, resampling the sound uncompressed at 48 khz, using the Apple DV/DVCPRO NTSC compression option. Importing these files into FCE, I mixed them and the Sony standard footage, and a few pictures up on a timeline, rendered it and exported it to a QT file, then burnt a CD. It appears to have worked to my satisfaction.
My question is, before I go and convert about 60 5-10 minute clips to this 720x480 resolution for use in a full length documentary, are there any settings I should be ticking off on the MPEG Streamclip interface to maximize the likelihood that the final project will work as well as the test did?
Below are the options I selected in the test, which seemed to work:
MPEG STREAMCLIP
Compression: Apple DV/DVCPRO-NTSC
Quality: 100%
Sound: Uncompressed Stereo 48 KHZ
Frame Size: 720x480
Frame Rate: 29.97
Checked boxes for:
-Frame Blending
-Better Downscaling
-Interlaced Scaling
Zoom: 100%
X/Y: 1
Center: 0,0
Field Dominance: Upper field first
That's about it. I tried doing similar conversions in a trial version of DIVX Converter pro, but the quality was noticibly lower than in MPEG streamclip. Maybe I just had the wrong settings in it.
Anyway, Tom Wolsky has mostly got me on the right track in the last post "...so the material needs to be a .mov QuickTime file in DV NTSC, at 29.97fps, audio should be Linear PCM with a sample rate of 48KHz, and frame resolution of 720x480 using the CCIR601 digital video aspect ratio... be warned you're scaling up a very, very heavily compressed video stream, so it's going to look less than optimal when you make it DV. I can't believe they can do 192kbps at that frame rate, when DV, which is heavily compressed as well, is 3.5MB/sec."
I have no idea if what I described in my test is heavily compressed or not, so couldn't really say how the settings I mentioned above affect Tom's latter advice.
Anyway, any help would be welcome before I encode all these files. Thanks.
iMac 17-inch 1.83GHz Intel Core Duo Mac OS X (10.4)

I'm kind of confused because the only settings I could find on the Handycam for audio are 12 khz and 16 khz, and though I think I filmed them at 12, I've captured the footage at both within FCE... I'm not sure either have shown any probs when imported at 48 khz as yet. Not sure if that's because they are a multiple of 48 or I just got lucky. Either way, 1) does the audio bit rate the footage was captured at (12 khz) change to 16 if changed on the camcorder (or is it solely what the original was filmed in, period) prior to capture on FCE, 2) and if so or if not, how serious of a problem will it pose, if I do nothing and keep the FCE settings at the normal NTSC 48khz, in later stages of production considering there will be a lengthy timeline?
iMac 17-inch 1.83GHz Intel Core Duo Mac OS X (10.4)

MPEG Streamclip "Red Flashing Frames"

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