MPEG2 Encoder

What is the best MPEG2 Encoded available for the Mac? I'd be encoding at 1920*1080 and 1280*720.

Bit Vice, Compressor, Sorenson Squeeze, Cleaner are among the best. There's also iDVD, DVD-SP and Toast.
-DH

Similar Messages

  • Progressive Mpeg2 Encoding

    Hello. We are trying to create a 24fps (or 23.98?) progressive scan Mpeg2 encode from a 29.97 DVCAM source tape. The material on the tape is film-originated. I noticed in FCP there is a checkbox for "remove advanced pulldown/and or duplicate frames from firewire sources" Is this how we do this? What other settings need to be changed? Do we need a 24 or 23.98 FCP sequence to encode from after we capture the film?
    -chris

    Yes, if you're not already, you'll need a 23.98 fps sequence - not 24 fps - as your start point in FCP.
    You mention that your DVCam material originated on film. If you captured correctly - all clips start on a AA frame - you should be able to use Cinema Tools to conform your material to 23.98. The exact method depends on where you're at in the post-production stage (still capturing? editing?).
    Also, the Advance Pulldown removal option is meant for video-cameras (like the Panasonic DVX100) that shoot with 2:3:2:3 pulldown, while most of every post house I've come across telecines film originated material to tape at 2:3:3:2 pulldown. So the Advanced Pulldown removal function won't work correctly.

  • MPEG2 encoding fails, but MPEG2 DVD and MPEG2 Blu-ray works

    Hey friends,
    Every time I try to export with the standalone MPEG2 format option in Premiere Pro CS4 the file comes out empty (0 bytes) and both Windows Media Player 11 and Adobe Encore 4.0.1 say that my machine lacks the necessary codec to play the file (although, I'm thinking that this message is popping up really just because the file is empty/corrupted. I'm running on Vista SP1). Nevertheless, if I export to the MPEG2 Blu-Ray format with not too dissimilar values, everything works fine. The MPEG2 DVD format also works, granted that's lower bitrate and resolution. So, what gives? Could it have something to do with the audio?
    My source files are NTSC 29.97fps HDV 1080i .mpeg files, captured from DV tape.
    Here are the settings I'm using with the regular MPEG2 encoding (which fails as mentioned):
    NTSC, 1440x1080i, 29.97fps, 18.50 max Mbps, 48kHz MPEG audio, which gives me a final file extension of .mpg
    And the settings for the MPEG2 Blu-Ray encoding (which works perfectly):
    NTSC, 1440x1080i, 29.97fps, 30.00 max Mbps, 48kHZ PCM audio, which gives me a final file extension of .m2v with a separate .wav audio file
    Anyway, any help would be appreciated. Did I just completely miss the boat on some well known MPEG2 audio encoding issue or something?
    Oh, and my system is Core 2 Duo 3.33 Ghz 4 gigs of ram gigantic harddrive, etc. I'm fairly certain this isn't a hardware issue. The source files playback without hesitation and the rendering time is not overly long.

    Since the destination is DVD, don't waste the time or resources to encode at HDV frame sizes. It will just have to be encoded again so that it will fit the standard def DVD frame size. Re-transcoding will significantly reduce final quality.
    NTSC DVD:
    720x480 with a PAR of 0.9
    29.97 fps
    "Best Practices" would dictate elementary (separate) video and audio streams (.m2v and .wav). Avoid multiplexed .mpg files.
    "Easiest Practices" would dictate exporting from Premiere as an .avi file and letting Encore handle the transcoding automatically.

  • Third Party MPEG2 encoder - Suggestions

    So I recently upgraded to a new MacBook Pro. Everything's great except that the version of DVDSP 3 that I have won't work with it and neither will the version of Compressor that came along with it. (I upgraded from a G4 iMac.)
    Can anyone suggest a good third party MPEG2 encoder? My budget is $100 - $200 (or less if possible). I just don't have enough control with the iDVD encoder (even with the new iLife '08). I'm not looking for anything real fancy, just something that will let me have a bit more control over the bitrate, etc . . . And, if it can handle DVD markers from FCE3.5 even better.
    Many thanks for any thoughts.

    Tom,
    Thanks for your question. I didn't try because from what I've read on the forums DVDSP 3, the version that I have, is NOT universal. Not only that, it won't work with Intel Macs under Rosetta. Check the following URL for more information:
    http://www.apple.com/rosetta/
    "Pro applications from Apple — including Final Cut Pro, Motion, Soundtrack Pro, DVD Studio Pro, Aperture, Logic Pro, Logic Express, Shake and Final Cut Express — are not supported by Rosetta. For most applications, you can upgrade to the Universal version for minimal cost (see “Apple Applications” to right)."
    Does this sound correct to you? I'd love to keep DVDSP and Compressor, but it doesn't look possible. Are you using them with your Intel set up?
    Many thanks for any thoughts.
    Jason Morris

  • QuickTime MPEG2 Encoding Cause Kernel Panic

    Does anyone know why I would suddenly be getting kernel panics when encoding to MPEG2 using the QT MPEG2 Encoder.
    I has been exporting using QT Conversion to MPEG2 form FCP for Months, but now I am getting kernel panics and program crashes everytime I attempt to export.
    Any suggestions would be great.
    Dual 1.8 GHz PowerPC G5   Mac OS X (10.3.9)   1.25 GB Ram

    Are you still using QuickTime version 6 or have you moved up to version 7?
    Double check the version number (Get Info window) of the MPEG-2 Playback Component. It should be 6.4.
    The MPEG-2 exports should now be handled using Compressor.

  • Mpeg2 encoding

    ffmpegx
    do a search for it
    i downloaded this unix based mpeg2 encoder. i will let you know how it goes.
    generally i think the compression offered in FCE isn't that great. For years people have been playing movies off VCD's - sure not quite DVD quality, but you can get it pretty close if you just put one hour or so onto a VCD.
    Amy
    I just can't afford 500 bucks for an mpeg2 encoder,or the upgrade to FC studio
    oh, and this program is intelmac enabled or universal or whatever you want to call it...

    Hi Tom
    I ended up using mpeg1 format as this seemed more platform freindly - even though their are a couple of negatives - I couldn't figure out how to make these Mpeg1 files be rewound or fastforwarded in quicktime.
    But - 3 minute video - 25megs in mpeg 1 and this was VCRish quality (640X352 - full frame rate - the odd artifact - but ok)'
    For a full frame rate and full resolution version (576X768) - pal 16:9 it was 100megs in size. Not too much difference to native DV format- although you can tell it's not perfect - but it still looks better than the mp2's that are created in iDVD. just my opinion
    Amy

  • Hardware MPEG2 Encoder

    According to Apple and Google, there is NO Hardware MPEG2 encoder available for Apple's Quad G5. I am on the hunt for a solid MPEG2 encoder after countless Compressor letdowns both in performance and actually getting the program to work.
    http://www.apple.com/finalcutstudio/dvdstudiopro/partners.html
    Optibase, among others, have not yet adopted the PCI Express compatibility which has painted us in a corner to deal with the software encoding process that takes hours. Yes, HOURS. I'm not talking about 2-3 hours for a 20 minute video. I'm talking about 10, 15, 20 hours for Compressor to make the MPEG2 and AIF, and once it does, the quality is good, not great.
    Please someone at Apple or one of these third party companies (Optibase, Wired) throw a pizza party for the engineering staff and let's get the ball rolling on a PCI Express techology that we can use before the PowerIntel MacPro G6 comes out.
    (Or at least make Compressor utilize all four chips in the Quad)
    Thanks,
    Dan
    Quad G5, 8GB RAM   Mac OS X (10.4.5)  

    I use an SD-2000 on Windows. The Creator encoder is still part of a OS9 G4 system but they're not not updating it. They've (Sonic) flat out stopped developing Creator/Fusion. We also have a Wired Inc. board which I've not sorted out yet. The windows CCE SP (software) option is a very good app but hardware is hardware. Two or three copies, Procoder and some PCs still works out a lot cheaper than some hardware encoders though...
    I'd say it's aways good to have options cause there are lots of times where the SD-2000 doesn't cut it and I encode with something else...
    -Jake

  • Mpeg2 encodes have black at the bottom

    Any Idea what could be causing this:
    Only happens with mpeg2.
    Only happens with Adobe Media Encoder 2014, CC is fine.
    Mercury Playback Engine Setting makes no difference.
    Size of black changes with frame size.
    Have tried a re-install
    Any ideas on how to fix this would be much appreciated.
    1st pic is 576p and the 2nd is 1080p
    Thanks
    Martin

    This happened to me only once and a reset resolved it.
    Try resetting your iPad again by simultaneously pressing and holding the Home and Sleep/Wake buttons until you see the Apple Logo. This can take up to 15 seconds so be patient and don't release the buttons until the logo appears. Try again to see if the problem persists.

  • Issues With DVD Studio Pro 1.5 - MPEG2 Encoding & Building Discs

    Hi.
    I'm having problems encoding MPEG2 files in final cut express - everytime I try to encode, final cut closes.
    Also, when I go to build and format a disc in dvd studio pro, this also closes.
    I have looked at updating dvd studio pro to 1.5.2 and although I have downloaded the .bin file for the update, I don't know how to get it to run. The download is from the following link ( http://docs.info.apple.com/article.html?artnum=120138 )
    If anyone could help at all, it would be much appreciated.
    Thanks!

    Of all the early versions of DVDSP, 1.5.2 was the most stable and you really ought to be using that if you are not going to upgrade further.
    V1 was notoriously flaky. I used to chant 'Apple+S' every day when I used it, just to remind me to save... I lost count of the number of hours lost when the app hung or crashed. That version of DVDSP was built on an entirely different code base to the current version. There are still folk who prefer to use V1 despite its faults, but I am not one of them... although I do still run a version of it somewhere.
    The upgrade will be straightforward enough. Double click the file you have downloaded and you should get a disc image. Open it and double click on the files inside. Keep your serial number handy, although I don't recall it being needed for a minor upgrade.
    You may find that encoding is your biggest hurdle. Back in the day of v1.5 there were very few cheap options open to you. One was to use the Quicktime MPEG encoder, which was a system file you had to install into the QT folder in the system library. Since the system library can't be altered whilst the system is running (i.e. your mac is on) this was a bit of an issue - you either used the terminal app, or booted into target disc mode and used a second mac to put the file into the right location. Sheesh. Alternatively, you used an altogether better encoder - BitVice. These days you have many different options for encoding - try simply exporting from FCE as .mov and encoding in something else entirely. You need to end up with elementary streams -ideally a .M2V and .aiff (for audio). You should also have A.Pack installed on your hard drive. Use this to encode the audio to AC3 (Dolby Digital).
    Then bring those assets in to DVDSP and author quickly. Use Apple+S frequently - like every time you make a change. Don't use the preview if you can avoid it, as it tended to crash out more often than not. Build the disc as a disc image and test it in DVDPlayer app.
    Of course, for a relatively low cost you can now use DVDSP v3 or 4 (available on eBay most days, I think!) This uses a far more stable code base, a more graphical approach to authoring and has more bells and whistles (not that you'll need them all the time, if ever). It is based on DVD Maestro (PC App) and is very similar to use. Advantages are many and varied compared to V1 but there is a consequential hit on speed IMO. That said, if your mac is anything close to modern (I author mostly on an old G4 still) then you will be fine.

  • MPEG2 encoding with AME (Publishing Suite)

    Hello all,
    I'm working with the Publishing Suite CS5.
    I have to create a short video due to a specific MPEG2 setting got from my customer.
    Due to Adobe Help the MPEG2 codec seems only available in relation with Premiere and After Effects.
    Zitat: Codecs, die für unterschiedliche Installationen von Adobe Media Encoder verfügbar sind
      Adobe Master Collection, Adobe Production Premium oder Adobe Premiere Pro: alle Codecs
      Adobe After Effects: alle Codecs außer Dolby-Audio
    Does this mean I have to by Premiere or After Effects to get the MPEG2 codec?
    Thanks for quick help !
    Bernhard

    Yes, to use the MPEG-2 codecs with Adobe Media Encoder, you need to have a license for one of the video applications.
    http://blogs.adobe.com/kevinmonahan/2011/09/13/installed-codecs-in-ame/

  • Mpeg2 encoding problems, compressor 4

    When I compress any Quicktime file to mpeg2 using compressor 4.0.7 and/or 3.5 I get intermittent digitially distorted (square pixels) frames. Usually 1-2 frames per location.
    I've done multiple Quicktime exports from FCP (all 1920x1080 30P) with the same results.

    Trailpro wrote:
    FYI, I had the same problem originally with the 1080i export using compressor 4. It was a while ago and I believe I resolved the problem by using compressor 3.5. However that isn't working this time.
    AFAIK, 3.5 amd 4.x encode for DVD MPEG the same.
    Sounds like you used QuickTime Conversion to go out from FCP7? Generally, the preferred route is to do as little as possible to the sequence in exporting from FCP; which would mean, Export QT Current Settings.
    Another general comment: Interlaced material never looks great on a computer display, and if there is much motion, including pans and zooms, it can really look awful. But that doesn't mean you should de-interlace in FCP. A DVD player and/or the TV should be able to handle interlaced perfectly well. In that case, you would not do any software de-interlacing. Other times, one might decide it was still desirable to de-interlace; and in that case, Compressor will d a better job than FCP.
    It's also possible that what you're seeing is just artifacts that were introduced in down-scaling (amd changing pixel shape) from 1080 to 480 anamorphic. Setting he Resize Filter in Frame Controls to Best may cure that problem. In the preview window, mark a short section (that you know contains problem frames) with in and out point as a test and see whether that clears up the problem.
    Good luck.
    Russ

  • Premiere MPEG2 encode frame swapping bug

    We film and edit live shows ranging from 1 hour to 3 hours in length, recorded on DVCAM and digitised to DV widescreen preset. Final edits are encoded to Mpeg 2 DVD.
    We are experiencing a bug across all 6 edit suites where a random frame from somewhere in a production is inserted further on in the
    timeline, causing a quick flash/strobe. This occurs only in the encoded file and is not visible in the original sequence. Encoding
    in Premiere, Encore or Media Encoder has the same results. Proof can be supplied if required.
    This is a SERIOUS problem, especially as we may not be able to spot it before shipping the final DVD (in large numbers)
    All systems are kept up to date with the latest updates but the bug has persisted since purchase.
    We are using Adobe CS5 Production Premium, Windows 7 64 with NVIDIA Quadro FX 3800
    Many thanks for any help that can be supplied.

    I'm just finishing up a 3 1/2 hour film transfer job that is on 3 DVD's. I normally go Firewire out to my set top DVD recorder and have never had to watch every frame of the DVD to make sure that everything was ok. Same with videotape transfers. Were talking 100's of hours of footage here on a monthly basis. I do fast forward through the each DVD and check the chapter points but I would be out of business if I had to watch every film reel and videotape after it is transferred to DVD in real time to check for problems. Actually, since I edit all film transfers using Premiere every frame is checked during the editing process. I shouldn't have to do that again when making a DVD in Encore.
    So, as a result of this problem with random frames popping up using Encore, I now have to export a DV AVi file out of Premiere use a competitors $50 consumer video editing software just to do an MPEG-2 transcode then import that MPEG-2 file back into Encore and add about 70 chapter points manually instead of the chapters automatically importing in from a Premiere sequence. Not what I call an efficient workflow anymore.
    Randy

  • Is it possible to create a PAL 25fps progressive MPEG2 encode?

    And is there any benefit as opposed to a standard interlaced transfer? We've got a PAL 25fps digibeta from a film based source, which is a down-conversion from the HD 24fps master.

    Can anybody help with this?

  • Hardware encoding for mpeg2 and h264

    Hi Folks,
    I'm looking to clear up the bottleneck of processing mpeg2s. I have a 2009 quadcore mac pro and it's not bad for speed, but I just finished a 36 hour video transfer to DVD for a client and the processing took 4.5 nights (I ran my files overnight while I worked on other projects during the day).
    So, I'm looking for a hardware solution mpeg2 encoding. I see GrassValley has the firecoder, but it was PC only? I'd like something similar to the Maxtrox CompressHD which exports right from within FCP. I think the CompressHD is what I'll get for h264 encoding although I'll admit to date, it's mostly been personal encoding of my own home movies for AppleTV and my Pentax DSLR and headcam which shoot HD. I know clients will want that service as well.
    Any suggestions for the mpeg2? I realize it maybe a dying breed (re: using DVDs), but most of my clients are older and prefer DVDs.
    Cheers,
    Keebler

    Thanks Shane. I figured as much, but wanted to double check in case I missed a setting list for either device.
    I shudder when I think of virtual clusters b/c, as mentioned, I can never get them to work right. Either that, or my set up isn't optimal (I'm over a giga-ethernet and have a 2009 MP and a 2006 MP (and a few other machines i 'could' use).
    The odd thing is that Bitvice, from Innobits, accesses all cores without any tweaking, set up (or begging It just works. I was just hoping for a solution.
    I will admit that I've yet to try a cluster since the latest compressor update, but I'll review the links I have again.
    Fingers crossed
    Thanks for taking the time to answer - I do appreciate it and I always value your input.
    Cheers,
    Keebler

  • Importing mpeg2 and video quality of final DVD

    I had a company create an mpeg2 file from a master for a dvd project I'm authoring. I'm not sure what format the master is on, I'm guessing BetaSP but it is something other than a DV format which is all I can handle. When my client saw the finished DVD I authored he was unhappy with the video quality, it is noisy/grainy. I told him I that is how I received it from this company (the company houses all of my client's masters) but he said his master was of higher quality. So we asked the company what the deal was and they are telling me these two things, both of which I don't believe.
    My client had sent them the check disc (an authored dvd) I sent him and I sent the mpeg2 file back to them. They claim that the video quality is worse on the check disc because when you author a DVD it transcodes the files when it creates the vob files. Now the mpeg2 file imported into Encore fine and Encore defaulted to it being "do not transcode". So encore as far as I know definitely did no transcoding. Is there any validity to what they are saying? I don't think so.
    They also claim that for optimum video quality I should've requested the master be transfered to DVCAM (dvcam I can indeed handle). So they are saying going from the master to dvcam to mpeg2 would be better than going from master to mpeg2. That makes no sense to me. If the master is DigiBeta, going from digibeta to the lesser quality dvcam and then to mpeg is the best route? Now way right? It seems to me that THEIR mpeg2 encoder just isn't any good.
    Any thoughts would be appreciated (so I can argue my case).
    thanks
    Ryan

    I agree with Joe.
    DVCAM from DigiBeta is no quality increase at all. If anything (depending on the digibeta) you're dropping quality. You're certainly not gaining anything.
    Correct workflow for DVD Authoring with DigiBeta masters is as follows:
    1 - Transfer from DigiBeta to NLE Workstation.
    2 - Edit as required
    3 - Export from workstation to final version*
    4 - Create DVD - and the biggest difference is going to be what is used - and
    i how
    it is used - to do the MPEG-2 encoding that the DVD application will require. MPEG encoding is not a matter of bashing out a PRESET from a menu. That will
    i never
    give the highest quality. MPEG encoding is every bit as much an art form as the shooting, cutting & producing of the film in the first place, and is a skill that takes both time & experience to learn properly.
    NB.
    * = This has been a bone of contention for a while now. It is often recommended to go to DV AVI as the interim format, but for absolute highest possible quality, this is not really true as DV AVI (DVCAM) is a compressed form, albeit lightly. Some prefer a more filmic look to their footage (which DV will never give you).
    It's all swings & roundabouts. The final Master (for us) is usually a 10 bit Blackmagic type file, or an uncompressed AVI file. Expect to see around 40Gb/hour in this form, even more with a 10 bit file. Does going to 10 bits make a difference? As long as you do not have your NLE set to 8 bits, you bet it does!

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