Panasonic PV-GS180

Video camera not on the capture device list. This is a DV camera and Elements should run this from the capture window.
Is there a driver for this camera I can download?
Thanks!
Jeff

You need a firewire (iLink) cable to connect your camcorder to a firewire card in your computer. Premiere Elements won't capture over USB 2.0 except for a very few camcorders that have a special type of USB 2.0 interface. I didn't see from the specifications on Panasonics site that the model you have has the special type of USB 2.0 interface, just the normal high speed USB 2.0.

Similar Messages

FCE compatibility with Panasonic PV-GS180 ?

Just wondering if anyone knows if the Panasonic PV-GS180 camcorder with work with FCE 3 on PPC eMacs, and/or FCE 3.5 on Intel iMacs with integrated video memory?
Thank you!

I should work fine. It's a DV camera and has a FireWire out that you can connect to your Mac. Just don't try using the USB out with FCE - that won't work.
In regard to the camera, whether your Mac is PPC or Intel doesn't matter, nor does the version of FCE, nor does the Intel GMA video in the Macbooks and Intel Minis. If you have an Intel based Mac, however, you do you need to go with FCE v3.5 or higher.
It's a nice little package at a reasonable price, but if you haven't purchased the camera yet, see if you can find a suitable model with CCDs larger than the 1/6" CCDs that this one has and also optical stabilization. You will notice the difference.

New MacBook and Panasonic NV-GS180 Camcorder

I cannot import content from my Panasonic NV-GS180 camcorder onto my new MacBook (10.5.6). There is no firewire port on the new MacBook, and the USB cable that came with the camcorder doesn't seem to transmit anything. When I plug it in nothing happens. I open iMovie to tell it to import but it says it can't find anything. I have tried through image capture as well but that says it can't find any external device. Anyone know the answer? Appreciate it, thanks.

The Panasonic camera will have a 4 pin.
I don´t know what kind of FW the computer has, it is either 4 or 6 pin.
So you will need a 4 to 6 pin FW cable or a 4 to 4 pin FW cable
Since you will be working with DV i suggest that you use iMovie 06 instead of 08.
iMovie 06 is better with DV material.
You can read a lot on this forum way many people use imovie 06 instead of 08 when they work with DV
You can download 06 from Apple for free when you have imovie 08 on your computer
And yes you can transfer the material to your new computer
Cheers
Hans

Panasonic nv-gs180 and 16:9

I shot footage with my new Panasonic NV-GS180 in 16:9 wide mode. iMOvie sees my camera fine but imports the footage in 4:3 mode and pillarboxes it. How do I get iMovie to give me the correct aspect ratio?
Thanks!

If you export the footage from the JVC in Standard-Def mode (..I'm not familiar with the latest JVCs, so I don't know if there's a facility to do that, but I assume that the camera can export HD as SD, like Sony hi-def cameras can..) then you could mix'n'match that JVC footage with the 16:9 Panny footage.
Unfortunately, my similar project is on a different machine, so I can't.. oh: wait a minute: here's a screen-grab of some Sony hi-def footage, 'downconverted' in the camera and imported into iMovie as standard-def, with another SD clip added after it (..in this case a 4:3 clip..)
(..click on the pic above to see a larger, clearer version..)
But you won't be able to mix'n'match true HD with normal SD in the same project: you'd have to bring the HD into iMovie as 'downconverted' (..exported from the camera..) into standard-def first.
[..NOTE that the first DV clip in that picture, above, is a "disposable" (not really wanted) clip, which was purposely put into the new project first to "convince" iMovie that the program's supposed to be playing, and importing, normal DV-Widescreen, and to tell iMovie to IGNORE the HDV 1080i identity which the connected Sony camera announced itself to be even when the Sony was playing 'downconverted' standard-def down the FireWire cable. I don't know, though, how to set up a JVC to export hi-def which it's 'downconverting' to standard-def as it exports, sorry..]
(..Sorry this may seem a bit garbled: I've got knee-ache and back-ache today!..)

FCP wont capture from Panasonic PV-GS180

Hello,
I am trying to capture footage from my Panasonic PV-GS 180 to FCE 3.5, OS X 4.9. Is this the problem that it will not capture? or does anyone know if the Panasonic model doesn't work well with Macs? I am a bit frustrated about all of this. Please help!

Hi! I have the same camera and had (have) the same problem. I am running a PowerBook G4 with OS X 10.4.9. As my computer is brand new, and the only software I even have loaded is FCE HD 3.5, I knew it wasn't a memory problem. I finally got so frustrated that I called the FCE support people. They told me that the Panasonic isn't on the "list" of cameras that work well with FCE. (I had a small heart attack at that point considering I've sunk a considerable amount of $$ into getting a 'good quality' set up to basically make small little movies.)
BUT the good news is that there's a decent work around for this. In the Easy Set Up menu, choose DV-NTSC DV Converter. This will allow you to do a Capture Now, but you won't have any control over the footage, so you'll have to make sub clips later. I've also been experimenting with the DV-NTSC Firewire choice from the Easy Set Up. That will give you control of the footage, but I did have one crash and one "abort due to dropped audio" yesterday. So... Not sure if that's the best way to go.
I'd really love to hear how this works for you and if you've discovered any other work arounds to this problem.
powerbook G4 Mac OS X (10.4.9) FCE HD 3.5

CAMESCOPE PANASONIC NV GS180 est il compatible avec photoshop première 13 ?

je désire acquérir photoshop première 13 et aimerais savoir si mon camescope est pris en charge. Il s'agit du panasonic NV GS 180

francine
I am not sure of your question.
Are you thinking about purchasing Premiere Elements 13 to do DV or HDV capture firewire into the Premiere Elements Capture Window?
If so, please be advised that Premiere Elements 13 no longer has that feature. The last version of Premiere Elements that has that feature
is Premiere Elements 12/12.1.
The following Adobe document suggests a workaround for the Premiere Elements 13 situation. Please review it in order to decide if the
workaround will work for you.
https://helpx.adobe.com/premiere-elements/kb/removed-features-formats-elements.html
Others have suggested
Windows
Movie Maker
HDVSplit HDVSplit 0.77 beta
Mac
iMovie
Any questions or need clarification, please do not hesitate to ask.
Thank you.
ATR

Will Final Cut Express be any better than iMovie for colour resolution

Hi
I have just made the move from a Laptop/Windows to a Macbook Pro, whilst running on the Laptop i used Ulead Video Studio V10.5 to capture and edit DV movies from my Panasonic NV-GS180. Once I learnt the basic the output results were very good, eg. an mpeg movie file of around 2.5GB for an hour of video.
Since moving to the Mac I have uploaded 2 recent DV tapes into the standard iMovie application. I have done a simple upload with minimal editing just to prove the quality of the output. I have output into H.264 format and the resultant file is around 2.5GB for an hour. The quality of the video is very poor compared to the equivalent on the VS10.5. Now, so by "poor quality" i mean the colour resolution is literally rubbish, on VS10.5 there are many different shades of the same colour, whereas in iMovie there is literally two. The resolution also looks worse, but I have read that iMovie doesn't handle the original interlaced video from my camcorder. So, I am more than willing to but Final Cut Express if my two problems with iMovie are addressed to achieve the same quality as VS10.5 on my old windows XP Laptop. There's no Trial like there is with Aperture, which I have recently bought to improve on the original installed iPhoto.
Any help, advice or comments gratefully received.

hi Ian
In store, we were using an huge Mac, whereas I am using a Macbook Pro. I must admit I did not try iMovie in the store to check the quality was equally as bad. But I can confirm that since installing FCE4 on my Macbook Pro at home and capturing the same piece of video that the colour resolution is the same as in store, so all is good.
Cheers
Gary

Crazy large file sizes on capturing from standard tape....

All, first post here, and only because I'm at my wits end!
I've been using iMovie for sometime with my current camera (Panasonic PV-GS180). Those file sizes were large, but reasonable.
Since then, I've decided to bump up my skills and work with FCE. Great product, but there is one thing that is preventing me from using it.... CRAZY LARGE FILES!!
I had a 42GB file size for 10 or 20 mins of capture time! That's just crazy, isn't it?
I used Easy Setup to choose DV-NTSC 32kHZ (My recorder is using 12-bit audio). My scratch disk is my local disk, which has 43GB avail. The top of the capture window shows "Total Free Time (AV) 208.7 min".
But I only get 10 or 20 minutes before the capture hangs, because my drive is full! Am I doing anything wrong? Will I have to go back to iMovie to import my video?
Thanks for your advice and suggestions!

Sorry guys, I thought I gave enough information. But thanks so much for staying with the discussion! Keep in mind, that I'm just a network engineer, and am a newbie at this FCE thing!
I thought there was only one way to capture, so my apologies for not including all the information. Yes, I'm using the capture now, as that's the only way I knew how. I'll look into the "Log and Capture".
As far as the types of files, I am unsure. It does not have the file extension at the end of the filename. However, in the info dialog box, it has:
Kind: QuickTime Movie
Dimensions: 720 x 480
Codecs: DV/DVCPRO - NTSC, Integer (Big Endian), Timecode
Channel Count: 2
Again, I'll look into the Log and Capture. Maybe it will be more efficient?
Thanks all!!

Unable to capture from the Panasonic AJ-HD1400 deck into Final Cut

I am working on a project where I need to use the Panasonic AJ-HD1400 deck and import 720p footage from the Vericam into final cut. I am able to connect to the deck via firewire but when I playback footage or try to capture I get a black screen and error message saying that FCP isn't getting a video signal.
I have tried multiple capture and sequence settings, none of which have worked. The one I have read that I am suppose to use is the easy set up for DVCPRO HD 720p24.
The footage is shot from the Panasonic Vericam which shoots at 60 fps. The footage has been flagged both 24p and 60p during different takes. - Which I have read you are suppose to convert using the DVC PRO HD Frame Rate Converter after it has been imported.
Anyone out there know how to solve this issue,
-Steller

Have you tried trashing your prefs?

Re: Can you import 1080 60P material in Elements 11, as an example from a Panasonic HDC-TM900 camcorder?

It is not about a slow computer (míne is new and fast) or an apple computer (I use windows 8) but it's about video quality and editing usability. Down under are the specifications of my camera, you can see the panasonic has different options and the MOV 50p had better quality (because of the higher bitrate), it is easier to use then the highly compressed AVCHD with video editing and I can use it also on a MAC (if I would like to). That is because I use MOV (and professionals like it too). So I need a MOV 50P setting and nog the AVCHD setting (I already installed the AVCHD setting as described above). It is true the panasocic is new and it is not very common in the consumer market to use MOV (most camcorders use AVCHD indead) and most DSLR don't have the 50p resolution yet it is still rare these days.
I hope there is anybody with a solution (I wish someone good give me a MOV 50p setting for PE11 and I'm happy!)
these are the video specifications of the Panasonic GH3
MOV (H.264) resolution, frame and bit rates
• 1920x1080 (60p/50p): 50Mbps
• 1920x1080 (30p/25p): 50Mbps (IPB), 72Mbps (All-I)
• 1920x1080 (24p): 50Mbps (IPB), 72Mbps (All-I)
• 1280x720 (60p/50p): 50Mbps (IPB), 72Mbps (All-I)
• 640x480 (24p): 10Mbps
MP4 (H.264) resolution, frame and bit rates
• 1920x1080 (24p): 50Mbps
• 1920x1080 (30p/25p): 20Mbps
• 1280x720 (30p/25p): 10Mbps
• 640x480 (30p/25p): 4Mbps
AVCHD resolution, frame and bit rates
• 1920x1080 (60p/50p): 28Mbps
• 1920x1080 (60i/50i): 24/17/13Mbps
• 1920x1080 (24p): 24/17Mbps
• 1280x720 (60p/50p): 17/13Mbps
Audio
44.1kHz Mono (Internal Mic), Linear PCM
File Formats
MOV, MP4, AVCHD
I will continue at a new discussions (because originally it's about panasonic 60p and that is indeed AVCHD like most camcorders and that solutions works):
http://forums.adobe.com/thread/1169776

One of the beauties of Non Linear Editors is that at final output rendering, it goes to the source. It is not rendered twice.
The single most confusing subject I've run into trying to learn editing is how this works. Here is what I think happens.
First, you have to have a project setting that accepts your source files so that you can work in real time preview with smoothness. The computer is doing "real time project rendering" for preview. So, if Ann's suggestion works during the editing process, you're fine. In other words, you may not NEED an exact match between your source footage and your project preset. Let PrE pick the best it can when you slide the first clip to the timeline.
Second, when it is time to make your final product(s), you set the "output render" or "transcode" setting in the Share+Publish area. You might need something optimized for YouTube, an iPhone or Hollywood. The editing software then looks at what you have been doing in real time, goes to all the markers and transitions you have set and makes an entirely new file, the "video", by reading from your 50Mbps source files.
Somewhere here there is a long post from an Adobe tech who tried to explain it to me. He emphasized that there was some relationship between the project setting and the output files, but the most important part was the output settings.
In the Share+Publish section there are a lot of presets. For some you can change the frame rate and bit rate. You should find something pretty close.
Your GH3 is so new, I've read little about it. A 50 Mbps rate is twice what we've had at the consumer level for the last few years. Have fun with that camera!
Bill

Can I connect my MacBook Air wirelessly to my Panasonic Viera HDTV

I would like to connect my MacBook Air to my Panasonic Viera HDTV wirelessly, so that we can view family photos, videos etc on the large flat screen. Is it possible and, if so, how do I go about it?

I believe you would need an Apple TV:
https://www.apple.com/appletv/
FWIW, you are not running iOS (any version) on a Mac computer, it would be Mac OS 10.x.x (which is helpful for anyone trying to help you).

Importing to LR3.3 from Panasonic DMC-ZS3

Sorry if this has been addressed. I couldn't find anything about it.
Windows 7 Pro, 64bit, LR3.3, 2-SanDisk 2gb cards, RAW USB 2.0 UDMA reader
Ever since upgrading to LR3.3 I have not been able to Import files (jpg) from my wifes SD cards straight to LR. Her camera is a Panasonic DMC-ZS3. Prior to LR 3.3, ie; 3.0 it worked fine. I can copy via explorer to the hard drive then Import them to LR 3.3 without a problem. OK, there is a problem. I use LR's automatic folder destination creator by date taken, on import. It takes too much time to create all these folders using explorer.
The Import report says the files were not imported because they could not be read but reads them fine from my hard drive. It reads and imports the files from my Nikon (CF card) fine also.
Any ideas why LR 3.3 does not like these files anymore.
Jim

Jim,
Bad card readers and/or USB connections (cables, ports, hubs) are known to cause issues like yours. Somehow, LR seems to be more affected by these problems than the O/S tools.
jga154 wrote:
I can copy via explorer to the hard drive then Import them to LR 3.3 without a problem. OK, there is a problem. I use LR's automatic folder destination creator by date taken, on import. It takes too much time to create all these folders using explorer.
You could copy the files into ONE temporary folder via Explorer, and still use Copy/Move and LR's automatic folder creation by date.
Beat Gossweiler
Switzerland

Trouble importing photos from Panasonic camera

I'm getting error messages when attempting to transfer photos from my Panasonic camera to my Mac. Details:
* Running Lion 10.7.4 on MacBook Pro
* iPhoto '09 version 8.1.2
* Brand new Panasonic DMC-ZS20
* SanDisk 4 GB SDHC card, which I formatted using the camera function when I first installed it
This was my first weekend with the camera and I went out and shot 300+ photos. Used the USB cable that came with the camera to hook it up to my MBP. On the camera screen I selected the "PC" option. Camera disk appeared on my desktop and iPhoto loaded. iPhoto recognized the camera and displayed all the photos correctly. The problems happened when I tried to import them. I selected "Import All" and the first few 4 or 5 imported OK, and then it just hung there (little spinning circle and one photo file name displayed). Finally after a few minutes, I got the error message "The disk was not ejected properly" even though I hadn't touched the camera or cable. Photos that managed to import were fine - no corruption. Steps I took to trouble-shoot:
* Tried reconnecting to iPhoto and this time importing them one at a time. This worked for a few and then again, it go hung up. Thinking there might be an issue with one particular photo being corrupted, I tried different photos from different parts of the disk. There seemed to be no pattern to the issues. A photo would hang one time, but then import fine the second.
* Thinking it might be an iPhoto issue, I quit iPhoto and just tried to drag photos from the camera disk directly to a folder on my hard drive. I was able to open the camera disk and locate the photos (file names were like P1000150.JPG). But the same things happened when I tried to copy them to my hard drive -- a few would copy and then it would get hung up. I got system error messages -36 and -43.
* I tried restarting my computer and restarting my camera.
* At one point my camera got so "confused" that it wouldn't turn off, or even recognize that I had unplugged it. I finally had to take the battery out to reset it.
* Thinking it might be an issue with a faulty SD card, I loaded the card into my printer's card reader and was able to transfer all photos without any problems. Photos look great.
* In a possibly related issue, I tried to load the GPS data from the CD that came with the camera to my SD card, but it the GPS data would not load. Even though the card was empty (this was the day I got the camera, before I took photos) it kept telling me it needed 1.6 GB of space and I only had like 45 MB available… I'm typing these numbers from memory, not sure they are exactly right, but the point is that I had an empty 4 GB card and there should have been plenty of room.
So, is there anything else I can try here? Has anyone else had problems with Panasonics and Macs? Could it be an SD card issue, even though it worked fine in the other card reader? Or do I have a defective camera and need to send it back?
Thanks,
Jill

I finally figured out the source of my problem. I (foolishly) was connecting the camera to my computer through a USB hub. Turns out the hub was the problem. When I connected the camera directly to my computer, it worked just fine. Just figured I would post in case anyone else has the same issue.

How to edit JVC/Panasonic/Canon .mod video in Windows Movie Maker then upload to YouTube for sharing

Quick View:
Part 1: How to import .mod video to Windows Movie Maker
Part 2: How to edit the video with Windows Movie Maker
Part 3: How to upload your video to YouTube
Know More:
1. Which Camcorders record video in .MOD type?
2. What file types are supported by Windows Movie Maker?
3. What file types are supported by YouTube?
Part 1: How to import .mod video to Windows Movie Maker
Step 1: Load files
First copy the MOD file from your video camera to your hard drive, then download, install and run MOD Converter, click the "Add Files" button to browse your computer hard disc and load the MOD/TOD video files you want to convert to the program.
Step 2: Output Setting
In the bottom of the main interface, select an output format supported by Windows Movie Maker for each video file and specify a directory on your computer to save the output files.
Step 3: Start convert
Click "Start" button on right bottom of the main interface, you are allowed to start conversion.
Step 4: Import converted video to Windows Movie Maker
Click on "File". Then click on "Import". A window will appear. In the window, navigate to the video clip you converted just now. Then double click on the file. You'll see the icon for the file in your Windows Movie Maker "Collections".
Part 2: How to edit the video with Windows Movie Maker
Step 1: Add transitions and special effects
In the Movie Tasks pane, under Edit Movie, click View video transitions.
Preview transitions by double-clicking them and watching the Preview Monitor. Once you've found a transition you like, drag it from the Video Transitions pane, under Edit Movie pane to the box between two of your clips. This inserts the transition between the two clips.
Step 2: Add titles and credits
If you want to add a title before, after, or on top of a clip, click the clip on the storyboard or timeline.
In the Movie Tasks pane, under Edit Movie, click Make titles or credits.
Step 3: Add Music
In the Movie Tasks pane in Movie Maker, under Capture Video, click Import audio or music.
In the Import File dialog box, click the name of the song you want to use in the background. Then click Import. This adds your song to your collection but does not add it to your video. Drag the song from the collection to the video clip where you want the music to start playing.
Step 4: Add narration
If you have a desktop computer, connect a microphone. Microphones are available from most electronics stores. If you have a portable computer, you can use the built-in microphone. However, you will get a better-quality recording if you connect an external microphone. In Movie Maker, click the Tools menu, and then click Narrate Timeline. On the timeline, click the clip you want to narrate. You can narrate clips one at a time, or you can narrate the entire movie all at once. If you narrate individual clips, you can rearrange them later and keep your narration synchronized. If the narration is too loud or too soft in comparison to the movie, right-click the narration on your timeline, and then click Volume.
Step 5: To save your movie to your computer
In the Movie Tasks pane, under Finish Movie, click Save to my computer.
The Save Movie Wizard appears. On the Save Movie File page, type a name for your movie. You can also choose a folder to save it in by clicking the Browse button, but My Videos (the default) is usually the best place to save your movie. Then click Next. On the Movie Setting page, click Next to accept the default setting of Best quality for playback on my computer.
Movie Maker saves your movie, which might take several minutes. On the Completing the Save Movie Wizard page, click Finish. If Play movie when I click Finish was selected (it is selected by default), the movie will automatically play in Windows Media Player. Now you can watch your videos anytime by opening your My Videos folder and double-clicking your movie.
Part 3: How to upload my video to YouTube
A video file should meet the following requirements so that it can be uploaded to YouTube site.
1. In an acceptable format: WMV, MPEG4, MOV, AVI and MPEG.
2. Video length is shorter 10 minutes.
3. File size is smaller than 1GB.
Step 1: Sign up a YouTube account or Gmail account, then click the Upload button on any YouTube web page. See the figure below:
Step 2: Type in the information of your video file, including Title, Description, Category and tags. To increase the chances that your video can be easily found, you should put as much information as possible.
Step 3: Set this video to be public or private.
Step 4: Click the "Upload a video" button. When you see the next window, click the "Browse" button to select the video file you want to upload. Then click the "Upload Video" button to upload it. After the upload is finished, you will see the completion page. See the figure below:
Step 5: Click "My Videos" and you will see the video.
Know More:
1. Which Camcorders record video in .MOD type?
MOD is the video file type used on many digital camcorders, such as the JVC Everio, the Canon FS100 and the Panasonic D-Snap SD-card camcorders. Accompanying the MOD video file, there exists MOI file that stands for the index file for MOD.
2. What file types are supported by Windows Movie Maker?
You can import files with the following file name extensions into Windows Movie Maker to use in your project:
Video files: .avi, .wmv, .mpeg, .mpg., .asf, m1v, .mp2, .mp2v, .mpe, , .mpv2, and .wm.
Audio files: .mp3, .wav, wma, .mp2, .aiff, .aif, .aifc,.asf, .au,.mpa, and .snd.
Picture files:.jpeg, .jpg, .jpe, .png, .bmp, .dib, .emf, .gif, .jfif,.tif, .tiff, and .wmf
3. What file types are supported by YouTube?
YouTube accepts a wide range of video file formats.The video files below are all accepted by YouTube. Some video formats work best and are most compatible with certain computers, software or devices. Windows Media Video (.WMV)
.3GP (cell phones)
.AVI (windows)
.MOV (mac)
.MP4 (ipod/psp)
.MPEG
.FLV (adobe flash)
.SWF (shockwave flash)v
.MKV (h.264) If you do not think your current video file format is recognized by YouTube, you may get the best uploading results from converting your file to MPEG4 video with MP3 audio.

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Bad Picture Quality On SD Channels With HDMI And Panasonic VIERA 720p LCD HDTV

I just bought a new Panasonic VIERA 32" 16:9 8ms 720p LCD HDTV TC-L32X1 for my in-laws when they finally had Verizon FIOS brought into their neighborhood last month.
Install was by the Verizon tech using the HDMI cable I also had shipped to them.
The HD channels quality is excellent, but the SD quality is smeared -- almost looks like an impressionist painting.
It is not the TV -- the TV menus are crystal clear, as are the HD channels.
And, it is not just the broadcast HD -- the DVR box menus are also smeared when viewing as SD channel, as is the guide and the pop up channel info.
We've tried all the settings on the TV -- Zoom, 4:3, etc.
The other TV (an older CRT) actually has better SD quality than the Panasonic.
My research indicates we're not the only ones on FIOS with this problem. Someone suggested using the component hookup rather than HDMI?
Other say that IMG 1.7 is supposed to solve the problem, that the SD quality was fine before IMG 1.6.
Any suggestions, solutions, or updates?
The picture is virtually unwatchable.
Thank you!

Here's a particularly relevant post if you don't want to wade through all the above links:
(http://forums.verizon.com/t5/FiOS-TV-Technical-Assistance/bad-pq-on-std-def-channels/m-p/10917#M5540) -- second to last.
"Re: bad pq on std.def. channels
01-06-2009 03:55 PM
Joe01880 - Being a new customer as of last October, I have never seen anything other than IMG 1.6. My understanding from other posts is that before IMG 1.6, the SD PQ on an HD box was just fine. I'm not sure what the complaints/gripes/begs were for IMG 1.6 but it seems to me that, if Verizon knows what changes were made, it should be straightforward to determine which changes caused a deterioration of the PQ. I think it's been at least 6 months since the first complaints of poor PQ, so I don't really see how anyone can claim that Verizon is in danger of "rushing" an update to address this problem. I also don't think that a forum topic, no matter how much it complains or gripes, will cause Verizon to rush. I am much more worried that during a large portion of my 2 year contract that the issue won't be addressed at all, so I'm happy to add my voice to those complaining."

Panasonic PV-GS180

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