Premiere Pro CS6 to DaVinci Resolve Workflow

In his article at the link below, Walter Bicardi notes that because of errors generated when he attempted to export an EDL from Premiere Pro CS6 for import into Resolve, the EDL kept causing Resolve to crash and he had to send a flattened file of his timeline to Resolve and then use Resolves auto-scene detect feature to chop up the flattened file. He then sent a flattened file back to PP CS6.
http://www.biscardicreative.com/blog/2012/07/continuing-tales-of-an-fcp-switcher-cs6-workf low-for-now/
Is this the only way to send a project to Resolve from PP CS6? Is it possible to use XML, AAF, or EDL export to send the timeline to Resolve, or does this feature of PP simply not work the way it is supposed to? Or is the problem with Resolve?
Any information on how to export the timeline to Resolve without resorting to a flattened file would be greatly appreciated. The flattened file approach would work to a degree, but it is not really an adequate workflow in this day and age.
Thanks,
Kevin

I have been giving DaVinci Resolve 9 (Lite) a trial run this week.
So far, I have noticed it handles FCP-style XMLs better than EDLs. As long as you strip out any APP-based effects (Warp Stabiliser etc), and any Dynamic Links (AFX) it seems to handle general dissolves/levels just fine. I haven't tried it with mixed codecs yet (I've tried H264, XDCAM, ProRes and DPX so far). One potential work around, if you want to convert your entire timeline to DPX and not use Scene Detect, is click 'Send to Speedgrade'. It generates labelled bins with DPX sequences for all your clips. If it's short-form but high quality (say an ad for broadcast), you can swap the files around in the Conform room in DaVinci.
I noticed a few bumps with the EDLs, namely the timecodes not syncing up properly. This might be due to the footage (the project I tried had been shot on a 5D). Hence using the XMLs instead.

Similar Messages

VHS - DVD Recorder - PC - Premiere Pro CS6: Workflow Questions

Hello,
I hope I have this posted in the correct place. I am seeking advice and suggestions for VHS tape to digital transfers. Here is my current workflow:
VHS tape is played back on a Panasonic PV-D4744S VCR and is recorded directly (via composite A/V cable) to a Panasonic DMR-ES40V DVD recorder and onto a DVD-R, -RW, or +RW.
The disc is then copied into a Windows 7 folder with all of the contents of its VIDEO_TS folder intact; this folder is saved on several external hard drives for safe keeping.
I then open and import a copy of the .vob files into Premiere Pro CS6, where I minimally scale the video to eliminate the distortions (“VHS tearing”) on the sides and bottom of the VHS source video. The result is a very clear video which fits perfectly in a 4:3 project window on my 16:9 HD computer screen with minimal pillarboxing.
It is at the stage of export where I am stuck.
The final DVDs are going to be viewed on a 16:9 widescreen TV, as well as on an iMac computer. I’ve read all much about interlaced scanning (VHS, Laserdisc, TV) and progressive scanning (computer, LCD TVs), but I’m still not sure if I can make a DVD which will look proper on both TVs and computers. In addition to the scaling, I am using Premiere to add chapter makers and poster frames to the video, which I wish to then export to either Encore CS6 or NeroVision – I love Nero’s animated 2D and 3D menu selections. What export settings should I use in Premiere which are closest to the original, imported .vob files? I’ve exported some test videos in MPEG2-DVD format to folders, but they are huge compared to the original DVDs made on the standalone recorder, i.e., 12.8GB on Premiere export compared to the 4.7GB import.
Are there settings to make the Premiere export as close to the original DVD import of 4.7GB without sacrificing quality? Should I simply import the sequence into Encore as a timeline and let it perform the heavy lifting of automatically compressing the files to fit on a 4.7GB DVD? NeroVision seems to not accept the MPEG2-DVD files; it “sees” only the .m2v video files and not the .wav audio files.
In a nutshell:
I want to take a raw DVD-R (or -RW, +RW) recorded on a standalone and copy to hard drive, add chapter markers and minimal scaling in Premiere Pro CS6, then export and burn a DVD that will look good on both a 16:9 TV and computer screen.
I'm trying to get this project finished for a soon upcoming family get together. Any suggestions, tips, and general advice would be greatly appreciated.
Eric

Hi Eric,
The issue I would have with the workflow is that DVD is heavily compressed for delivery - not meant for re-compressing again. You're re-compressing a file that's already been compressed as small as can be. Most DVD recorders have different quality settings, like 1 hour, 2 hours, 4 hours. Use the 1 hour mode on the DVD recorder to get the "best" quality source if you must re-edit the stuff. The typical workflow would be to have some sort of capture device on the computer that records a larger, less compressed file to begin with.
As for export from Adobe using Media Encoder, choose "MPEG-2 DVD" of course, and select "NTSC DV" for the preset. Under the VIDEO tab, you'll need to adjust the encoding bitrate according to the video length. A good rule of thumb is to use 560/minutes=bitrate, and I will round down a touch for safety margin. This assumes Dolby Digital audio on the DVD (AME exports .wav audio and Encore converts to Dolby). Note that most folks don't go over 7 or 8, for best compatibility (the max limit is a bit higher, but quality of VHS source is not going to get any better anyway at higher rates, GIGO).
Regarding audio for the DVD, could be that Nero expects ONE file with audio and video. In AME, look under MULTIPLEXING and change from NONE to DVD, this will combine them. Then under AUDIO, choose DOLBY or maybe MPEG will work for you. Use a 192k bitrate for audio if going that route.
Note sure what you meant about the 16:9 screen - would recommend against putting the 4:3 source material into a 16:9 sequence in Premiere in you are, this will do more harm than good. Stay with 4:3 throughout, including the DVD creation - the DVD player and TV ought to know what to do with it. You're actually REDUCING the resolution if you use a 16:9 workflow. Note that if you encode a 16:9 DVD using 4:3 material in the 16:9 frame, and then play that DVD on a 4:3 TV, bad news - it gets letterboxed AND pillarboxed and you end up with a small video surround by black on all sides. Not cool.
I'd stick with interlaced - if you deinterlace the footage at any point, you are essentially throwing away HALF the resolution, which is weak to start with for SD. Most software players will have Preferences settings to let you tweak the playback/deinterlacing at that point, and TVs will handle it fine.
PS - if you use Encore, then just export the .m2v and .wav files using Media Encoder, import both to Encore, and Encore then does NOT recompress the video any further (as long as it fits), only the audio gets the Dolby conversion. Do NOT use Multiplexed files in Encore.
Hope this is all helpful
Jeff Pulera
Safe Harbor Computers

Exporting AVCHD for BluRay in Premiere Pro CS6

Hello,
I have AVCHD files taken with a HD camcorder at its highest quality settings (HD FX - 1920 x 1080 - 24Mbps - H.264AVC). I am looking for the most appropritate workflow to edit these in Premiere Pro CS6 and burn them over to BluRay using Encore, while maintaining the original quality of the AVCHD files. Currently when I import the files into Premiere Pro, and preview the video clips in the sequence, the video appears as it does in the original files. In PrPro, the properties of the AVCHD files indicate that they are at 29.97 fps, 1920 x 1080, with square pixels (1.0). However, after exporting the sequence from Premiere Pro (via Media Encorder) to Encore, the video appears to have some jagged edges with some loss of video quality, and I would like to resolve this issue. For the export settings I am using the H.264 BluRay default settings. Please provide details on the correct/most appropriate settings that should be used to export the PrPro sequence to Encore with the above mentioned AVCHD files to Encore for recording onto BluRay while maintaining the original file quality. Thanks.

Seaspray - I will let the experts correct any bad advice here and perhaps I am adding nothing you already don't know or are doing. I recently went through the same exercise being new to PP CS6. Is that footage interlaced? I first drug a sample clip to the New Item button to create a matching sequence. I had some issues when I wasn't being careful about sequence settings matching, particularly putting interlaced in a progressive sequence. When I was ready to export, I chose the H.264 Blu-ray preset closest to my source footage. I made sure the key video characteristics matched - frame size, frame rate, progressive vs. interlaced, if the latter upper or lower, PAR, etc. etc. In some cases I tweaked VBR vs. CBR and bit rates. I then produced separate .m2v and .wav video/audio files. Then I imported those files as assets into Encore. You should then see Encore tell you it does not need to encode the video or audio after analysis. Unfortunatley, this process does require one encoding, but I don't believe there is anyway around that matter as PP CS6 apparently does not support "smart rendering". However, I think with just one encoding you are not going to see your footage noticeably degraded. Agreed, none of the monitors in PP or Encore should be used to judge quality. I also noticed major differences playing back files on my PC with various media players vs. PS3 + big TV.

Premiere Pro CS6 - A low level exception has occurred in ImporterMPEG

Hi Adobe Community,
I'm having a bit of an issue with the ImporterMPEG.prm plugin for Premiere Pro CS6 that's causing playback and exporting issues.
Computer Specs: Win7 PC, NVIDIA GeForce 6150SE nForce 430 graphics card
Description: After playing back video for a while, Premiere will eventually start repeatedly reporting "A low level exception has occurred in ImporterMPEG". The preview player will be completely frozen, and I'll be unable to export. The exporting will fail with a generic "Unexpected error" message.
This issue has only started a week ago. Until now, I've been able to use Premiere Pro CS6 with no issues. If possible, I'd like to avoid upgrading to CC 2014, because the CS6 version was working fine before.
So far, I've tried a few things:
• Deactivating and reactivating (which, by the way, apparently doesn't help subscription users like me, per my recent chat with Adobe support on this issue)
• Uninstall and reinstall (I didn't know about the CC Cleaner tool at the time, so I haven't tried a clean uninstall yet)
• Change the Preview File Format in Sequence Settings (from I-Frame Only MPEG which had worked since I installed the software over a year ago to Microsoft AVI)
• Crying silently to myself (this did not help, the computer is cold and cruel)
• Clearing out the media cache (which I'd never done before and let it get up to ~75GB without me noticing)
• Moving the plugin from its location in Program Files, hoping that maybe Premiere Pro would notice it was missing and to try to find a new fresh one (it didn't work)
So far, only the Preview File Format change seemed to bring relief, but the bad behavior came back after about a week.
I'm thinking maybe the ImporterMPEG.prm plugin got corrupted somehow? The one notable thing I can remember with the computer in the last few weeks was a power event that shut down my computer unexpectedly. I think I had Premiere Pro open at the time.
If it's relevant, I mostly work with .AVI, .MP4, and .TS files in my projects, all varying resolutions and FPS. I'm usually working with about 1GB of files in a project, very rarely more than 2GB.
Has anyone else had this issue? Or, even better, has anyone else resolved this issue?
Thanks!

But really, the real solution for me was to not update Premiere Pro CS6 after a reinstall. The most recent updates just do not like my computer, I guess.
Figured I should post this solution here in case anyone in the future has this problem. (relevant: xkcd: Wisdom of the Ancients)
-Sam

Editing Faster You Way with Adobe Premiere Pro CS6 | Adobe at NAB 2012 | Adobe TV

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.
http://adobe.ly/HImtcE

Sleek revamped UI?
Until the UIs across all CS products are consistent, the UI as a whole is a complete failure.
It is astounding how after all these years, the CS products STILL have different UIs and UXs. Even the way the user accesses basic functions for layers (rename, duplicate, etc.) are not consistent from one app to the next.
So please hold the comments about the UI, other than "We realize we have completely failed, and our different product groups do not care at all about a unified experience across the suite, and each just want to do their own thing. And nobody in Adobe was willing to beat our groups up to force them to have some consistency. That is priority #1 for our next release."

Does Premiere pro CS6 let you edit footage in After effects CC?

I was thinking about buying after effects cc but then i wonder if you still can have a good workflow between adobe after effects cc and adobe premiere pro cs6?
/Ted

Well, if you want just After Effects CC 2014, it is $20 per month. To get After Effects and Premiere Pro would be $40. But getting everything, almost all of the Adobe products, is only $10 more for a total of $50.
If you are in the USA. Otherwise it can be much more expensive.
To buy After Effects CS6 to work with your Premiere Pro CS6, it would cost around $900.

Migrate from Premiere Pro CS6 to Premiere Pro CC Installation

I am a Creative Cloud subscriber. When I initially downloaded Adobe Premiere Pro, I downloaded CS6. I know nothing about the program as I am a Final Cut Pro X user but I installed it so that I can start learning the software but have only just gotten around to finding the time to start learning it. However, I would like to install the CC version but want to know the best steps to take in order to do this? I downloaded the CCCleaner tool to resolve a different issue but can I use to uninstall Premiere Pro CS6 and then just download the CC version or do I need to do something else? I had not really started using the program so I don't have any preferences or anything that I need to retain. Thanks.

Do NOT uninstall Premiere Pro CS6 until you read all of these links!
CS6 is the final Encore http://www.adobe.com/products/encore/faq.html
-also http://helpx.adobe.com/encore/kb/encore-cs6-installed-cc.html
-http://tv.adobe.com/watch/davtechtable/using-premiere-pro-cc-encore-cs6-for-bluray-dvd-and -interactive-video-for-ipadatv-and-mobile-hd/
Also, The tutorial list in message #3 http://forums.adobe.com/message/2276578 may help, with more help in message #5

Premiere Pro CS6 and MXF Compatibility.

We have recently had a problem with audio dropping out during export using Premiere Pro CS6. This particular project file used a combination of footage from a Canon XH-A1 and a Canon XF305. It was created in CS5 (Not CS5.5) and was recently converted to a CS6 Project file. When we would export the sequence the video would have missing audio in several places.
We think it may be a compatibility issue with the MXF conatiner used by the XF305. I have seen other people mention issues they have encountered using a similar set up. Is this something that may be a an issue for us if we move forward using CS6 and the XF305 on all of our projects?
The problem was resolved by taking all the footage offline in CS6, deleting the render files, moving the cache folder and bringing everything back online.
We just want to make sure that everything is compatible like it should be and if not what kind of patches we could expect in the future? It would be preferable not to have to transcode our footage prior to importing into Premiere Pro.

I had this once too, and I "fixed" it by deleting the XMP files.
Ulf

Premiere Pro CS6 still much faster than Premiere Pro CC

I am currently editing videos that were captured using screen recording software. The files have subsequently been converted to .WMV clips with a data rate of exactly 4.4 MB/sec (that's Megabytes/second). This data rate includes both video and audio.
There is no problem editing these clips in Premiere Pro CS6. Playback and scrubbing are fine at any quality setting and at any magnification size. Unfortunately, this is not the case with Premier Pro CC2014. This "new" version of Premier Pro chokes to death with attempting to play back or scrub the exact same clips. Even at 1/4 resolution, CC2014 struggles along. I can improve things a bit by turning off CUDA acceleration (which makes even less sense to me), however, CC2014 just can't do what CS6 does.
I introduced this issue a few months ago, but it obviously has not been resolved by Adobe. They are bringing new feature into CC2014 all the time, but I'd much rather they focus on getting the software to work properly, like CS6 does.

Totally agree! C'mon on Adobe...let's fix the performance and the memory leakage!

Replace footage will crash Premiere Pro CS6

Hi,
I have a serious problem with Premiere Pro CS6 when I want to replace footage in the project. I need to replace .R3D files to ProRes files that I encoded via MediaEncoder.
When I replace the clip (.R3D to ProRes) in project browser, Premiere crashes every time announcing:
"Sorry, a serious error has occurred that requires Adobe Premiere Pro to shut down..."
When reopening the project (the recovery project Premiere Pro tried to save while crashing), the name of the file is still the same, but the content of the file has changed to the ProRes clip (they are different in resolution). When I replace the clip again, the name of the clip also changes and does not crash - however the clip was already changed even the name wasn't.
If I then replace another clip (.R3D to ProRes), Premiere will crash again. This happens every time I try to replace a new clip (.R3D to ProRes).
If I replace the other way around (ProRes to .R3D), Premiere will not crash.
Please help. This is very annoying problem, and I need this resolved as soon as possible!
Thanks!
(MacPro, OSX 10.7.5, PremierePro CS6)

Hi again,
nobody has an idea why this happens?
Well, I made further experiments, sent crash reports to Adobe, no reply.
The problem is still: when trying to replace footage (.R3D => AppleProRes), PremierePro crashes every time.
The following announcement pops out (to click OK):
Adobe Premiere Pro
Sorry, a serious error has occurred that requires Adobe Premiere Pro to shut down. We will attempt to save your current project.
Earlier PremierePro crashed and had to force-quit. Now I just have to quit it - it stays on but does not work and makes a pop-up (to click Continue):
Premiere Pro has encountered an error.
[/Volumes/BuildDisk/builds/slightlybuilt/PremierePro/UIFramework/Make/Mac/../../Src/Worksp ace.cpp-209]
Again, if trying to replace footage the other way around (AppleProRes => .R3D), PremierePro does not crash.
Please, help soon! Thanks.

Media wont load or freezes when viewing in Premiere Pro CS6 Media Browser

Adobe support contacted me on the phone and said that its a known issue if you have multiple formats or codecs when you try to view media in browser in Premiere Pro CS6 & Prelude it wont load or it will freeze. The Adobe support Tech said he would call back, but had to further research the issue. Its been over 3 weeks and I never heard back?
Premiere Pro CS6 & Prelude when trying to view media in browser wont load or it freezes during viewing in media browser. I downloaded CC version and it works fine in both app. I reinstalled both Premiere Pro CS6 & Prelude app to rule that out, deleted pref as well.
27-inch iMac, 3.5 GHz Intel Core i7, 32 GB 1600 MHz DDR3, OS X 10.9.5 running Premiere Pro CS6 & Prelude
I have been a long time customer of Adobe products and I hope this issue gets resolved asp!!!
Message was edited by: Kevin Monahan
Reason: shortened the title

Hi Zencuts,
When you try to view media in browser in Premiere Pro CS6 & Prelude it wont load or it will freeze.
I'm not seeing that behavior with various kinds of media. If it's a known issue, it's the first I've heard of that.
Do you have the latest update of Premiere Pro CS6 and Prelude CS6? You can try Help > Updates to make sure. I see you have an iMac on OS X 10.9. What kind of media are you using? Which GPU is in the iMac? Have you updated the drivers recently?
Your issues may well have to do with your installation of OS X, as well. Certain ways of updating to OS X 10.9 can reset permissions in your Adobe folders so that can cause problems. See this doc: Premiere Pro CC, CC 2014, or 2014.1 freezing on startup or crashing while working (Mac OS X 10.9, and later)
The Adobe support Tech said he would call back, but had to further research the issue. Its been over 3 weeks and I never heard back?
I'm not sure how you got through to support with a CS6 issue, as phone and chat support is no longer available for CS6 users (except installation issues in the first 90 days and activation issues thereafter). Forums are the only option for support for CS6 users, sorry. That said, the agent should not have promised you a call back and not followed up in some form or fashion. I will see if I can look up the case and let the agent know their error.
Thanks,
Kevin

Premiere pro CS6 export to DVD

Hi,
I have recently edited a film on premiere pro CS6 and it's all set to be exported. The film was shot with a 5D mark 3 @ 1920 x 1080, 24 fps. The timeline is about 160 minutes long. I have to export this to a DVD (like a classic DVD feature film with menus, subtitles etc). What export settings on premiere should I choose? I tried exporting in the .avi format but I'm getting horizontal lines (interlaced scanning) which is strange because I remember selecting the 'progressive scan' option.
I saw a video where this guy says adobe encoder is unable to resize HD videos into DVD (720x480) format succsessfully so he uses TMPGEnc video mastering to resize it before sending it to Encore.
Is TMPGEnc the only way around to this solution? Or is there something about premiere pro export settings that guy didn't know about, which probably the wise ones here can tell me?
Thanks in advance,
Kola

Thanks a lot Ann and Jim. You both being veterans on this forum I think I'm going to try both the methods starting with Ann's workflow. I've already started the export process and it says it's encoding it. This is what I've been seeing for the last 10 minutes:
I know you said the render bar won't show, but, here there is a bar only with no progress at all. Is this what you meant? Also, why is the CPU usage at 2% and RAM Usage at 19% when during encoding both figures hit the 50% - 60% mark?
So anyway, I closed the window and try again and this time it returned me an error, which basically crashes premiere:
Once again, I'm using premiere pro CC. Has this workflow been tried with CC?
Jim, I tried your method too. I referred to this page: http://neuron2.net/www.math.berkeley.edu/benrg/avisynth-premiere.html
I did exactly what it suggested, dropped the suggested .prm into the plugins folder. The first time I went to program > adobe > premiere cc > plug ins > common and then dropped the file there and opened premiere cc and went to export but under no option I get a 'link to avisynth' as filetype option. So then I go to program > adobe > common > plug ins > 7.0 > media core and I dump the .prm file there. I restart premiere and then go to export, same thing.
why are things so unnecessarily complicated and the ones which are not return error? This is so frustrating, I'm going crazy here. Please help, you guys.

Why am I losing my marker comments in Premiere Pro CS6?

I'm working on a project that has a ton of interviews. Typically I go through them and set markers for each answer to a question. I'll type notes for each marker in the "Markers Panel" so I can easily go back and know what was said without having to re-watch. When I'm done for the day, I'll save my project (which I do quite frequently throughout) and close down.
When I return and open my project, my comments are completely gone. And my marker in and out points are reset.
Has anyone every come across this issue before? I've tried to save as a new project but still have the same problems. Please let me know.
I'm running Premiere Pro CS6. The footage is Canon 5D Mark ii.

Okay, that's good to know. A little surprised that's not fixed in CC. Thanks for the help! Hopefully there's an update to resolve this for everyone. It's just weird because the history panel notes that I have made comments. Oh well. Looks like this will just take a little longer than expected.

Premiere Pro CS6 Creative Cloud & ProRes presets

I am using the Atamos Ninja 2 to capture footage from my Canon 5D Mark III. One of the options on the Ninja 2 is to capture using the ProRes HQ codec. I'd really like to be able to take the ProRes footage and use Premiere Pro CS6 (creative cloud) on my MacBook Pro (10.8.3). Is there any way to do this? I don't see ProRes presets available. I can import the footage, but can't drag and drop it into the timeline.

Joe Bloe,
Thanks. Here's what's interesting that I don't understand. I did what you pointed out previously. That works from a functionality perspective...sort of.
I originally captured at 30 fps (drop frame 29.97) on the Ninja 2 because of what I understood here:
http://atomos.activehosted.com/kb/article/codecfrres/when-should-i-use-24p
When I used the technique you described, the sequence settings were the same technically. But the editing mode listed is ARRI Cinema. There are still no presets I can see for ProRes. I'm not sure if the sequence that resulted from the steps you described are taking advaantage of the ProRes codec. And since I don't see any presets anywhere in PPro for ProRes, I'm still wondering how to get them in PPro.
I've seen this too:
http://blogs.adobe.com/VideoRoad/2011/08/a-prores-workflow-end-to-end.html
But I don;t understand how, in the above instructions, the option to select Apple ProRes in the Video Preview setting is available. Is this a difference in CS6 from earlier versions?
Btw, I have the latest version of Compressor (and Quicktime) installed so I should have the ProRes codecs available.
I also downloaded the folder of ProRes codecs for AME and imported them that was available here:
http://www.adobe.com/support/downloads/detail.jsp?ftpID=5411
This still doesn't make the presets available in PPRo.
What am I missing?
http://blogs.adobe.com/VideoRoad/2011/08/a-prores-workflow-end-to-end.htmljoe bloe premiere wrote:
When you create a new Project, you are initially presented
with a menu of Sequence types to choose from.
You can skip this step by hitting 'Cancel', import your media,
then do this to create a Sequence that matches your footage:
Or, select a media file, right-click and select "New Sequence From Clip".
-Josh

WARNING! - Multicam has MAJOR FLAW in Premiere Pro CS6!!!!!!

When you are using Premiere Pro CS6, and you are editing a multicam sequence and you hit PAUSE or STOP, Premiere CS6 makes a cut in your timeline and then changes shots back to the original shot whether you want it to or not!!! This forces users to go back and fix the un-intended cuts later which is a HUGE time waster. The thread below was started tracking the issue and then suddenly LOCKED by Adobe with a FALSE correct answer as the issue is NOT fixed! The answer is only an attempt at a workaround which DOES NOT work for everyone as pointed out in the thread and the thread should NOT have been locked as the MAJOR FLAW still persists and has persisted for years. Final Cut Pro, Avid, FCPX do NOT have this issue. Premiere Pro CS6 does.
This is the thread:
http://forums.adobe.com/thread/1069438?tstart=0
Premiere Pro CS6 is a nice editing program BUT it has a HUGE time-wasting flaw that makes editing multicam sequences VERY frustrating for many users and that still persists as of version 6.0.3. Please start by UNLOCKING a thread that is NOT resolved. The issue is NOT fixed and still persists as of October 2012. Marking something as the "correct answer" that does not work for everyone is unacceptible and only avoids the real issue that has been around for years as pointed out in the original thread started back in 2010. Please unlock the thread until the issue is resolved so the issue can be discussed constructively until its resolved!

Please don't double post. The content of the thread you referenced contains all the information that is needed to work around the issue. Thread locked. If you start additional topics for the same issue, they will be deleted.
Jeff

Premiere Pro CS6 to DaVinci Resolve Workflow

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