Multicam clip displays as missing

I duplicated my event/project to an external drive, but when I work from the external drive my multicam clip lists as missing. I fixed this once, but I can't remember how.
Help please

Did you remember to check the option to duplcate relevant Events when you duplicated the project?
If not, the media won't be on the new drive.
Andy

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(missing) media multicam clip

I created this multicam clip. I am editing using proxy media. I did change some names to the media. My media and projects are on an external HD. I went to hook it up this morning and I got this? Does it have to do with relinking? I'm so lost. It looks like the project is in tact but the Referenced Events is saying "1 clip in use" and 1 clip missing. I click modify but the volume that is connected is the one I used.

It looks like there's an audio file called julian that's missing or damaged. Is it in the multicam clip?

Trouble with my Multicam clip

I'm trying to synchornize my two camera shots using the multicam button. All is well in making the clip; however, i notice then when the created multi cam clip is in the timeline it is displaying in a linear fasion with the second camera clips ahead of the first camera footage. In other words, nothing seems to be sychronized. Cameras footage is placed one after the other (not stacked) If I double click on the clip nothing happens in showing the two clips (stacked) and they still remain all in one line. Very confusing.
Could use some help!

I've got everything synched but my latest problem is trying to make a DVD from my multicam clip. I'm noticing that the secondary footage is not joined to the primary clip. When I join the two clips on one line only one camera is presented and the other camera edited footage does not read or register.
I edited the multicam clip in the time line after double clicking from the clip board. I'm also noticing I cant work with titles very well with the two multicam clips in this mode and that when I try to make a copy and put it the two clips into a new project I get a notice that says the video properties of this clip are not recognized and when I click OK the clips reverse themselves in the New Project time line when presenting themselves. I'm stuck in multicam clip mode and don't know how to get to the next step in which I can move on from the synchronization.
Sometimes I think it would be quicker to manually edit these clips.

Tagging/Favorite certain angle of Multicam Clip?

Is there a way to TAG or FAVORITE a certain angle of a multiclip? It appears that all tagging and favoriting will apply to multiclip as a whole, with no indication of which angle the tag was intended to apply to.
I want to mark certain sections of certain angles of a multiclip to favorite so I remember to use them in the edit, but there doesn't seem to be a way.
Sadly, when you multiclip two clips it doesn't seem to take the tagging/favoriting with it, so i can't tag previous to making the multicam clip because all that stuff disappears.
I sort of found a workaround for the favoriting part. I simply make a favorite in the multiclip then rename "Favorite" to include the angle number I am referring to.
But I can't do that same workaround for tagging.
Am I missing something?

You coulld use markers and make notes.
Russ

Audio adjustment in multicam clip

I have a multicam clip in which the and I am trying to reduce the "squech" from a P.A.'s feedback.
I have four cameras, and the section I'm working on has the video from Camera 3 and the Audio is from Camera 3 as well. This is not the case with ALL of the P.A.'s feedback occurances, however.
I tried to isolate the section of the multicam in the timeline, then chose "Expand Audio and Video," but when I tried to lower the volume in the section, it seemingly has no effect.
I tried doing the same only chosing "Expand Audio Components," but got the same results.
When I expanded the clip, it displays an "2" within a speaker icon (?), then the date and time of the clp then "a1." Does that mean that I'm trying to adjust the audio from Camera 1, even though I'm not using that?
If you can suggest the workflow in order to isolate and adjust the audio used in a multicam clip, I'd really appreciate it.
Thanks in advance,
Gary

I would think it would be easiest to open the muticlip in the Angle Editor where you would have a clear view of each individual angle and its audio.
Russ

How can I use all tracks from multi-channel source audio with Multicam clips?

I cannot figure this out. Working in Premiere I'm prepping for a 2 camera show, with typically 4 to 6 track dual-system audio recorded by the sound guy. I can sync, and make multicam clips any number of ways–whether sync by timecode, sync by audio, or eyeballing–but whenever I edit using the MC clip, Premiere mixes down all the audio channels into a stereo single track, and I cannot pick and choose which audio track from the original to use. With 2-5 people mic'd on lavs, I need to be able to choose which audio is either cut in or heard at any given shot.
Is there any way to have control in multicam clips over which track of audio gets edited into the timeline, or even: that all tracks of audio get cut in? It's very important for the editors to be able to see waveform (which also disappears for some reason in the mixdown) and pick and choose which audio is heard?
I'm sure this might be a simple fix, but I cannot get my head around it for workflow purposes for my assistant editors. We need to use multicam, but this audio thing is driving all of us crazy. None of us can figure out how to have a multicam clip and use it with control over what audio is cut in.

True, but what I need to be able to do is have my multicam sequence in the source monitor, and cut into my working sequence with either just the audio I need from the sound guy's multi-channel WAV, OR cut in all the sound and from then I can just enable or disable what I need or don't need. But also be able to match back to the Multicam source from my working sequence.
I don't want to have to open the synced sequence, and razor blade the things I need and have to copy and paste into my working sequence in order to have the full spectrum of my multi-channel mono lav WAV files...with their waveforms visible.
Essentially, I want my Multicam clips to load in the source monitor, and the ability to cut them into the working sequence without it mixing down the audio into a single track with no visible waveform–which is what it is doing currently. Can I choose to edit in either ALL of the tracks of the WAV file along with the camera shot I want, or control which audio gets cut in?

Fcx-creating multicam clip with two different frame rate

I have created a multicam clip with 2 clips, one shot with iphone 3gs, 15 fps, and the otherone with a dslr
i remember that with fc7 the main task to accomplish this was to shot with same setting but now it seems to work althought they are not same.
how final cut process the clips when tries to sync them ?
thams

I have created a multicam clip with 2 clips, one shot with iphone 3gs, 15 fps, and the otherone with a dslr
i remember that with fc7 the main task to accomplish this was to shot with same setting but now it seems to work althought they are not same.
how final cut process the clips when tries to sync them ?
thams

How to use two audio souces in one multicam clip

I have a three cameras, and an additional audio source. Making the multicam clip with of the four elements was easy, however I would like to use both the audio from two different sources at the same time. Is this possible? I know about switching the audio from one source to the other, but in some cases, I have talent on stage left and on stage right, and I need the audio pick up from both regardless of the video angle.

You can do it this way.
In the multicam select audio to left clip.
Then find the right clip, detach its audio, take its audio & align it to the multicam clips.
This way you have audio from let & right

How to mute ALL audio in one single go in an edited multicam clip?

Hi there
I'm having to replace some audio in an already edited multicam clip. (there are mulitple audio parts I'm replacing by the way)
How can I mute ALL of the audio in one go, as I have about 400 cuts and am currently having to mute one by one per cut.
thanks

Easy. Select them all. In the inspector, click the Audio tab. Under "Channel configuration", uncheck the box which would say something like "400 selected clips".

How to replace a clip that is part of a multicam clip in FCPX 10.0.9

I am having an issue with a project drifting out of sync in FCPX 10.0.9. In the time line everything is in sync, however when I export a master .mov file the video drifts out of sync. I believe this is because my main audio is an mp3 file.
MY plan is to convert my mp3 audio to an AIFF file and replace it with the mp3 in my project. The only problem is that this audio file was imported as part of an hour long musical performance and I took the part I needed and made it a sub clip. I then took the sub clip and made that part of a multicam clip.
Is there anyway to replace this MP3 sub clip with my new AIFF file in the multicam clip?
Any help is greatly appreciated.

jfriedman93n3h wrote:
… I took the part I needed and made it a sub clip. I then took the sub clip and made that part of a multicam clip.
never good practice to 'bundle' clips, sticking compounds into compounds... and in very rare cases needed/could be done 'better' using the tools 'n features FCPX offer....
Why not simply adding the new audio to your project timeline and synch it?
http://help.apple.com/finalcutpro/mac/10.1/?lang=en#verc1fabc30
When done, erase the track in your MC ...

I get "Modified File" message with AVCHD clips after making Multicam clip?

First off, this is only happening to some of the AVCHD clips, and typically not the same ones each time. I've tried trashing the files and re-importing because some clips imported as camera files. There is no DCIM folder in the footage folder. I've re-linked, restared, thrown out ALL the footage, the events, the projects and stared from scratch. The fresh import seemed a-ok this morning until I made the multicam clip.
I selected "create optimized media" and "create proxy media" when I imported. I'm currently transcoding today's offensive clip again, as fcpx seems to think that is possible. Perhaps that will fix it this time, but I've been stuck in a continual cycle of the clips working and then disappearing and being replaced by various red error mesages for the last few days so I'd like to figure out what is wrong with my workflow.
I tried archiving the AVCHD files before importing to the event, but fcpx can't see the files on the computer, so I have to use the version on my external drive. I'm also bringing in AVCHD files from an SD card, but so far today those ones have been fine. The multicam contains a sound file and footage from four cameras: a canon DSLR, a Panasonic GH2, and two Sonycams that create AVCHD files.

There's no automatic way to do this. You'll have to Match Frame the clips into the Source Monitor, find the In/Out timecodes, then load the new clip with audio and go to those same timecodes to set In/Out points. and add just the audio to the sequence.

Multicam Clips in the Timeline and Image Stabilization

I've got a multicam clip in my timeline that I would like to use image stabilization on. What I'd like to do is:
double click on the clip which brings up the angle editor with the range and angle selected.
press cmd-B to blade the clip
turn on image stabilization.
Unfortunately, step one doesn't work. I'm forced to open up the angle editor and manually skim and search for the desired angle and time range. It would be okay if the playhead in the angle editor was slaved to the one in the timeline. Then when you went into the angle editor you'd be right at the desired source material, but no, the two seem to be independant of each other. It makes performing the task much slower and more tedious. So much so I am convinced more experienced users are going to know a quicker way to do it.
So, does anyone know an easier work-around for this?

Thank you Tom and Luis, but I'm not with any of this. I can add a clip to the timeline or insert a clip into it via the "arrow tools". If I attempt to shorten the clip IN the timeline there is a blank space representing the amount trimmed from the clip.
I want the next clip along to that I've trimmed to automatically move along the timeline albeit shortening the total project duration.
Pressing "A" on the keyboard doesn't achieve this.
I simply click on the clip in the timeline to highlight it with the yellow margin. I then click on one "edge" with the arrows symbol and drag the edge inwards. This then leaves the space I do not want.
As for "Preferences" when I click this under "Final Cut Pro" i see nothing either relevant to this problem or that I could trash.

Multicam Clip Audio Channel config greyed out

I shot an interview with two cameras. One of those cameras had the audio (lav on left, boom on right). That audio was imported as a stereo track on import, the angles where multicamed, and the edit happened.
Now I have a timeline with all my audio playing in stereo (lav on left boom on right). I want to change from stereo to dual mono so I can audio mix properly, but when I select the multicam clip in the timeline, the channel configuation in the inspector lists it as stereo and the dual mono option is greyed out. (don't know why they won't let me change here)
I can go back to the event and select the multicam clip there and change it to dual mono and it will also change in the timeline. So that seems like a work around, but I can't select MULTIPLE multicam clips in the event and batch change the channel config to dual mono. Says "selected clips are from different multicam clips."
Am I going to have to select every single multicam clip individually in the event browswer and change the channel configuration on each one?

As far as I understand it, you cannot switch a "container" clip like the multicam to dual mono since it contains a clip which is stereo inside it. This makes sense, as per se it is not the multicam that is stereo or not.
You should make the change from stereo to dual mono in the actual AUDIO clip - either before creating the multicam, or after - in this case, after :-)
Open the multicam clip in Angle Editor (control-click the clip in the timeline and choose "Open in Angle Editor").
Now select the clip that contains the audio and make the change. Note that this WILL affect the relevant clip even outside the multicam.

Why can't I create a new multicam clip?

Just getting started with FCP X (10.0.5). I have imported from 3 cameras shot at the same time, but the clocks were not necessarily synchronized.
I select multiple clips, and "Create new multicam clip" menu item is grayed out. The only time it is available is if I select multiple clips from the same camera which were recorded one right after the other. I have set camera angle on each clip, and set the "content created" field to approximately the same time. According to the help, they can be different frame rates, resolutions, etc and still be combined to multicam clip.

OK I knew it was something simple. The clips have to be in the same event. Thought I had tried that but apparently not. Found the answer in another discussion. I couldn't find anywhere in the documentation that they had to be in the same event, and being new to FCP X wasn't sure the best way to organize multiple cameras.

How do you create a PIP in a multicam clip?

I know how to create a picture-in-pictre where I would overlay the PIP clip over the primary clip in my timeline, and reduce the size of the PIP window.
But I would like to use PIP in a multicam clip. I usually fully switch from one angle to the other. But how do I keep my master clip rolling and make my other angle appear in the PIP?
Thanks

Create your multicam clip including the PIP angle.
Edit the multicam clip into the timeline.
Select the PIP angle as the active angle. Go forward in the project a bit and cut to a different angle.
Select the PIP angle in the timeline and use Opt-Cmd-Up arrow to lift it from the timeline.
Stretch it out for the length of your video so it covers up everything else.
Select the PIP layer and press Shift-T for the transform function and shape the PIP and position it as you like.
Should look something like this. Hope you see the images

Multicam clip displays as missing

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